Kari is a complete redraw and expansion of the award-winning typeface originally released in 2005. Featuring both upright and ‘italic’ styles, this soft and curvy script is perfect for packaging, expressive headlines, and fun settings. Feature-rich and flexible, Kari is stocked full of alternate characters, swashes, titling options, expanded numeral sets, new dingbats, and a lot more… and for the first time, the much-requested ‘Medium’ weight is now available.

Affront is Carsten Raffel's first font for fontkingz. It is a very extended computer-generated font-family with three members: regular, light and a stylish doublette-version. Affront fonts include a full character set. The capital letters are monospaced, some of the lower case letters look very unique. This font works best for logotype- and headline design. It looks good on futuristic refrigerators, Science-fiction film posters and modern dance music cd-compilations.

Aduana is the first typographic product of argentine-chilean typographic archeology project called "Valpo. Ciudad de Letras" (Fabio Ares & Karin Thiers, since 2016). Based on the letter located on the front of the Customs building (Valparaíso, Chile). The resultant family can be described as display type and modern renaissance style, with geometric shapes and serif and mild line modulation. The proceeds from the sale of the fonts will be used to finance the project.

The name says it: This font is made for usage in story-telling, movies, legends, fairy tales, sagas. It will tell about strength and bravery, forgotten tales and ancient kingdoms. You may use it for headlines, slogans and advertising. The style with real capitals will enlarge your potential of design. The fonts are offering a huge character set for usage in many languages. Also thousands of kerning pairs within both styles are obligatory.

Firas, designed by Abbas Al-Baghdadi in 2005, is a traditional Kufi and a winner in Linotype’s first Arabic Typeface Design Competition. The design is very geometric and bold with very high level of contrast. This makes it suitable for large display sizes, especially in the area of advertising. The font includes a matching Latin design and support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages.

This typeface is named after Sarah Eaves, the woman who became John Baskerville’s wife. As Baskerville was setting up his printing and type business, Mrs. Eaves moved in with him as a live-in housekeeper, eventually becoming his wife after the death of her first husband, Mr. Eaves. Like the widows of Caslon, Bodoni, and the daughters of Fournier, Sarah similarly completed the printing of the unfinished volumes that John Baskerville left upon his death.

Scottish typefounders exerted a strong influence on the development of "transitional" typefaces, the bridge from "oldstyle" (Jenson, Garamond) to "modern" (Bodoni, Didot) designs. Scotch Roman designs were first cut by Englishman Richard Austin and cast by the Scottish typefounder Alexander Wilson and Son in Glasgow. Scotch Roman font has wide proportions, short descenders, bracketed serifs, and large, strong capitals. Its subtle charm makes it suitable for any text setting, particularly books and magazines.

An inspiration for two fonts of FA Modernista was the second page of Polish vanguard magazine "Praesens" Nr 1 from 1926 designed (as the first page) by Henryk Stażewski. The type applied - Baccarat was a sans serif from Polish foundry Jan Idźkowski i S-ka. Fonts FA Modernista imitate the effect of letterpress with spilled printing ink. Letters of two cuts vary in distortion as in the old days of letterpress technology.

Sadina™ is the first font family in Sadina's series, based on geometric modernism with a classic touch. Designed with triple thicknesses to build a beautiful mix between modern humanist style, contrast, and classic sense, it provides support for double linguistic zone scripting in the world, depending on "Western European and Cyrillic" languages. It supports Professional Opentype features and supports a wide variety of alternative letters and styles for scripting and an attractive titling.

Neue Schwabacher is a revival of a revival. Albert Anklam modified the medieval letter forms of Schwabacher according to the fashion of the fin-de-siècle era, and his font was first released by Genzsch & Heyse in 1876. This most widespread font face of the 19th century was fresh redrawn and made fit for nowadays’ usage. To get access to all ligatures, it is recommended to activate both Standard and Discretionary ligatures.

Doire is a monowidth font based on the face used on the old Royal Gaelic manual typewriter. Doire Royal is a “rough” version of that font. Doire was first digitized in 1993 by Michael Everson and originally used the MacGaelic character set on the Macintosh platform, and ISO/IEC 8859-14 on the PC. In 2008 Doire version 3 was released in OpenType format, completely compliant with Unicode encoding and with an extended character set.

CoreBori is a soft Serif font. The Korean alphabet is designed into ovals, and it is also reflected in English alphabets. With oval shape and condensed width of initial and final consonants are distinguishing factors in hangul. Supported codepages are MS Windows 1252 Latin1 and MS Windows 949 Korean consisting of 11,172 Korean letters and Symbols except Chinese. We Suggest to use this font to fairy tale books, t-shirts, posters, logos and other items.

This unusual font was designed by Alessio Leonardi, who plays with the difference between content and impression. At first glance the font looks almost like a row of pictograms or Asiatic characters. The forms become Arabic letters when the characters are set together to form words. HaManga Irregular is a good font to use when the reader is supposed to contemplate not only the text but the form of what he or she sees.

First designed for chilean newspaper La Tercera in 2010, Acta family is a clean and fresh type system, while conservative enough for newspaper setting. The complete Acta Type System contains Acta and Acta Display both with six weights with matching italics; Acta Symbols with an amazing collection of symbols specially designed for newspapers and magazines and Acta Poster, a heavyweight version, elegant and eye catching in three styles with plenty of ligatures and alternates.

Say hello to our first Sans Serif, a modern font family inspired by classic grotesk typefaces. It features 9 weights, including Italics and a formidable Display version. It has a clean, neutral look that is perfect for all types of graphic design projects. Its ample character set, including Standard and Contextual Alternate, ensures excellent typesetting performance. Sans Serif offers good readability and a strong, serious tone, perfect for logos, magazines and more.

Meet the first typographic family designed by Papanapa. Inspired by leftover chunks of wood found in a workshop we conducted with one of our clients, this type carries an elegant and distinctive personality due to its unexpected angles. Tocco is available in 8 weights, from Thin to Black, and it was designed to be used primarily on headlines, titles or small texts. It also supports basic Latin. We hope you enjoy it!

First designed for chilean newspaper La Tercera in 2010, Acta family is a clean and fresh type system, while enough conservative for newspaper setting. The complete Acta Type System contains Acta and Acta Display both with six weights with matching italics; Acta Symbols with an amazing collection of symbols specially designed for newspapers and magazines and Acta Poster, a heavyweight version, elegant and eye catching in three styles with plenty of ligatures and alternates.

Script characters should fit together neatly and the connections mustn't look awkward. While this can be accomplished by using dozens of alternate glyphs and OpenType feature coding, there is still something worthy and eloquent about doing it with the simplest character set possible. Tribeca Script is a casual, mono-weight script first drawn as the headline for a Taste of Tribeca poster and later finessed into a font with no pretense of looking hand-rendered.

Gome Pixel is focused on the purpose of the display. It contains uppercase and lowercase characters. Suitable for use in retro game design and computing vibes. Gome Pixel is inspired by bitmap fonts This is the first release of the Fitrah Type. The entire typography has been designed to work on large sizes and display purposes such as branding, titles, thumbnails, posters, and animation. This font is available in 2 styles, regular and rounded

Kirkly - A Slightly Serif Font. My first font release is an imaginative hybrid font family that is a mix between a sans serif and serif design. Kirkly is a clean, stylish, design that conveys strength, movement and creativity. Kirkly is a distinctive, easy-to-read font family consists of 14 styles. It’s an Adobe Latin 3 Character Set containing 300 glyphs per style. Kirkly works great in long form typesetting and headlines.

Umerica first made its appearance in 2007 as a series of characters in a pdf I posted to Typophile. It has taken a lot of time, and determination, for me to finally decide to complete it. I had the basic font completed in 2008, but put it aside as the creation of the italics it deserved were beyond me. That was then. Now the italic version has finally been added twelve years later.

Janmeid, typography completely handmade, with all its accents and Cyrillic alphabets and Greek, has alternatives and various ligatures, also containing 3 dingbat set, the first is Xtreme, which is for powers titles horror, action, or Xtremes sports, the second is "tales" for stories powers or children's titles, and the third "Line" Help letters to seem "Swash" something much more decorative, the idea is to make a sweet, crazy fun typography, restless (as the author xD).

A blackletter font by William Caslon (1692-1766), with Dutch influences, which appeared for the first time in a font sample book of William Caslon & Son, London, 1763. To access all ligatures in this font, it is recommended to activate both OT features Standard and Discretionary Ligatures. The round s occupies the number sign key, and typing N - o - period and activating this combination with the OT feature Ordinals gives you the numero sign.

Introducing Kinder, our first serif font featuring both upper and lowercase characters! Featuring unique beautiful curves and a modern feel (look at that K!) Inspired by old records and packaging designs, with an 1871 spin. It has a beautiful range of stylistic alternates with unique characters making it a versatile powerhouse for logos, headlines, posters, shirts, you name it! Pick up Kinder today and make the world more beautiful with your creations!

Sheet music for the 1939 Hoagy Carmichael composition "Hong Kong Blues" features the Far East-influenced hand lettered title that was the basis for Asian Imports JNL; available in both regular and oblique versions. Carmichael performed the song in the 1944 Warner Brothers film "To Have and Have Not", (which first paired Humphrey Bogart and Lauren Bacall). The sheet music was a reissue to capitalize on the song's use in the film.

Modulair is a dot matrix based font with nice typographic features. Various figures, complete punctuation and small caps in three weights makes the Modulair a very usable font for subtile typographic solutions or headlines. Since autumn 2023, the Modular has been expanded with italics in three weights. The first sketches were made in 1979 on my father's Olivetti typewriter. Forty years later I used these sketches as the basis for the Modular.

Lombardia Illuminata is a collection of Lombardic-style letters surrounded by natural forms of vines, leaves, trellises, scrolls, sun rays, and flowers. This beautifully ornate font includes one set of A-Z ornamental initials conveniently assigned to both the upper and lower case alphabet characters which are perfect for starting off the beginning of paragraphs in artistic publications, storybooks, fairy tales, and texts conveying the feel of medieval manuscripts of the 12th-16th centuries.

Kaunos creates eclectic and moderns structure by combining sansserif, slabserif and calligraphic elements in a single body. Kaunos designed by Mustafa Eren who is well accepted first typeface designer and calligraphy master by Turkey's Leraset catalog. Kaunos may be use for posters, headlines, modern and, experimental designs. It consist of 16 style of 8 weights and, italic versions of that weights. Kaunos includings; - 390+ Glyph - OpenType Features - Stylistic Alternates - Standart Ligatures - Discretionary Ligatures - Contextual Alternates

Otoiwo Grotesk is an extremely versatile sans-serif typeface with a closed aperture. It features whopping 126 styles over 7 widths, each containing 9 weights with corresponding italics. The mood of the family ranges from fairy neutral in Normal and Condensed widths to very flavorful Compressed and Ultra Wide. Rich language support, which includes Cyrillic and spans 131 language ovarall, makes Otoiwo Grotesk a worthy choice for brands that strive to reach international audience.

First of all: there is no such thing as a stupid question! But now there is a font called Stupid Questions! :) A classic handmade sans font - super legible and somewhat clean. Use your favourite of the 5 different versions, mix them in layers with your favourite colours. I've added 4 different versions of each lowercase letter, and they automatically cycle as you type - a great way to make your text look more natural and organic!

The Quickstep Bold, a 'quick' font, originally made for the 25th anniversary of SSP Printing Co. in Amsterdam. First used for an intro spread of a Brian Eno quote in Wired Magazine (#3.05, May 1995): "The problem with computers is that they don't have enough Africa in them. What's pissing me off is that they use so little of my body". For a less outspoken expression, the Quickstep Sans was developed later.

Shinano is an old province of Japan. Kobayashi Issa (1763 - 1828), a famous Japanese Haiku poet and Buddhist priest, was born here. Together with Bashō he is my favourite Haiku poet. Shinano font was hand made using a Japanese brush pen. At first glance it may look like a messy script, but underneath its rough appearance beats a poetic heart. Comes with some alternates and ligatures and a whole lot of diacritics.

Make a little extra impact with this strong athletic font with big geometric muscles, clean lines and sharp teeth, too. Originally created for a local pro basketball team in Minnesota, this sporty and big-shoulder poster font is now available directly to you for the first time ever to add some punch to your printed or web designs. Crisp and clear and ready for action a concise variety of weights and styles!

Modula was the first high resolution headline face that Zuzana Licko designed with the Macintosh computer. In 1985, the computer was very crude as far as being able to produce subtle curves, but it was outstanding at producing perfect geometric elements. As a guide, she used the proportions of her earlier Emperor Fifteen bitmap design and applied the precision of the computer's geometric elements. See also Modula Round and Ribbed. Greek version by Dimitris Arvanitis.

Ornata B is the second of a series of old ornaments that I am trying to save from oblivion. I am not just scanning these, I am completely redesigning the ornaments from scratch, thereby eliminating imperfections. These ornaments have been first designed by the Elzevier printer family from the Netherlands. The designs date back til the 17th century and I think they just had to be saved. Your digitizing type-designing savior, Gert Wiescher

Zold is the first font designed by EMME Grafica. It's a simple, statuesque, architectural, eye-catcher, tough yet elegant font, particularly suitable for titling, subtitling, branding and typographic amusements. The solemnity of Zold does not affect the the elegance of the curves of the font, but gives it the right visibility and temper, like that of Zold, the surly character who will be the antagonist of a multimedia project currently under development at EMME Grafica.

Headcorps is a Serif military style font, first conceptualize was inspired by the classic vintage military stencil design . I wanted a typeface that could be a solid base for any military inspired project Headcorps Fonts can be used for wallpaper, pattern fills, web page background, surface textures. Perfect for making army posters , scrapbooking,invitation cards, label stickers, stationary, gift wrap, packaging, clothes, buttons, pendants, holiday gifts, print on fabrics and so much more.

A pair of scissors and a bunch of papers; that is the foundation of Paper Cuts. It’s available in two different styles, Paper Cuts and Paper Cuts Black. The black version was the first stage in the progress and Paper Cuts is the second one where the negative space appears. Also, you get Paper Cuts Ornaments for free. It dilates your possibilities further. Buy them separately or in a “Nice Price” family set.

There is no doubt that the 1941 version of “The Maltese Falcon” was superior to the prior two attempts by Warner Brothers at filming Dashiell Hammett’s 1930 novel. Sam Spade was perfectly portrayed by Humphrey Bogart, and the supporting cast of Mary Astor, Peter Lorre, Sidney Greenstreet and Elisha Cook, Jr. rounded out the main players in a great suspense film that is considered to be the first (if not one of the first) of the film noir genre. The title cards for the production and cast credits were hand-lettered in a spurred serif type style strongly reminiscent of the Art Nouveau period, so instead of naming the digital version with some “tough guy detective” moniker, it was decided that Detective Client JNL was more appropriate. After all, this is a reasonably attractive font, and in this kind of film it’s usually the “attractive damsel in distress” [be she the victim or the actual perpetrator] that gets the story rolling… Detective Client JNL is available in both regular and oblique versions.

The award-winning Conrad was created by Japanese type designer Akira Kobayashi. Its design was based on the fifteenth-century type by Conrad Sweynheym and Arnold Pannartz, two German printers active in Rome at that time. They produced a unique, slightly unbalanced yet attractive type. Kobayashi says of his typeface, “I have designed a couple of typefaces inspired from the past, but this time the original print acted merely as a reference. The distinctive lowercase ‘a’ and some other letters were inspired by Sweynheym and Pannartz’s second roman type, but I revived the type in a more informal way. Here I used the historical type as a springboard. The resulting type looks different, taking on a rather temporary and lively look. I assume that the Conrad is the first revival of the Sweynheym and Pannartz type, though it does not closely resemble the original.” Conrad won first prize for the text typeface category in Linotype’s Third International Typeface Design Contest (2000) as well as the Certificate of Excellence in Type Design from the Type Directors Club (2001).