Are you getting bored by the growing number of sans-serif fonts that absolutely lack character? Do clean typography and sleek curves repulse you? Maybe it’s time to forget the normal and set sail into the murky waters of abnormality. Abnormal features four styles, ranging from an almost monolinear Light to a reverse-contrast Bold. The design pays homage to 19th century poster typefaces, with their crude character and unconventional means of catching the eye. It is one of the few typefaces out there that features reversed contrast and no serifs. These properties make it an ideal choice for large headlines, posters, flyers and essentially all applications where getting attention is a paramount. Abnormal offers extended language support, standard ligatures, alternative lowercase “a”, fractions, ordinals and a plethora of quirkiness at your disposal.

Have you been looking for a display brush font? Do you dream of creating headings that stand out and inspire creativity, imagination, and endless fun? Wait no more, we will give you the best choice. Brave Gates-A Display Brush Font Brave Gates is a gorgeous uppercase display brush font, designed with the modern vibe. This bold brush font is perfect for anything indie, adventurous, and direct. Every swash, stroke, and curve was created to entice happiness and elegance. A real head-turner for your presentation, designs, website illustrations, and much more. Brave Gates includes Multilingual Support to make your branding reach a global audience. Inspire your audience, clients, or guests with this beautiful, statement font. Features: Ligatures Stylistic Sets Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Introducing "Horse Belonk" a western style font. Designed well and inspired by cowboy, rodeo, texas, and vintage designs. This font is based on serif form and reversed contrast, featuring strong looks with the spurs in the middle. Horse Belonk is a display font with an additional Extrude style that you can apply to get a 3-Dimensional typographic design. It's bold, brave, and elegant to use on title or headline, poster, flyer, stickers, vintage logos, signboards, packaging, and more! Packed with extra special characters that allow you to create more magnificent designs. Here what you'll get : Uppercase Smallcaps Numbers & punctuation Ligatures Stylistic alternates Catchwords : And, Or, Is, The, By, On, Be, To, Out, End, In, Will, With, Of, No, For, From, At, Am, Pm. Thank you for watching! Cheers

Do you hear that sound of Dick Dale's guitar? Here it is! Introducing you a new font family with retro surf rock vibes! Straight outta retro vinyl covers and surf gig posters to your font collection! We're all missed the sun, so grab this family and get some of the summer vibes. No matter what your next design project – a tiki t-shirt collection / summer rock festival or gigs / greeting cards / or a header for your new zine, - you'll get your goals with this family. A lot of alternates will give you a hand written's mood and absolutely unique typographic style. Up to 10 styles for some of them. Open Type Features as Stylistic Alternates, Small Caps and Fractions. Three styles: Clear, Roughen and Scratched. Three widths: Light, Regular and Bold.

Learn Write is a playful handwritten font. Whether you’re using it for crafts, digital design, presentations, or making greeting cards, this font has the potential to become your favorite go-to font, no matter the occasion!

Kolgar is a modern and classy serif font with a modern twist. No matter the topic, this font will be an incredible asset to your fonts' library, as it has the potential to elevate any creation.

No mystery here—it's a larrupin' good lighter version of the original Whiz-Bang Woodtype goody, Dime Box. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Intense Emotion is a cute and simple handwritten font. No matter the topic, this natural and friendly font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation.

I really wanted to make my own condensed typeface for memes and such. I think i have succeeded. This typeface is so average looking that no one would suspect that it is in fact very radical.

P22 Snowflakes takes the DNA from many P22 fonts and ornaments and presents them in a geometric crystalline remix as snowflakes. No two are alike and these are also very different from any other snowflake font.

Flatsider JNL is a simple block (square) stencil font available in both regular and oblique versions. Plain, stark and with no unwanted embellishments, Flatsider JNL gives the look of structured compliance to any stencil-based text.

Neutrinos includes seven assorted dingbats, and like all Burghal Design fonts, includes upper and lower case letters, as well as numbers, symbols, punctuation, and accented foreign characters. Neutrinos is cholesterol free and contains no artificial sweeteners.

Back to the future! NT Brick Sans is a pixelated sans serif. Inspired by the Pixel Art phenomenon and Lego bricks, bringing back the good old 16-bit era with open-type features. It's bold, soft rounded, supports multi-language, featuring low caps option. Brick Sans will make your project special. Grab it now.

Inspired by the beauty and elegance of Old Style typefaces, Regatto was created in high-contrast and bold style. It comes with a lot of alternates and ligatures with their own variants for any purposes from headline to poster. This font also has some letters with diacritics accent to support some other non-English languages.

Strongbox JNL is based in part on an incomplete sample of an old wood type alphabet seen on an image sharing site. Commonly known as a grotesk (or grotesque) face, this style of sans serif lettering is well-suited for headlines, display work, price cards or anything where a bold, condensed typeface is needed.

An old Art Nouveau typeface named "Daphne" provided the inspiration for this decidely different font. This version is upright, but the linocut treatment employed visually suggests the slight rightward slant of the original typeface. Bold, unusual and distinctive. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Aure Declare officiates with dignity and dispassion. These traditional serif forms engage the reader with a no-nonsense subtext of reliability. Declare’s capacity to showcase the message rather than the medium brings a welcome legibility to extended text and a formal assertion to astrological expressions and chartwheels. Declare is an original design developed by Aurora Isaac. After more than a decade in development, 2018 marks the first release of the CJ and KB glyphsets in regular, italic, bold, and bold-italic. The CJ glyphset is a full text font supporting a variety of European languages. A matching set of small-caps complements the extended lowercase and uppercase glyphsets. Supporting glyphs include standard ligatures, four variations of the ampersand, and check-mark and happy-face with their companions x-mark and grumpy-face. Numbers are available in lining, oldstyle, and small versions, with numerators and denominators for forming fractions. Companion glyphs include Roman numerals, specialized glyphs for indicating ordinals, and a variety of mathematical symbols and operators. The CJ glyphset also includes an extended set of glyphs for typesetting Western Astrology. These glyphs are also available separately in the KB glyphset: a symbol font re-coded to allow easy keyboard access for the most commonly used glyphs. In addition to Aure Declare’s versatility as a text font, Declare pairs well as a no-nonsense foil to any decorative design. Aure Sable, for example, will shine all the more beside Declare’s practicality. Aure Declare pairs especially well with its close cousin, Aure Wye. Wye’s decorative forms provide elegant titles and drop-caps for Declare’s extended text. Give Aure Declare a trial run! You may discover a permanent place for this font family in your typographic palette. AureFontDesign.com

If you're looking for the perfect font to make your logo stand out, then look no further than Brandan font. This modern and cool font is sure to give your logo, text, or any other design element a unique and eye-catching look. Whether you're looking for a font for a logo, lettering, website, or something else entirely, Brandan font has got you covered. Plus, it looks great on both light and dark backgrounds, so you know your design is going to look nice no matter where it's seen. Check out Brandan font today and give your design a professional edge!

»AlphaOne« is my newest addition to the experimental Alpha-font-collection. I just had to do this one! It is based on Paul Renners fonts, but has got nothing to do with them, I just took the widths and some basic forms. No – or hardly no – optical corrections were made to the glyphs. I wanted the pure geometric forms to come to life. This was a lot of fun to design, I especially like the »Q« with the negative tail. I did make four weights, but nothing is normal with this font, so weight doesn’t really mean anything. Have fun!

He’s been mixing one part artist and one part barbarian since 2005. Brutal, ruthless, cutthroat, he moves through the concrete jungle, unsheathing his, um, sword, taking what he wants without care or remorse. He follows no rules. He is the URBAN BARBARIAN. The Spoils of Battle Await Him! Is he Conan? Roger ‘Mad Men’ Sterling? No, he’s Dan Panosian. Artist. Author. Lover of fine women, drinker of fine scotch, drawer of fine pictures. This is his fine font. Well, one of them. See the families related to Urban Barbarian: Dan Panosian Features: Two fonts: all-uppercase GIANT and upper/lowercase DWARF.

I have no great love for walls, especially when they are built to keep people out. When I started working on this font, I realized it looked a bit like protest graffiti, found on… yes, walls. Down The Wall is a great little font: it is handwritten, messy and in your face. It has no real baseline and glyphs jump all over the place. Use it for book covers, posters, album covers - anything really. It certainly would look good on a wall too! Comes with a whole bunch of diacritics, so whatever you have to say, the world will understand.

Malmö Sans was born from the preconception that geometry is neutral, and neutral fonts have a wide application window. No ornaments, no quirks – just clean. Design process: establishing the main proportions, grids and library of geometric shapes. However, people are not math, people are not built from grids. We are irregular, not always logical, and, foremost, we are human. So: humanisation – define parts and areas, and make the needed adjustments to shapes and forms, although being mathematically correct. Basically, changing it into something that pleases the eye. Much effort has been made to achieve equal parts minimalism, aesthetics and legibility.