Cholvine is a clean, stylish and adaptable sans serif font. It is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease! Add it to each of your posters, designs and pretty much anything that requires a cool touch.

Celover is an elegant and modern sans serif font. It can easily be matched with your various projects, so add it to your creative ideas and watch how it makes it stand out. Features: Multilingual Ligatures Alternates PUA encoded Files Included: Celover Regular & Italic TTF

Raccosetta is an elegant sans typeface with touch of modern and simplicity. With this typeface, you can use it for magazine cover, headline, wedding invitations, logo, powerpoint templates design, and many more. What's included? Uppercase Characters Lowercase Characters Multilingual support. Hope you enjoy the products.

The Dec., 1936 - Jan., 1937 edition of Radio Mirror offered up a condensed, hand lettered sans serif type design that - although an Art Deco style- is also somewhat futuristic in design. This is now available as Condensed Moderne JNL in both regular and oblique versions.

Dustown is an organic font with natural vibes! Contain two fonts, Sans and Serif with Rough and Stamp Style. You can use this font for every project. Suitable for branding logo, hand lettering, or apparel design. This font duo also support multilingual, number and symbol.

Quero is a decorative sans serif font that has thin,elegance and versatility. This unique font is perfect for creating beautiful logotypes, stunning magazine designs and more. This font can be your solution in completing projects that are equipped with various alternate and ligature collections.

Introducing Mofela. Glamour, Lovely, Luxury sans display font. Inspired by a luxury theme with magical feels that makes the font has a unique personality, you can use it for branding, social media, posters, packaging, & more. Mofela font OpenType feature, ligatures, alternates, and Multilingual support.

A text sans serif type family of 8 styles was designed by Natalia Vasilyeva and released by ParaType in 2007. It has narrow proportions, open shapes and can be used in a wide variety of applications — for text setting, for headlines and for display matters.

Extrend, a clean and modern sans serif typeface, ideal for text that requires more space. suitable for corporate use as well as corporate branding and identity design, magazines, books, comics. With five styles, Extrend can be used to make your creative projects more interesting.

Sauce Grotesk is a compact typeface much like the classic unassuming sans serif grotesques but with softer features that shows fluidity and a sense of easiness. We wanted a typeface that can relate to a broader audience for maximum message clarity while maintaining aesthetic qualities.

The Dreamy Notes Duo is a stunning and comprehensive duo font (script and sans serif), ideal for giving your projects a branded but friendly feel. The two included styles can be combined together perfectly but are also beautiful on their own. Thank You, Subectype

Vernox is a geometric sans serif font inspired by Swiss design. You can completely align the grid to a grid. It is intended for small pieces of text such as titles and qoutes. Vernox comes with 2 weights. It makes perfect for all creative projects.

Verstyle is a rich & elegant sans serif, that can be both an eye-catching display typeface and a clean & legible font for smaller text. It has 6 weights to choose from, plenty of ligatures, superscript letters, small caps and alternates to create a tailored look.

Stitching Love is a cross-stitch font made to add that crafty feeling to your design projects. It has both upper- and lowercase sans serif letters and comes with a number of decorative ornaments and border elements that you can combine in many different ways.

Finador is a modern, soft geometric sans family. The functional style of a geometric sans has been soften by open apertures and rounded corners. This makes it functional and friendly. The default version has open, modern apertures. Stylistic Set 2 includes the whole set with closed, classic apertures. A slightly different look. It´s like having a second font in just one font. So it´s up to you to choose the right look for your projects. The Finador family includes 8 weights, from thin to heavy + their matching italics. With 900+ glyphs per style it supports over 200+ latin based languages, includes an extended currency symbol set and a lot of Open Type Features like small caps, ligatures, fractions, alternates and many more. The lightest and boldest weights are good for display usage, while the middle weights can be also used for body text. As a versatile allrounder Finador supports almost every of your needs. It has the ability to become your next favorite workhorse family.

Elido (Odile in reverse) is the sans counterpart to the Odile type. Together they form a sans/serif superfamily with a wide range of variations for editorial use. Elido follows Odile’s proportions and matches the weight and typographic color of its serif twin. Elido is a sans with classical proportions. A slight geometric hint and open counters convey an airy feel. Elido’s family structure and relations within echo the conceptual approach of Odile. The arched stroke low off the stem reveals a script characteristic most pronounced in the Elido Upright Italic. This particular interpretation is gradually diminished in the Italic and becomes even less emphasized in the Regular. Six balanced weights, from an elegant Light to a pronounced Black, are in tune with three display solutions and a set of beautiful Ornaments. These variants allow for a diverse and multifaceted typography for the discerning type user. Sans serif initials amount to a rare finding. The charming monolinear Elido Initials come in two flavors, elaborate and rational, designed to hold their own in editorial and headline sizes. This type design boasts an extensive character set, many OpenType features including roman and italic Small Caps, five sets of numerals, beautiful ligatures, and many more. OT stylistic variants (with accents) offer a one-story “a” for the roman weights, alternate “g” and “s” designs for the italics, and a variant glyph “s” for the Upright Italic. These distinct qualities with its versatile and sincere traits make Elido an excellent choice for text and display use.

East is a simple and confident typeface. It is timeless and current, but with a subtle nostalgia of vintage Jazz albums, film credits, newspapers, and signage. The light weight has excellent legibility at small sizes. The Extra Bold weight will capture attention. Its condensed width allows a lot of text in little space. East is versatile, but would be a good choice for film titles, labels + packages, posters, publications or any design where space is limited. It has six weights between Light and Extra Bold. A variable font with weight and slant axes is available and included in a full family purchase. The OpenType features include; stylistic sets, a one story ‘a’, hooked letters, seriffed uppercase I and 1, a slashed zero, raised colon and punctuation (Spanish), several German eszetts, ligatures, diverse bullets, and vertically stacked pre-built fractions. It will support western and central European languages as well as other Latin-based written languages. Read on if you are not familiar with variable fonts. What makes a variable font special is that all font weights are inside of one file and you can incrementally control the width and italic slant between Light (300) and ExtraBold (800). These changes are commonly made with slide controls in the font/type palette of the software. Variable fonts are also smaller in file size, which benefit both web and software performance. Currently variable fonts are supported by Adobe, Sketch, Corel Draw, and most web browsers. Check for your software support here: www.v-fonts.com/support.

The Bonyad font family, designed by Naghi Naghashian, was developed considering specific research and analysis on Arabic characters and definition of their structure. Bonyad is a modern Sans Serif font family.The Bonyad innovation is a contribution to modernisation of Arabic typography; gives the Arabic font letters real typographic arrangement and provides for more typographic flexibility. Bonyad supports Arabic, Persian, and Urdu and includes proportional and tabular numerals for the supported languages. The Bonyad Font family is available in six weights; Thin, Light, Regular, Demi Bold, Bold and Heavy. Its intuitive design arrangement fulfills the following needs: It is precisely crafted for use in electronic and print media. Bonyad is not based on any pre-digital typefaces and it is not a revival. Rather, its forms were created with today’s ever-changing technology in mind. Bonyad is suitable for multiple applications, and gives the widest potential for acceptability. It is extremely legible not only in its small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Bonyad's simplified forms may be artificially oblique with InDesign or Illustrator, without any degradation of its quality for the effected text. Bonyad is an eye-catching and classy typographic image that developed for multiple languages and writing conventions. Bonyad uses the very highest degree of geometric clarity along with the necessary amount of calligraphic references. The Bonyad typeface is of a high vibration that is finely balance between calligraphic tradition and the contemporary sans serif aesthetic commonly seen in Latin typography.

Samman is a Kufic simple Arabic typeface. It can be used to decorate public signs in streets, airports, hospitals, schools, malls, hotels, mosques, and other public places. My family's surname is "Samman" which stands for the person who sells fat especially the one produced by cows ("Samn" in Arabic). Consequently, "Samman" Typeface was designed for eternizing the memory of my family. The main characteristic of "Samman" Typeface is the leaf-shaped style for some of its Arabic characters such as "Dad", "Sad", "Faa", "Meem" and others. The distinguishing artistic design of its "Haa" character adds a unique feature to this typeface especially when connected with other characters. The shape of the characters' "dot", "dots", and "point" is innovative; a triangle with a semi-circle shape. "Samman" Typeface is suitable for books' covers, advertisement light boards, and titles in magazines and newspapers. Its characters' modern Kufic styles give the typeface more distinction when it is used also in posters, greeting cards, covers, exhibitions' signboards and external or internal walls of malls or metro's exits and entrances. It can also be used in titles for Arabic news and advertisements appeared in different Arabic and foreign satellite channels.

Serling Galleria is a classy, classic serif font that exudes an air of fine art and high-end creativity. With its clear, legible letterforms and modernist inventiveness, Serling Galleria brings a touch of strict creativity to your designs, making them stand out in sophistication. This versatile font family is perfect for projects that require a refined, elegant aesthetic. With its variable font feature, you have the flexibility to fine-tune the font to your specific needs and create a truly bespoke typographical experience, or use the pre-defined font styles: Thin, Thin Italic, Extra Light, Extra Light Italic, Light, Light Italic, Regular, Regular Italic, Medium, Medium Italic, SemiBold, SemiBold Italic, Bold, Bold Italic, Extra Bold, Extra Bold Italic, Black, Black Italic The diverse styles in the Serling Galleria font family provide unmatched versatility, allowing you to adapt your typography to various design contexts and moods seamlessly. With this array of weights and styles at your fingertips, you can effortlessly create a visual hierarchy, emphasize key elements, and establish a cohesive, engaging design language across your creative projects. Also includes a variable font! Only one font file, but the file contains multiple styles. Use the sliders in Illustrator, Photoshop or InDesign to manually set any weight and width. This gives you not only the predefined styles, but instead more than a thousand ways to customize the type to the exact look your project requires. Built with advanced OpenType functionality, Serling Galleria ensures top-notch quality and provides you with full control and customizability. It includes stylistic and contextual alternates, ligatures, and other features to make your designs truly unique and tailored to your needs. Serling Galleria offers extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all the characters and symbols you'll ever need, including all punctuation and numbers.

Although ITC Styleboy has a retro feel, it isn't based on any earlier typeface. As far as inspiration goes," says designer Chester Wajda, "I'd have to say comic strips of the '20s and '30s, and silent-film marquee lettering from the '20s - with a hint of a Chinese brush?" He originally created the typeface for a children's book he was working on. "I wanted it to be fun, but still somewhat formal in its underlying structure," he says. "It's largely based on right and 45-degree angles, with slight tucks inward on the stems and bowls, and a few flourishes here and there." Styleboy's top-heavy look is most noticeable in the caps, but it's exaggerated too in the "8" and the lowercase "g." Styleboy is Wajda's first typeface design."

10 years later, one of the first geometric typefaces in our portfolio and a popular favorite of yours is rising to a whole new level! We’re revealing the stand-alone type family Code Next—a staggering evolution from Code Pro in functionality, versatility, and application. The transformation includes 6 new weights, 10 new Italics, full support of Extended Cyrillic and Greek, full redesign and glyphs refinement, 2 variable fonts, to name but a few. Going back to 2011, the grotesque-inspired Code Pro was designed to complement memorable pieces that make a statement. Balancing between stylization and simplification, it was encoded with the distinct voice of basic organic shapes to stand the test of time. Little did we know, it would expand and live up to the potential of a “font from the future” as the new Code Next. Today, a type family of 22 styles, this geometric sans solidifies its relevance and carries a strong constructive aesthetic through simplified forms with a twist. These fit any modern design in print, web, and display visualization. Developed to go above and beyond, Code Next comes prepared for multi-script projects with Extended Latin, Extended Cyrillic, and Greek. Explore Code Next’s versatility and switch things up with the help of 2 variable fonts, more than 1280 glyphs, and an extensive OpenType features set including small caps, standard and discretionary ligatures, contextual and stylistic alternates, stylistic sets, case sensitive forms, and much more. Overview: • Font family of 22 fonts • 10 weights • Languages - Full support of Extended Latin; Extended Cyrillic; Greek • Entirely refined design and metrics • Glyph count - 1288 • Variable fonts - 2 fonts OpenType features: • Small Caps • Standard Ligatures • Discretionary Ligatures • Contextual Alternates • Stylistic Alternates • Stylistic Sets • Case-Sensitive Forms • Ordinals • Localized Forms • Lining Figures • Proportional Figures • Tabular Figures • Oldstyle Figures • Subscripts • Scientific Inferiors • Superscripts • Numerators and Denominators • Fractions • Roman figures • Extensive mathematical support • Navigation symbols

Presenting Sapha script, with stylish and modern handwritten characters. This font was PUA encoded. Sapha is a modern handwritten style that comes with Extended Latin Characters. Sapha works perfectly for logos, display, product branding, wedding invitation card, stationary, packaging, clothing, flyer, apparel, magazines, brochures, labels, posters, badges, etc. Sapha comes with 304 glyphs and 78 alternate characters contain with opentype features (supported with contextual alternates mode) and 15 extended ligatures that allow you to make design looks more exclusive and pro standard. You can access all those alternate characters by using OpenType savvy programs such as Adobe Illustrator, Adobe InDesign and CorelDraw X6-X7, Microsoft Word 2010 or later versions. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). For other programs that doesn't support OpenType features or Glyphs Panel such as Photoshop, you can use Character Map in Windows to access the alternate characters. If you need help or advice, please contact me by e-mail "tegakiscript@gmail.com" Thank you for your purchase!

Hi all, Maressy created with stylish and modern brush characters. Maressy is a modern brush script font that comes with Extended Latin Characters. This font was PUA encoded. Maressy works perfectly for logos, display, product branding, wedding invitation card, stationary, packaging, clothing, flyer, apparel, magazines, brochures, lable, posters, badges, etc. Maressy comes with 241 glyphs and 26 alternate characters contain with opentype features. Maressy also comes with 10 standard ligatures that allowing you to make stuff looks more exclusive and pro standard. You can access all those alternate characters by using OpenType savvy programs such as Adobe Illustrator, Adobe InDesign and CorelDraw X6-X7, Microsoft Word 2010 or later versions. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). For other programs that doesn't support OpenType features or Glyphs Panel such as Photoshop, you can use Character Map in Windows to access the alternate characters. If you need help or advice, please contact me by e-mail "tegakiscript@gmail.com" Thank you for your purchase!

Sunshine Bridge is a retro modern font family, featuring a retro brush script with an artistic modern bold sans serif. They complement each other perfectly. You can use the Sans as main and Script as additional, or vice versa. This family gives you a modern look with a vintage mood. So, you can use it both as in vintage-look projects - Beer bar or Brewery logo etc, or as Modern magazine headline or any modern print. It includes a lot of OpenType Features in Script with Swashes and Alternates to give you a little more hand-touch look. The family includes: Clean and Pressed versions Well Kerned Multilingual Support OpenType Features Modern / Vintage look

Introducing our new Lincoln Road Font Collection. Deco, but not too Deco. A Lincoln Road is a family of 9 fonts including 2 weights of Deco and 6 weights of a coordinating Sans and an Elements font that contains the frames and elements you see used in the previews. Each Deco weight has a corresponding Sans weight. Lincoln Road was inspired by art Deco styles, but is a modern interpretation - in other words - not too deco. It works for modern projects that need a hint of a decorative look and can also be used for a more vintage vibe. Check out the previews to see some of the ways you can use this family.

Here's a good old Victorian job printing font. Faithful to the original issued by Barnhart Bros. & Spindler about 1880. Nothing wildly decorative about it, yet it clearly looks old.

Besides all the display and script typefaces I design, my real passion is to design typefaces for copy. Safran is the first of my sans serif workhorse families available from Myfonts. Starting from a light version there are nine weights up to the strong ultrabold. All with italics. What was the inspiration for designing the font? I wanted to create a clear and elegant typeface with a wide variety of weights and proportions that are easy to use in corporate branding and magazines. What are its main characteristics and features? contemporary humanist legible sans serif Usage recommendations: corporate branding, magazines and other publications Elegant, clear and very legible.

Kudryashev Display is a set of light and high-contrast faces based on Kudryashev text typeface . In addition to Kudryashev Display and Kudryashev Headline faces, the type family includes also two sans-serif faces of the same weight and contrast, with some alternates. The graceful nature of the typeface, along with carefully designed details, allows to use it in large point sizes, for example in magazine layouts, packaging design and in many other ways. The serif styles were designed by Olga Umpeleva in 2011, the sans styles were created by Isabella Chaeva in 2015 with the participation of Alexandra Korolkova. The typeface was released by ParaType in 2015.

Shine Himawari is a romantic, beautiful and light script font. It can be used for each of your favorite creations, such as wedding invitation, birthday cards, thank you cards, or pretty much any design that requires a customized touch. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Developed from condensed san serif families of the 90’s to 00’s, Morl brings together the distinctive features of the time but presented in a simpler design. Its potential is increased with Original, Sans, and Rounded options which offer varied moods. Suitable for publications, web and product designs, Morl can fit either headlines or body. It’s also effectively supported in various devices. The family comes in 10 weights, making it available to use for your required tasks in 60 styles.

Introducing, Argue - a stylish font based on sans serif! Argue is an elegant and modern sans serif with a bunch of features that will make your presentation or logo more stunning and stand out! You can use this font for several purposes such as a wedding invitations or even your own branding! This fonts support Multi Language and already PUA Encoded! Also comes with beautifully crafted details that make this font more stylish. Features Uppercase & Lowercase Number & Symbol Multi language Alternates PUA Encoded

A new San Serif Font that we created special for Headline, Title and more stand out typography needs. It's so perfect to add your style and headline overview. And specially for Headline font, we crafted for unique style and modern feels so enjoy to create any project that will show your main idea out. Segule Modern Humanist Sans Serif Font ready with: Preview as a inspirations that you can do with Segule font Ready with All characters Wish you enjoy our font. :)

Quenione Unico - Unique sans serif is a playful and modern font. featuring a lightweight, it offers support for all characters. standard punctuation glyphs are included. Quenione Unico - Unique sans serif is perfectly suited for traditional media and the web. great for the crafter and graphic artists. compatible with all tools. its playfulness makes it great for creative project., be inspirational wall poster, or for communicating your brand. This font can be used for any variety of purposes. FEATURES : uppercase lowercase symbol & number

Northwoods is a simple, handwritten sans serif font family designed by Cindy Kinash. This family includes five weights and italics. Northwoods is a little different than most sans serifs being that it’s handwritten. You can use the fonts in multiple ways such as in design or textually. Try the bolder weights for display text and the lighter/italic weights for textual purposes. Northwoods is great for packaging, magazines, layouts, web design, corporate identity and marketing. Posters designed by Henry Barros.

Inspired and after 20th century’s travel posters, Vintage Travel is a font duo with a monoline Script that has small x-height and a bulky vernacular Sans designed to play together. Script is equipped with several OpenType features such as Swash and Titling alternates as well as Small Caps for small capital letters. Sans comes with Stylistic Alternates that provides you with a selection of lowered accented characters that can be used to create more uniform text blocks and tighter leading.

Axion RX-14 is an original design by Alex Kaczun. It is but one of several alternate designs based on his original Axion family of fonts. Alternate design elements, specifically on capitals like 'A' , 'V' and terminals of 'C' and 'G', along with contrasting sharp and rounded corners, create a tension within this modern grotesque and add a class of destinction and interest. This display font is not intended for text use. It was designed specifically for display headlines, logotype, branding and similar applications. The entire font has an original look which is strong, dynamic, machine generated and can be widely used in publications and advertising. Axion RX-14 is a futuristic, techno-looking and expressive typeface with an apperance of machined parts with sharp and rounded edges. This attractive display comes in roman with lower case and lining figures. The large Pro font character set supports most Central European and many Eastern European languages.