Boardwalk Avenue Rough is a textured version of Boardwalk Avenue. It’s a robust type collection of three styles and two weights of each. It’s divided into Boardwalk Pen, Boardwalk Antiqua and Boardwalk Serif. Boardwalk Avenue’s core is a connected mono linear script that works fantastic when paired with either of the impressive serif styles. All the fonts work great on their own but try putting them all together for a complete display font setup for a project. Here’s a short introduction on what’s included: Boardwalk Avenue Rough Pen is a connected Script. It’s great for headlines, quotes or in packaging. It has a casual hand drawn vibe to it but it’s clean and legible. It’s equipped with automatic Contextual Alternates that keep the connections smooth and versatile. For instance when you type double letter another of them will automatically change to add variation. Or if you type “i” for example, as a first letter after space or after capital letter the code will add starting point to the letter to keep the letterforms more balanced. If you need more ambitious letterforms you can try Swash or Titling Alternates -there’s alternates for every standard letter and seek for even more alternates from the glyph palette. Boardwalk Avenue Rough Antiqua is a high contrast serif with strong character. It’s great for glamorous headlines or as a logotype. Boardwalk Avenue Rough Serif is a low contrast serif with bulky character. It’s great for strong and sturdy headlines or as a logotype.

A free-flowing brush script with only uppercase letters. Now with a professional and multilingual character set! Vic Fieger says: "The letters in Edo were hand-drawn using a thick black permanent marker with a flat head. The head was chopped up using a box cutter to create a "brush" effect. The entire font was made while watching Bobobo-bo Bo-bobo. Edo has been used by video game-makers UbiSoft in their game adaptation of the 2007 animated film Surf's Up, as well as ads for the Fuse 2006 Warped Tour. More recently, it has turned up in such places as the cover for the US release of the manga Teru Teru x Shonen, and the logo for A&E's program, "The Cleaner." ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

ITC Greengate is the result of a time-traveling, intercontinental collaboration--one between 21st century South African designer Richard Every, and early 20th century Scottish artist Jessie Marion King. Jessie Marion King (1875-1949) began her professional career as a book designer and illustrator, but over time her creativity found its outlet in many forms, including posters, jewelry, ceramics, wallpaper, fabrics, murals, interior design and costumes. After eventually settling in Kirkcudbright, Scotland, she founded Green Gate Close, a center for women artists. Although her style is reminiscent of the Art Nouveau artist, Aubrey Beardsley, King's aesthetic was an offshoot of the “Glasgow Style,” a Scottish hybrid of the Arts and Crafts movement and Art Nouveau. Often, her illustrations included hand lettering. It was just this kind of lettering that gave Richard Every his inspiration for ITC Greengate. When he saw some children's book illustrations that King created in 1898, he knew on the spot he had to complete the hand lettering as a typographic font. He began working on the typeface in 1996, but it took six years to be released as an ITC typeface. Every simplified and harmonized King's letterforms slightly and, most importantly, added a suite of lowercase characters. The result is a somewhat earthy Art Nouveau design, with a character quite distinct from typical digital revivals. Every's career has been as diverse as King's. He was born in Durban, South Africa and studied graphic design at ML Sultan Technikon in Durban. He's been an art director, freelance designer, the owner and manager of a nightclub and co-manager of a South African band. “Through it all,” he says, “typography has always been one of my passions.”

Sometimes work done in a rush survives and gets better and better. This is the case of Talqual, a Joan Barjau handwriting font straight from the strokes made with a Wacom tablet while listening to a Barça football match on the radio.

Fatman is such big thick person. To me it seems to the most interesting font Fatman BL. I name it fatman with the broken leg. The letter A is similar to it.

Endellia is a bold and thick lettered display font, created with the help of a brush pen. Add it to your most creative ideas and notice how it makes them come alive!

A 1916 recruitment poster from World War I seeking men to join the Army’s Signal Corps provided the lettering inspiration for Recruitment JNL, which is available in both regular and oblique versions.

Public Interest in my all caps fine looking handmade font. Each letter has 5 different versions and they automatically cycle as you type - making your text look even more lively and vibrant!

Playing around with a previous design, Jeff Levine came up with Cut Paper Stencil JNL, a typeface with both an Art Deco flair and the look of letters made from cut paper.

Aimchestar is script with a hand-lettered brush style, and includes OpenType features. It is suitable for designs, weddings, events, t-shirts, logos, badges, sticker, and more to make your work awesome.

Do a little digital doodling with this creative font. Download this font and create out of the ordinary lettering for scrapbooking and desktop publishing. It's the perfect choice for adding handwritten appeal.

Sweet crispy and crunchy lines, clear and obvious handmade letters! What's not to like?! If you need an organic and dynamic input to your product, Crispy Magenta could be the game changer

The gently spurred serif hand lettering found on an advertisement for Berkshire Stockings (circa the 1920s) was the inspiration for Nouveau Elegance JNL, which is available in both regular and oblique versions.

BROGETTA will perfect for many project: fashion, magazines, logo, branding, photography, invitations, wedding invitation, quotes, blog header, poster, advertisements, postcard, book, websites, etc. What's Included? Uppercase & lowercase letters, numbers, punctuation Multilingual support

Сurvede Pro – is a sophisticated multilingual typeface with fine details on the letters. Great for working with headlines for magazines, newspapers, creating logos. The font also has Cyrillic, Latin and many ligatures

Taken from the hand-lettered name on a 1930s-era tin for Cadet condoms, Bed and Bath JNL is pure Art Deco with thin line weight and varying character widths and shapes.

DiaBolo is the result of a few broken slide frames glued together. It is no problem to build any letter with a simple slide frame. DiaBolo is a digitally and organic font.

Personal Note JNL gets its inspiration from a semi-calligraphic pen alphabet found in the 1960 edition of the Speedball® lettering textbook and is offered in both regular and oblique versions.

Bazilic is an informal decorative typeface. It would look nice in greeting cards, children’s books and magazines, on candy and food packages, holiday posters and flyers. Bazilic was based on informal lettering.

Arepo is a display typeface inspired both by the Imperial Roman letter and the forms of Giambattista Bodoni. Together with Stone Print, SFPL, and Cycles it makes up a superfamily of typefaces.

Zanoix is based on text from an old horror poster. Comes with ligatures for both double letters and numbers. You will need to use OpenType supporting applications to use the auto-ligatures

Presenting a vintage font set named La Belman. It is composed of a clean version and one with rough textured effects. Lots of ligatures will help you make your lettering more unique.

The hand lettered thin, variable width slab serif text appearing on the cover of a souvenir photo book for the 1933 Chicago World's Fair Exposition is the basis for Thinly Disguised JNL.

Charis Moderne is Modern Serif with Elegant and Luxury Style and each unique letters designed to create harmoniously, charming and lend themselves to high end branding, product packaging, logo designs & invitation designs.

The simple, hand lettered sans serif title on the 1935 sheet music for "Campus Moon" was the design model for Moonlit Night JNL, which is available in both regular and oblique versions.

Zimple is a very simple blackletter face with few if any curves. The Zimple Extrude Overlay font is spaced so that it can be layered with Zimple Shadow to produce bicolored lettering.

The hand lettered opening titles from the 1944 Laurel and Hardy comedy “The Big Noise” served as the inspiration for Movie Screen JNL, which is available in both regular and oblique versions.

Meet my new font Halbrein – a romantic delicate script font with its poetic flow, which simulates natural handwriting. Halbrein comes with uppercase, lowercase, standard punctuation and special letters for most European languages.

Lordcorps is a simple and casual display font with a military feel. With its neat and beautiful arrangement of letters, this typeface will look outstanding in both formal and non-formal designs.

Beralissa is a script font with a calligraphy style. suitable for social media, logotype, products, advertisements, and so on. contains standard English letters, numbers, punctuation, alternates and several accents that support multilingualism.

A vintage angry looking typeface named "Predators Cuspid". It has a grunge scratched texture effect. Protruding "fangs" can be achieved by using a capital letters. Thank you and have a nice day!

Lettering in the credits of classic animated cartoons was the inspiration for Toon In JNL, a fun and lighthearted typeface. Use this font anywhere a relaxed, informal or playful message is displayed.

Sign Vendor JNL is a simple sans modeled from hand-lettering with a touch of Art Deco influence. The design is from a 1930s poster promoting winter activities in New York State.

Dripps is a handpainted, stenciled typeface with lots of drips and two different sets of capital letters – no lowercase. Sometimes I enjoy doing the rough stuff, your brutal type designer Gert Wiescher

Chamferwood JNL is another interpretation of the block lettering style most popular during the late 1800s and the early 1900s. The design was modeled from examples from a set of wood type.

"Best Spring" is a very beautiful and unique handwritten font. Decorated with cute heart balloon shapes on alternative letters. Equipped with uppercase, lowercase, uppercase alternates, swash, titling, numerals, punctuations, and multilingual support.

Realtime is a cool, thick lettered and robotic display font. This font is ideal for writing web designs, business cards, or pretty much anything else that requires a techno and bold touch.

Limousine JNL takes the basic outline shape of Crestview Six JNL (an actual design from the Art Deco era) and gives it a stylized treatment as a solid black letter display face.

Harrumph is a fat poster style font with a retro look. It comes with contextual and stylistic alternates for every letter and has more diacritics than you can poke a stick at.