Core Circus is a layered type family consisting of seven 3D effect layers, eight 2D effect layers and one shadow effect layer. Uppercase and lowercase letters are separated by such features that counters are opened or closed. Core Circus provides other closed counter styles such as numbers with opentype feature (Stylistic Alternatives). Also available Core Magic (Slab- Serif version of Core Circus) and Core Circus Rough(Textured version) The shape of Core Circus is simple but the combinations of effect fonts are impressive. Core Circus makes your works charming and special with endless combinations (at least 262,551 kinds). This family is really nice for book titles, headlines, logotypes and any artworks.

The last couple of years felt like I was living in a bad dream: I witnessed crazy leaders, climate change and now Covid. I usually name my fonts after things that affect me and this one is not different. Dreamworld is a font I made with a cheap marker pen I liberated from my kids’ pencil box (I will put it back, pinky promise…). It is a bit rough, but also very easy to read and distinctive enough to make your work stand out. Of course it comes with extensive language support (let me mention Vietnamese again…) and two sets of alternate glyphs, that cycle as you type.

The Waratah flower is the the emblem of the State of New South Wales, Australia and is unique in its color and design. So too is this new contemporary sans serif typeface that bears its name. With a warmth and friendliness that echoes its origin Waratah Gothic is at home in both text and display and has potential to become a font family with a variety of weights and italics. For corporate, packaging or simple one-line display settings Waratah Gothic is sure to please. Waratah Gothic features a generous x-height and subtle rounding on alternate terminals providing a softness that makes for easy reading.

“Aeternus”, a new geometric Sans Serif typeface, with matching italics. The combination of several weights, provides versatility in any text usage. Developed in a range of nine weights from thin to heavy, with a matching set of italics, Aeternus has been designed to optimize the space and preserve the legibility in any text size. Use effortlessly this typeface for titling, contemporary branding, web design, UI/ UX design, clothing, large print formats. Specifications. - Files included: Aeternus Thin, Aeternus ExtraLight, Aeternus Light, Aeternus Regular, Aeternus Medium, Aeternus SemiBold, Aeternus Bold, Aeternus ExtraBold, Aeternus Heavy with corresponding italics - Formats:.otf - Multi language support (Central, Eastern, Western European Languages)

Coben is a modern and futuristic san-serif font family. Simple and modern shapes with a tall x-height make the text legible and the spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Coben Family consists of 2 widths (Condensed, Normal), 4 weights (Light, Regular, Medium, Bold), and Italics for each format. Coben provides a Central European character set. Each font includes support for Tabular numbers, Old-style Figures and Opentype Features such as Proportional Figures, Numerators, Denominators, Superscript, Scientific Inferiors, Subscript, Fractions and Standard Ligatures. We highly recommend it for use in books, web pages, screen displays, and so on.

Birch was designed in 1990 by Kim Buker Chansler, who based her forms on the designs of the turn of the 20th century. The new age needed new typefaces for an ever-increasing commerce and its advertisements. This time period therefore saw a profusion of new typefaces, all of which were meant first and foremost to catch the eye of consumers. To this end, style elements of past ages were reused, changed, and combined. Birch is modelled after a woodtype, a style made famous by its use on wanted posters in western movies. The narrow and space-saving Birch is perfect for headlines in display point sizes.

Gladian Script, a new & modern script with handcrafted calligraphy styles, decorative characters and dancing baselines! So beautiful in invitations like greeting cards, branding materials, business cards, quotes, posters and more !! Gladian Script is equipped with 144 glyphs. Alternative characters are divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type feature can be accessed using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, and Microsoft Word. And this Font has provided PUA unicode (custom coded font). so that all stunt characters can be easily fully accessed by a craftsman or designer.

North American version for teaching children’s first letterforms With dots and arrows these print script fonts have no ‘exit stroke’ found in the European version. An upright typeface family developed to meet the demand for letters to produce pupil material for handwriting as well as for reading. Upright letters with extended ascenders and descenders are ideal on screen. They facilitate word recognition. Teachers can print desk strips, charts of letter families and alphabet friezes, as well as consistent material across the curriculum. Together these typefaces provide a valuable resource for special needs teachers. Free to download resources How to access Stylistic Sets of alternative letters in these fonts

Benua font family, a sleek and modern sans serif font designed with unique curved details at the letters a, d, l, m, n, p, and r. These details give the font a distinctive look and feel, creating a cohesive and harmonious design. Closed apertures and generous spacing of the font provide excellent legibility, making it an ideal choice for both print and digital media. Benua also features small caps, which add a touch of elegance and sophistication to any design project. The font comes in 9 weights, from "Thin" to "Black," each equipped with its own italic version, allowing for a range of emphasis and flexibility in design.

Verlo is a modern minimalist font that compliments any sort of graphic and web design. This font is perfect for branding, wedding invitations, magazines, business cards, quotes, posters, and websites. The complete font set includes; Regular, Italic, Light, Light Italic, Bold & Bold Italic will bring a unique and tender look to your overall design, as any typeface is a major part of the design. The font is designed so easily be read & bring a minimalist effect to any kind of design. Kufic Studio is a platform that provides professional and high-quality designs & fonts to fill the gap that has been missing in the market.

Shandon Slab adds a new colour to the prominent family of serif-dominant typefaces. A distinctive look with its slightly flowing characteristics sets it apart from most members of the category. The contrasting italic styles add a vivid accent. Shandon Slab is predestined for editorials, headlines, and eye-catching text applications. The Shandon Slab family consists of 18 styles. It comes in OpenType format with extended language support for more than 40 languages. All weights contain standard and discretionary ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternative characters.

HS Hadeel Serif is a versatile display typeface designed for use in titles and graphic projects that support Arabic, Persian and English. It draws inspiration from the modern kufi style and features a unique blend of sharp and curved lines that lend a beautiful and geometric structure to each character. Based on the original HS Hadeel typeface, HS Hadeel Serif includes a serif on some of its characters to provide a more traditional look. Two weights are available for this typeface: Regular and Bold. HS Hadeel Serif represents a valuable addition to Arabic typography, offering designers a visually striking and flexible option for their projects.

Core Magic is a slab-serif version of Core Circus which is a layered type family consisting of seven 3D effect layers, eight 2D effect layers and one shadow effect layer. Uppercase and lowercase letters are separated by such features that counters are opened or closed. Core Magic provides other closed counter styles such as numbers with opentype feature (Stylistic Alternatives). Using Core Magic with Core Circus could make your works more charming and special with endless combinations (at least 262,551 kinds). This family is really nice for book titles, headlines, logotypes and any artworks. Also available the rough version of this family - Core Magic Rough.

Clementhorpe is inspired by the lettering on an early 20th century enamel advertisement-for chocolate. From the dozen or so hand drawn letters found in that source Greater Albion Typefounders have constructed a family of Roman faces for display and text work, with bold weights, an italic form as well as condensed, small capital and title forms, all preserving the fun of their inspiration. The Clementhorpe family provides a complete solution for early 20th century inspired design work with Character, offering all the faces needed to complete a project or a range of projects within one family. Give this flexible family a try in your next project!

Captain Nelson is a beautiful collection of fonts, which consists of a script and serifs. In this collection you will see serifs in a clean style, inline style, rough style, inline rough style, printed, lined style, and the script style in clean, rough, printed, lined version. With their help, a lot of options are opened for you to create your projects, both in vintage and in modern style. The script fonts in this collection provides charisma and charm, it is carefully assembled and supplemented with alternates and swashes. The Serifs come in 6 styles and make it possible to choose the style that is necessary for your design.

Pethuk is a bamboo-themed display typeface that was created with attention to provide a distinctive, elegant, and versatile font for your diverse project needs. This display typeface is a lot of fun; get it today to give your project a bombastic flair. This font is perfect for games, sporting events, branding, banners, posters, movie titles, book titles, quotes, logotypes, and more. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a complimentary font family, both for titles and subtitles and sentence text, start using our fonts for your amazing projects.

Redland is a modern classic serif font that created for brand or logo design purpose. It teases your eyes with its curves yet still able to maintain its classy composure. The variety of weights provide a range of choices that will help you find the best typographic colour. The available stylistic Ligature and Alternate offer a perfect font for anything your creativity takes you. 5 Weights (Light, Regular, Semibold, Bold, Black) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Alternates & Ligatures Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

FT Aessthetique is a modern classic serif font that effortlessly combines delicate lines with bold strokes. Its aesthetic captures a beautifully romantic style, blending vintage elements with nostalgia. FT Aessthetique goes beyond being a font; it's a crucial brand element that seamlessly complements other fonts, imparting a sophisticated appearance to any project. Its professional characteristics make it appealing for expressing individuality across various endeavors. The font is perfect for large headlines and titles. FT Aessthetique features 65 ligatures and 35 alternative letters, expanding its versatility and providing creative possibilities. It supports most Latin-based languages and includes an extended set of symbols, punctuation, and diacritical marks.

Abrade is a geometric sans serif with rational design choices for contemporary functionality. The family is designed with a medium x-height to provided great legibility in both display and text sizes. The forms are refined to work well in print and on screen. The italics maintain the rational forms, with only the essential structural changes. With 12 weights, the family is ideal for publications, digital media, corporate systems, branding, as well as your band’s gig poster. Abrade is equipped with extended language support, including Extended Latin, Greek, and Cyrillic. Features include: stylistic alternates, small caps, figure sets, and lots of OpenType features to keep designers happy.

Experience the authentic charm of Rottis Amesty, a captivating Signature Handwriting Script Font that mirrors the natural flow of handwritten text with the subtle nuances of a ballpoint pen. With its unique ballpoint effects, Rottis Amesty adds a touch of elegance to your projects, making it perfect for signatures, logos, and various design endeavors. This font features both uppercase and lowercase letters, numbers, and punctuations, providing versatility for your creative expressions. Its multilingual support ensures seamless communication across different languages, while the PUA encoding allows easy access to special characters and ligatures. Download Rottis Amesty Signature Handwriting Script Font now and infuse your designs with personalized handwritten style.

Boster is a stylish modern calligraphy font with a chic casual style. It's perfect for branding, wedding invitations and cards, and maybe for red wine labels. The booster includes a beautiful full set of upper and lower case letters, numbers, assorted punctuation marks. All lowercase letters include start and end strokes, providing a realistic handwriting style. What did you get, honey? To use beautiful strokes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign, and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional font swash file: Thank you and have a nice day, Gulya

Crypt is a seemingly lovely font that will look good in just about any design. But if you take a closer look, then Crypt is actually quite a scary font: it has jagged edges and a sinister undertone, making the letters jump from your computer and eat you alive! Whoohahaha…!! No, it won’t eat you, I’m just kidding. I just threw that in for some dramatic effect in an otherwise quite boring piece of text. Use Crypt for book covers, posters, product packaging and magazines. I promise you that the result will be quite haunting. Needless to say, Crypt comes with an otherworldly amount of diacritics.

Silver Thread is a hairline thin geometric sans serif font with both art deco and 1970s elements to it. Perfect for any project that needs a typeface which evokes elegance and sophistication. Digitally revived from an older photo-typositing face, Silver Thread is named after a waterfall in eastern Pennsylvania. The font contains alternate versions of B, Q, W, &, a, e, k, n, s, t, u, w, y and 4 for added variety. They can be found under the Stylistic Alternates OT feature. Jukebox fonts are provided in OpenType .otf format and all fonts contain basic OpenType features as well as support for Latin-based and most Eastern European languages.

Ascent Pro – a modern geometric sans serif with an engaging character. Inviting and versatile, with ton of stylistic alternates and ligatures to choose AscentPro works perfectly for logos, headlines, posters, packaging, business cards and many more! Thinner fonts look great in text copy. All in all 18 fonts including obliques provide you with a huge number of design options. HOW TO ACCESS ALTERNATE CHARACTERS Open glyphs panel: In Adobe Photoshop go to Window - glyphs In Adobe Illustrator go to Type – Glyphs / or Window – Type - OpenType FEATURES: 18 weights and obliques Stylistic Alternates & Contextual Alternates Standard Ligatures & Discretionary Ligatures Numerals & Punctuation Fractions, Superscript & Subscript Multiple Latin Languages Supported

Gwen is a variable type system in 7 weights. The complete font family consists of two subfamilies: the highly characteristic Display Serif family which shows its full potential and beauty in big sizes and a more subtle Text variation appropriate for smaller sizes. The variable font combines the best of both worlds and provides unique flexibility to switch between all of the font weights and the text and display style at the same time. The font supports Extended Latin and Cyrillic scripts and its main purpose is to be used in editorials, although it may find good implications in headlines, impactful landing pages, posters, and packaging.

Silver Miranda is a sans serif font with an elegant and classy. Each typeface is crafted to produce a vintage modern font. This font features can direct you to access unique typeface collections. You can make works with clean elegant and professional writing, or make attractive decorative with alternative and ligature styles. This font is great for creating any desired projects such as logos, posters, headlines, albums, quotes, clothes and many more. This font is perfect for you if you want to come up with something interesting! Please see the pictures provided. I would like to know how you can get creative with this font. Thank you!

Celestial Script modern script style sweet calligraphy, decorative characters and dancing baseline! Very pretty on invitations such as greeting cards, branding materials, business cards, quotes, posters and more. Celestial Script comes with 427 glyphs. Alternate characters are divided into several Open Type features such as, Stylistic Alternates. The Open Type feature can be accessed using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop version of Corel Draw X, and Microsoft Word. And this Font has provided PUA unicode (custom coded font). so that all alternative characters can be easily accessed in full by a craftsman or designer. Thank you for your purchase!.

Masiva font family has been designed for Graviton Font Foundry by Pablo Balcells in 2018. It is a geometric sans serif typeface with carefully crafted curves that provide a soft and pleasant appearance. Its universal shapes make it suitable for any kind of project, text length and size. It can be used as a powerful display typeface in big sizes. Also, thanks to its legibility, it can be used in long body texts in very small sizes and everything in between. It performs just as well in classic style projects as in contemporary or modern ones. Masiva consists of 12 styles, each containing small caps and glyph coverage for several languages.

Roges is a trippy hippie retro font that brings flowing handwriting to your text graphics. This font provides a great complement to your project, multiple character alternatives that add subtle wiggles and beautiful title matches create some surprises in the perfection of the look of your project, hurry up to create an amazing project with this font now. What’s Included : File font Standard glyphs Iso Latin 1 Simple installations We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

Immi 505 is another of Tim Donaldson�s prolific works. Inventive and fun-loving as always, Tim used a pen nib called a ?Brause 505? to create the letterforms for this design. The Brause 505 was an invention of Karlgeorg Hoefer. Hoefer created his typefaces Salto" and Saltino" with this nib. The other part of the name, Immi, is the nickname of Donaldson�s five-year-old daughter Imogen. The resulting unusual curves and open character of Immi 505 create a distinctive rhythm and color appropriate for short blocks of ad copy, titles, music CD covers, and Web page headlines where a bit of extra width is needed."

Say hello to Bemicy, a display font that combines handwritten touches with scribbled elements. This font comes with uniqueness and wit, bringing an experimental feel to each character. Each letter in Bemicy exudes a touch of scribbled handwriting, creating a stunningly experimental feel. Bemicy brings artistic uniqueness to your projects, giving them a look that is full of character and distinction. Bemicy is a great choice for projects that require an experimental, scribbled hand feel. Whether you're designing promotional materials, posters, or other works of art, these fonts provide an unforgettable personal touch. Get the Bemicy Display Font now and bring artistic distinction to every character.

Mansory is a modern contrasting and elegant sans serif font, which is presented in an upright and oblique style and also has 4 weights, this gives more opportunities for your design project. Contrasting lines and balanced forms of these fonts will provide recognition and will be easy to read. The regular style is perfect for text, while the heavier ones are perfect for logos, headings or will highlight exactly what you need. Mansory has stylistic alternates and ligatures that are harmoniously combined with the font, with them you can make your project more individual. This font is easy to use and has OpenType features.

Nophine is a typeface conceived by Sulai Man specifically for intensive editorial use, mainly in newspapers, magazines, and online, its personality and flexibility make it a true multipurpose typeface. The intermediate weights deliver a neutral look when used in text sizes, providing the usual robustness expected in a newspaper font. The unobtrusive appearance, excellent texture, and slightly colour allow it to behave flawlessly in continuous text, even in the most unforgiving editorial applications. As it becomes larger in print,Nophine shows its personality through a series of measured particularities which make it easy to remember and identify. Its energetic character, becomes evident when used for subheadings and headlines.

A highly intrincated set of ornaments inspired from the work of Johann Georg Schwandner (1716-1791). An accurate historical revival and interpretation of Iza W, at Intellecta Design. State-of-art to use in headings, chapter initials from books, magazines and other publications. In Barocque and Renaissance inspired layouts, or modern mixed proposals. If you’re taking a formal approach to your Christmas designs, Schwandner Ornaments from Intellecta Design will provide unparalleled elegance and sophistication. The ornaments and fleurons in this set are intricately drawn, adding a touch of the Victorian era to cards, envelopes, gift tags, and place cards worthy of the grandest holiday feas

The concept is “Geo-Soft”: characters are constructed from arcs of circle connected by orthogonal straight lines, with few diagonals and nary a sharp corner. The effect has an engaging tension, as soft edges are carefully balanced against rigorous structure. All four of the main weights, including italics, have exactly the same metrics. Beyond these basic styles, suitable for both text and headline, there are additional display fonts—Extra Bold and Black for density, and College, Rust, Rough and Medium Shadow for decorative detail. As options, minuscule-form “a” and “e” are provided at cap height for the classic unicase style, in all 14 fonts.

Pristinia Duo is a powerful fancy and impactful bold mono-lined script font that comes in with a clean all-caps sans serif font that makes a great harmonious pair. The monolined script comes in with a large number of ligatures providing you with several options for your designs. Pristinia Duo is supporting western, southern, southern american and south eastern european. Pristinia Duo is perfect for branding, web headings, logos, quotes, movie titles and more... Promote your next project today with this great duo and set your message apart from others. I am eager and elated to see what you can do with Pristinia Duo!

Designed at Polygraphmash type design bureau in 1951-52 by Vera Chiminova, Isay Slutsker, et al. Based on Candida of Ludwig&Mayer, 1936, by Jakob Erbar. This typeface has the characteristics of slab-serif, but serifs are much thinner. The capitals are of generous width, x-height is large. Good legibility in small sizes makes this typeface useful in newspaper and magazine typography, while strong character shapes provide for pleasant display lines. The digital version in 3 weights was designed at Polygraphmash by Alexander Tarbeev in 1988. Small capitals, additional Bold, Extra Bold, and Extra Condensed styles were developed by Manvel Shmavonyan and released by ParaType in 2008.

Elegant, graceful and timeless. Calera is a versatile font with timeless classic appeal, more than a dozen alternatives & ligatures, multilingual support and great precision for you to incorporate into your designs! Each letter has been hand drawn and crafted with great care. The various weights provide a variety of options that will help you find the best typographical character for your project. Perfect for logos, notes, posters, t-shirts, stickers, posters, mugs, labels, etc. To access alternative glyphs, you'll need a program that supports OpenType features such as Adobe Illustrator CS and Adobe Indesign. How to use the open type feature https://helpx.adobe.com/illustrator/using/special-characters.html

"Street Stronger" is a graffiti font with three layers that can be used to create a three-dimensional (3D) effect on your text. By using these three layers in your design, you can add depth and dimension to your typography. Fonts with these layers are often used in street art, posters, or other designs that aim to create a prominent 3D effect. With "Street Stronger," you have the ability to create text that looks different and adds a strong 3D impression by using the various layers. This allows you to customize the text's appearance to fit your design vision and add a powerful three-dimensional touch to your project.

Jure Stojan first created JY Klin for a student magazine in Ljubljana, Slovenia. ‘It was borne out of my frustration with layout [programs] and their taste for messing with decent fonts (making the headline occupy the entire column width at any cost, for instance). Therefore, I designed a “heavy duty” display font—it can be extended up to 120 per cent without any loss in quality (it is fairly condensed, so no one could think of squeezing it any further). I even used the font, stretched by the very 120 per cent, for 10 point text and the result was surprisingly legible (given some peculiar details prominent at display size).’