Very Loose is a new alphabetic font. A casual display face with a design personality providing great versatility of association. Thoroughly pair-kerned, including all accented characters for use in western European languages.

I love geometric sans serifs, their crispness and rationality. Le Havre taps into this style, but for a while, I've wanted to create a font recalling the printed Futura of the 1940s, which seems to have an elusive quality all its own. After seeing an old manual on a World War II ship, I developed a plan for "Le Havre Metal" but chose to shelve the project due to Le Havre's small x-height. That's where Steagal comes in. When Robbie de Villiers and I began the Chatype project in early 2012 (a project which led one publication to label me the Edward Johnston of Chattanooga!), we started closely studying the vernacular lettering of Chattanooga. During that time, I also visited Switzerland, where I saw how designers were using a new, handmade aesthetic with a geometric base. I was motivated to make a new face combining some of these same influences. The primary inspiration for the new design came from the hand-lettering of sign painters in the United States, circa 1930s through 1950s. My Chatype research turned up a poster from the Tennessee Valley Authority in Chattanooga, Tennessee, which exhibited a number of quirks from the unique hand and style of one of these sign artists. Completing the first draft of Steagal, however, I found that the face appeared somewhat European in character. I turned then to the work of Morris Fuller Benton for a distinctly American take and discovered a number of features that would help define Steagal as a "1930s American" vernacular typeface--features I later learned also inspired Morris Fuller Benton's Eagle. The overall development of Steagal was surprisingly difficult, knowing when to deliberately distort optical artifacts and when to keep them in place. Part of type design is correcting optical illusions, and I found myself absentmindedly adjusting the optical effects. In the end, though, I was able to draw inspiration from period signs, inscriptions, period posters, and architecture while retaining just enough of the naive sensibility. Steagal has softened edges, which simulate brush strokes and retain the feeling of the human hand. The standard version has unique quirks that are not too intrusive. Overshoots have almost been eliminated, and joins have minimal corrections. The rounded forms are mathematically perfect, geometric figures without optical corrections. As a variation to the standard, the “Rough” version stands as the "bad signpainter" version with plenty of character. Steagal Regular comes in five weights and is packed with OpenType features. Steagal includes three Art Deco Alternate sets, optically compensated rounded forms, a monospaced variant, and numerous other features. In all, there are over 200 alternate characters. To see these features in action, please see the informative .pdf brochure. OpenType capable applications such as Quark or the Adobe Creative suite can take full advantage of the automatically replacing ligatures and alternates. Steagal also includes support for all Western European languages. Steagal is a great way to subtly draw attention to your work. Its unique quirks grab the eye with a authority that few typefaces possess. Embrace its vernacular, hand-brushed look, and see what this geometric sans serif can do for you.

Divina Proportione is based from the original studies from Luca Pacioli. Luca Pacioli was born in 1446 or 1447 in Sansepolcro (Tuscany) where he received an abbaco education. Luca Pacioli was born in 1446 or 1447 in Sansepolcro (Tuscany) where he received an abbaco education. [This was education in the vernacular (i.e. the local tongue) rather than Latin and focused on the knowledge required of merchants.] He moved to Venice around 1464 where he continued his own education while working as a tutor to the three sons of a merchant. It was during this period that he wrote his first book -- a treatise on arithmetic for the three boys he was tutoring. Between 1472 and 1475, he became a Franciscan friar. In 1475, he started teaching in Perugia and wrote a comprehensive abbaco textbook in the vernacular for his students during 1477 and 1478. It is thought that he then started teaching university mathematics (rather than abbaco) and he did so in a number of Italian universities, including Perugia, holding the first chair in mathematics in two of them. He also continued to work as a private abbaco tutor of mathematics and was, in fact, instructed to stop teaching at this level in Sansepolcro in 1491. In 1494, his first book to be printed, Summa de arithmetica, geometria, proportioni et proportionalita, was published in Venice. In 1497, he accepted an invitation from Lodovico Sforza ("Il Moro") to work in Milan. There he met, collaborated with, lived with, and taught mathematics to Leonardo da Vinci. In 1499, Pacioli and Leonardo were forced to flee Milan when Louis XII of France seized the city and drove their patron out. Their paths appear to have finally separated around 1506. Pacioli died aged 70 in 1517, most likely in Sansepolcro where it is thought he had spent much of his final years. De divina proportione (written in Milan in 1496–98, published in Venice in 1509). Two versions of the original manuscript are extant, one in the Biblioteca Ambrosiana in Milan, the other in the Bibliothèque Publique et Universitaire in Geneva. The subject was mathematical and artistic proportion, especially the mathematics of the golden ratio and its application in architecture. Leonardo da Vinci drew the illustrations of the regular solids in De divina proportione while he lived with and took mathematics lessons from Pacioli. Leonardo's drawings are probably the first illustrations of skeletonic solids, an easy distinction between front and back. The work also discusses the use of perspective by painters such as Piero della Francesca, Melozzo da Forlì, and Marco Palmezzano. As a side note, the "M" logo used by the Metropolitan Museum of Art in New York City is taken from De divina proportione. “ The Ancients, having taken into consideration the rigorous construction of the human body, elaborated all their works, as especially their holy temples, according to these proportions; for they found here the two principal figures without which no project is possible: the perfection of the circle, the principle of all regular bodies, and the equilateral square. ” —De divina proportione

Maghfirah is a delicate and elegant handwritten font. Its distinct and well rounded letters make this font a masterpiece. Fall in love with its incredibly versatile style and use it to create spectacular designs.

Introducing Querygrand - Authentic Condensed Bold Sans with strong and challenging nuances. very suitable for the title, typography, magazines, brochures, packaging and much more for your design needs, making your designs more modern and professional.

Take a classic Western wood type where the horizontals are thicker than the verticals and remove the slab serifs… The result is Western Sans JNL, which is available in both regular and oblique versions.

Winter Animal is an incomparable display font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Inspired by the former Schriftguss, Dresden, font Echo, this fresh-drawn und designed Neue Echo can be filled in many different ways, and makes it a great display font for labels, posters, headlines etc.

Electricity Generation is a cute, quirky and casual handwritten font. Its informal style and casual vibe will make this font a go-to choice for each of the creations that require a relaxed touch.

Monkey Hat is art deco with a fresh twist of graffiti, and on top of that a lot of funk! Comes with a good handful of ligatures to make the text even more playful!

Noyram is a strong brush script typeface with stunning alternate glyphs. With so many alternative glyphs, you can make an experiment by combining regular and alternate glyphs to get cool phrase with great preview.

Burswood is a delicate and elegant handwritten font. Its distinct and well rounded letters make this font a masterpiece. Fall in love with its incredibly versatile style and use it to create spectacular designs!

Dzulfiqar is a simple and dainty handwritten font. Its natural and unique style makes it incredibly fitting to a large pool of designs. Use this font for your designs and explore its endless possibilities.

Aidil Fitri is a modern script font. It has a neat shape and is beautiful to read. It is look gorgeous for making logo, branding, product packaging, signage, clothes, business card, and promotion product.

This font consists of individual pieces that can be combined to make a wide variety of borders. For each border design, the pieces generally include four corners, a vertical section, and a horizontal section.

Snow Cap from Bitstream is a wintry display face with snow effects dropped onto Jennifer Maestre’s Mister Earl. Released in 1995, the snow was artfully placed onto each character by Bitstream designer Richard Stetler.

Mique is a chunky lettered, sweet display font. It will add an incredibly joyful touch to your designs. Add it to each of your creative ideas and notice how it makes them stand out!

XingXangXung is a display font designed by Diogo Pisoeiro. Although it only has a limited number of characters, this display face with a unique style will work well for graphic design and display work.

Amellya is a delicate and elegant handwritten font. Its distinct and well rounded letters make this font a masterpiece. Fall in love with its incredibly versatile style and use it to create spectacular designs!

Basketball is a bold and authentic slab serif font. It has a cool style and it will make any of your designs stand out. Use it for sports, racing design, or anything sports-related.

Longwood JNL is a condensed Roman typeface based on wood type examples. The nonconforming line and curves make this a unique font that can replace any of the "traditional" type designs used for titling.

Albeit Grotesk Rounded Caps is a graphic geometric rounded all caps display font family of four weights (Light, Regular, Medium and Bold) with slightly exaggarated diacritics for better readability making it ideal for headlines.

Gerando is a cool and adaptable display font. Add this modern font to each of your favorite designs and make them instantly stand out. If you have questions, please contact us at arimatype@gmail.com

Movieland JNL is a re-working of Jeff Levine's Art Deco-styled Wingate JNL, with more traditional letter shapes; making it perfect for creating (or recreating) the compact look of movie poster production credits.

The typeface was designed for ParaType in 1999 by Oleg Karpinsky basing on his Dublon typeface (1994). A decorative face in Op-Art style with slab serifs. For use in advertising and display typography.

Vibrant Energy is a striking display font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Wow Darling is a narrow and simple handwritten font. It fits a wide range of casual or friendly designs. Whether you’re using it for crafting, digital designing, presentations, or greeting card making, it’s perfect!

A display face with strong contrast between thick and thin strokes and a distinct calligraphic influence, the Nueva font family is useful for display work in magazines, on packaging and for flyers and leaflets.

Golden Sunrise is a striking display font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Seryliat is a simple and dainty handwritten font. Its natural and unique style makes it incredibly fitting to a large pool of designs. Use this font for your designs and explore its endless possibilities.

Seindah Cinttya results out of a stunning pairing of a brush pen that makes it look incredibly endearing and authentic. Use this gorgeous and unique script font to bring any DIY project to life!

Mellow Sunshine is an incomparable display font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Discovered in The Zanerian Manual of Alphabets and Engrossing was this quaint charmer, called simply "Italic Roundhand". The manual touts this face as plain, practical and rapid; it's lovely, luscious and nostalgic, as well.

Divine Holidays is a striking display font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Herralds is a graffiti display font . Herralds is a free-style font that has the characteristics of street art that shows freedom and is filled with unique characters to make your projects stand out.

Introducing Racerz - Sport Display with strong and Sport nuances. very suitable for the title, logo, typography, clothes, magazines, brochures, packaging and much more for your design needs, making your designs more modern and professional.

Phobey is a simple and dainty handwritten font. Its natural and unique style makes it incredibly fitting to a large pool of designs. Use this font for your designs and explore its endless possibilities.

The Spooky Night is an incredibly unique and interesting display font. Add it to your creative Halloween themed ideas and notice how it will make them stand out! The only limit is your imagination!

Satista is a modern and stylish serif font. Its distinct and well-balanced letters make this font a masterpiece. Fall in love with its incredibly versatile style and use it to create spectacular designs!