Long legs, long neck, low x-height, it’s Hopeful giraffe. Each of both styles of this family of font contains two stylistic sets. With its ornamental capitals and its varied numerals, you can modulate the aspect of your texts as you want it.

Matrice is a sans serif (Semi Extended) display font family in 8 weights plus matching natural italics. support 75+ Languanges (Latin Based) influenced by the grotesk typefaces developed in the early 20th century, perfect for branding (Identity), logotype, headline text, and caption.

Deceptively simple in its lineal structure, Morice concisely expresses the essence of each letterform with a quiet elegance. There are several variations within the Morice family – with rounded or straight terminals being offered, each giving a slightly different typographic pitch to settings.

Introducing our latest collection Romestone, a super bold condensed font family with 4 styles with strong and challenging nuances. Very suitable for titles, typography, clothes, magazines, brochures, packaging and much more for your design needs, making your designs more modern and professional.

Hello, here's the new Handwriting font Breakfast Renegade. Breakfast Renegade is a family fonts. The style inspired by child writing. Easy to read, good kerning, easy to access multilingual What's Included Inside The Fonts ? Uppercase Lowercase Symbols Numbers European Multilingual Thank You, Regads

Sahur Bosku is a beautiful handwritten font. This family consists of a script and comic style with matching italics. This font is suitable for branding, quotes, logos, magazines, posters, promotional advertisements, films, and more. The fonts have multilingual support and are PUA Unicoded.

This humanist slab-serif style is an extension from Gazeta font family, the letterform are more sharp, racional and mechanical. Italics are having small differences from roman letterforms, the characters are slightly more narrow (weight) and the proportions are less open (width).

Este is a modern sans serif typeface. The family has 7 weights, ranging from Thin to Bold and is suited for branding, logo, transportation, product design, advertising and packaging. The modern feel is complimented by alternative characters via the OTF stylistic sets.

Contra Flare is the organic design of my Contra family of fonts. It has beautiful curved endings – not serifs – that make it look like it was made out of flowers leafs. But still the font has an elegant look to it. Enjoy!

Fair Sans is a distinctive sans-serif with much of its calligraphic structure left intact. Its casual construction and unconventional letterforms create a unicase family that’s relaxed and lively at the same time. Includes four weights and two widths, ligatures, and extras.

Valerio is the font family to use if you wish to convey your ideas with elegance and a pinch of eccentricity without being out of touch with modernity. Valerio supports 117 languages, features a total of 504 glyphs and includes an italicized version.

Levnam is a sans-serif family with quite wide proportions, slightly thickened terminals and wide sidebearings. The font is well suitable for setting text in small point sizes, similar to Bell Centennial or Verdana. Designed by Manvel Shmavonyan. Released by ParaType in 2015.

Krom Mono is a modular monospaced font built with pixel shapes. Designed for headlines, posters, and small size body text. This family consist of 9 weights from thin to black plus variable font with a character set that covers over 90 languages.

Renova was designed by Elsner+Flake in the late 90s as a contractual work. The font family comes as a typical Office pack in EuropePlus layout for at least 72 Latin languages. It is optimized for good legibility in small point sizes.

British type designer Neville Brody created this display FontFont in 1993. The family contains 4 weights and is ideally suited for poster and billboards and sports. FF Tokyo provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

Aterline is a simple but elegant slab serif font family. It will elevate a wide range of crafting ideas, from cards to branding, labels, and much more. Add it confidently to your favorite creations and let yourself be amazed by the outcome generated.

Roble is a Slab Serif Font, from a mix between Andes and Sanchez, following a harmony with both fonts one sans and one serif with a fresh and dynamic result. Roble is a family of 16 display fonts 8 weights plus italics.

Born Strong is built with athletics in mind. The goal was to make the perfect typeface for sports teams, college football, athletic wear and everything in between. The font family supports a wide range of languages and is available in many different weights.

Foppish Birdie is a font family with character of birds that was inspired by the font Guakala by RodrigoTypo. Foppish Birdie - dynamic, cheerful, a special typeface for children's short titles and brands, containing the Cyrillic set. Take each letter and make game!

The common Slavic word Основа (Osnova) means basis in English and βάση in Greek. This universal but still distinctive typeface can make a good ground for any design project. Special Navigation version separated by Western Latin, Greek and Cyrillic families is here.

Esquina Outline is a family of octagonal slab serif fonts. Designed for use in outdoor advertising, branding, packaging. Esquina Outline is also ideal for sports related materials such as team logos, flyers, posters and more. Esquina Outline contains Latin, Cyrillic and Greek glyphs.

This font is a nod to paper notebooks in which a long time ago students made notes. That's why the font looks like written by hand. The inspiration of this family font is the phrase, "Let me go back to the past".

This family of fonts was created to resemble a hand written style. It is loosely based on several sources, including that of the designer. There are unique ligatures, readily found in Keystrokes on the Macintosh platform: fr, ff, ffl, ss, tr, Th.

Glamour was originally released by Lanston Monotype in 1948. It is based on Corvinus designed by Imre Reiner. P22 Designer Colin Kahn has added some unusual variants to this family illustrating that Glamour can be taken too far and have somewhat unglamorous results.

The family includes eight styles being seven uprights and an inline style. Vivala Slab is ideal for use in headline sizes, but it also works properly within text blocks and information design. Opentype features are ligatures, ordinals, fractions, numerators, denominators, superscript and subscript.

Betm is a geometric sans-serif font family created by Chatnarong Jingsuphatada (a Thai type designer) and published by Typesketchbook. Inspired by clean modern and, somewhat, mild geometric lines, Betm comes in 10 very useful weights along with complementary italics. You’ll love Betm!

Esenka is a family sans that comes with 9 weights, 9 italics and 2 outlines. Esenka has an expanded uppercase alternate, with a choice of 2x and 3x width options. Esenka is PUA encoded which mean you can access alternate with ease.

Frykas is warm and friendly, hand-drawn font. It has a simple form with subtle irregularities, but no swashes or ornaments. This condensed font family with five styles will be a great solution for posters, titles, short sentences or whenever you need impact.

Brooklyn Samuels is a sans-serif family of fonts designed by Hans Samuelson. Based on geometrical shapes it is primarily intended for headline use but also offers excellent legibility in small sizes. Stylistic sets offer a more text-friendly alternative for some letters.

Golden Signer was inspired by vintage and tattoo letters. The font family comes with Regular and Serif type, completed with alternates characters, deboss style, shapes and also free ornaments. Golden Signer is a perfect package for any project that needs display lettering.

RMU Royal Sans is an early 20th century sans serif which was first released as Wotan by Wagner & Schmidt in 1914. The regular version is the most beautiful and characteristic of this family which contains several styles of different weights and widths.

Esquina Stencil is a family of octagonal slab serif fonts. Designed for use in outdoor advertising, branding, packaging. Esquina Stencil is also ideal for sports related materials such as team logos, flyers, posters and more. Esquina Stencil contains Latin, Cyrillic and Greek glyphs.

Mafond is a fresh slab serif. It supports all european languages. The family is rounded as never before and includes 5 styles. Each of them has alternates for basic latin and a couple of ligatures. In case of success Mafond becomes Yofond.

Bommer Slab Rounded designed by Eduilson Coan is the softer sister of Bommer Slab released in April 2014. This family includes 14 weights: seven uprights and seven italics and opentype features such as: all caps, ligatures, ordinal, fractions, numerator, denominator, superscript and subscript.

Queulat is a hybrid typeface that combines two different styles, reflecting charm, freshness and, especially, a strong personality. The font is inspired by Modern and Grotesk styles. The former is shown in some characteristic features such as teardrop terminals, which give the typeface an attractive unique look, making it an ideal choice for logotypes and labelling. The latter, with its rationality, makes Queulat a stable and strong face for headings and subheadings. The combination of styles can be clearly seen by comparing the regular with the alt version. The regular version is more simple than the alt one. Differently, the alternative version possesses more features of the Modern style, like teardrop terminals in ‘k’ and ‘v’. Queulat also comes with a Unicase version, in which a higher number of shapes can be found, resulting in a unique colourful display.

A feminine, graceful script whose thicker horizontals create a wave-like rhythm — hence the name. Seashore is loosely based on an "eccentric" (left-leaning) penmanship style of the late 19th century. Used mainly by professional "engrossers" in certificates and tributes, or by society ladies in their stationery and invitations, it sent a message of true refinement, as the style would have been only been mastered after the more common business, Spencerian, and standard ornamental styles. In fact, unusual script styles were in such demand that type foundries of the era exploded with metal-type knockoffs of increasing fanciness. Seashore includes a wide variety of swash capitals, alternate endings, and contextual ligatures, over 900 glyphs in all. Seashore is best used in short display settings — in names and addresses on formal invitations, in menus and food packaging, or fashion and beauty contexts.

In the immortal words of Homer Simpson, "It's easy to complain... and so much FUN, too! Woo-HOO!" Now your characters can grumble, mumble and mutter in barely audible tones as they dredge up some bit of misery from their lives, unleash a rambling river of criticism and complaints about the state of their health, or the government, garbling as much graphic detail as time and your imagination will allow! Or perhaps your creations are issuing drunken slurs as they wake up outside their own fricka-frackin' houses cuddling wheelie bins, covered in glitter, wearing a shiny hat and budgie smugglers over their jeans while holding the reins to a miniature horse. So moan, groan, gossip incoherently or swear under your whiskey-soaked breath like a trooper... courtesy of those Rassum Frassum font lovers at Comicraft. >Hic!

Cresci Exemplar™ was originally designed by Giovanni Francesco Cresci, the 16th century Milanese writing master. These letters from his book Essemplare are some of the most elegant capitalis monumentalis ever produced and served as a model for later inscriptions on statues and monuments all throughout Italy. Painstakingly made from multiple high-resolution references, Cresci Exemplar™ Pro, accurately matches the master’s original lines. It can be used at large sizes without sacrificing elegance. Cresci’s attention to detail and delicate curves allow his titling capitals to stand out and elevate text. The numbers of Cresci Exemplar™ Pro have been professionally designed to match and complement the letterforms of Cresci’s original alphabet. Symbols have either been faithfully transcribed or thoughtfully designed both to be pleasing to today’s reader and congruent with classic lines. Released for the 450th anniversary of Cresci’s Il Perfetto Scrittore.

Recreate authentic letterpress typography with Oxford Press, a set of chunky uppercase Serif & Sans fonts designed using real vintage metal letterpress blocks sourced from old printing companies. The Serif & Sans fonts each have two variations, 'Clean' and 'Rough'—with the latter having real, highly detailed hand-made letterpress textures applied to each letter. Each letter of the 'Rough' fonts also has an alternate texture, which can be accessed simply by switching between upper and lowercase characters. The 'Rough' fonts can make a striking impact as bold header text for posters, adverts, prints and packaging, whereas the 'Clean' versions are more suited for smaller accompanying text, cleaner designs or for applying your own textures and styles. Language Support • English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian.

Erdogan Karayel, a master in graphic arts and a cartoon artist, has long dreamed of transforming characters made up of his own handwriting into fonts. This dream has come true with the technical support of Karayel's school friend Sabahattin Kayış, a graduate of the Istanbul School of Applied Fine Arts (Marmara University Faculty of Fine Arts). The biggest problem of handwritten fonts in the font world is the difficulty of reading in long texts due to their curved and flexible letters that create spacing problems when used side by side. The "Karayel Calligraphy", on the contrary, is created as a solution to this problem. It's a font that is sufficiently fluid, visually satisfying and easy to read. In particular, a lot of effort is made to ensure the utmost harmony between the character's spaces. The “Karayel Calligraphy” font is now available for download.