Aficionado is a hand drawn font, modeled after classy turn of the century typefaces. It is a very legible all-caps font which will certainly give your designs an elegant look!

TOMO Pillo! a blocky style fat face with attitude. Bold, heavy and fun! all at the same time! You will only need this font to make your designs stand out fresh!

Quirkophonic mimics hand-drawn letters and logos of the 1960s. Suitable for album covers, movie posters, rock concerts, or whimsical fantasy. From secret spy capers to magic mushrooms, it's all groovy.

A whimsical font with robust curlicues. Designed for display lines on show programs, posters, print ads etc. Many—but not all—of the letters are based on rounded Lombardic medieval forms.

Plenti is the fat font to add to your visual communication toolbox. Friendly, square, and quirky all at the same time. It is itching to get used on posters and websites.

Glamori is a hand-brushed calligraphy font. It feels bold and charming. This handwritten font is the perfect fit for all of your logos, branding, social media, and crafty DIY projects.

Thing - A Display Font : Thing is a carefully crafted display font. It has Extended Latin characters. It created for poster, web, brand and social media designs. This is all Caps Fonts.

I was working on an unrelated job with curls and wondered how I could apply them to a font. Well, here it is, all pair-kerned. A little silly but fun.

Thanks for checking out Bridgeriden is perfect for all your needs, such as a logo, printed quotes, badge, insignia, packaging, headline, poster, t-shirt/apparel, greeting card, and wedding invitation, & etc.

Amalynos is a cute and simple lettered handwritten font that can be used for all chalkboard quotes or teaching material! Its authentic look will add a realistic feel to your designs.

Shamus is a unique uncial design that contains several weights. Designed with many alternate glyphs and flourishes, Shamus embodies all the high-end features expected in a quality OpenType Pro font.

A unique semi-sans-serif font specifically designed for all texts in a variety of applications. Recommended for posters, titles, book covers, greeting cards, signage, packaging, invitations, magazine articles and advertising.

Osake is a Japanese style decorative font, created by using a brush pen. This font is the perfect fit for all of your logos, branding, social media, and crafty DIY projects.

What's all the "Hoopla" about? Try this unique, amusing font for scrapbooking and creative papercrafting. Its letters are thin, with a handwritten look. It's for the young, and young at heart.

Dabi is a bold sans serif type family of three weights plus matching italics. It is suitable for logos, titles, posters, etc. Made from a compilation of all his design projects.

METAL is a hand-lettered modern serif font. This all caps font includes punctuation and numerals. It is perfect for: Logos Posters Headlines Apparel & more Multilingual support Stay true! Stay metal!

Secret Diary is a nice bit of uncomplicated handwriting: it is rounded, feminine, legible and above all - natural in appearance. Secret Diary comes with some ligatures and an overdose of diacritics.

Simple Fact is a family of 4 fonts and 2 sets of drawings. All fonts and drawing was made with the same inky pen, leaving a slightly blurred and rugged look

Border pieces, catch words, head and tail pieces and a generous amount of cartoons comprise Letterpress Assortment JNL. All of the printers' stock cuts were re-drawn from vintage source material.

A modern all caps font with alternative characters. Looks best in large display text, but also legible in small sizes. Ideal for rock bands, graphic novels, action films and video games.

Print Illustrations JNL gathers a number of charming and functional designs redrawn from vintage sources. There are attention getters, spot illustrations, catch words and decorative embellishments all in one digital file.

This is the most complete and final version of Hatter, it contains more than 12 fonts, among them it contains Cyrillic, Swash, Alternatives, Dingbats, Ornaments, all to make an entertaining graphic.

Using the genetic inheritance of semi-serif typeface Ninfa, designed in 2008, Ninfa Serif has 10 styles and designed to fulfill all needs in the design of text - books and magazines.

Down With the King is a very bold all caps font best used for large titles, headers and logo work. The lower case letters have rounded edges for a softer feel.

Arabela is a modern and beautiful calligraphy script, ideal for use in elegant designs. This font has a dancing look and adds a lot of femininity to all types of projects.

Leaves... lots of leaves... all hand drawn... 62 of them in fact. Big ones, small ones, line ones, reverse ones to use alone or together in groupings. A very versatile font.

Heart Doodles Too is the follow up font to Heart Doodles . This one is a bit fussier and fancier and more detailed. 41 hearts for all your Valentine and Wedding needs.

Really excited to introduce Caustin Bolar is a bold brush script and will be perfect for all your designs project. Uppercase Lowercase Number & Symbol International Glyphs Ligature Hope you enjoy it.

Schwarz is a Black Letter typeface inspired by all that is black. Jagged edges and sharp diagonals make Schwarz a head banging font. Some stylistic alternates and ligatures are also available.

Medium Roman is an engravers, all-capitals font for invitations and stationery. Particular characteristics of the Medium Roman font are the tail on Q and the spurs on J and U.

Kraut is a decorative headline font that can be used for posters, packaging, logos and on football jerseys. It contains all small and capital letters from the Latin and Cyrillic alphabet.

A font classic as a RMU redesign - a small yet mighty family with a West and Central European character set plus Cyrillic. All three styles include small caps and oldstyle figures.

Kamelyn is a cute and simple lettered handwritten font that can be used for all chalkboard quotes or teaching material! Its authentic look will add a realistic feel to your designs.

PMN Caecilia™ is the premiere work of the Dutch designer Peter Matthias Noordzij. He made the first sketches for this slab serif design in 1983 during his third year of study in The Hague, and the full font family was released by Linotype in 1990. The PMN prefix represents the designer's initials, and Caecilia is his wife's name. This font has subtle variations of stroke thickness, a tall x-height, open counters, and vivacious true italics. Noordzij combined classical ductus with his own contemporary expression to create a friendly and versatile slab serif family. With numerous weights from light to heavy, and styles including small caps, Old style figures, and Central European characters, PMN Caecilia has all the elements necessary for rich typographic expression. eText fonts - the optimum of on-screen text quality With our new eText fonts that have been optimised for on-screen use, you can ensure that your texts remain readily legible when displayed on smartphones, tablets or e-readers. The poor resolution of many digital display systems represents a major challenge when it comes to presenting text. It is necessary to make considerable compromises, particularly in the case of text in smaller point sizes, in order to adapt characters designed in detail using vector graphics to the relatively crude pixel grid. So-called 'font hinting' can help with this process. This, for example, provides the system with information on which lines are to be displayed in a particular thickness, i.e. using a specific number of pixels. As font hinting is a largely manual and thus very complex technique, many typefaces come with only the most necessary information. What is unimportant for a text printed in high resolution can result in a poor quality image when the same text is displayed on a screen, so that reading it rapidly becomes a demanding activity. Specially optimised eText fonts can help overcome this problem. An extremely refined and elaborate font hinting system makes sure that these fonts are optimally displayed on screens. Monotype has not only adopted font hinting for this purpose but has also thoroughly reworked the fonts to hone them for display in low resolution environments. For example, the open counters present in the letters C, c, e, S, s, g etc. have been slightly expanded so that these retain their character even in small point sizes. Also with a view to enhancing appearance in smaller point sizes, line thickness has been discreetly increased and x-height carefully adjusted. Kerning has also been modified. Don't leave the on-screen appearance of your creations to chance. Play it safe and use eText fonts to achieve perfect results on modern display devices. Many typefaces, including many popular classics, are already available as eText fonts and new ones are continually being published. The eText font you can purchase here are available for use as Desktop Fonts or Web Fonts. Should they be used in Mobile Devices such as smartphones, tablets or eReaders, please contact our OEM specialists at sales-eu@monotype.com.

Michael Hoffmann manufactures digital fonts for 30 years. At URW++ he contributed to the technological progress. Over the years, he also specialized in the ideal representation of fonts on screen and the complex assembly of international fonts with scripts of all countries. In his latest project he put the emphasis on developing a highly readable typeface. Less interested in the design as in the functionality of this typeface, he designed Arsapia which he has now installed as a system font on all his computers. Michael Hoffmann studied Japanology at the University of Hamburg and traveled in the early years of his professional activity frequently to Japan, there to train the IKARUS font production tools to Japanese customers. In his spare time he plays guitar or golf depending on the weather. The typeface Arsapia has been designed in such a way that all three font styles Light, Regular and Bold have the same width. When a user therefore opts for the use of Arsapia Light, even though he has already written his text in Regular, nothing changes with respect to the letter tracking. When choosing the Bold for emphasis: Nothing changes except the blackness of the letters. A font change does not engender unwanted line and page breaks of itself. All letters can be clearly distinguished from each other. 1 l I O 0 are all different. For programmers and lovers of monospaced fonts Michael Hoffmann has developed a fourth typeface: Arsapia Mono. This is the perfect terminal font.