"Hockeynight Sans Brush" is the handwritten version of my "Hockeynight Sans". It's a contemporary college-sports font with the little twist – that its a brush font. With its detailed brushmarks it is designed to go big and bold. "Hockeynight Sans Brush" is an uppercase font and it offers alternate glyphs as lowercases. It pairs perfect with my other "Hockeynight" Fonts – Check it out!

Skript attempts to capture the essence of handwritten calligraphy. It emphasizes downstrokes and omits hair strokes with a contemporary stencil-like effect. Text is very readable since the foundation of each character remains intact. There many alternatives that make Skript versatile in a variety of applications. Compared to Carnegie Classic, Skript is more legible but less compact. Skript is available in Opentype.

The Penman fonts are partially based on the 19th century penmanship of one of the designer’s ancestors, and originally created for a personal mailing with an “old-times tradition” flavor. The fonts are lightly pair-kerned, in order to control punctuation and numeral spacing. Auto-kerning should be turned on, and tracking should be checked to make sure all characters join well.

Parodisme is a high-contrast serif font family that has many alternatives and unique shapes. Create a modern and beautiful logotype using this font family. Supports all aspects of design, especially logo design and branding. Suitable to be paired with various types of fonts. Parodisme also supports multilingual languages. If you have further questions contact me. Free updates Thank you

We're introducing Cardin, A Big, Bold, Juicy script paired with bold serif. A captivating duo that effortlessly combines the bold playfulness of script with the timeless elegance of serif. With two distinct styles, this font set offers the perfect blend of contemporary trends and a touch of vintage allure, resulting in a harmonious balance that is both visually striking and versatile.

Aquatronik is a decorative display face with a somewhat retro-futuristic flair. It brings alternate glyphs for some letters and numerals and has extended language coverage, speaking more than 200 languages. The family includes three widths, for added versatility. Aquatronik is an excellent pick for eye-catching designs, including posters, book covers, album art, editorial, apparel, and many more. Have fun!

Barrage Display Font Barrage presents a modern take on typeface design, merging cheerful boldness with artistic touches. Each letter is meticulously shaped, striking a balance between confidence and elegance. The box-like lines provide a sturdy foundation, while the subtle curves add a delightful creative flair. With its lively boldness and delicate lines, Barrage conveys courage and a positive personality.

A refinement of Roman inscriptional capitals designed by Bruce Rogers as a titling design for signage in the Metropolitan Museum. Rogers later designed for the Monotype Corporation a lowercase based on Jenson’s work, turning the titling into a full typeface, Centaur, the most elegant and Aldine of the Jenson derivatives. Centaur® font field guide including best practices, font pairings and alternatives.

Friedrich Neugebauer is known for the cutting power of his calligraphic invention. As a prisoner of war in Egypt, he wrote with toothpaste when all else failed. The irrepressible style of this Austrian artist inspired Richard Lipton to capture his calligraphy as a typeface. Avalon plays sweeping freedom in the capitals against the vital discipline of a lowercase relieved by alternative ascending characters.

Los Niches is a stylized sans serif typeface that combines modern, monoline characters with strokes and loops reminiscent of manuscript lettering. With a consistant, harmonious style Los Niches takes on a youthful flair when presented in bright colors, but is elegant and contemporary when dressed all in black. The flexible personality of Los Niches makes it ideal for catalogs, magazines or product packaging.

The Penman fonts are partially based on the 19th century penmanship of one of the designer’s ancestors, and originally created for a personal mailing with an “old-times tradition” flavor. The fonts are lightly pair-kerned, in order to control punctuation and numeral spacing. Auto-kerning should be turned on, and tracking should be checked to make sure all characters join well.

An extreme headline font with six optical variants. Black 24 is loosely based on ITC Grouch (1970) by Tom Carnase. It has some 2000 hand-adjusted kerning pairs for TNT (that’s Tight, Not Touching), a very popular type treatment from the seventies and eighties. Take your pick, or get them all, so you don’t have to buy another one later on.

Meet Princess – a loose and casual script font. This font has a whimsical fairy-tale feel and works great anywhere you want to communicate a little special design magic! The delicate hand-drawn forms also lend themselves to fashion or holiday themed designs. Princess includes a set of custom eleven ligatures as well as accented characters, numbers, punctuation, and symbols.

Honeybutter is a modern-vintage inspired hand lettered font. This refreshing take on a the vintage sans serif style is perfect just on its own or for pairing with other similar vintage inspired fonts. Highly recommended for digital lettering, logos, marketing material, print, branding material, quotes, overlaying on photography, and much more. This font was carefully designed by hand in Auckland, New Zealand

Designed by Jure Stojan, JY Saj is a typeface family that successfully balances the artistic and the conventional. With 10 weights (UltraThin to ExtraBold, with italic complements), it works at a variety of sizes, in print and on screen. There are both oldstyle and lining figures, the rupee symbol is supported, and roughly 3,500 kerning pairs were added per font.

There are many sans serif typefaces with calligraphic tendencies, but Suomi Sans is different: the outside forms are fairly basic, fairly narrow sans serif style, but the counter forms have a strong calligraphic flair with accented upper left and lower right hand corners. With six weights in Roman and italic, Suomi Sans works well for both headline and text use.

Derailer’s eclectic character set is comprised mainly of disparate sans serif characters that claim to play well together. OpenType users also benefit from 52 ligature features that automatically substitute a unique pairing of letters when any upper or lower case character is keyed twice in a row. Derailer Pro extends the character set to support Eastern European Latin, Baltic, Greek and Turkish.

Hashiba Japanese Font is a cool, Japanese-inspired display font. It will look stunning on any food menu, poster flyer, or print. Use this font for your designs and explore its endless possibilities. Hashiba Japanese Font can pair with calligraphy Japanese font, Japanese font brush, Japanese calligraphy font, or Japanese brush font. Hope you enjoy, and happy designing :-) Thank You

Eurydome is one of Jupiter's many moons, and was named after Eurydome, the mother of the Graces in Greek mythology. Eurydome was inspired by the Grotesque face Venus, with an additional flair added to the lowercase a, b, d and g. Eurydome was designed to complement any display face that may be used in your project. Add grace to your layout, with Eurydome.

The Hybi14-Boldie is a bold Script in two styles. It’s lack of excessive details makes it appropriate for all oportunities of headlines, slogans and advertising. It’s friendly and charming character makes it pleasant to look at. The fonts are offering a huge character set for usage in many languages. Also thousands of kerning pairs within each style are obligatory.

Precious Serif is a distinctive, modern slab serif typeface, first released in 2003 and now refreshed in 2017. This contemporary, chunky gem is the sister typeface to our Precious Sans family, both sets designed with similar metrics and characteristics to ensure they pair together seamlessly in print & digital applications. Mix Precious Sans & Serif together in a block of text to wonderful effect!

Proudly present the fresh from the oven, modern bold sans serif font. Nexomuki made with rising feel modern, bold, but still looks elegant too. Perfect pairing among uppercase and lowercase characters is suitable for your project design such as logotype, branding, headline text, advertising, slogan, qoute, magazine, publishing, and more. This font is already with multilingual support more than 20 leanguanges too.

My new font is beautiful and smooth modern calligraphy with a floating baseline. Charme Script will look beautiful on Christmas and holiday invitations, wedding invites and stationery, logos, and more. I love using it for emphasis words and pairing it with serifs Includes: Charme OTF & TTF Uppercase and lowercase Numbers and punctuation Foreign language support Check out my blog: www.instagram.com/dmitriychirkov pinterest.com/dmitriychirkov7

Coronard is another of Greater Albion's explorations of 'Evolutionary' type. In this case we imagine a transition from Blackletter to Roman forms. Coronard shows that posited transition in all its simple calligraphic splendor, providing a beautifully legible face for invitations and certificates, as well as for lettering and signage that needs to be readable but to have a gothic flair.

The Hybi15-Ronja is a characterful 4-style font family. It’s high recognition factor makes it appropriate for all oportunities of headlines, slogans and advertising. Though, it’s straight-line and well-balanced look makes it friendly and charming. The fonts are offering a huge character set for usage in many languages. Also thousands of kerning pairs within each style are obligatory.

Howdy is a modern French Clarendon revival typeface inspired by late 19th-century woodblock type and sign painting. Its ties to the American West evoke a distinctive western and retro flair. It was designed with flexibility in mind. Intended for use as a display type, its reverse contrast forms make an impact from tall or wide headlines and anything in between.

Masserini is inspired by the 20's art deco era of colorful posters, fonts, and typography with a vintage flair. With its strong geometric shapes and letters, like a style of sans serif that was used in signs and posters during that time period. This collection consists of a variety of widths, weights, and variants to suit your creative needs.

Introducing Ameda: A modern, stylish sans-serif font with high contrast that radiates sophistication. Elevate your designs with Ameda's attention-grabbing style, infusing an exhilarating flair into your creative projects. This typeface is ideal for greeting card, packaging, brand identity, poster, or any purpose to make your design project look eye catching and trendy. Feel free to play with this typeface!

Kiosk is a prominent display typeface pair. It is a sturdy condensed sans serif and an eloquent brush script. In addition there are textured “print” versions of them both. Kiosk fonts work as a pair or as themselves. Sans is great for sturdy headlines, menu titles, packaging or any such, the bigger the better. Script is great as a logotype, used for quotes, magazines, packaging and branding. Textured versions are the same fonts with a rugged outline and with a “stamp” texture inside the letters. Kiosk Script is equipped with several OpenType features. It has Contextual Alternates and Standard Ligatures that are automatically help to keep the connections smooth. They’re both automatically on. In addition it has Swash, Stylistic and Titling Alternates and even more alternates for some characters. The font is PUA encoded and you can access alternate characters from OpenType controls or manually from Character or Glyphs window.

Elevate your design projects with the distinctive and captivating Lavire. Lavire is an uppercase display serif font that is effortlessly made in a truly unique typographic masterpiece. Each uppercase letter in Lavire is a work of art in itself. The serifs, which are typically known for their traditional elegance, take on a modern and imaginative twist with Lavire's addition of artistic lines and flairs. The artistic lines and flairs in this font are carefully crafted to enhance the overall composition of each letter. They bring a sense of motion and dynamism to the font, making it particularly well-suited for projects that seek to convey a sense of movement or elegance. Lavire fits in headlines, logos, posters, flyers, branding materials, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview.

ABTS Crestwing is a unique initial font with extraordinary flexibility and beauty. There are 5 wing styles to choose from. The wings are accessed through typing numbers. The 5 pairs are: [1, 2] [3, 4] [5, 6] [7, 8] & [9, 0]. The odd numbers in the pairs will give you a left wing, and the even numbers will give you a right wing. The letters are separated into upper and lowercase. Uppercase has a crest point, the lowercase does not, giving you the ability to string letters together to form words and phrases, and place the tip of the crest above the letter of your choosing. Optional endcaps are available using the brackets on your keyboard "[, ]." This allows you to cap off a word if you wish not to use a wing to do so. Crestwing is both beautiful and unique, and works best at large sizes.

Based on Transitional Roman forms, this tasteful and well crafted Humanist display face exudes an air of authority along with a subtle playfulness. Narrow proportions allow for space conservation. Alternate letterforms & ligatures give this caps-only font expanded possibilities for any given text setting.

With its flowing lines and cool, contemporary vibe, Chillin Notez adds an air of refinement to any project. Whether you're crafting captivating advertisements, designing eye-catching poster, or creating stunning social media graphics, this font is your ultimate companion for conveying a message that resonates.

Stay Classy! ...with the suave new Stay Classy Font Duo consisting of a sophisticated signature-style script, and an elegant, classy, all-caps serif font. With impeccably refined curves and silky smooth edges, the Stay Classy Font Duo is perfect for adding a classy, modern touch to your projects. Perfect for branding, weddings, social media, product design, stationery and advertising - Stay Classy is versatile enough to add that elegant element to just about any project where a special touch of class is required. THE SCRIPT : To make the script appear as natural as possible in your designs , I have included 2 sets of opentype stylistic lowercase alternates - one of which includes the elegant end letters. Words look more naturally finished off if end letters are formed with a subtle up-curve. Last but certainly not least, a large selection of 30 carefully styled character ligatures ( letter combinations ) have also been built in ( see previews above ) . For those after a more rustic, original look. THE SERIF : The Serif includes carefully constructed built-in opentype kerning pairs to ensure impeccable letter spacing throughout the font. Typically, in any all-caps serif font, there are certain letter pairs (such as OV AW AT AY AV WO and many more ) that often look incorrectly spaced when coupled together, due to their natural dimensions. Built-in opentype kerning pairs eliminate this issue - meaning perfectly balanced letter spacing no matter what you type.

A typographic conundrum presented itself with the hand lettered title on the cover of the 1919 song "I Am Always Building Castles in the Air". The capitalized portion ["Castles in the Air"] was a hybrid mix of a few Art Nouveau-influenced rounded letters, yet along with this were squared letters with rounded corners (reflecting the upcoming Art Deco movement to take place in about another decade). As a complete alphabet, it didnít mix as well as in those few short words. What to do? It was decided to go with the squared look and save the rounder characters for a future project. The end result became Last Date JNL; available in both regular and oblique versions.

SL Gardel is a tribute to the genial tango singer Carlos Gardel (1890-1935). Gardel was portraited with proverbial slenderness by Natalia Español in SL Gardel. SL Gardel synthezises the most outstanding facets of the "creole trush" (zorzal criollo) through its exclusive icons: his seduction, his tango, his magic, his style. His Buenos Aires. Integrally worked through the typical modulated trace style founded in Buenos Aires tango graphics, the SL Gardel's imaginery unfolds a singular fan of images-concepts. The tango spirit reflected trough an excellent developement. SL Gardel is an original iconographic illustration library in True Type format. SL Gardel takes part of the "Icons of Icons" Gallery, developed by SinergiaLab for Sudtipos.

I’m not particularly fond of beans. I do eat them, but they’re not my idea of a delicacy… But this font has ‘fairy tale’ feeling to it, and I liked the name Beanstalker. Beanstalker is a hand made font (I used a fineliner to draw the glyphs). It is quite neat and organized, but does come with some rough edges and a bit of texture.

Let's get crazy is a font inspired by modern lettering and calligraphy with pronounced swashes, ascending / descending and crazy ear in "r" (btw you have more ordinary alternates) and so on, challenging the boundaries of reasonable. This font is good for titles or short sentences in combo with Let's get crazy sans serif majuscule letters, giving you a nice pairing of the modern lettering.

Introducing Climora Duo CLIMORA SERIF is a typeface with a feminine taste, with a touch of old style paired with an elegant Climora Script its a perfect combination for your various design needs. CLIMORA Serif has 14 style and 7 weights, - from Thin to Bold and Matching oblique. and 1 Elegant Climora Script that supports multiple languages. Hope you enjoy with Climora Family Thank you