During planning for the new Roissy Charles de Gaulle airport in Paris at the beginning of the 1970s, it was determined that the airport's signage system had to include the clearest and most legible lettering possible. The development of all signage was put into the hands of Adrian Frutiger and his studio. The team carried out their task so effectively that a huge demand for their typeface soon arose from customers who wanted to employ it in other signage systems, and in printed materials as well. The Frutiger® typeface not only established new standards for signage, but also for a range of other areas in which a clear and legible design would be required, especially for small point sizes and bread-and-butter type. The typeface family that which emerged as a result of this demand was added into the Linotype library as "Frutiger" in 1977. Frutiger Next, created in 1999, is a further development of Frutiger, not necessarily a rethinking of the design itself. It was based on a new concept, the most obvious visual characteristics of which is the larger x-height, as well as a more pronounced ascender height and descender depth for lower case letters in relation to capitals. This new design created a balanced image and included considerably narrower letterspacing. Frutiger Next meets the demand for a space-saving, modern humanist sans. 2009's Neue Frutiger is a rethink of the 1977 Frutiger family, now revised and improved by Akira Kobayashi in close collaboration with Adrian Frutiger. Despite the various changes, this "New Frutiger" still fits perfectly with the original Frutiger family, and serves to harmoniously enhance the weights and styles already in existence. The perfect mix, guaranteed Neue Frutiger has the same character height as Frutiger. As a result of this, already existing Frutiger styles can be mixed with Neue Frutiger where necessary. Likewise, Neue Frutiger is perfect for use alongside Frutiger Serif. Newly added are the "Neue Frutiger 1450" weights. Especially for the requirements of the newly released German DIN 1450 norm we have built together with Adrian Frutiger specific weights of the Neue Frutiger. The lowercase l" is curved at the baseline to better differentiate between the cap "I", additionally the number "0" has a dot inside to better differentiate between the cap "O", and the number "1" is now a serifed 1. The font contains additionally the origin letterforms from the regular Neue Frutiger font which can be accessed through an Opentype feature."

During planning for the new Roissy Charles de Gaulle airport in Paris at the beginning of the 1970s, it was determined that the airport's signage system had to include the clearest and most legible lettering possible. The development of all signage was put into the hands of Adrian Frutiger and his studio. The team carried out their task so effectively that a huge demand for their typeface soon arose from customers who wanted to employ it in other signage systems, and in printed materials as well. The Frutiger® typeface not only established new standards for signage, but also for a range of other areas in which a clear and legible design would be required, especially for small point sizes and bread-and-butter type. The typeface family that which emerged as a result of this demand was added into the Linotype library as "Frutiger" in 1977. Frutiger Next, created in 1999, is a further development of Frutiger, not necessarily a rethinking of the design itself. It was based on a new concept, the most obvious visual characteristics of which is the larger x-height, as well as a more pronounced ascender height and descender depth for lower case letters in relation to capitals. This new design created a balanced image and included considerably narrower letterspacing. Frutiger Next meets the demand for a space-saving, modern humanist sans. 2009's Neue Frutiger is a rethink of the 1977 Frutiger family, now revised and improved by Akira Kobayashi in close collaboration with Adrian Frutiger. Despite the various changes, this "New Frutiger" still fits perfectly with the original Frutiger family, and serves to harmoniously enhance the weights and styles already in existence. The perfect mix, guaranteed Neue Frutiger has the same character height as Frutiger. As a result of this, already existing Frutiger styles can be mixed with Neue Frutiger where necessary. Likewise, Neue Frutiger is perfect for use alongside Frutiger Serif. Newly added are the "Neue Frutiger 1450" weights. Especially for the requirements of the newly released German DIN 1450 norm we have built together with Adrian Frutiger specific weights of the Neue Frutiger. The lowercase l" is curved at the baseline to better differentiate between the cap "I", additionally the number "0" has a dot inside to better differentiate between the cap "O", and the number "1" is now a serifed 1. The font contains additionally the origin letterforms from the regular Neue Frutiger font which can be accessed through an Opentype feature."

During planning for the new Roissy Charles de Gaulle airport in Paris at the beginning of the 1970s, it was determined that the airport's signage system had to include the clearest and most legible lettering possible. The development of all signage was put into the hands of Adrian Frutiger and his studio. The team carried out their task so effectively that a huge demand for their typeface soon arose from customers who wanted to employ it in other signage systems, and in printed materials as well. The Frutiger® typeface not only established new standards for signage, but also for a range of other areas in which a clear and legible design would be required, especially for small point sizes and bread-and-butter type. The typeface family that which emerged as a result of this demand was added into the Linotype library as "Frutiger" in 1977. Frutiger Next, created in 1999, is a further development of Frutiger, not necessarily a rethinking of the design itself. It was based on a new concept, the most obvious visual characteristics of which is the larger x-height, as well as a more pronounced ascender height and descender depth for lower case letters in relation to capitals. This new design created a balanced image and included considerably narrower letterspacing. Frutiger Next meets the demand for a space-saving, modern humanist sans. 2009's Neue Frutiger is a rethink of the 1977 Frutiger family, now revised and improved by Akira Kobayashi in close collaboration with Adrian Frutiger. Despite the various changes, this "New Frutiger" still fits perfectly with the original Frutiger family, and serves to harmoniously enhance the weights and styles already in existence. The perfect mix, guaranteed Neue Frutiger has the same character height as Frutiger. As a result of this, already existing Frutiger styles can be mixed with Neue Frutiger where necessary. Likewise, Neue Frutiger is perfect for use alongside Frutiger Serif. Newly added are the "Neue Frutiger 1450" weights. Especially for the requirements of the newly released German DIN 1450 norm we have built together with Adrian Frutiger specific weights of the Neue Frutiger. The lowercase l" is curved at the baseline to better differentiate between the cap "I", additionally the number "0" has a dot inside to better differentiate between the cap "O", and the number "1" is now a serifed 1. The font contains additionally the origin letterforms from the regular Neue Frutiger font which can be accessed through an Opentype feature."

Compass TRF is a reevaluation of an existing Compass typeface dated 2002. Compass is a geometric contrast serif typeface - "contemporary Didone". New Compass consists of four styles—regular, italic, alternate and flourish initials with small caps. Compass TRF is recommended for use as display typeface. It is suggested that flourish initials font to be used for decorative purpose only, not basic typesetting. Compass TRF generated as OpenType single master format with Western CP1252 character set.

Turbayne is an all caps serif display revival of book cover titling originally drawn by A.A. Turbayne in 1896 London. Expanding upon the original drawings, Turbayne includes basic Latin, western and south eastern European language support, and includes opentype features such as ligatures, stylistic alternates, and even ornaments. Reflecting the refinement of the late Victorian era without being gaudy, it is perfect for designing headlines, labels, logotypes, posters, invitations, t-shirts and so much more.

Stalker is one of those necessary fonts in a designer's toolbox: Grungy sans serif caps that are most useful for entertainment project chores. Originally made in the summer of 2003 for set and prop design of an Alliance film, Stalker is now available in retail form for those who are particular about their entertainment design or those who use broken letters in their design as means of social commentary or statement on style.

Arrear is a modern sans-serif font family. It includes three weights: regular, medium and bold. Has cut corners for lowercase letters. This is a versatile font that suits any project and is modern and easy to read. With it, you can create websites, logos, use in advertising, packaging, magazines and much more. This font will inspire you to create impressive designs that will amaze everyone! Multilingual support: extended latin and cyrillic.

True Gore is an all-caps display font with two bloody options for each letter and numeral. A horrific pick for your dreadful designs, you bet. Just perfect for book and album covers, packaging, t-shirts, apparel, Halloween imagery, anything where you want that horror, disgusting look. Give it a go! Hey, and what about that cool complementary font shown in the posters? It's Runcible, also by PintassilgoPrints, worth checking it out too!

Georges Peignot designed the font Nicolas Cochin based on copper engravings of the 18th century and Charles Malin cut the typeface in 1912 for the Paris foundry Deberny & Peignot. The font is named after the French engraver Charles Nicolas Cochin (1715-1790) although its style had little to do with that of the copper artist. Nicholas Cochin is a freer variation of another Peignot font, Cochin, a bit more balanced and elegant.

A modern sports font with classic roots. Jawbreak's three distinct styles and alternate cuts makes it incredibly versatile and perfect for logotypes, sports branding, posters, apparel design, magazine headlines, labels and so much more. Jawbreak features a full Adobe Latin 1 character set, with support for most western languages including: Afrikaants, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish.

Kidela is an exuberant and eccentric serif typeface reminiscent of hand painted signage. Kidela features tight kerning and spacing, and some interesting effects can be achieved by adjusting the tracking. The typeface includes 64 discretionary ligatures to extend the natural hand painted look, alternates, oldstyle figures and small caps. Please see the sample brochure to see these ligatures in action. Kidela is an excellent choice when you need a fun and interesting serif.

MICAROLINE The Classic Art Deco Font with Alternates & Ligatures Micaroline is a family Sans Serif font designed with carefully handcrafted. Also suitable for branding, T-shirt, Wedding Invitation, Classic Design, Logotype, and any project. Comes with a tons of ligature make your life more than comfortable, easier to design and adjust frustrating space in font. All Caps Fonts. You can access the stars by typing (S+1) and then put it anywhere you want.

Alberta Signature Script is ideal for branding projects, logos, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, and any other project that requires a handwritten touch. Alberta Signature Script (Regular, Caps, and Tails) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Alternates Multilingual Support for ä ö ü Ä Ö Ü … Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Roosk is a round, reverse-contrast serif designed for display usages. It bears a 70s influence as well as a subtle western vibe, although it’s more rounded and chunky. The font is a single weight, Caps only and sports a set of 450+ glyphs and some cute symbols such as hearts and floral hearts. Roosk has Cyrillic and All European Languages Support and is best suited for posters, headlines, editorial, merchandise and packaging.

Introducing Megatrans: A font from the future, where innovation and design meet. With its sleek lines and visionary style, Megatrans embodies a sense of futuristic aesthetics. Transform your projects with Megatrans' cutting-edge presence, adding a touch of tomorrow to your creative endeavors. This typeface is ideal for greeting card, packaging, brand identity, poster, or any purpose to make your design project look eye catching and trendy. Feel free to play with this typeface!

Diploma is a revival of Diplomat, a metal type made by the in-house team of Ludwig & Mayer and first published in 1964. Strong elegant caps with confident serifs make Diploma a great addition to the toolbox of poster and book cover designers. Diploma's character set covers a large range of codepages, including support for Baltic, Central and Eastern European languages, as well as Turkish and Welsh. Comes in all popular font formats.

Thuner is a chunky bold typeface perfect for any fun quirky design work! This font is equipped with ligatures and will be very good for your work such as posters, logos, t-shirt designs, branding, or even large scale artworks. What you get dear, you will get : 1. Thuner- A clean San serif font including Upper & Lowercase characters(ALL CAPS), 2. Ligatures Character (260 characters) 3. Supports Multi linguage (Latin Western Europe), Numbers and Punctuation

EVERY is designed to be the most valuable typography equipment in your repertoire! Rich in visions, a wide range of features have been created to master all your typographic challenges par excellence: Italics, small caps, old-style figures, ligatures & arrows are just some of the many possibilities that EVERY offers. 28 Styles in three optical sizes gives you the opportunity to create fascinating design with the scent of iconic elegance. Be exceptional – EVERY day. www.typethis.studio

Tuscan X Condensed (whose actual name is Gothic Concave Tuscan Extra Condensed) was first produced in wood type by William H. Page & Company around 1872. The design is derived from a Gothic Condensed typeface, but with vertical stokes bowing inwards at the center. We modified the weight of the uppercase characters (since the original wood type has a lowercase much thinner than the caps) to harmonize with the lowercase when used digitally.

In the old Amsterdam neighborhood of 'De Jordaan', you will find a canal called Bloemgracht (Flower Canal). For many years, a coffee store called Schildmeijer could be found here. Their paper coffee bags and advertisements sported a hand made font which I have tried to recreate and the result is Bloemgracht typeface. It is an all caps art deco font, quite angular, but very legible and distinct. Bloemgracht comes with extensive language support.

Futurik is a futuristic look font, designed all Caps with different size. Comes with an unique alternatives for every letter, to create some custom design by single font. This Font is perfect for movie title poster, logo header, magazine header, or such even an invitational poster, or any other project. It includes multilingual language support. Features : Futurik All Character set Numeral and Punctuation Alternates and Ligatures Multilingual Thankyou For downloading The font Regards, Grontype

Nada Fraktur is a modern geometrical blackletter made to serve your hip intentions. Think hip-hop album sleeves, your local t-shirt print shop, and Tumblr-boy action. The goal with this typeface is to blend medieval aesthetic with sharp modern cuts. You could say that the font is sort of monospaced, but it is not. The typeface includes an extended character set to support Central and Eastern European as well as Western European Languages.

Marcheile is a display font, inspired by Gatsby & Vintage looks. The All-Caps font which comes from a combination of art deco and retro style. Luxury shapes, clean & solid that very possible to apply in many design project. Marcheile also has some OpenType features to gives you many alternatives in your creative process. There's some ligatures, many alternates, and 18 accents. Great choice for your headline, editorial, logotype, quotes, typography and more!

Buco Nero is a modern sensation brush font. Featuring bold in the dark, it offers All Caps font support and multilingual support, Buco Nero is perfect for Movie titles, thrilling titles, distro shirts, spooky content, media socials, and spooky graphic design. Compatible with such as Photoshop, Affinity Design, Adobe Illustrator or Silhouette design studios. Its makes it great for creative projects, whether it’s an inspiring wall poster or for communicating your brand.

Howling Wolf is all caps aggressive dirty brush font special for your Display Design. With a bold aggressive style, it adds a bold touch to your projects and will inspire you to create something bold for your project. Besides that, this font is also equipped with Alternative Characters, Standard Ligatures, and multi-language support. Howling Wolf is ideal for headings, flyers, greeting cards, product packaging, book covers, printed quotes, logotype, and album covers.

Introducing Glory Mathilda! An energetic brush stroke fonts. With two sets of all-caps letters, Glory Mathilda can support your creativity on your logo design, brand imagery, quotes, merchandise, product packaging, music projects, social media posts, etc. Glory Mathilda also has ten swashes that you can access in each alternative letter A-J. That's it! I hope you enjoy it. You can also say hello to me on Instagram: https://www.instagram.com/atharuah_ Thank You!

Umbilical Noose is a rather scary typeface. It is quite similar to an older font of mine: Nyctophobia. The name comes from a Nirvana song called Heart Shaped Box, in which Kurt Cobain sings: "throw down your umbilical noose, so I can climb right back". I have always liked that phrase a lot. Umbilical Noose is an all caps font, but upper and lower case are different and you can easily interchange the glyphs.

Cadency is a cool and modern script font, monolinear with cut sharp ends. Can be used for your various design projects such as logotype, poster, digital lettering arts, clean design, branding design, signs, and more. Features: - Uppercase - Lowercase - Numeral & Punctuation - Standard Ligatures - Stylistic Alternates - PUA Encoded - Multilingual Support To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Photoshop, Indesign & CorelDraw X6-X7 and more.

Trop Magus is a rugged typeface following in the tradition of Ramon Llull and Jean Jannon. Llull’s illuminated manuscripts from the Middle Ages inspired many later Alchemical texts in the Renaissance. And it was during this era, in 1615, that Jannon cut the matrices for Typi Academiae. The Trop Magus typeface includes: - Sixty-five Alchemical and Astrological symbols - Multi-language glyph set - Old Style figures - Four sets of alternate glyphs - Pseudo-Random OpenType features

The collection Oro y Plata (Gold and Silver) is a Mexican style blackletter, dedicated to the three big silver cities – Taxco, Zacatecas and Guanajuato. Taxco is more angular compared to rounded Zacatecas and elaborate Guanajuato. The fonts contain small capitals, ligatures, initial forms, contextual alternates and other OpenType features. The special feature is a stylistic set of superscript caps with possibility to underline them. It supports all the European languages using Latin alphabet.

With the intention to create a family of modern calligraphy, Vild Scapes offers different feels in different effects. The Normal option cuts back the imperfections created from freehand writing, while Inkless keeps those details. There’s also the Rust option, which imitates letterpress printing effects. In addition, the family comes in three designs: Brush (big paint brush style), Script (small paint brush style), and Marker (brush tip maker style), offering you more possibilities for creativity.

Presenting MBF Avee – a cutting-edge sans-serif font meticulously crafted to embody the essence of modernity and versatility. With its clean lines and minimalist design, MBF Avee offers a sleek typographic solution for a wide range of applications. Whether used in print or digital media, its timeless aesthetic ensures a sophisticated and impactful presentation. Elevate your design projects with MBF Avee, where clarity meets contemporary style for a truly refined visual experience.

Maverick, noun, /ˈmæv.ɚ.ɪk/ a person who thinks and acts in an independent way, often behaving differently from the expected or usual way. Mavericks is a condensed small caps serif with focus on strength and power. It comes in two styles, Regular & Vintage, and features a fair amount of alternate characters to make each design a little more unique. It's perfect for logotypes, sports branding, posters, apparel design, magazine headlines, labels and so much more.

Designed by Russell Bean between December 2020 and August 2023 as a pandemic project, Forecast takes cues from past geometrics notably Futura, Tempo even Avant Garde. ideal for a multitude of uses – text, display, web, wayfinding. The objective of Forecast is to present a practical, swiss-army, use-everywhere design where readability is paramount. Available in 7 weights with italics a total of 14 styles all kerned to perfection. LatPro encoded, supporting 90 languages.

Rockzane is a classic stylish font inspired by basic concept of bold serif letters. It looks amazing at display sizes and is easily readable in text size. Rockzane comes with OpenType features, stylistic alternate character for uppercase (A-Z) and Small Caps. This is a display font made mainly for headlines, branding, logotypes, titles, and other short texts and is well-suited for advertising, packaging, titles, editorial design and classic style design.

Morque – Sans Serif Font: Bold and Expressive Boldness in Every Letter: Morque – Sans Serif Font stands out with its all caps design. It’s perfect for impactful titles and displays. This font commands attention in any visual space. Ideal for Titles and Displays: Morque’s bold structure makes it ideal for titles and visual displays. It enhances the readability of headlines. This font is a go-to for designers aiming for a strong statement.

My Sister is a new modern calligraphy typeface built in 658 glyphs. It has OpenType features with PUA encode. This is a smart font works with popular design software such as Photoshop, Corel Draw X version, Illustrator, Microsoft Office, etc. This modern calligraphy typeface welcomes you to use it for various purposes such as logo, card, wedding invitation, headings, signatures, t-shirt, letterhead, cutting, hot stamping, signage, labels, posters and more. It's very craft friendly.

SmokeHaus is a caps-only, reverse-contrast display typeface with flare serifs and bold, rounded letters. In addition to the plain style, the family has shadowed, cracked, and two rough or dimpled versions. It was inspired by a sign on a smoke house in Gustavus, Alaska. The SmokeHausShadowInside style was developed to be used in layers with SmokeHausShadow. It allows lettering with two colors. Also, SmokeHausCracked can be used in a layer above SmokeHaus.

Rockford is a geometrical Sans Serif with subtly rounded edges. Rockford comes in eight weights and matching Italics. With its large x-height and round features it’s both legible and friendly. It’s suited to cover a wide variety of tasks from editorial to brand design, advertising, logos and more. Rockford is equipped with plenty of OpenType features to perform well. Rockford comes with Small Caps, Old Style Figures, superior and inferior figures and fractions.

In 1937, Morris Fuller Benton designed Empire, titling capitals that became the headline style for Vogue magazine. In 1989, David Berlow revived it for Publish magazine, adding an italic and a lowercase, both unavailable in the original. He revisited Empire in 1994 with Kelly Ehrgott Milligan, adding two heavier weights, small caps, and an elegant set of Art Deco–flavored oldstyle figures, ultimately expanding it to a seven-part series; FB 1989–94