The Parthenon Font is a calligraphy script font in lettering style. This font consists of 6 to 7 alternates, this combination creates an amazing lettering style. The lettering style formed by The Parthenon is very suitable for brands and packaging design. To complement this need, we also include swashes and ligatures to support the creation of logotypes. Please feel free to combine alternates in any way you see fit! You will see several different views, please choose any model that matches your character. In the preview images, we provide some examples for using this font for logotype. Like the Parthenon temple in Greece, designed with calculable scales, this very measurable series of letters allows you to make pleasing words that are like a parthenon which is visually pleasing from all points of view. I hope you can enjoy and feel the joy of playing with The Parthenon! Finally, thank you for your positive response and please write to us via email if there is anything else we can support.

Ermis Pro – handwritten, multilingual, natural Ermis Pro is a cross between a perfectly finished, comprehensive, classically cut old face type and handwriting. It combines the slightly irregular contours you see in very small letter sizes caused by the flow of ink on paper with the elegant look and feel of a serif font. This makes Ermis Pro the perfect choice for stylish printed materials with a personal touch, doubtlessly winning fans in the worlds of fiction and fantasy alike. Ermis Pro is robust and easy to read in both display and body copy. With its comprehensive character set, it is suitable for a wide range of typographical uses. Besides the standard Latin, the character set includes the Greek and Cyrillic alphabets as well as extended Latin with pan-African letters and the complete International Phonetic Alphabet (IPA). Ermis Pro also comes with numerous OpenType features such as discretionary ligatures, small capitals and nine number variants. The typeface features upright and italic fonts in three weights: Light, Regular and Bold.

Escuela typeface is born in an attempt to reflect so many current influences of modern grotesque fonts that are trying to better reflect the values of today's world. Its compact proportions and high x-height, but at the same time with sort kind of modulation and open inktraps, propose a visual game that is worth enough to use it many places; Escuela can be striking and ideal for headlines in large text and heavy weights, but at the same time serious and readable in smaller bodies or regular and fine weights. Its wide range of characters, which includes a set of emoticons ideal for signage, work and evaluation documents, as well as inclusive, is ideal for educational centers, whether they are more playful (schools) or more pragmatic (universities). In fact, "Escuela" means “School” in English. For this reason, Escuela is your best ally when it comes to preparing texts that transcend students through a contemporary and different, but functional, character. Designed by Carlos Campos www.cuchiquetipo.com Dummy text from wikisource.org (1911 Encyclopædia Britannica/Universities).

You wrote on your school notebooks, didn't you. Of course, just about everyone did. And those that didn't are probably in therapy trying to overcome the repression and guilt. Balloon letters are fun, easy to draw and have a light-hearted presence. With little autonomy, what young person can resist the opportunity to make a public, personal statement on their notebook. Guess what! Adults do it too - with our cars, our houses, our toys, our accessories and so on. And how "grown-up" are we really? Anyway, my niece, Cori, made this nice, colorful, hand-drawn birthday card. It was so vibrant and fun - in warm circus colors - that I could not resist making it into a font. Use it for positive, fun stuff, stuff with a light touch - an invitation for an informal party perhaps, but probably not a formal dinner at the White House. This font is not comfortable in a bowtie. But don't be fooled. Casual as Cori is, you can set at least twelve major European languages with it, in addition to English: Albanian, Danish, Dutch, Finnish, French, German, Hungarian, Italian, Norwegian, Portuguese, Spanish and Swedish. Cori Valentine adds a decorative Valentine border to the upper case of Cori. By leaving out the bow in the upper center of the border we were able to fit the border around the accented caps. Similarly, we omitted the butterfly for the Ccedilla glyph. Blank versions of the regular border & the bowless border are provided at positions 135 & 137 in case you want to put a border around your signature or something like that. Just for reference, the letterforms for Cori Valentine are 75% the size as the regular Cori font. We would like to assure you that it is permissible to use Cori Valentine to create a romantic card, flyer or note during any month with less the 32 days.

Maori New Zeeland is made for all MAORI Tribal fans. It comes with many MAORI Tribal Graphics and a extra Font for two color style!

A revival of one of the popular wooden type fonts of the 19th century. Suitable for text, a narrow, thin Antique, with flat unbracketed serifs.

A revival of one of the popular wooden type fonts of the 19th century, condensed, bold, flat thick serifs, a very useful design for display.

A graffiti-esque "tag" font designed to fit into thin and confined spaces. Edifice Wrecks is an OpenType font with several automatic ligatures built in.

This new font family full fit all your comic balloons, onomatopoeia and... SCREAMS! Comes with Regular, Italic and Bold Italic with a great organic look.

Condensed serif font. Great for tight-fitting headlines and other condensed titling situations such as headlines, ads, invitations, captions, packaging, bulletins, posters, and greeting cards.

Kimaus is reverse contrast display font. It's letterforms are inspired by the classic cartoon style. Fit for titling and unique looking designs and creative projects.

Shopping Spree JNL was inspired by the hand lettering on the title card for the 1938 film "Fast Company" starring Melvyn Douglas and Florence Rice.

Weeknight is a cute and quirky handwritten font. It’s simple and friendly style makes this design incredibly versatile, fitting a wide variety of creative ideas.

Mark Geard’s Artemis is a contemporary humanist sans serif. Its flourishes and unusual cuts give the typefaces huge distinctiveness—yet they remain highly legible. Glyphs begin with something that resembles a serif, leading the eye across their body and on to the next letter.

With some slight variation, Merchandising JNL was modeled from the lettering on a display box for Meyercord Decal letters and numbers. The phrase "make your own signs with decals" was lettered in a casual brush-like style, and is reproduced for the first time digitally.

Inspired by Karl-Heinz Lange’s Publica, Bravura Pro is a versatile humanist sans font family with a slight calligraphic touch which makes it ideal for private correspondence as well as for body texts in magazines and books. All styles contain small caps and oldstyle figures.

Tallahassee Chassis JNL was modeled from a toy alphabet rubber stamp set made in Japan and imported to the U.S. during the late 1950s and early 1960s. The lettering style somewhat resembled that found on the side of old railroad cars, buses or trolleys.

Classy Flowers is a cute, playful and quirky serif font. Whether you are using it for cartoon-related designs, children games, quotes, titles, brand names, book covers, posters, or just any creation that requires a touch of joy, this font is a great choice.

Stonehouse is based on samples of Art Nouveau title lettering, adapted and expanded into a complete titling font. It has a nice intermediate weight ideal for titles on the web or in print, especially for section or topical headers within a body of text.

Abwyn is a sparkly Art Deco construction. The little diamonds in the vertical strokes add a lightness that is very pleasing to the eye in display sizes: Lower case numbers, Euro, ballot box in the section slot. It was just designed for fun & celebration.

Moonbandit proudly presents, Typerisme. The modern take on the typewriter font. This typeface is perfect for your old, retro, vintage distressed look without going overboard. Huge kerning to boost clarity. Use it for body text, headline, title, one liner, anything! this typeface is versatile.

Story is a modern magazine typeface equally suitable for large pieces of text, headings and everything in between. It includes four styles. Body copy set in it looks modest and relaxed and is highly readable, not in the least distracting your attention from the article.

Aminetta is a beautiful hand-written display font which shows happiness and joy in your heart. This font is most suitable to celebrating your holiday season but also to any occasion you have. Feel free to use it on any creative design you want.

Kensington started life as a sans serif based loosely on the strokes and weights of Garamond but, inevitably, influences of Gill Sans crept in, creating an interesting mix. The single weight is excellent for titling and works as a body font in reasonably small quantities.

This handy helper is created just for teachers. Use the letter boxes, number line helper, base ten blocks, multiple lined writing options, and touch numbers to help you create printables for your classroom. Also includes a PDF guide to using the font most effectively.

The House Of Usher is a beautiful set of decorative initials, mixing Victorian style in the boxes with gothics capitals. Perfect for beginning of paragraphs in artistic publications, storybooks and several texts conveying the feel of the Art Nouveau period with the gothic writing.