With its straight and clean face Hybi10 Metal can be a quite normal antique font family. But the alternates with different versions of spikes at the uppercase letters gives it an additional use. Decide for your own, how to use it. The styles with real capitals widens the range of use too.

Arco Star is a beautiful font made entirely of tiny stars, arriving with a family of styles so many different effects are possible. Arco Star is extended, containing European accents and ligatures so it is perfect for international publications. Arco Star pairs well with Arco Web and Arco Crayon from Okaycat fonts.

Introducing a hand-crafted label font duo named Stuntman. All available characters you can see at the screenshots. This family have two fonts - Script and Stencil; and for each included two styles - Clean and Paint (dripping effect). This font will good viewed on any retro design like poster, t-shirt, label, logo etc.

Dutch type designer Roelof Mulder created this display FontFont in 1996. The family has 5 weights, ranging from Light to Bold and is ideally suited for poster and billboards. FF Offline provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional oldstyle and proportional lining figures.

Introducing Glamoure Everyday Serif Font Family. a variable font, 8 weights regular, and italics. Glamoure Everyday is made mainly for headlines, titles, and other short texts and is well-suited for advertising, vintage mood board, branding, logotypes, packaging, titles, editorial design, modern logos, websites, social media quotes, wedding branding, modern and vintage design.

This type family is the lighter, more open companion to the eye-catching Sliced volume, a masculine display face with boldly sliced terminals and angles, available in 3 widths. The complete Sliced volume numbers 14 styles, a versatile modern suite of fonts with extended European language coverage, available in OpenType, TrueType & web formats.

This hand drawn calligraphy font was made with a wide nib pen. It is all cap with different glyphs for the upper and lower case letters for mixing and matching. The Splatter family comes with extra splatter glyphs. Great for use when you need some added punch in a headline or callout.

Dutch type designer Donald Beekman created this display FontFont in 1999. The family contains 2 weights: Regular and Italic and is ideally suited for film and tv and music and nightlife. FF Overdose provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

Setter is a type family that stands between geometric and humanist styles. Its unique features and large x-height gives it a modern look. Good for small text blocks, headlines and logos. Vast latin character set: Central, Southeastern and Western Europe. Vietnamese, Pinyin and Pan African Latin. Math and Currency. Enjoy it!

Typical of early 1800s newsprint type, Americanus and Americanus Italics have three historically accurate ornaments and discretionary OpenType features for commonly used ligatures like ct and st. The Americanus Ornaments package contains a wider selection of authentic antique ornaments and border elements and is included as part of the Americanus Family package.

This is the compressed version of Gothiks , a 6-weight display sanserif influenced by Texturas. It is ideal for everything big, compact and powerful. This family has an extensive character set — with extensive language support — and many OpenType features like fractions, small capitals and different figure sets. Default figures align with lowercase.

Cuthbert is an unusual, semi-script, pseudo-medieval typeface. The capital letters are exuberant and whimsical. However, both the regular and italics styles are graceful enough to be used for purposes such as invitations. Included as a third member of the family is Cuthbert-ZNick, a corroded, distorted version of Cuthbert Regular.

Tectura II is Greater Albion's answer to the infamous Comic Sans. It's a family of four 'hand printed' typefaces that provides our very own answer to the infamous 'Comic Sans', and follows on from one of our early release 'Tectura'. Tectura II offers a distinctive blend of hand written character with legibility.

City Tour This theme font is very beautiful when used as wall hangings or as your trade product, make logos, symbols, and several other design works, there are several families that you can choose and adjust to your design, make sure this will change the way you see the font design more modern

Introducing vintage label font named Fishman. This font has a multilungual characters support (check out all available characters on previews). The font family has six styles: Regular, Shadow, Light, Shadow FX, Light FX, Aged. This font will look good on any vintage styled designs like a poster, T-shirt, label, logo, etc.

The idea of Amsterdam Modern comes from the roofs of buildings ranged along the canal in Holland and the font was designed to have not only an industrial but also a handcrafts atmosphere. The family consists of three weights and is the best used for packaging, logos of products and short sentences.

A slightly offbeat latin typestyle, Screwby started as a digitization of a film typeface called Surf by Lettergraphics. From there, this wonderful typeface was expanded into a giant family of fun widths and weights to play with: from spindly thin and light weights, to chunky bold and blacks. An all-around fantastic treat!

Escato is a modern sans serif font family with a simple design and a little break-rule, consisting of 5 styles ranging from Regular, Bold, Round, Bold Round, and Outline. Escato is suitable for products with simple but sophisticated and equally creative designs, such as magazine, book look, business card, logo, branding, etc.

Dutch type designer Donald Beekman created this display FontFont in 2000. The family contains 4 weights and is ideally suited for logo, branding and creative industries, music and nightlife as well as poster and billboards. FF Imperial provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

Rigo™ is a flexible family of modern sans serif. Rigo is characterized by some humanistic characteristics, its open part of negative space and its overall width make it highly legible and readable at small to large size. The openness helps Rigo to be a good performer on the screen as well.

The Scrivano family was designed by Ricardo Esteves Gomes, inspired by some handwritings from the Middle Ages and Renaissance period. There are four elegant organic font styles (Regular, Italic, Bold & Bold Italic) that can be very useful to compose long or short texts in graphic standards that need some 'old style' feeling.

Calling Cards is simple and clear, slightly condensed sans serif font family in 3 styles: Regular, Italic and Bold. Each font includes ligatures and stylistic alternates. Calling Cards looks great in quotes, logos, print, and social media, and is perfect for both short and long texts, at small and large font sizes.

Branden – Casual Sans Serif Font is a modern sans serif font family whose design refers us to the style of casual sans serif. The distinctive features of Branden – Casual Sans Serif Font are the relatively low contrast of strokes, the slightly squarish shapes of round characters and the emphasized business like simplicity.

The Zapf Renaissance Antiqua type family was designed by Hermann Zapf for the German Scangraphic Dr. Böger GmbH in Hamburg, from 1984–1986. The typefaces were engineered for use in digital CRT phototypesetting. This version was based on Scangraphic SH version (For Display use) and not on the SB version (for text use).

In 1915 the Leipzig based foundry Heinrich Hoffmeister released the bold condensed version of its Sensation font family which is the most outstanding. The letters f, l and the long s have stylistic alternatives. To get access to all ligatures it is recommended to activate both OT features Standard and Discretionary Ligatures.

React is modern athletic display block font family. It's timeless shapes and features will give you an instant athletic feel to your project. React features both chamfered corners and rounded giving it a unique approach. These fonts are perfect for sports logos, branding, posters, apparel design, magazine headlines, labels and so much more.

KD Dekorat - Artdeco font for display use. Initially submitted for a font design competition, it's now redrawn and polished with extra glyphs incl. Cyrillic script. All letters stay true to the uniformity of the modular design. Create catchy headlines, logos, large billboard messages that will drag client's attention. Pairs nicely with sans families.

Billboard is a swinging family of six fonts. The all-caps letters are soft and round but the letter shapes will keep your layout in order. The font has class-based kerning and automatic OpenType ligatures. To access the ligatures you only need to use an OpenType-aware application and write in CAPS.

Atenta is a neutral sans-serif family based on techno-geometric forms in 8 styles. It supports Western, CE, Baltic, Turkish and Cyrillic encoding languages. All styles of Atenta contain small capital forms, case sensitive punctuations, lining, Oldstyle and smallcaps figures (including currency and math operators), superscripts and subscripts, numerators and denominators.

The Centaurea typeface family is based on a didone with curved serifs. The Original style is legible and adapted to small sizes. The Sketch, Outline and Plain styles allow originality and creativity. Twenty stylistic sets allow the mixture of styles while keeping kerning steady. Overlapping allows the creation of unusual and original effects.

Razumec is a carefully crafted display serif typeface with a highly unique personality. Its epic yet warm sentiment is established by a skillful blend of slab and wedge serifs, tapered stems, curves with raised center, and creative weight distribution. Proper pronunciation of these style elements influenced wide proportions and medium-to-high contrast. Besides its main typology, it incorporates subtle allusions to a spectrum of typographic and visual traditions, from calligraphy, ordinary handwriting, blackletter, and medieval uncial script to the neoclassical Didone and industrial typefaces. All of these flavors are combined tastefully and consistently throughout the whole set. With its rich visual identity, Razumec is primarily intended for display usage, as shown in the promo images. It's perfect for branding and packaging. Fantastic for projects focusing on storytelling like fairy tales, epic fantasy books, board and video games with historic or adventurous themes. Superb for theme magazines, quotes, headlines, museum and concert brochures. On the other side, its authentic historical voice works great as a strong counterpart point in ultra-modern contemporary designs for print and screen. Web design, motion graphics, conceptual art, posters, and social media material are just the first few ideas. The laborious production process focused on achieving a high level of classical typographic virtues rather than having an extensive character set. Beautiful stylistically consistent characters with balanced weight and width, high-quality curves, meticulous spacing and kerning, well-articulated diacritics, and punctuation were priorities. Special attention is given to solving problematic letter pairs through contextual alternates, which enable better spacing and smooth joints (hence the recommendation to always keep the Contextual alternates feature on for this font. Learn more about it HERE). Razumec is a small but well-executed and thoroughly tested font. Font family comprises nine weights plus variable font.* * Variable font lets you access all the weights through the single font file. In apps that support it, you will find a slider where you can pick any number from 100 to 900 corresponding to 800 possible font weights. Learn more about variable fonts and their support on the following two links: VF ABOUT and VF SUPPORT.

DB Trees includes several familiar and not so familiar tree designs with plenty of room for creativity to grow. Makes fun additions to your creative projects.

Oliviar Sans Variable is a modern sans serif with Grotesque touch. It's my experimental to study the new trends for the future fonts that is Variable Fonts. Inspired by a Geometrical fonts and also Humanist Sans serif. Created with 8 Masters that export to the traditional OTF to 28 Styles!. On the Applications that support variable fonts such as Adobe Illustrator & Photoshop, you can get more than only 28, you can customize the Weight, Width and Slant. Weight created from Thin (100) to Bold (900), Width created from Standard (100) to Expanded (900) and Slant based on degree angle from 1˚ to 10˚. There is a new slider icons for accessing this features Check on Last Display Image. Another advantage on the Variable fonts are you just need 1 files to install to your computer and it will install all the styles available. All of the Fonts are support for Multilanguage, Carefully Crafted.

New Year Deco: An Art Deco Font for Festive Celebrations! Raise a glass to the New Year with this elegant, vintage inspired Art Deco header font. This first edition of New Year Deco is the introduction to an experimental design that I hope will evolve into the ultimate in Art Deco fonts. Starting with 4 alternative styles with varying degrees of decorative flourish, this all-caps design is tailor-made for invitations, award ceremonies, elegant title designs and logos. It includes unique uppercase and lowercase characters, along with numerals, punctuation and language support. And also includes a variety of illustrated symbols, underlines and icons for an extra graphic touch. See the visuals for more. For the future development of this font I encourage my customers to contact me with suggestions and requests. If you would like to see a bolder, thinner, fatter, taller or wider version, contact me and I’ll add it to the next update!

Thirty years after its first appearance, Jovica Veljović has produced ITC New Veljovic Pro, a completely revised edition of his first typeface, ITC Veljovic (1984). Prof. Veljović has tapped into all the experience he has garnered over the past decades; by carefully adjusting the proportions of the characters he has provided the new typeface with a more harmonious presence. The serifs have been subtly curtailed and the letters made slightly more condensed. Some new features of ITC New Veljovic are the double-story “g” with its completely closed loop and the more open forms of the “c” and “e”. In the italic variants, the latter is much rounder. Thanks to Veljović’s outstanding work, the optimized ITC New Veljovic can now be used in all contemporary applications. The new Condensed style saves considerable space when it comes to setting longer texts. The Display versions show off the striking, crystal-clear shapes of the design at their best in larger point sizes.

Back when OpenType hadn't yet opened and Apple was developing the Line Layout Manager called GX Typography I created a test font that I name after my stepdaughter, Kristen (now ITC Kristen). Not wanting to offend my wife I started on a font project and gave her name to this new set of glyphs, Roberta. Unfortunately, the name was already in use so I needed to find another name for the fonts. After September 11th I decided that there were people I'd met during my life who were truly cut from the cloth of the hero. Master Sargent McLemore of the 75th Ranger Battalion was one of these people. I met the Sarge when I was in basic training at Fort Gordon. I saw him 2 weeks before he died in 1970. All of the heroes we see on the silver screen pale in comparison to this man. John Wayne and Clint Eastwood both have played the type well, both could have taken lessons from the Sarge.

Fifteen hundred years from now, a man will be selected to go back in time to prevent a catastrophic event which turned his world into a dystopia. Sent back in time, he was enveloped in empyrean fire, the strands of energy that make up time itself. Crash-landing near Astro City in late 1985, he learned how to master and channel the empyrean forces that had suffused his body -- finally learning to control his powers in time to prevent the destruction of the Space Shuttle Challenger, the event he had been sent to avert. He described himself to journalists as nothing more than "a Good Samaritan", and has continued to help his fellow man in Astro City ever since. John JG Roshell has also been struggling with the empyrean challenge of fitting all of Kurt Busiek's ASTRO CITY dialogue into balloons with the regular Samaritan font, so he created the Samaritan Tall font to help his fellow comic book letterers! It's kinda the same thing, really.

Newercastle is the new incarnation of a popular Chank font formerly known as "Newcastle". A consistent fan favorite since its initial release in 2005, the distressed blackletter font is new and improved. This sinister script is now bulked up with all-new capital letters, a bit of punctuation, and smattering of new crowns, griffins and other heraldic doodads. Designer Kevin Hayes opted for an assortment of gritty old icons instead of more traditional punctuation, because he felt that's just the way this type of font could perform best for you, the font enthusiast. "At-signs and percentile glyphs just aren't believable in fraktur-style fonts," says Kevin. You benefit by getting a bit of clip art with the new font instead of boring old punctuation. Use the new bats indiscriminately to add a regal air to even the most mundane newsletter. Or use layer upon layer to add a rustic richness to a poster project. Enjoy this wicked, textural type and use it with extreme force.

We’re excited to share with you our newest typeface family, the Ahakin San Serif. This new set of fonts will give your designs luxury and uniqueness for all kinds of project needs. This pack comes in 18 different styles which makes it perfect for a wide variety of projects. Each style has been uniquely created to maximize beauty and character. This font is specially designed for a variety of display design and branding projects, but will also look great as headlines, text, banners, posters, or anything else. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.