Fringio is a fun-loving sans-serif display font. Key characters are formed with curved, flowing lines, resulting in some pleasing word forms. Fringio is great for branding, headlines, signage, social media and more.

Imperial Granum is designed primarily as a Roman Title and lettering face, combining formality and dignity with a delightful touch of 'Arts and Crafts' like hand drawn design. The regular form of Imperial Granum (which is inspired by a beautifully hand-lettered early 20th century food advertisement) offers two sizes of capitals, in order to provide true 'small-capitals' lettering. Similarly, the Ornamental form consists exclusively of capitals and is designed to be able to mix and match with the regular form. The miniscule form can, of course, be used in its own right, but is primarily intended to complement the regular and ornamental forms. All three faces are offered in regular and bold weights. Explore some Edwardian Arts and Crafts typographical fun today!

Waterman is a display font, its form is based on the figure of a fluid, creating a texture of undulating forms, rhythmic and free to make reading a stream wave experience. Waterman comes in Regular and Bold. The letter shape was developed from the design of the letter "a" and “l” lower case. The curve model is related on a stylized form of a fluid wave.

Tepuy is the name given to the ancient plateau-shaped mountains that abound in the Venezuelan Amazon. Tepuy is a display typeface inspired by the symbolic forms of the Venezuelan ethnic roots. It is constructed based on a very precise geometry of open forms that produce a double letter in form and counterform. Tepuy originates as an evolution curve of my Font Makiritare rectilinearly. Was devised for a book of photographs of the ancient mountains of the Venezuelan Amazon, its form and Makiritare are morphologically inspired crafts in the ethnic groups of the region. Tepuy is held in a very precise geometric construction based on rounded forms, each letter is a form envelope enclosing another in counterform, is a letter to display. Tepuy comes in four versions Regular, Light and thin, and there is a double line version enclosed. Tepuy recommended for creative headlines for the label and packaging design aimed at all ages.

Woolworth is a modern sans serif font inspired by the grotesque designs of the late 19th century. Each letter has been developed with careful attention towards balance and purity of form, creating a clean, functional and optically correct typeface. These handcrafted details make a warm personality throughout the design without any single character being too overwhelming. It's a contemporary grot typeface fully equipped to tackle a wide variety of text setting scenarios. Woolworth is now available as version 2.0 (2022). Details include six weights and italics, over 600 characters with alternative lowercase a, e, g, and basic punctuation. Open type features include seven variations of numerals, small caps, ligatures, and language support covering Western, South and Central Europe.

Scanno is a modern sans serif typeface that comes in eight weights and one condensed. Each weight has an oblique. It is a versatile family that is suitable for body, headline, and display text on screen or in print. Its open forms set a welcoming and friendly tone that renders well in all media. Scanno is warm and modern with a nostalgic hint of early sans serifs. It encapsulates both humanist and geometric qualities, while maintaining a sense of timelessness and neutrality, thus opening itself to a wide range of uses. Supported languages: Western European; Danish, Dutch, English, Icelandic, Italian, German, Finnish, Flemish, French, Norwegian, Portuguese, Spanish, and Swedish. Pan African Latin

Torus Variations are an addition to the original monoline Torus family from 2017. The four new styles are Biline, Outline, Inline and Notched. The Torus family has been designed specifically for use in logo design, headlines and for branding purposes. While the default character sets are distinctive in their own right, graphic designers will love playing with the numerous alternate glyphs that will help them create unique wordmarks and logo designs. Torus’ simplistic forms and soft terminals make this a lovely, warm typeface perfect for a multitude of typographic applications. Key features: • 4 styles • 6 weights • 49 Alternates (via 2 Stylistic Sets) • Full European character set (Latin only) • 550+ glyphs per font.

Brittes is a fontface inspired in a formally English round hand, also called anglaise or Copperplate script. The calligraphy was the dominant style among 18th-century writing masters, whose copybooks were splendidly printed from models engraved on copper. In the mid-1800's, the Spencerian form of penmanship became a standard. An elegant handwriting was much prized. Today, in our computer age, a fine, beautiful, and legible handwriting brings a warm personal touch to your graphic design and visual communications projects. This font comes with three different kinds of capitals, regular and swashes to choose from, a full set of stylistic alternates, standard and discretional ligatures. Old style numerals ornaments and tails.

Foros(tm) is a modern humanist sanserif font family of 8 styles. Each style contains beside many other alternatives of upper and lowercase letters a 'unicase' character set. Foros is a development of a modern pattern of rough geometric shapes in combination with open humanistic forms that produces a mixture of obstinacy and delicacy. Quadratic shapes of ovals bring stability and firmness, but angular terminals of diagonals in several letters together with curved junctions of bowls with verticals stems add emotions and elegance. Such variety in image make it possible to use the fonts in different kinds of display typography. Foros type family was designed by Oleg Karpinsky. Released by ParaType in 2013.

GR Altosa is a very cool typeface for headline designs with a bold and bold theme. With a strong display and clean nodes make text in the design become more character and great. Inspired by headline trends in a poster or magazine today. So that with a firm and a very modern style makes your design better! This font is formed from the headline display font of a very careful title. Suitable for all graphic design projects, prints, logos, posters, t-shirts, packaging, website, ticket and applies to several types of graphic design. Especially for the use of a title! Very suitable! GR Read is compatible with any software without pain, especially in headlines with GR Altosa pairing

Uplink is decorative upright lettering with heavy calligraphic influences and clear friendly forms. Alternate forms with artificial "tail" connections, swashing their way from one letter across the vertical stroke of the next, add an unusual yet distinctly human detail to the forms that shape the words. Uplink's reserved humor can be a little tolerant of mechanical abuses like shearing or stretching, which makes it ideal for food product packaging design.

Based on the more usual pen stroke form of 'runes', (translation of Elvish Certar and Cirth). The richest form was also known as the Alphabet of Daeron. NOTE: this font comes with an interpretation guide in pdf format.

Noopla is a modern sans-serif display font. Key characters are formed with sweeping and flowing lines, resulting in some really interesting word forms. With four weights, Noopla is great for branding, headlines, signage, social media and more.

Arroyo is based on water flow. Little creeks on the surface of the earth formed by the action of fast-flowing water, this phenomenon inspired me to create this font. The little gaps/creeks form the letters of the font.

Paladise font is great for logo, poster, clothing, branding, party invitation, and many many other cool design projects. Paladise Font Inside: Add more style to each font with OpenType Features - stylistic alternates, lowercase initial form and final form, ligatures, stylistic sets.

The Art Nouveau free-form, hand lettered title on the cover of the 1912 sheet music for Irving Berlin’s “Wait Until Your Daddy Comes Home” formed the basis for Nouveau Song JNL, which is available in both regular and oblique versions.

Boldu is a simple grotesque font. I created it using simple forms. I love geometry and tried use only one size of lines. Boldu was created being impressed by works of beginning of 20th century - period of strict and geometric forms

Scriptease is the temperamental creation of Phill Grimshaw, based on the forms of copperplate typefaces. At the same time, the playful forms display a variety of Rococo elements. Richly ornamented with vivacious swirls, especially on the capitals, the forms of this font dance across the paper. The capitals can also be used as initials combined with other alphabets. Scriptease looks as though it were made for the light, carefree side of life.

This unusual font was designed by Alessio Leonardi, who plays with the difference between content and impression. At first glance the font looks almost like a row of pictograms or Asiatic characters. The forms become Arabic letters when the characters are set together to form words. HaManga Irregular is a good font to use when the reader is supposed to contemplate not only the text but the form of what he or she sees.

Arethusa Pro is a versatile font after the 'transitional' style – a style that has been evolving for 250 years. The balanced design of familiar letter forms blends form with function to create highly readable text. Twelve fonts organised in three sub-families provide a range of weights and styles. Language support includes Greek and Cyrillic and each font contains small capitals, superscript, fractions, ligatures, old-style numerals, case-sensitive forms and other opentype alternatives.

Spectrum font is based on a design by Jan van Krimpen, who worked on his font from 1941 to 1943 for use in a Bible of the Spectrum publishing house in Utrecht. The bible project was later cancelled but the font was so beautifully formed and universal that the Monotype Corporation in London completed it. Distinctive are the reserved elegance and unmistakeable beauty of form. The italic was kept fine and is a wonderful complement to the other weights, making it perfect for emphasis in text. The form of the lower case italic g is reminiscent of van Krimpen's italic for Lutetia and Romanée. A similar font in form is the Perpetua from Eric Gill. It displays not only similar forms to those of Spectrum, both fonts also have uniquely designed old style figures. The 7 is particularly unusual with its slanted horizontal stroke and marked bend to the left in the lower third of the form. Spectrum is an extremely legible font even in smaller point sizes and is just as suitable for headlines as for long texts.

A geometric sans with chiselled terminals and alternate forms.

Grenale Slab adds to the new standard of elegance within the Grenale family. Not your typical slab, Grenale has some unique forms that give it a look all its own. This glamourous slab still draws much inspiration from Grenale’s Didone sans and its haute couture influence. Independently attractive, it’s balanced and poised, with well formed strokes. Grenale Slab’s thin weights are simple but vibrant--elegant forms that naturally lend themselves to designer journals and high-end branding along with upscale applications. With added energy and power, the thicker weights give your work a firmer, statlier look. Grenale Slab’s upright versions are also matched by optically adjusted italics. The fashionable typeface includes a multitude of alternates that may be accessed in any OpenType-enabled application. The stylish features include a large group of alternates, swashes, and meticulously refined details with ball terminals and alternate titling caps to accessorize the font. Also included are capital swash alternates, old style figures, and small caps. Peruse the PDF brochure to see these features in action. OpenType enabled applications such as the Adobe suite or Quark can take full advantage of the automatic replacing ligatures and alternates. This family also offers the glyphs to support a wide range of languages. Any of Slab’s weights also provide a well-matched companion to its original counterparts, Grenale #2 and the original Grenale. It’s time to think high-class. Graceful and assured, the carefully crafted forms of Grenale Slab step pleasantly onto each page with elegant charm. Include its range of alternate glyphs, and this chic font is a superb choice for bringing a far more refined look to your copy.

Lamberet is a geometric sans-serif typeface, all caps display font. Has a clean, sharp and emphatic form especially suitable for headlines, headings, branding, posters, packaging, titles, logos or whatever. It comes in its italics forms for regular sharp and soft versions. - Uppercase

Latimer is one of a series exploring a fusion of Roman and Gothic forms. Characteristics of each genre can be seen: the fluid tapering serifs and rounded shapes of the Roman form, contrasted with the angular diamond and hexagonal shapes of Gothic.

Calligraphic high-quality font, with a fast and firm style.

A cool handwritten script with a warm and friendly voice.

A bold-face font with interesting lower case letter forms.

Lovely Melissa is a new variation of handmade script typeface. Complete your collections of script fonts. This typeface has been enriched with additional alternates characters for a total of 1,372 glyphs. Great for wedding invitations, product designs, and more. Go succeed and enjoy it! Main Features: Titling Alternate Stylistic Alternate Stylistic Set 01-09 Contextual Alternate Ligatures Discretionary ligature Contextual ligature Swash Variant Initial Form Medial Form Terminal Form Capital Space Numerator Proportional Lining Tabulator Oldstyle Superscript Subscript

BAQ Rounded sets itself up as a simplistic and blocky font, but it hides a deeper form. With indents in all the right places, this font creates a double image in our mind, of the form we see and the form we know, letters that bulge into blobs and letters that are easy to follow. This double image results in a casual, over the top yet easy to read font designed for relaxing and carefree messages.

Belle Jardin is an Art Deco inspired display family of three typefaces, offered in in-line engraved regular and demi bold forms as well as a solid bold form. It offers upper and lower case solid slab-built forms that create an immediate atmosphere of the streamline era of the thirties and are also at home in post-war revival inspired design work. The letterforms are solidly legible and ideal for cover and poster inspired design work.

Tabac Slab was created by combining several contradictory influences, the result of which is a universal linear font. The combination of brisk serifs and refined calligraphic details in the structure of the characters serves to create an original concept that mixes influences from both book and advertising graphics. Serifs aid legibility in long texts, while small drawn details realise their full potential in sizes of twenty-four points and larger. The basis for our Egyptienne was Tabac Sans, with which Slab logically forms a harmonic duo. The addition of bracket-less serifs caused the typeface to thicken and become solidly anchored on the lines, giving a firm answer to all typographers who like to complain about the slight exuberance of grotesque fonts.

GR Read is a very cool font for headline designs with a bold and bold theme. With a strong display and clean nodes make text in the design become more character and great. Inspired by headline trends in a poster or magazine today. So that with a firm and a very modern style makes your design better! This font is formed from the headline display font of a very careful title. GR Read has about 350 flying machines. Suitable for all graphic design projects, prints, logos, posters, t-shirts, packaging, website, ticket and applies to several types of graphic design. Especially for the use of a title! Very suitable! GR Read is compatible with any software without pain, especially in headlines with GR Read pairing

Linotte is a rounded sans in 7 styles designed by Joël Carrouché. Small irregularities give the typeface a warm and naive look, while the simple geometric construction provides good legibility in long texts and small sizes. Linotte is an ideal choice for food or kids related products, or anything that needs to convey a human and friendly feeling. Originally released in 2014, Linotte was updated in 2021 with Greek and Cyrillic support, two new styles, and other small additions. Linotte Semibold is 100% free for personal and commercial use. The fonts, provided in OpenType format, include diacritics for most European languages, a set of arrows & icons, and a variety of advanced features like stylistic alternates, case-sensitive forms, sub and superscript, automatic fractions, etc.

Aabak is a sumptuous modern typeface family. The high contrast, super elegant, didone like shapes were infused with a little fluidity from 60’s psychedelic lettering, the results is a contemporary face that screams freshness. It is ideal for branding, advertising, headlines, posters, movie titles, and much more! This design deliberately sabotages a lot of white space to have that compressed punchy look. The tear drop terminals and the melting serifs create a surprisingly superb combo. Sharp joints were smoothen to convey a warm and subtle feeling. Aabak comprises a total of 18 styles, 6 weights in 3 different cuts: Upright, Italic and Swash. The Swash styles have also a terminal forms feature that gives that extra lush feel. Have fun playing with it!

Although a sans serif, Colosseum owes its style to the original Trajan Roman form. Borrowing some characteristics from Friz Quadrata, in its san serif form it is more adaptable to text usage whilst still having a modern and original look which works well in headlines.

DigiAntiqua was designed by the Hell Design Studio in 1968. Its basic forms were influenced by the slab serif fonts produced at the beginning of the industrial era in England around 1820. Its clear and timeless forms are extremely legible even in small point sizes.

A 3 weights family, round geometric forms - ideal for headlines, signage.

Finesse and style in this condensed hand drawn elegant type forms.

Typography inspired from original text of Nican Mopohua form Antonio Valeriano.