Originally designed by Alois Ganslmeier as a Billboard-Font, the Coma Font was later developed into a complete typeset with capitals and small letters, Cyrillic letters, Greek letters and Hebrew letters by Andy Jörder and Jörg Herz. The Coma Font is a massive constructed font which can be used for headlines. When only typed in capitals it gives the impression of blocks for there are no ascenders or descenders. The font comes alive because of its massive appearance, its edgy form and the opulence impression when used line-by-line. Not without reason, the font is named “dick und eckig”.

Aronia is a thin line uppercase font with floral motives. The typeface includes a Decorative and a Symbol version. To get an elegant and unique design, combine letters with elements. The font is easy to use in various design programs or without any program. Aronia is suitable for feminine business branding, eco-friendly and minimalistic art, social media design. The font works great for craft products branding and packaging (organic cosmetics and food, jewelry, handmade soap ect.) Also use individual letters and symbols to create logos and monograms. Aronia combines well with modern graphics: abstract shapes and line art.

SK Phlegmatica™ is a heavy geometrical grotesque with an industrial spirit. The typeface is built on a contrast between thin and wide lines. Such contrast creates certain frames, which in turn give room for experiments with the rhythm of symbols. The monumental shape of the typeface with the rhythmic contrast of the characters creates a unique pattern in the text line. In addition to the visual advantages, the typeface has technological advantages. SK Phlegmatica is a monospaced multilingual typeface that supports more than 100 Latin and Cyrillic languages. The typeface is great for highlighting titles, working with posters, and web design.

A modern neo-grotesque type family of 16 styles. BR Cobane is a fine balance of functionality and contemporary characteristics. Precisely drawn with a modern aesthetic in mind, Cobane has familiar qualities associated with the classic grotesques, but combines them with a stronger modern geometric flavour. BR Cobane is available in 16 finely crafted styles, with eight weights ranging from Thin to Black. The fonts also provide advanced typographic support with OpenType features such as case sensitive forms, icons, stylistic alternates, slashed zeros, and multiple figure sets. Also containing advanced language support as standard. For custom inquiries please contact: mail@brinktype.com

Fodecumbers is a strong FontFamily and Sans sophisticated look. Inspired by dynamic squares can be felt through controlled letterforms and a modern twist. Balance of hard lines and smooth curves. Each font in the family can be standalone, dynamic, and authoritative on its own, or mix it with italics for the tagline in a logo. it's really worth it. Fodecumbers includes all thirteen uppercase fonts: Four weights, two outlines, seven italics. FEATURES Four weights / Italics / Lines / Numbers & Punctuation / Extensive Language Support USE Fodecumbers works well in every branding, logo, magazine, film. The different weights give you the full Fodecumbers is a strong FontFamily and Sans sophisticated look. Inspired by dynamic squares can be felt through controlled letterforms and a modern twist. Balance of hard lines and smooth curves. Each font in the family can be standalone, dynamic, and authoritative on its own, or mix it with italics for the tagline in a logo. it's really worth it Fodecumbers includes all thirteen uppercase fonts: Four weights, two outlines, seven italics. FEATURES Four weights / Italics / Lines / Numbers & Punctuation / Extensive Language Support USE Fodecumbers works well in every branding, logo, magazine, film. The different weights give you the full range to explore a whole host of applications, while the fonts outlined give a real modern feel to any project. Any specific license questions or questions, feel free to contact zamjump@gmail.com zamjump

My uncle has a real fine handwriting. Especially the long ascender and descenders are very characteristic. It is dynamic and a good legibility. Try the font in a dark blue color (C90, M15, Y0, K60) and 22pt.

Cortland JNL was modeled [in part] from lettering spotted in the opening credits of Columbia Pictures 1945 Batman® serial. The classic clean lines of the Art Deco lettering used were perfect for translating into digital format.

A type between letter and number. Cypherals' fresh typeface is a mix-up of number parts and lines that reveal to be letters. So who is to say that numbers and letters don't have much in common?

Peas In A Pod may be a cute font, but this type has a plethora of uses. Its use of thick and thin lines makes it a wonderful display font or an easy-to-read body font.

The Keynsia family revives the spirit of the 1950s. Its simple and elegant lines make for an eye-catching set of display faces. A range of different styles are on offer, all with an extensive character set.

MISQOT, with beefy proportions and fine details is a titling font with lots of extras: lowercase, international accents and special characters. The 1.1 release features improved inter-weight metrics, additional characters and 9 newly added essential symbols.

Jashel Font is a stunning handwritten signature script font. With its graceful and flowing lines, this font closely resembles the strokes of a carefully crafted hand signature. Whether used for branding, logos, invitations, or other creative endeavors.

Inspired by circus billboards, old west posters and torn paper constructs, "Lonely Cowpoke" is an oddity of bold graphic forms and cheerful curving lines. Revelling in its own quirky nature, this playful font lightens up any mood.

New Renaissance is a modernized old style design based on generous proportions and clean, crisp lines. A 'New Renaissance' for the 21st century, New Renaissance makes for easy reading and looks good in both text and display.

Joanna Solotype is a headline typeface with Art Deco influence. The geometric shapes of the characters are emphasized by the three-line thick strokes. Use the Joanna Solotype font for book jackets and posters, signage and packaging.

Corabael is a classic, elegant script font. The lines of the upper and lower case characters are clean and clear, and it retains some of the characteristics of hand-written script without becoming too fanciful or irregular.

Borek is a geometric monoline sans-serif display font. It works well in both display and text applications.

Precision is a sans serif contemporary font with each character having a horizontal connecting bar before and after.

A serifed handwriting font with equal parts fun and flair. Wide spacing gives the font a festive feel.

Woozee is a serif font with characters that appear to be wobbly and are not clean and crisp.

Condensed Sans-Serif font family 7 widths with corresponding italics 2 free fonts (Aureola regular & italic) OpenType features

Geometric sans-serif with clean, ordered, hi-tech, futuristic feeling. For texts, titles, interfaces, logos, technical inscriptions, everything.

Designed to be layered, DeepFried is a multi-weight geometric sans-serif with a 70's pop feel.

A rough hand drawn playful serif that would be good at larger than normal text use, or headlines.

A revival of an unusual wooden type font of the 19th century, a sans serif, suitable for display.

Modern geometric sans serif typeface. Suitable for many projects such as logo, printing, social media, website, apps, etc.

Adelon Serial is a classic flare serif typeface. Use it for titling, packaging, and other types of headlines.

An elegant take on Bodoni, with its subtle flared serifs that give it a very beautiful distinguished look.

Tournedot is a semi-serif headline font with two stylistic sets to give more possibilities for different feel.

A simple and uneven handmade brush seriffed font. Great for that extra dip your handmade looking designs need! ;)

Moonbandit presents Predatory, a bold modern sans serif titling font. A multi purpose display font with high impact

Slender is a sans serif contemporary font with each character having a horizontal connecting bar before and after.

FattyPans is a strange, bizarre font with spiky serifs that bulges where letters are not supposed to bulge.

A hand-sketched sans serif sketch font. For a solid version, pair this with KG Second Chances Solid.

A heavy bold serif face, packs great punch; excellent headline font. Can be used for many different applications.

Equal parts Sabbath and Blackletter. Its distinctive serifs will make any metalhead want to stand up and shout!

A beautiful new sans serif great for magazines, ad work, text or headlines works for all your needs.

Dederon Serif has been specifically designed for book setting. Preliminary sketches were drawn in 2004. Its inspiration — particularly its weight and width proportions — can be traced to the Liberta typeface from the TypoArt type foundry in former Eastern Germany. After a careful study of the model, the design of Dederon branched off into its own direction, finding its distinctive voice and becoming a wholly original type family. Dederon Serif kept most of the elements typical for the Old Style Roman lettering, such as the angle of the stress, the medium x-height, and lower contrast. In large sizes, the typical shapes of the letters stand out — the calligraphic feel characteristic for the Czech typefaces by Oldrich Menhart, the unusual serifs hinting at the angle of the pen, the shapes of the stems, or the terminals of dots and ears. Upon finishing the serif version, a sans-serif variant called Dederon Sans was added. The construction principles are also derived from the Old Style Roman model, which lends the lettering its open, humanist feel. Yet the design also conforms to the rules of the modern sans serif. Most characteristics of Dederon Sans match the serif version — the weight of individual cuts, the width proportions, x-height, ascenders' and descenders' length, and the slope of the italics. Each version of Dederon Open Type Std contains the standard Western Latin character set and the Central European characters; a number of basic and accented ligatures, small caps; old style, small caps and caps, table, fraction and superscript numerals; expert glyphs and alternative characters. This brings the total to a comfortable 820 glyphs per weight

Weekly: a slab serif that wants to be a sans. The font was created under the premise that it can be used as a sans: a fresh design without that retro feel typical of slab fonts. As a result, we developed an Egyptienne font—more simple compared to others of its kind, a feature that gives it its unique personality. Weekly was based on fonts with humanist proportions, such as ‘Oficina’ and ‘Caecilia’, both created in the ’90s. Typefaces like these give designers the possibility to use them in books or magazines, in contrast to geometric slab fonts or early 20th century fat faces, which are mainly used for advertising or display text. Another feature that reminds us of humanist sans fonts is the small difference between x-height and cap-height. Some characters in Weekly like ‘a’ or ‘g’ lack serifs and some like ‘c’ or ’s’ have short serifs, giving it a semi-serif air. Weekly comes in both light and heavy weights. The heavier ones bear resemblance to Egyptienne slab serif typefaces with strong personality. These variants are ideal for use in posters and big, powerful headings.

PT Root is a contemporary sans serif with strict, laconic forms. It’s a versatile typeface that provides a wide range of possibilities. Regular style works great in long texts (both on screen and in print), as well as in the interfaces. Medium and Demibold are good for signage, while the lightest and boldest styles look great in large sizes and are suitable for the brand identity. PT Root is a sans serif with 10 weights and a variable version. Its character set includes extended Latin and extended Cyrillic, three arrow variants, fractions, index numbers and letters. PT Root automatically lifts dashes and brackets with the case change. Its characters have stylistic variants, including the single-storey a, a strikethrough zero and some local alternates for Bulgarian and Serbian Cyrillic. PT Root can work in a project both independently and in pairs. Contemporary serif typefaces are the best text companions for it — try for example PT Serif, Yefimov Serif or Scientia. In case PT Root is the only text typeface in the project, then combine it with serious typefaces, such us technical (Din Condensed as an example) or pronouncedly contemporary typefaces, including postmodern ones, from Stapel or Spile to Helsa.