Sakamoto font with simple models of natural and comic, you can take advantage of the opportunity at any time one wonderful way to highlight the celebration of the feast of your best, because these fonts will be a driving force for purposes such as cover design, wedding invitations, party , graduation, birthday, gathering, etc. Font Sakamoto if you want to use for your work this font can be used to easily and simply because there are a lot of features in it contains a complete set of letters lower and uppercase letters, assorted punctuation, numbers, and multilingual support.

BOUNESVA is a bold, all-caps serif font, perfect for motorcycle and vintage-related designs. A fairly simple font with not much variation from the serifs of the past. With only a thick feature and the hook is a little fat. This font is also suitable for headlines or short texts not for paragraphs. In addition to vintage motorcycle designs, this font is also suitable for modern designs. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Guides to access all alternates glyphs : http://adobe.ly/1m1fn4Y Cheers!

When Ray Larabie donated some font work files to the Stella Roberts font project, he suggested that whenever possible the design get reworked to reflect some update and change. Jeff Levine overhauled the original design and made numerous changes to end up with Seminar SRF and its oblique version. A friendly, clean sanserif with a nod to the classic Optima, this text face can easily fit into word copy or hold its own in headlines. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

LeBrush is a contemporary Roman typeface based on real brush lettering, in 10 styles from Thin to ExtraDark, inspired on the classic Roman proportion of the “Capitalis Monumentalis” present into the Trajan Column and another Greek architectural structures. The “LeBrush classic” weight was specially developed to easily design ‘Movie titling’ graphics, cover books & magazines and posters. More skilled designers and pro-Users can even set the type, in a very smart way, in logotypes and labels as well, using its multiple advanced opentype options and extra ornamental sets. Lowercases allowed users to work in lecture size requirements.

Burger Honren is a beautiful collection of fonts, consisting of scripts, monolines and serifs. In this collection you will see fonts in various styles. With their help, many options open up for you to create your projects, both in vintage and modern styles. The script fonts in this collection provide both charisma and charm, crafted with care and complemented by alternatives and strokes. Serif comes in 10 styles and it is possible to choose the required style for your design. This font is PUA encoded which means you can access all the glyphs and sweeps easily!

Bekinder is a modern serif font with a unique font. This customizable font will look great on a variety of design ideas such as, inding styles, high contrast and light weight fonts perfect for feminine logo signs, fashion & editorial design heads, branding projects, Clothing Branding, packaging, magazine titles, advertisements, t -shirts, postcards, valentines, posters, invitations, weddings, branding projects, social media posts, magazines, book covers and more. This will add a fun and friendly touch to any of your projects! This font is PUA encoded which means you can access all the glyphs and sweeps easily and more.

Karamelia is my grungy hand drawn brush script. Uppercase is pretty steady, while the lowercase dances and bounces in an unpredictable way. The font has got at lot of of OpenType features such as swashes, ligatures and stylistic alternates - which easily makes your text look more like authentic handwriting. I can think of loads of great opportunities in which this font would look absolutely great ... invitations, weddings, café menus, birthdays, various greeting cards ... or maybe even a loveletter?! I could mention more, but I think I got your fantasies started! Go crazy with Karamelia, and the world will love you for it!

Koolvexa is a modern display serif font. This font is perfect for branding, logos, social media, prints, stickers, shirts, svg files and more! Koolvexa is unique as it can be used for a variety of design styles. It fits in wonderfully for free-spirited, boho designs and also for more classy editorial looks! There are a lot of fun stylistic alternates available to use with this font. These letters are embedded into the font file and easily accessible in programs such as photoshop and illustrator. Main Features: Uppercase & Lowercase letters Punctuation and special characters Multilingual support Ligatures & Alternate glyphs

Introducing Noctura Georgia is a handwriting brush effect and sans that comes with a style that seems real. This font style inspired by urban style and branded makes in many ways for your latest project. Noctura Georgia is perfect for logos & branding, photography, invitations, watermarks, advertisements, product designs, stationery, wedding designs, labels, product packaging, special events or anything that requires handwritten content. Noctura Georgia Also available for some lowercase characters that have swash, as well as multilingual. This can be accessed easily via opentype in Photoshop / Illustrator. if you have any questions, don’t hesitate to contact us Ergibi Studio

Andove is a narrow sans font with very tight compression. With a slim character and a fairly large x-height, Andove looks great for very large and eye-catching typesettings. The one-sided serif in ascenders makes this font very unique and stands out to show it is sporty and strong enough. What's even more interesting is Andove has a true italic on each weight so it can be an option for really big headlines and poster title. Andove consists of 10 styles in six weights — Thin to Bold — Upright and True Italics and comes with extended language support including Cyrillic.

Mellinde is new, fresh, & modern with handmade calligraphy, decorative characters and dancing lineage! Wonderful for invitations like greeting cards, branding material, business cards, quotes, posters, and more!! It comes with 472 glyphs. Alternate characters are divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternate, Contextual Alternate. Open Type features are accessible by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X versions, and Microsoft Word. And this font has code PUA unicode (font with special code) so that all alternative characters can be easily accessed by craftsmen or designers.

Frederic W. Goudy originally designed Pabst in 1902. This lettering was used by the Pabst Brewing Company for their promotional materials. It was later developed into type for ATF. Goudy later licensed Pabst Oldstyle to the Lanston Type Library. Lanston Pabst Oldstyle features several differences from the more familiar ATF version. Some caps are narrower while some lower case characters are wider than the ATF version. The descenders are also shorter in the Lanston version. Logotypes of italic words and, of, and the are included as originally designed as well as ligatures including the unusual tt ligature.

Peosa is Modern sans serif fonts great for product logo, poster, headline, card logo, web, magazine, packaging, stationery and much more. Easily creates your own logo type with fonts. Peosa has an Open Type feature to access a large selection of unique alternative letters and many ligatures to make it easier for you to create. Peosa can be accessed perfectly on design applications such as Adobe Illustrator, Adobe Photoshop, Corel Draw, Affinity Designer but does not rule out the possibility that it can also be accessed using web-based applications such as kittl, canva, artboard studio and others.

Linotype Russisch Brot is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. The inspiration of German designer Markus Remscheid is not hard to see for those who are familiar with the chocolate cookies in the form of letters which are called Russisches Brot. The font is available in six weights. The basic weight is perfectly legible and is good for both headlines and shorter texts and from there the weights become more and more nibbled away, leaving the basic form of the characters and a few crumbs.

Must a letter always have a symmetrical basic form? What happens when the shape of the letters stretch like an arc in the reading direction? When writing with a broad nib, this is easily achieved. The HGB Santo examines the effect of this formal principle on the readability of a text. First attempts have shown a warm and reader-friendly typeface. Six shades from Light to Black, each with an italic should be sufficient for most applications. Small caps and old-style figures are available via OpenType features as well as some ornamental forms in the italics.

Jantan is a new fresh & modern script with a handmade calligraphy style, decorative characters and a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more. The alternative characters were divided into several OpenType features such as Stylistic Alternates, and Ligatures. The OpenType features can be accessed by using OpenType savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer.

LACOSTE Foliage is a modern serif font with a unique font. This customizable font will look great on a variety of design ideas such as, inding styles, high contrast and light weight fonts perfect for feminine logo signs, fashion & editorial design heads, branding projects, Clothing Branding, packaging, magazine titles, advertisements, T -shirts, postcards, valentines, posters, invitations, weddings, branding projects, social media posts, magazines, book covers and more ! This will add a fun and friendly touch to any of your projects! This font is PUA encoded which means you can access all the glyphs and sweeps easily and more.

Solingen is an elegant display serif font well suited to logo design applications. The capital letter set features many unique double-letter pairings which serve as inspirational design features when creating posh, delicate, and luxurious logos. Suggested uses for Solingen might include high-end branding for boutique apparel, accessories, jewelry, or cosmetics; unique wedding invitation headlines; packaging for personal care items, and much more. In many applications, the ligatures feature is turned on by default as Standard Ligature alternates, but these can generally be easily overridden in the Glyphs panel when you prefer to use the standard characters instead.

Fluffapalooza a fluffy handwritten font. It has a fun, warm, raw, cute, happy atmosphere, and gives a little bit quirky dorky vibes. Inspired by a personal touch of cuteness, cheerfulness, and passion. Fluffapalooza has a bouncy style if you acces the alternate. you can have a lot of variation by combining the glyph whatever you want. Fluffapalooza can easily be matched to an incredibly large set of projects and is good for communicating your brands, especially if you want to make a raw, artsy, handmade, and add a personal touch. So spice up your design and enjoy the font.

Deicide Remain Font is a cool alternative for you to easily create your Underground band logo or whatever. Using alternative fonts and ornaments will liven up the font and will look cooler and fiercer. It comes with a basic character set and a small group of symbols and signs frequently used in the extreme music sector - Death- and Blackmetal classics such as pentagram drops, roots, wings and more. Features : - All Caps - numbers & punctuation - Alternate & Ligature - Multilingual - Symbol Ornament - PUA encoded Please contact us if you have any questions. Enjoy Crafting and thanks for supporting us! :) Thank you

Humber is a rational sans serif typeface designed with a large X-height to provide clarity at both text and display sizes – with subtle features that really shine at larger sizes. Inspired by 20th century typefaces and modern European designs, Humber is suitable for a wide range of projects and audiences looking for a typeface that feels professional – without being overly familiar. Featuring seven weights and matching italics, discretionary ligatures, lining, old-style, and tabular figures, and conditional kerning for accented characters, Humber is truly versatile. With over 738 glyphs, Humber supports over 339 latin-based languages.

Grunge Standard is to grunge fonts what Jazz standards are to the world of Jazz – timeless, easy to use, great for every occasion. The font is easily recognized, clear and legible, just like the tune that everyone knows. Use Grunge Standard for contemporary display work, for fashion items, for event posters, movie posters, music posters, videos, DVD covers, in fact, anywhere that grunge fonts could possibly appear. Grunge Standard contains over 250 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It has all the accented characters used in the major European languages.

Malaguena Stencil JNL was derived from hand lettering found on an Art Deco-era piece of vintage sheet music for this familiar tune. According to Wikipedia: “Malagueña is the feminine form of the Spanish language adjective malagueño/ malagueña, ‘pertaining to Málaga’, a Spanish port city.” Additionally: "Malagueña", is a song by Cuban composer Ernesto Lecuona; written in 1928 it was originally the sixth movement of Lecuona's Suite Andalucia, to which he added lyrics in Spanish. The song has since become a popular, jazz, marching band, and drum corps standard and has been provided with lyrics in several languages.

Ozonos is a brand & design font to make your products look more bold and elegant. Rounded, Elegant, Minimalist & Bold Font that goes smoothly with any font, especially script fonts. The bold design of the font emphasizes your product, brand design and will surely satisfy your clients. The complete font set will surely bring a chic design touch to your website, the font is designed so easily be read & bring the bold effect to any kind of design. Kufic Studio is a platform that provides professional and high quality designs & fonts to fill the gap that has been missing in the market.

While sketching for a music project logo, Donald DBXL Beekman looked at several wood type alphabets as a starting poing. One of these was No.120, patented in 1880 by William Hamilton Page. With its distinct diagonally cut serifs and round shapes cut off at top and bottom, it bore just the right feel for the project. DBXL digitized the alphabet, adding all characters needed for a full set. During this process all shapes were widened, tweaked and streamlined to enhance consistency and rhythm along the whole font. VLNL Bonen is an all-caps display font with a very specific western cowboy or circus look. For instance burger or barbecue grill restaurants would do well with this one. We can easily see it shine on a festival flyer or poster as well, and not just country & western festivals. VLNL Bonen is suitable for any ‘big’ use that needs to stand out of the crowd. Bonen is the Dutch word for beans, a world wide source of nutrition and proteins it comes in a multitude of shapes, colours and sizes. Beans are also the most eaten foods in a cowboy’s diet along the trail. Available in abundance and easily preserved and transported, many recipes on the cattle drives in the American Wild West used beans. Think of chili, mashed beans with biscuits and bean soups. “Keep them doggies movin’, cowboy!”

Medallion is a new and fresh font script that comes with a vintage and neat style. so this font can be used easily, even in mix and match with other fonts. so it can provide new alternatives and sensations for designers or craftsmen, in working on various projects. This font is perfect for all your project like the wedding invitation, greeting cards, branding materials, business cards, quotes, posters, insignia, badge, greeting cards, vintage logo, or you can use this font for various logo project (logotype) and more! The following characters are ideal to make an attractive message, mix and match Medallion with a bunch of alternative characters to fit your project Medallion comes with 318 glyphs totally. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA Unicode (specially coded fonts). so that all the alternate characters can easily be fully accessed by a craftsman or designer through either Windows or Mac computer without any requirement for fancy design software. Mail support: If you have any question, please contact me Via e-mail "unicodestudio@gmail.com" Thank You!

Customs Paperwork Pro brings the unique style of the NuMode Type No. 61 vintage typewriter keyset to the digital age. Antique typewriters have an incredible warmth and appeal to them, primarily because of their unpredictable "grunge" results that were a mix from the force of keystrokes to the wear of the ribbon and paper texture. This typeface is further fleshed out with SmallCaps and extensive figure sets to add a more serious note to the nature of the typeface, when needed. WHAT'S INCLUDED: Extensive language support. Customs Paperwork Pro has accented and special characters that support the following languages: Afrikaans, Albanian, Basque, Bosnian, Breton, Catalan Cornish, Corsican, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Galician, German, Hungarian, Icelandic, Irish, Indonesian, Italian, Kurdish, Leonese, Luxenbourgish, Malay, Maltese, Manx, Maori, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Occitan, Oromo, Polish, Portuguese, Rhaeto-Romanic, Romanian, Scottish Gaelic, Scots, Serbian (Latin), Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish, Walloon, & Welsh. Antique typewriters are incredible, but they aren't something easily accessible to everyone, nor do most people want to fiddle with white out edits and the like. That's why typewriter fonts that capture the flavor of vintage typewriters are a no brainer (convenient and easily editable). I hope you enjoy playing with it just as much as I had fun making it.

Restraining Order Pro brings the unique style of a vintage typewriter keyset to the digital age. Antique typewriters have an incredible warmth and appeal to them, primarily because of their unpredictable "grunge" results that were a mix from the force of keystrokes to the wear of the ribbon and paper texture. This typeface is further fleshed out with SmallCaps and extensive figure sets to add a more serious note to the nature of the typeface, when needed. WHAT'S INCLUDED: Extensive language support. Restraining Order Pro has accented and special characters that support the following languages: Afrikaans, Albanian, Basque, Bosnian, Breton, Catalan Cornish, Corsican, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Galician, German, Hungarian, Icelandic, Irish, Indonesian, Italian, Kurdish, Leonese, Luxenbourgish, Malay, Maltese, Manx, Maori, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Occitan, Oromo, Polish, Portuguese, Rhaeto-Romanic, Romanian, Scottish Gaelic, Scots, Serbian (Latin), Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish, Walloon, & Welsh. Antique typewriters are incredible, but they aren't something easily accessible to everyone, nor do most people want to fiddle with white out edits and the like. That's why typewriter fonts that capture the flavor of vintage typewriters are a no brainer (convenient and easily editable). I hope you enjoy playing with it just as much as I had fun making it.

Type designers are crazy people. Not crazy in the sense that they think we are Napoleon, but in the sense that the sky can be falling, wars tearing the world apart, disasters splitting the very ground we walk on, plagues circling continents to pick victims randomly, yet we will still perform our ever optimistic task of making some little spot of the world more appealing to the human eye. We ought to be proud of ourselves, I believe. Optimism is hard to come by these days. Regardless of our own personal reasons for doing what we do, the very thing we do is in itself an act of optimism and belief in the inherent beauty that exists within humanity. As recently as ten years ago, I wouldn't have been able to choose the amazing obscure profession I now have, wouldn't have been able to be humbled by the history that falls into my hands and slides in front of my eyes every day, wouldn't have been able to live and work across previously impenetrable cultural lines as I do now, and wouldn't have been able to raise my glass of Malbeck wine to toast every type designer who was before me, is with me, and will be after me. As recently as ten years ago, I wouldn't have been able to mean these words as I wrote them: It’s a small world. Yes, it is a small world, and a wonderfully complex one too. With so much information drowning our senses by the minute, it has become difficult to find clear meaning in almost anything. Something throughout the day is bound to make us feel even smaller in this small world. Most of us find comfort in a routine. Some of us find extended families. But in the end we are all Eleanor Rigbys, lonely on the inside and waiting for a miracle to come. If a miracle can make the world small, another one can perhaps give us meaning. And sometimes a miracle happens for a split second, then gets buried until a crazy type designer finds it. I was on my honeymoon in New York City when I first stumbled upon the letters that eventually started this Affair. A simple, content tourist walking down the streets formerly unknown to me except through pop music and film references. Browsing the shops of the city that made Bob Dylan, Lou Reed, and a thousand other artists. Trying to chase away the tourist mentality, wondering what it would be like to actually live in the city of a billion tiny lights. Tourists don't go to libraries in foreign cities. So I walked into one. Two hours later I wasn't in New York anymore. I wasn't anywhere substantial. I was the crazy type designer at the apex of insanity. La La Land, alphabet heaven, curves and twirls and loops and swashes, ribbons and bows and naked letters. I'm probably not the very first person on this planet to be seduced into starting an Affair while on his honeymoon, but it is something to tease my better half about once in a while. To this day I can't decide if I actually found the worn book, or if the book itself called for me. Its spine was nothing special, sitting on a shelf, tightly flanked by similar spines on either side. Yet it was the only one I picked off that shelf. And I looked at only one page in it before walking to the photocopier and cheating it with an Argentine coin, since I didn't have the American quarter it wanted. That was the beginning. I am now writing this after the Affair is over. And it was an Affair to remember, to pull a phrase. Right now, long after I have drawn and digitized and tested this alphabet, and long after I saw what some of this generation’s type designers saw in it, I have the luxury to speculate on what Affair really is, what made me begin and finish it, what cultural expressions it has, and so on. But in all honesty it wasn't like that. Much like in my Ministry Script experience, I was a driven man, a lover walking the ledge, an infatuated student following the instructions of his teacher while seeing her as a perfect angel. I am not exaggerating when I say that the letters themselves told me how to extend them. I was exploited by an alphabet, and it felt great. Unlike my experience with Ministry Script, where the objective was to push the technology to its limits, this Affair felt like the most natural and casual sequence of processions in the world – my hand following the grid, the grid following what my hand had already done – a circle of creation contained in one square computer cell, then doing it all over again. By contrast, it was the lousiest feeling in the world when I finally reached the conclusion that the Affair was done. What would I do now? Would any commitment I make from now on constitute a betrayal of these past precious months? I'm largely over all that now, of course. I like to think I'm a better man now because of the experience. Affair is an enormous, intricately calligraphic OpenType font based on a 9x9 photocopy of a page from a 1950s lettering book. In any calligraphic font, the global parameters for developing the characters are usually quite volatile and hard to pin down, but in this case it was particularly difficult because the photocopy was too gray and the letters were of different sizes, very intertwined and scan-impossible. So finishing the first few characters in order to establish the global rhythm was quite a long process, after which the work became a unique soothing, numbing routine by which I will always remember this Affair. The result of all the work, at least to the eyes of this crazy designer, is 1950s American lettering with a very Argentine wrapper. My Affair is infused with the spirit of filete, dulce de leche, yerba mate, and Carlos Gardel. Upon finishing the font I was fortunate enough that a few of my colleagues, great type designers and probably much saner than I am, agreed to show me how they envision my Affair in action. The beauty they showed me makes me feel small and yearn for the world to be even smaller now – at least small enough so that my international colleagues and I can meet and exchange stories over a good parrilla. These people, whose kindness is very deserving of my gratitude, and whose beautiful art is very deserving of your appreciation, are in no particular order: Corey Holms, Mariano Lopez Hiriart, Xavier Dupré, Alejandro Ros, Rebecca Alaccari, Laura Meseguer, Neil Summerour, Eduardo Manso, and the Doma group. You can see how they envisioned using Affair in the section of this booklet entitled A Foreign Affair. The rest of this booklet contains all the obligatory technical details that should come with a font this massive. I hope this Affair can bring you as much peace and satisfaction as it brought me, and I hope it can help your imagination soar like mine did when I was doing my duty for beauty.

A fanciful reinterpretation of the elvish type found inside the ring in J. R. Tolkien's "Lord of the Rings". Elfin has a very small x height with large ascenders and descenders. Unlike most scripts, Elfin characters connect from the x height, not the base line. If you're looking for a magical, Disneyesque, fairies-prancing-about type, you need Elfin. Elfin contains upper and lower case letters, old style figures (numbers), punctuation, foreign accents. Indulge the Peter Pan that lurks within!

Milk Cursive is the healthy choice. Fortify your designs & fulfill your daily textual needs with these flowing, bubbly letters. Enjoy the refreshingly natural look of an every-man's calligraphy with a fat & wide style. Milk Cursive is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications. It also contains some icons as extra characters, such as a star, a heart, an arrow, flowers, a butterfly, and manicules (pointing hands). Go ahead and have fun with it!

Introducing, Partita. A reverse contrast bold font suitable for display especially. Perfect for your daily project like for headline poster, packaging, social media, branding, or anything about pop and fun design. Features : numbers and punctuation ligatures multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. Email us to lettercornerstudio@gmail.com if you need something! Happy Designing!

Ornamental caps with scrolls and flourishes inhabited by satyrs, mermaids, Medusa heads, birds, cats, dogs, snakes, and other creatures, inspired by designs from Italian Renaissance artists dating back to 1730-1750. Beautifully ornate and perfect for the beginning of paragraphs in publications and texts conveying the feel of the Italian Renaissance, your own fairy tale stories, or religious texts to grab the reader's attention. Includes one set of A-Z ornamental caps conveniently assigned to both the upper and lower case alphabet characters.

Elaborate high-quality three-dimensional initials, with shadows, in various styles including numerous exotic letters, incorporating vignettes, flourishes, stems, flowers, vines, and other decorative elements. These masterpieces of typographic art were inspired by Italian hand-etched designs dating back to 1839. Includes one set of A-Z ornamental initials conveniently assigned to both the upper and lower case alphabet characters. Perfect for starting off the beginning of paragraphs in artistic publications, storybooks, fairy tales, and texts conveying the feel of the 1800s.

You'll have to admit this is a rocking font, man. It's Fab AND Gear. Not only that, it's called BackBeat and it's GOT a backbeat -- you can't lose it (not if you back up all your data on a hard drive stored at a separate facility), any old way you choose it (Opentype, PostScript or TrueType). Yes, it's just gotta be Comic Book Fonts, if you want to dance with the folks who got all shook up about these kind of things. Yeah.

Abendschroth is a wonderful dreamy and whimsical typeface for novel titlings and other fiction headline settings. Also a sophisticated choice for lullabies, girl’s literatur, murder poems, fairy tales, short stories and christmas gift books. New! There is now two alternative fonts: Abendschroth Scriptive and Abendschroth Slim. Even more jolly, whimsical and – wonderfully odd! – Enhance your means of typographic expression with this brandnew romantic fonts. Abendschroth supports every Euro-Latin language. For the choice of a similar font go to Albyona.

Alice in Wonderland. Innocent, emotional, almost childish, looks like it just came out of a fairy tale. The long stems, quirky serifs and loose characters, as well its youthful energy, establish an emotional attachment to this typeface. So perfect for children's books. Designer Dimitris Foussekis completed this font with a matching series of 62 pictograms the so-called ‘Wonderbats’. Now, the brand new ‘Pro’ version has been expanded to include all European languages by supporting simultaneously Latin, Greek and Cyrillic scripts.

Inspired from 60's and 70's script lettering, bringing a smile and a dose of nostalgia to the daily lives. Where you get to relive the far out culture of the 60’s and 70’s! The era of groovy was all about music, festivals, where icons were created, epic stories were told, and culture was changed forever. The Gv. time came with opentype features such stylistic alternates and others, its help you to make great lettering, also support multilanguage.