Introducing Going to School Font by Tlatoustype Going to School is a Fun Modern Handwritten Font. Going to School is perfect for Book Cover, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Going to School also multilingual support.

Here's a refined version of Grange, released by Edinburgh's Miller & Richards foundry just around the turn of the twentieth century. A bit quirky with a lot of warmth. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

Trailerpark numbers 0-9 were rather old fashioned 1950's cut aluminum numbers, you've seen digitized nowhere else but here! Part of Market LTD, a collection of limited faces, mostly alpha-numeric and some just plain numeric, used primarily in retail and display situations and titling.

The Phamelo is a Modern bold script and this perfect for all your designs project, event and more. Feature - UPPERCASE - lowercase - Number & Symbol - International Glyphs - Alternative UPPERCASE - Alternative lowercase - Swashes If you need anything else just shoot me on email at: dedukvic@gmail.com Hope you enjoy it.

Introducing by Timur type Amberstone A Handwritten Script Font Amberstone is perfect for product packaging, branding project, magazine, social media, wedding, or just used to express words above the background. Amberstone also has multilingual support. Embelish your designs with our original fonts. Enjoy the font, thank you!

A year after the tremendous success of Memoriam in the "Lives They Lived" issue of the New York Times magazine at the end of 2008, Patrick Griffin and Nancy Harris Rouemy teamed up once more to tackle the same project for the 2009 issue. This time the magazine's design concept revolved around a typeface they created specifically for custom vertical malleability, and that can play just as well in single- or multi-color environments. The result was another iconic commemorative issue that shows exotic tri-line letters merging, swashing, extending and flourishing in stunning gold, silver and blue on black on the cover, and in black on white on the inside pages. Just like in the previous year, the issue won multiple publication design and typography awards. Crescendo is that typeface, finally issued for retail by public demand. Just turn your setting into outlines in your favorite vector program, grab single strands and extend away, and do your best alternating colours between strands. Crescendo comes with a limited punctuation set, but accented characters for Western Latin languages are included, and there many, many alternates and ligatures in there as well. This typeface is best used in large display sizes.

Stray might be the lonesome cowboy in this big odd world, but it's his just public façade. Stray is handsome player that works well with any team or in any environment. He doesn't have a horse, but he can be the one, he can carry any weight. OK, let's talk serious now: Stray is distinctive geometric sans serif family in 9 weights and matching Italics. By it's design, Stray flirts with humanistic typefaces in some elements, while on the other side, we can see vintage letter forms as well. It is well balanced typeface, fully legible in any (reasonable) size, with power to present versatile tasks and situations. Specific joining of letter stem and bowl is one of design characteristics of Stray, so it is not just another geometric sans family, it really differs in it's own details. Contains extended Latin character map support and Cyrillic (no localizations, sorry). As any serious working horse family, it is equipped with decent OpenType features like Small Caps (for basic Latin only), Fractions, Tabular Figures, Denominator, Numerator, Ordinals and Ligatures. It also comes with small interesting set of dingbats. This Stray is not homeless, he just looks for the proper job :-)

The Alphabet of Death font is inspired by the work of Hans Holbein the Younger. This series of Northern-Renaissance-style woodcut letters shows the figure of Death in many disguises, confronting individuals from all walks of life and intervening directly in scenes of everyday life. As depicted in this detailed alphabet, Death is sometimes the dispenser of justice, denouncing greed and the abuse of power. At other times, Death plays the role of a friend or a servant. This unique font includes one set of A-Z ornamental initials conveniently assigned to both the upper- and lower-case alphabet characters and is perfect for starting off the beginning of paragraphs in artistic publications, storybooks, fairy tales, biblical texts, and any written work conveying the expressive style of typography in the 1500s.

A new modern calligraphy font that features a varying baseline, smooth line, classic and elegant touch. Sarisha Script features 420+ glyphs and 256 alternate characters. It comes with a handy set of opentype stylistic, use the beautiful ligatures, alternates and swashes. You need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign, Microsoft Word 2010. It is perfect for logo, greetings, branding, quotes, prints, invitations and crafting. All lowercase letters include alternates, beginning & end swashes, that makes the font look fabulous! These are all coded with PUA Unicode. Mac users can use Font Book and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. Thanks and have a wonderful day :)

Draghile a fonts of stylish calligraphy that have a varied base line, fine lines, classic and elegant touches. Can be used for various purposes. Such as title, signature, logo, wedding invitation, t-shirt, letterhead, nameplate, label, news, poster, badge etc. Draghile displays stylish calligraphy alternate characters. Includes initial letters and terminals, alternatives, ligatures and multiple language support. Programs that support in this font is a Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. OpenType features can be accessed by using open type smart programs such as adobe photo shop, adobe Illustrator, adobe indesign, corel draw and microsoft office. can also be accessed through the character map. Special greetings for all, all of us all smoothly in running the routin. Thank you for your purchase!

Have you ever wondered what sign painters and rib joints have in common other than the fact that they can both make a mess? What do they know that you don't which would have them pair a sexy casual script with a down south barbeque restaurant? Smokehouse is all about association. You'll find that this sexy casual script pairs well with a wide range of associations, from barbeque shacks to fairy princesses and everywhere in-between. It makes choosing the right font for the job an easy one, and for those that need to fill a little more space you'll find Smokehouse Wide is up to the task. Discover the power of association, and see how Smokehouse fits into your font collection. Buy both Smokehouse and Smokehouse Wide together as a family and save!

Kris is a powerful typeface based on humanistic minuscule with a touch of Uncial script. An alphabet with an unusual appearance. It is based on the paradigm of classical handwriting. Kris is handwritten with a broad nib pen and ordinary black ink. The somewhat fanciful shapes are created by lifting the pen randomly left and right. This causes unpredictable frayed edges that make the typeface exciting. It bursts with character and is very versatile. Kris is written by the Dutch calligraphy artist Corrie Smetsers. Corrie threw all basic characters in a plastic bag and René Verkaart built the typeface and created all remaining characters. “Most special about this project was collaborating with Corrie. She's an expert in handwriting and has developed writing systems for the educational sector for decades”, René says.

The famous French poet and novelist Victor Hugo (1802-1885) used several handwriting styles, sometimes almost illegible. His manuscripts designated to be published was written using a script style, to be legible clearly. We have used script style manuscripts from the final part of his life (from 1859 to 1881) to reconstruct this present font, as one exemple of the Victor Hugo's hands. It is a "Pro" font containing Western (including Celtic) and Northern European, Icelandic, Baltic, Eastern, Central European and Turquish diacritics. The numerous alternates and ligatures allow the font to look as close as possible to a real hand. Using an OTF software, the features allow to vary automatically, almost every character of a word without anything to do but to select contextual alternates and standard ligatures and/or stylistic alternates options.

Groute Font Elegant serif specially designed uppercase letters in creative moods and perfect shapes, inspired by the bold, natural look of serifs that are so beautiful for today's fashion. bold, balanced and varied, born for luxury and beauty. including uppercase letters, numbers, and various punctuation marks Groute also comes in a script version so it is very suitable for invitation designs, logos & branding, photography, advertising, watermarks, social media posts, product packaging, product designs, labels, wedding designs, stationery, special events or whatever is needed to create a theme . Groute is built with OpenType features and includes start and end language styles, alternative characters for most lowercase letters, numbers, punctuation, alternatives, endings, and also supports other languages. Hope you enjoy our fonts and if you have any questions, feel free to message & I'll be happy to help :)

The source of inspiration for Vice Monogram is an Art Deco letterset (capitals only) from a 1915 publication by Cartier-Bresson of Paris containing classic and modern monogram patterns for embroidery. This Art Deco monogram style has been redrawn, balanced, and brought into the digital age for your type-setting use and enjoyment. Vice Monogram can create one-, two-, or three-letter monograms as well as basic headline and titling settings. By default, Vice Monogram types in a horizontal format, but by utilizing Opentype Contextual Alternates, you can typeset in a three smallcap or smallcap-Capital-smallcap diagonal format as well! It is a refined vintage look that is perfect for a wide array of classic personalization settings. Download and view the MFC Vice Monogram Guidebook if you would like to learn a little more.

Loft is a typeface family of extremes: from the extra compressed Hairline to the extra wide Mammoth. Paris-based designer Julien Janiszewski’s aim was to create a type family based on a strict hierarchy — a suite that would provide graphic designers with a tool to create systematic solutions. Its design was inspired by 19th-century wood type as well as the sign saying “DÉFENSE D'AFFICHER” (Post No Bills) that is ubiquitous in France. Loft comes in seven weights with matching italics. Interestingly, counter widths remain the same across all weights. As weights increase, the characters extend by building stroke thickness outside the counter. Loft is space-efficient in lighter weights while making an increasingly stronger statement as the designs become heavier. The Loft typeface family is distinctive, versatile, and always intriguing.

Fimfarum is a word that the Czech actor and writer Jan Werich created for one of his magical fairy tales for children and adults. Fimfarum is also the name of this playful typeface equipped with various styles simulating the randomness of handwriting. You can choose to select and combine different styles either using an all-in-one pro font in an OpenType-savvy application, or with a 10 fonts family pack. Fimfarum Pro also offers an automatic random effect. The OpenType contextual alternates feature can randomly mix narrow, wide and bold characters. You can specify how through various stylistic sets. For more details, check the Fimfarum Typeface Manual. With this versatile tool your designing possibilities are immense. Well, this is Fimfarum. You can download the instruction PDF here.

This year we attended the Bologna Children’s Book Fair in Italy. In our days off, we went to Piazza Maggiore to see what the city had to offer and luckily for us we saw an incredible store sign saying CAMPORA. We took some pictures of the typed font and later back in the studio we discovered that it was Dynamo. Immediately our minds were blown away by its beauty and thus we decided to design a new font inspired by its sharp and geometric design adding new weights and OpenType features. In the process we realized that both Dynamo and one of our favorite fonts Avant Garde, share a similar structure, so we made a type mashup between these beauties, including the sharpness of Dynamo and the revolutionary ligatures of Avant Garde.

The Millea Leonee is a fashionable and quirky new handwriting font with some sexy and stylish extras. It was created to look as close to a natural handwritten script as possible by including lots of ligatures, and a full set of lowercase alternates. Millea Leonee is a stylish script font that features a varying baseline, smooth line, modern, and with a depth love. For those of you who need a touch of love and modernity for your designs or branding, it can be used for various purposes such as headings, wedding, invitation, signature, logos, branding, t-shirt, letterhead, signage, labels, news, posters, badges, and more. We designed this font with OpenType features to give an artistic touch on it. Millea Leonee includes: -Stylish modern handwritten script -Special Ligatures -Multilingual Support

Karephia a fonts of stylish calligraphy that have a varied base line, fine lines, classic and elegant touches. Can be used for various purposes. Such as title, signature, logo, wedding invitation, t-shirt, letterhead, nameplate, label, news, poster, badge etc. Karephia displays stylish calligraphy alternate characters. Includes initial letters and terminals, alternatives, ligatures and multiple language support. Programs that support in this font is a Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. OpenType features can be accessed by using open type smart programs such as adobe photo shop, adobe Illustrator, adobe indesign, corel draw and microsoft office. can also be accessed through the character map. Special greetings for all, all of us all smoothly in running the routin. Thank you for your purchase!

This typeface family was inspired by a set of fonts, designed in the Garamond style, used for an edition of Remarques critiques sur les œuvres d’Horace by “D.A.E.P.”, published in Paris in 1689 by two different booksellers: Deny Thierry and Claude Barbin. We can see some differences in comparison with our “pure” Garamond (see our 1592 GLC Garamond), particularly in the lowercase of the Normal style and the uppercase of the Italic. Unfortunately, we know neither the name of the punchcutter, nor that of the printer. This complete font set contains small caps, fractions all the way up to 1999/1999, historical and standard ligatures, and all of the fleurons contained in the edition (Normal style only). The alphabet covers all Western, Eastern and Central European languages (including Celtic diacritics) and Turkish.

The Killegar family is inspired by one of the great houses of Ireland...Killegar—which is on the grand Estate of Killegar. I lived there for many years. It is a quiet and peaceful place surrounded by lakes and trees and is inspirational in so many ways. All of my creative talents were boosted by this amazing two hundred year old building with all of it's secrets and heritage. Time stood still in Killegar....except for me and my modern day computers, cell phones and fax machines. This twist of fate, with me living both a rural and hi-tech life, living in an environment of the early 18th century, with the friendliest local people on the Earth, played it's part in the origin of the Killegar family of fonts. Tony Fahy

Bela Yasmine Script is a modern calligraphy font that features a varying baseline, smooth line, classic and elegant touch. Can be used for various purposes.such as headings, signature, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges etc. I made this Bela Yasmine Font inspired by the concept of calligraphy classic and made it into a modern style, and I also added some ligature and alternatives that were very interesting when we applied it. I also tried to execute in a different way so as to produce this Bela Yasmine Script font. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. Thank You, Mytha Studio

How should an authentic baudelairean type look like? Aesthetically beautiful, that’s for sure. Intellectual, neurotic. Uptight — oh, the conventions of the time. Easily readable — still 20 years to go until the age of art nouveau with its outrage of typefaces. It may have a vibe of a Paris salon - salute to the Parnassiens. Such a modern-class (don’t mix it with the modern-styled) pharmaceutical Antiqua. Contrasts, thin serifs, the integrity of the operating theatre. But Baudelaire is not Heredia. «Une charogne» is not that much a vivid metaphor as a drawing from nature. The baudelairean typeface should have its cavern, flow, dark side. Not to demonstrate the fragile romantic profile of a cursed poet, as Baudelaire was seen 130 years ago, but to express the real pain. A true, unattractive, egoistic, suicidal passion.

This font creation is inspired by a fairy tale from a modern fantasy country but does not eliminate their culture, a country full of love and peace removes people's minds to commit evil. Hugtophia is a simple typography and easy to read so comfortable to wear. You can use them as logos, badges, badges, packaging, headlines, posters, t-shirts / clothing, greeting cards, business cards, and wedding invitations and more. The flowing character is ideal for creating interesting messages to your taste. mix and match a group of alternate characters to fit your project. It will be more interesting if you add swash. Alternate characters in this font are divided into several OpenType features such as Stylistic Alternate, Ligature and Ligature Alternates. Email support: maculinc@gmail.com Thank you! Maculinc

This family is a compilation created from a Garamond set in use in Paris circa 1651, but similar to those, eroded and tired, that were in use during centuries to print cheap publications, as well as in Europe than in America, and from a large choice of printed symbols—all specially redrawn—used for alchemical, pharmaceutical and astrological books, covering 1550 to late 1800s period. Each alphabet is doubled by a slightly different one, and a special OTF encoding allows to give an irregular effect with never the same twin letters in a single word. The Normal style is enriched by small caps, and the Italic style by Swashes. A lot of symbols, too, are given twice with differences. This font may be used with our calendar specialized 1689 Almanach.

Carousel is a fat faces display type designed by Gary Gillot in 1966. Fat faces were offshoots of the modern, or Didone, typefaces that were de rigueur during the early 1800s. These fat faces were among the first typefaces to be used solely for advertising purposes. Naturally, they were always used in larger point sizes, in display functions. Carousel could be called an optimization of these old advertising typefaces. With high x-heights, ultra contrast between thick and thin strokes, and perfectly engineered drawing techniques, Carousel is a highly crafted typeface. Give it a spin in your next advertising campaign! Carousel's fine thin strokes are very graceful in their appearance, and lend a strong, yet soft, feminine feeling to anything they touch.If you like Carousel check out wearing Annlie, another fat face from 1966."

Adelicia Script is a stylish calligraphy font that features a varying baseline, smooth line, classic and elegant touch. Can be used for various purposes.such as headings, signature, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges etc. Adelicia Script features 565+ glyphs and 264 alternate characters. including initial and terminal letters, alternates, ligatures and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). Copy any of the extra characters to paste into your favourite text editor/app.

Neon Rounded is a rounded monoline typeface inspired by retro neon light bulbs often used in signage. Neon bulbs were first seen back in 1910 in Paris. They later became popular in 1930s New York, especially on Broadway and the Las Vegas strip. Although Neon Rounded was designed with eye-catching signs in mind, its possible usage is vast. Clothing brands, road signs, logos and advertising. The heavier weights lend themselves to children's books and toys, while the lighter weights provide a more modern, futuristic feel. The typeface contains lower and uppercases in five weights: Light, Regular, Medium, Semi-bold and Bold. There are also alternatives for most letters and all numbers. The glyph set includes all languages covered in Basic Latin, Latin-1 Supplement and Latin Extended-A scripts.

Shington Script is modern script font that features a varying baseline, smooth line, classic and elegant touch. Shington Script features 950+ glyphs. It comes with a handy set of opentype stylistic, use the beautiful ligatures, alternates and swashes. You need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign, Microsoft Word 2010. It is perfect for logo, greetings, branding, quotes, prints, invitations and crafting. All lowercase letters include alternates, beginning & end swashes, that makes the font look fabulous! These are all coded with PUA Unicode. Mac users can use Font Book and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. Thanks and have a wonderful day :)

Fathan a fonts of stylish calligraphy that have a varied base line, fine lines, classic and elegant touches. Can be used for various purposes. Such as title, signature, logo, wedding invitation, t-shirt, letterhead, nameplate, label, news, poster, badge etc. Fathan displays stylish calligraphy alternate characters. Includes initial letters and terminals, alternatives, ligatures and multiple language support. Programs that support in this font is a Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. OpenType features can be accessed by using open type smart programs such as adobe photo shop, adobe Illustrator, adobe indesign, corel draw and microsoft office. can also be accessed through the character map. Special greetings for all, all of us all smoothly in running the routin. Thank you for your purchase!

Dulcet is a hand lettered, rough binding script with high ascenders & low-descenders. It is both elegant and grungy and will work wonders on your invitations or love letters, make beautiful posters, frightening t-shirt designs or logotypes. It is equipped with OpenType features such as common ligatures, double letter ligatures, contextual and stylistic alternates for a varied and hand drawn look. Access alternates by using the glyph panel in Illustrator and InDesign. Dulcet comes with several initial & terminal swashes that can be added to the beginning and/or end of any lowercase letter as well as different swashes for the upper case letters. For initials/beginnings, write _ (underscore) + digit 0 to 9 For terminals/endings, write digit 0 to 9 + _ (underscore) For start swashes, - (hyphen) + digit 0 to 9. Enjoy!

Bella Copia is a font dedicated to the world of childhood, to the writing of primary school children, but can also be used to compose texts or express essential concepts. It can be used for food, fashion, logos and much more. The clarity in the sign wants to express simplicity and immediacy. As far as possible, what is "not needed" has been taken away from individual glyphs. In the illustrations an attempt has been made, by combining images with fonts, to express the concept of cleanliness, simplicity and clarity. It is composed of 314 glyphs to try to embrace as many languages as possible.

Barbieri is a casual sans type family, based on a German lettering style from the 1960s. The original hand-drawn alphabet was used in a rather peculiar edition of Der Barbier von Bagdad, an opera composed by Peter Cornelius. Our efforts to identify the cover designer have been, so far, unsuccessful. As fans of informal typography and popular lettering styles, we thought these few thin letters deserved a re-incarnation as a complete type family. Andrés Torresi and Marta Sánchez Marco were in charge of the production work. Now Barbieri has 6 weights suitable for packaging, posters, and music covers. It resembles a certain 'Americana' spirit, though with a Germanic twist.

It starts slowly, gently drawing you in... you're introduced to a number of strangely interesting and compelling characters. The plot seems at first to be satisfyingly predictable, then -- suddenly -- the narrative takes a completely unexpected turn! The protagonist is thrown into a series of devastating and alarming twists and turns! The antagonist triumphs -- evil trounces good, mass hysteria seizes the city streets! Our Hero is separated from his One True Love, and it seems that she has fallen for The Villain of the Piece! Will Good Prevail? Will Evil Perish? Will Love Conquer All?!? I don't know yet -- that's as far as I've got. Don't worry, it has a Great Ending.

ITC Ludwig has an edge. It's nervous, tense - maybe even a little scary. Drawn by Italian designer Giuseppe Errico, ITC Ludwig refuses to be confined to a traditional baseline. Its twisted lowercase g" and an "e" that could double as an upside-down "a" both add to the design's spooky personality. As a young man, Errico studied to be a fine artist. He became a graphic designer only after a “long reflection period,” he says. His early training is evident in many of ITC Ludwig's suggestive qualities. There is far more to this face than cranking up the “distort” knob in Fontographer. Reflection and personal expression are at its core."

With Royale, Resistenza reinvents the bifurcated Tuscan genre in a contemporary, warm and playful form. Royale Basic doesn't include ligatures or alternates. Rounded terminals, fabulous fancy fun spurs with elegant and extravagant flourishing - Royale comes in 8 weights and 4 widths which can also be layered to create polychromatic effects in another nod to the Victorian era these styles were popularised. While inspired by days gone past this Royale is far from a revival as unlike the classic Tuscans which inspired its structure Royale is monoline and sophisticated in its simplicity. Perfect for display and emphasis, Royale will command attention and leave a memorable impression wherever it is used.