Based on an early wood type design. An original creation, that kept growing...!

Modern and bold, LemonTwist gives your designs a little zest of fresh feeling...

A revival design by Ron Carpenter and Malcolm Wooden of DTP Types Limited.

A wide, square font, ZygoSE fits perfectly into a clean, dynamic design piece.

A set of blocky shadowed outline capitals designed by Tom Carnase for ITC.

Design-wise, it is an elegant, fine-grained font. There are 218 glyphs.

The Morse Code numerals and alphabet in font format designed in two weights.

FP Stage was inspired by old Victorian theater posters and corresponding typographic designs.

Ikewund is a font with a peculiar creepy feeling. Great for header designs.

Designed by R.H. Middleton for Ludlow, circa 1930. Digitally engineered by Steve Jackaman.

Robert Harling’s 1938 revival of this nineteenth century form, designed for Stephenson Blake.

A Bold Powerful Geometric design. Great headline face; works well in many applications.

Each style is a collection of 174 illustrative game symbol, printer cut designs.

Each style is a collection of 174 illustrative sports symbol, printer cut designs.

Sayonax is an oriental simulation typeface, in digital pixelated styles, by Intellecta Design.

A distinguished new font from Oporto Design, Capa is clean, modern and urban.

The typeface was designed by Alexey Chekulaev inspired by artwork of Grigory Klikushin.

An original design by Malcolm Wooden and Lisa Wooden of DTP Types Limited.

Vibration is a modular font. Use it to give energy to your designs.

The height of various characters was designed by reinterpreting the woodblock print Worinseokbo.

Designed with a happy loose feeling. Great for childrens books and fun occasions.

Topanga JNL is based on an ultra-condensed sans serif wood type design.

A technical square-edged font influenced by modern architecture and computer aided design.

North Arrow Assortment contains 47 north arrow designs ranging from simple to intricate.

A collection of 174 calligraphic designs derived from early 20th Century European arabesques.

These cute characters are designed to brighten web pages, promotional items and displays.

Neither understated or overdressed, Jolene is an elegant font designed for personal correspondence.

A set of ornaments was designed at ParaType in 1992 by Elvira Slysh.

Designed by R.H. Middleton for Ludlow, circa 1937. Digitally engineered by Steve Jackaman.

Contains 42 arrow designs pointing up, right, down, and left totaling 168 arrows.

The Madison Ave. family started from Madison Ave. at Fontstruct.com. As my most downloaded font, this was an easy, although not necessarily logical choice to make – regarding taking an existing free font and attempting to offer it for purchase. The font is very basic and simple in its layout, but has achieved popularity over at Dafont with almost 80,000 downloads with its cool, understated nature and inherent sophistication. The original Madison Ave. is now 95 Madison Ave. A couple of glyphs have changed from the original, but mostly the set is the same. The big news here is the availability of multiple variations on the original. Ninety-five refers to the filter settings used to achieve the faint cross lines in the font. The sequence 95-100 provides a gradual fade to solid effect when used together. The other versions use variations on the filter settings that allow each its own distinctive flavor, while at the same time maintaining inherent characteristics of the original. Ninety-five is now joined by 55, 75, 97, 99, 100, 102, 105, 155, 175, 201, 202, and 275. 100 is the solid version which doesn’t contain the trademark lines found in 95. In 95-99, the line width varies to achieve subtle effects. 50 and 85 are distorted by reducing the filter settings in a somewhat minimizing fashion. In 102-205, these are distorted by increasing the filter settings above the normal which is what 100 represents. While some of the effects are extreme and challenge the legibility of text, these can be fun or edgy. They offer a cohesion that can be used to advantage for different projects that require the use of a modern font family.

Hey there, font fanatics. Feeling like your messages are falling flat and lacking some serious funk? Well, we’ve got just the typeface to turn that frown upside down! Introducing Strenuous, the unicase headline typeface with a fashion groove that’s sure to transport you straight back to the ‘1970s. But wait, there’s more! Strenuous isn’t just any old boring typeface—oh no. This baby is unique, distinctive, and funky. And with alternative uppercase and lowercase versions for some letters, you can mix things up and keep things interesting. And don’t even get us started on the eight weights and italics—this typeface is truly versatile and can handle anything you throw its way. So go ahead and give your message the voice it deserves with Strenuous. Your audience will thank you for the groovy vibes. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.