Pen drawn in line, outline typeface originally designed for embroidery application. Boott was designed for print media in a wide point size range. Boott requires subjective display kerning and compensation.

This typeface was inspired by a font used by Henrie Ballard. Ballard operated on Fleet Street at the Signe of the Bear in London, England. He was active in the industry from 1597-1608. The font is meant to capture the feel of the original typeface with the capability of reproducing the many ligatures that are part of what make that era's printing interesting. The Italic version has a dramatic feel that is almost handwritten in appearance. Every Proportional Lime font comes with a complete guide to its Unicode extended character set.

Suffolk is a traditional yet modern font family that takes inspiration from the county of Suffolk and its rich coastal history. This handwritten style font is a modern rustic take on a traditional script font and comes with a joined up 'script' style and an individual 'print' style. Along with a 'serif' style that evokes a similar feeling of old meets new that works well alongside the two handwritten styles.

Broft is a pointed substantial linear sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs with ligatures and fractions provided in opentype .otf and .woff format.

The first slab serif fonts appeared at the beginning of industrialization in Great Britain in 1820. Clarendon and Ionic became the names for this new development in England, known as English Egyptienne elsewhere in Europe. Clarendon is also the name of a particular font of this style, which, thanks to its clear, objective and timeless forms, never lost its contemporary feel. In small point sizes Clarendon is still a legible font and in larger print, its individual style attracts attention.

The first slab serif fonts appeared at the beginning of industrialization in Great Britain in 1820. Clarendon and Ionic became the names for this new development in England, known as English Egyptienne elsewhere in Europe. Clarendon is also the name of a particular font of this style, which, thanks to its clear, objective and timeless forms, never lost its contemporary feel. In small point sizes Clarendon is still a legible font and in larger print, its individual style attracts attention.

Gladstone Street is a handmade, script font featuring subtly distressed letterforms designed to emulate the look and feel of letterpress printed type.

Ruffcut is an antique wood type style that evokes the look and feel of type used in the design of poster-sized advertisements for circus, fairground and like events in the late 19th century. It is inspired by the memories of printing letterpress posters on an old cast-iron flatbed press where the oversized posters were usually composed directly on the bed of the press using mostly wood type as large as two feet high. Ruffcut is optimal at large sizes for a wide array of decorative issues.

Drop Caps happen. They started off life as decorated initials way back when in the days of illuminated manuscripts. Then printing came and they became the work of the rubricators and then somewhere soon after printing began, at least by the 1490’s, they were printed directly into the text. This then is a collection of over a hundred glyphs from that closing decade of the Incunabula period. All of them are based on examples found in the works printed by Michael Wenssler in Basel. This font also contains a few useful pointing hands and a set of spacing characters.

FebDei is neat, meticulous hand printing in two weights, plain and bold, each with italics. It has little contrast and appears as if it was written with a pencil or ball-point pen. Unlike many other hand-printing fonts, it has tiny serifs. FebDrei was created in the process of making the fonts AllSmiles and BringInTheFrowns and can be used with them.

Based on Mr. Hubbard's own hand printing, Richfont Medium is an extremely casual design. Actually light in weight, it renders best at 14 point and above. Richfont Light and Bold are available from the designer.

Inspired by printed texts from 18th century France, Millesime has a gritty grainy texture that adds a natural and sentimental feel to this stylish rusty style font.

March Anchor is a organic blackletter with handdrawn feel. This typefaces is perfect for people looking for vintage aesthetic and dark feel. Suitable for any graphic designs such as branding materials, t-shirt, print, logo, poster, t-shirt, quotes .etc Regards, Ironbird Creative

New Jonesy Latin is a rough version of Jonesy typeface. It includes 4 Styles: Print Script, Print Capitals, Rough Script and Rough Capitals for Latin languages. Print Styles work better in middle and large font size. New Jonesy is a funny modern script with a touch of vintage. It is good for menu, packaging, posters and as a starting point for lettering and logos. All contextual alternates are built into the “Liga” feature that is turned on by default. However, when your work with the typeface, please make sure that “Liga” is turned on.

Aero Wolves is a organic blackletter with handdrawn feel. Comes with regular, stamp, oblique and outline styles. This typefaces is perfect for people looking for vintage aesthetic and dark feel. Suitable for any graphic designs such as branding materials, t-shirt, print, logo, poster, t-shirt, quotes .etc ADDITIONAL INFORMATION For upgrading license please contact me. Upgraded licenses are required for apps, books, television, commercial exhibition, film, gaming, print on demand products, etc. We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Thanks for purchasing and have fun! Regards, Ironbird Creative

Anachak font, Is a square structure. It emphasizes the sharpness of the serif, giving it a strong and formidable feeling. Suitable for headlines for various publications such as Packaging, Print Ad, Etc. Available in 18 styles. - ฟอนต์ อาณาจักร โครงสร้างเหลียมมีเชิง ขับเน้นความคมแหลมคมตรงช่วงจบเส้น และฐานเชิง ให้ความรู้สึกหนักแน่น น่าเกรงขาม ยิ่งใหญ่ และดุร้าย เหมาะสำหรับการพาดหัวสำหรับสิ่งพิมพ์ต่างๆ เช่น Packaging, Print Ad, Etc มีให้ถึง 18 สไตล์ เลือกใช้ได้ตามความเหมาะสม

Joomplank is a decorative font with a pointed shape at the end of each letter. The pointed tip gives a firm impression on the appearance of your design. This font has four families that allow designs to choose according to their needs, plus an opentype feature that helps designers produce the best work. This font is very suitable for use in posters, screen printing, logos, and more.

Meet Revla Serif, an unashamedly spirited font, with a spring in its step and a lust for life. Loosely based on a few letterforms from a mid century poster, it takes the feel of Madison Avenue print ads and runs with it. OpenType acrobatics ensure letters don't repeat monotonously, using the contextual alternates feature. Also included for your viewing pleasure - automatic fractions, case sensitive forms and one solitary stylistic alternate, an alternative ampersand. And that's it! Put the fun back into your text with Revla Serif.

Elegance meets accident. A sturdy distressed all caps typeface that gives you the feeling of the happy little incidents that may happen when you print with silkscreen or letterpress. A whole bunch of alternative letters embedded in a pseudo-random OpenType feature does the magic. Get yourself surprised CA Mystery Girl speaks a lot of languages, at least all those covered by the extended Latin character set. Which means you can travel to Iceland, Turkey, France or Poland, this girl will always be your interpreter.

Anthilla is a modern and bold paint brushed script font, featuring a smooth and dynamic feel.

The font Eckmann is named after its designer, Otto Eckmann, and appeared with the Klingspor font foundry in 1900. The influence of the Jugendstil is clear to see in the flowing floral contours of the letters. This font was made for larger point sizes, like on posters, and while relatively legible, it is not meant for smaller print. The font was often used in book titles and advertisements of the 19th century and today Eckmann is often used to suggest a feeling of nostalgia and is often found on the Jugendstil facades in Germany, Austria and Switzerland.

Dacttelyons is a blackletter typeface inspired by gothic era, and this typeface perfect for people looking for vintage with dark feel. Dacttelyons suitable for any graphic designs such as branding materials, t-shirt, print, logo, poster, packaging .etc ADDITIONAL INFORMATION For upgrading license please contact me. Upgraded licenses are required for apps, books, television, commercial exhibition, film, gaming, print on demand products, etc. simply email me to : hastohst@gmail.com We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Thanks for purchasing and have fun! Cheers 🍻

Everland Script is a hand painted bold script font inspired by old signage and sign painting. This font is great for your next creative project such as Logotype, printed quotes, invitations, cards, product packaging, headers, Letterhead, Poster, Apparel Design, Label, and etc. Everland Script comes with uppercase, lowercase, numerals, punctuations and so many variations on each character include OpenType alternates, and common ligatures to let you customize your designs.

PM Orchid is a soft, flowing Art Nouveau typeface with tons of ligatures and alternates. It comes in two handy styles - clean and printed. PM Orchid Clean has sharp, clean edges with slightly rounded corners. It is designed to be used with projects that require a clean edge like wedding invitations and modern layouts. PM Orchid Printed has the feeling of vintage letterpress printing. It's slightly rough distressed edges allow it to fit in with vintage style designs that have more tactile design elements.

Deconstructed JNL is another set of rubber stamp alphabet letters and numbers from a 1930s toy printing set. The original typeface of this set is Cheltenham Open. The stamps were printed out and scanned, creating this limited-character font with dual characteristics. At small point sizes it replicates inked rubber stamp impressions, but in larger format it shows angular lines and erratic character shapes as if made from cut paper or lettering that was intentionally made to look damaged.

Sandikza started out as an idea for a metal titles and some games. Or anything that was printed distorted. In other word something harsh. It makes a death or dirt feeling anywhere it is used.

Impresssionable JNL is a font created from samples printed from a vintage rubber stamp toy set. This is a limited character design without spacing or kerning in order to preserve the hand-made look of inkpad printing on paper. A few extra punctuation glyphs, a percent sign and Euro were added to the original characters. At smaller sizes (72 point or less), the letters resemble the imprints of the stamps, but at higher sizes, they take on a different look of deconstructed lettering.

Franklin Stone is a organic hand drawn typeface inspired by vintage type with hand drawn feel. Comes with regular, condensed and stamp. This typefaces is perfect for people looking for vintage aesthetic. Suitable for any graphic designs such as branding materials, t-shirt, print, logo, poster, t-shirt, quotes .etc You may not use the fonts in templates or for sale/free or on template websites. ( web/print/app ) We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Thanks for purchasing and have fun! Regards, Ironbird Creative

Speener is a handwritten font designed by Tom Nikosey, an American Graphic Designer specializing in Typographic Design and Illustration. Speener is based on his son Spencer’s printing style. “I love the way Spence prints. There’s a loose control in a vertical stroke that has his personality built into it. I wanted to create a font to see how it would look & feel and it looks and feels right to me”. Speener is a nickname. CozyFonts Foundry is Tom's intro into the world of font design. Speener is a casual, handwritten font and the seventh font for CozyFonts Foundry.

Adinah is a lively brush script with a strong sense of rhythm. Adinah’s expressive letterforms are based on pointed brush calligraphy with a hint of sign painting. This Sign painting influence reveals itself the further you dig into the family styles. Eight combined styles are complimented by a sub family of Six Layered Font options.

Compact sans, ideal for setting long texts in small or very small type sizes: for packaging, instruction booklets, drug information leaflets and anything else that has to be legible at very small sizes. Lean and rhythmical, designed ideally to be used at less than 8 points (Brevier was the old typefounders’ name for 8-point type), Brevier holds up well even under adverse printing conditions. The apparently geometric letterforms hide Renaissance characteristics, the x-height and openings are very generous and the strokes slightly modulated. In order to offset ink spread – which is inevitable when printing very small sizes of type – Brevier has large white spaces between the letters. All internal angles have deep ink traps and many connections have been left open.

Mang is an 11 point (or 22 pt or 44 pt etc.) bitmap font that was originally designed for a poetry piece in Born Magazine. It is slightly quirky but works well as a text face. You can use it for screen resolution or print designs as it includes outlines.

Loosely based on a Jan Tschichold specimen, Mere is a clean geometric sans-serif with simple lines that are best viewed as larger print but still have an impact at smaller point sizes. In addition to ligatures and fractions, Mere’s other OpenType features include old style numbers and small caps.

Endure is a new hand-painted brush font created to add a high detail and realistic feel to any project. Every glyph in Endure was painted by hand on actual paper and scanned in manually - A lengthy process, but worth the fine detail!

Toscography is inspired by vernacular and naive hand-painted walls and signs from Brazil. It feels organic, spontaneous and fresh and it has a light texture on its characters that makes it feel like it is starting to decay.

Quintton script is a casual clean brush stroke font, perfect for logo design, branding, invitations, t-shirts print, mock up, magazines, signage and so much more. With its handmade feel, Quintton is perfect for your upcoming projects so don't miss out.

Auther is a modern design with a vintage feel. A monoline display font that combines classic & modern styles. Includes OpenType features with Stylistic Alternates and ligatures. Auther is suited for various print and digital designs, including logos, stationery, posters and more.

Matching is a beautiful, casual script adds a custom and organic feel to any design you need! Use this font for: Branding, Invitations, Stationery, Logos, Print Materials, Watermark, Label, Wedding designs, Social media posts, Products, Desktop Programs, Canva , Websites and more.

Yahosch replicates informal hand writing. The typeface is based on egg-shaped circular elements, with the larger part of the oval on the bottom. It comes in three weights, each with an italic style. The regular is very readable even at smaller point sizes where it appears much like neat hand printing.