Far east font flavor in Hebrew letters. So fresh so unique, yet so legible.

Yngreena is a serifed typeface with calligraphic origins. In updating it in 2011, I began to add alternative letters and reached the point where it made sense to create an alternative family of faces rather than include all the alternatives as part of an OpenType font. The letters K, R, V, W, Y, f, g, k, t, v, and w are tamer in Yngreena Alt. As a result, though it is still a decorative text face, Yngreena Alt is better suited for lengthier blocks of text than is the original Yngreena face.

Heavy techno music, a personal computer, a font creation program and some inspiration had been the sources to the Face 2 Face font series. Thomas Nagel and his friends had the demand to create new unusual faces that should be used in the leading german techno magazine Frontpage" Even typeset in 6 point to nearly unreadability it was a pleasure for the kids to read and decrypt the messages. WhaleTree is a hommage to Walbaum. The word is a gemanized translation where Wal means Whale and Baum means Tree. :-)"

The inspiration for AlbertBetenbuch came from a typeface drawn by Albert Dürer and an interpretation of that face in Arthur Baker’s Historic Calligraphic Alphabets (Dover, 1980). It is not a recreation of either. The characteristic common to AlbertBetenbuch and the faces inspiring it is the decorative zig-zag with the upper-case letters. In late 2018 the inside of the shadowed style was separated out. It looks very much like the plain face but its spacing matches the shadowed version. It can be layered with the shadowed version to easily create two-colored letters.

KampIngriana was originally constructed in 1995-6. It was not constructed to meet any specific purpose but out of curiosity, to see what the result would be if two quite different faces were blended. KampIngriana is the offspring of Ingriana, a friendly, soft face, and KampFriendship, which mimics a serifed face drawn by hand. The original blending had many oddities that I did not clean up until 2020. It originally had five styles: regular, italic, bold, bolditalic, and extrabold. Medium, mediumitalic, semibold, semibolditalic, and extraboldItalic were added in 2022.

Franciszek Otto of Poland designed Linotype Notec in 1999. Linotype Notec is a low-tech" (or even "no tech!") typeface. By embracing handwriting's spontaneity, it has gotten as far away from technology as it can. Classified as an "inky"-style script face, for lack of a better term, Linotype Notec's informal design seems immediately artful and full of expression. Its irregularity and unexpectedness enlivens any composition, similar to how jazz or modern dance animate a room. Quite full of "ink," Linotype Notec's "strokes" are written in a sort of short-note-handwriting-style, which a slow-writing, thoughtful humanist might theoretically scribble to himself late at night. Yet Linotype Notec's character still maintains a jolt of energy; try Linotype Notec in small applications, in any size from 12-point on up."

The Killegar family is inspired by one of the great houses of Ireland...Killegar—which is on the grand Estate of Killegar. I lived there for many years. It is a quiet and peaceful place surrounded by lakes and trees and is inspirational in so many ways. All of my creative talents were boosted by this amazing two hundred year old building with all of it's secrets and heritage. Time stood still in Killegar....except for me and my modern day computers, cell phones and fax machines. This twist of fate, with me living both a rural and hi-tech life, living in an environment of the early 18th century, with the friendliest local people on the Earth, played it's part in the origin of the Killegar family of fonts. Tony Fahy

Midnight, Pacific Coast Highway. You're driving home alone at night and your battery's dying. Your headlights have dimmed and you can barely see the road or the signpost up ahead. But there's an eerie green light glimmering in your rear view mirror and that strange warning uttered by the pump attendant at the Devil's Elbow gas station has put the frighteners on you. Is that Satan's face glowering at you through the mist, or something far worse? ⁠The only way to handle this font is with one foot on the gas pedal and one foot on the brake. Originally designed by John Roshell for GAMBIT titles, this sharp font has appeared on vampire & rock magazine covers, Star Wars & Star Trek merch, and the logo for the INHUMANS comic & TV show!

Take a gander at this jaunty, journal-inspired handwriting style. Wordy Diva was drawn in 1995 by Lisa Bralts and faxed to Chank Diesel. The fax was converted to font format, and it soon became one of Chank's most popular handwriting fonts. You can download this hurried yet intelligent lady's handwriting font today.

Just when you thought every possible fat alphabet has already been done, Kofi shows you that there still are plenty of good ideas left in the genre! Kofi is simply fat, fun letters that scream for attention and promise delight. This package ships with two fonts, the second constituting a busload of alternates.

Doncaster is a bold display face which emphasises legibility and clarity. The seven typefaces have a timeless quality, making them equally at home today or even in Victorian inspired design work. All of the faces are ideal for poster work, signage or for really eye-catching but not ostentatious headings and titles.

Satellite PT started out as an experiment. Wanting to explore the geometry of using angles instead of curves, I started sketching out the face using grid paper. I had seen similar fonts that tended to be completely symmetrical. My exploration tended to include what I humorously call 'faux humanist' elements, such as asymmetrical bowls, tapers and 'flare-serifs' (for lack of a better word) for select terminals. The result was a quirky and interesting face at display sizes. However, at small sizes, as ink bleed starts to take over, the angles disappear in favor of the overall forms (rounded bowls, etc.) and the 'faux-humanist' effects start to mimic modulation found in more traditional, modulated text faces. While it is hardly a true text face, the result is surprising legibility at text sizes.

A lovely script face remastered from found drawings, great for antique, vintage and romantic designs.

A bold new look great for magazines and paperbacks a strong yet beautiful headline face.

A chunky fat font perfect for titles. Still neat and legible while being super chunky.

An open, evenly spaced book face designed for quality headlines and enhanced readability in text.

Cute emoticons showing a variety of smiles, frowns, and faces and words reflecting those emotions.

Manometer Serif is a pneumatic ultra-black serif typeface with variable pressure. Fat but stylish.

A unique serif face with a happy look; great for kids books or fun ads.

Jasper is a script face drawn with a broad nib suitable for a handwriting impression.

A beautiful very bold serfi face, formal legible design, with matching Italic, Powerful yet elegant.

The Clog font family is represented by four different outlines - Normal, Open Face, Shadowed and Engraved. Each of them could be your best choice when designing a wine label, package or magazine headline. By using Open Face and Shadowed outlines you will discover how easy it is to produce unique design of its own style.

Darling, you don’t just look GOOD, you look FANTASTIC! IRRESISTIBLE! IMMACULATE! Those soft curves, those sharp lines, those INLINES... that MAGNIFICENT symmetry. This is a face that could launch a thousand spaceships, a face that doesn’t care if you feel good, because Heavens to Betsy, you LOOK good. Just utter those magic words: Simply Marvelous.

Jalebi font is quite like its namesake, the Indian deep-fried sweet. It is fat(tening), uneven, crunchy and addictive. Jalebi is an all caps font, but upper and lower case glyphs differ slightly and can be mixed. An ideal font for fat headlines, product packaging, signs and posters. Comes loaded with calories and diacritics!

Yefimov Serif is a contemporary serif face, with low contrast, squarish shapes of round glyphs and emphasized businesslike nature. It is one of the last original faces by Vladimir Yefimov. Yefimov Serif will suit perfectly for business texts, periodicals and corporate identity. The typeface was completed by Maria Selezeneva and released by ParaType in 2014.

LD Charlie Clown is an enjoyable scrapbooking font that can put a smile on anyone's face.

BillieBoldhand was written at once with a fat marker. That's all there's to it... Caps only.

A face designed specifically to complement celtic decorated capitals and based on text from the book.

Regina is a calligraphic-influenced hybrid light-face Tuscan-serif roman with a companion swash italic.

Double Feature JNL reworks the classic Huxley Vertical into an elegant trilinear Art Deco display face.

Curbdog is a bold, playful display face with light horizontals and curved terminals in the italics.

Disjecta, derived from disjecta membra meaning fragmented or disjointed, was developed as a grunge script face.

A hot revival of the 60s and 70s a great headline face with that retro look.

Paragon is a display Roman family of nine faces, combining elements of formality and fun. It embodies a high degree of contrast between near hairline horizontal strokes and bold vertical strokes. The family is offered in three widths and in regular, small capitals and title faces. Use Paragon to lend impact to your next design project.

Angie Lou is a contemporary clean informal face. More formal than most handwritten faces, it surprises the eye with its clean rhythm. It gives that "marker on paper" or "dry erase board" feel. But the thin nature of Angie Lou sets it apart from most marker style fonts. Angie Lou offers two variants: regular and italic.

Broken Vows was one of two typefaces I created to go along with some fragmented poetry written as I went through a divorce, the second being WHORE. The letterforms contain fragments of familiar script faces that are attempting to hold themselves together. Some of the connecting elements of the letterforms remain and hold the face together.

Corvone is a heavy bullnosed display family, inspired by the post war era's ideas of modernity. Two faces are offered, plain—a solid black face, and regular—which employs a three-dimensional pipeline effect to add real emphasis. Use Corvone to give work a retro feel, and/or where you want to really drive your point home.

Limehouse Script is the work of British designer Alan Meeks, a display face with a wide variety of applications. It is a script face with capitals meant to be used with the lowercase letters and strokes to join many characters. Limehouse Script is a striking, informal upright script which reveals a combination of brush letter and handwriting influence.