Mediator is a balanced contemporary sans serif typeface that performs well both in display sizes and body text. The family contains 30 fonts in 3 widths: 8 romans with matching italics, of slightly extended proportions, from Thin to Black; 7 narrow and 7 condensed, from Thin to ExtraBold. The character set in normal upright faces was expanded to include small caps and all faces include old style figures. The typeface was designed by Manvel Shmavonyan with the participation of Alexander Lubovenko and released by ParaType in 2016.

Chorles Serif Font is a classy display serif font with unique look that is perfect for multipurpose projects. I made Chorles Serif Font inspired by the concept of romantic vibes and made it into a modern yet luxury style. This font is also looks elegant and will fit well in any design and very recommended for logo, crafts, posters, books, branding, quotes, print templates, packaging, invitations, product labels, advertising, wedding project and more. This typeface comes in uppercase, lowercase, with punctuation, symbols, numerals, ligature and stylistic alternates.

Shaking hands is quite a complicated process: do it too lightly and you appear weak, grab too hard and you’re too eager. There are also those with a ‘Guerrilla Handshake’ - grabbing your hand unexpectedly, shaking it vigorously and yanking it toward them. Guerrilla Handshake font was actually made by hand, using Chinese ink and a brush. I did use the brush vigorously, but I made sure not to shake or yank it too much! Guerrilla Handshake comes in a slightly backslanted ‘regular’ version and an italic version.

Around the turn of the 20th Century, the Inland Type Foundry produced a display face named Studley. It was a variation on a design by another foundry called Florentine. A condensed face with a bold, clean look, the design resembled the warmth and feel of a classic wood type. Best applied to headlines and titles, the font reads amazingly well at even 18 point renderings. Jeff Levine had added his own personal touch to his digital version of this old favorite and renamed it Bayview JNL.

Among the many display faces Milton Glaser designed during the heyday of Push Pins Studios was the pattern for this dramatically shadowed face, whose original name—for reasons unexplained—was "Kitchen." Well, whatever the reason, it's definitely "what's cooking," so the Italian word for the latter half of that phrase gives this typeface its name. Equally at home being kookie or spookie. Both versions include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets, with localization for Moldovan and Romanian.

Chequers was inspired by the all-capitals lettering seen on a 1920s magazine cover. It is a family of six small-serifed display faces, including a selection of stylistic alternates. Use it for a comfortable period feel in your design work. Article abstract: Chequers was inspired by the all-capitals lettering seen on a 1920s magazine cover. It is a family of six small-serifed display faces, including a selection of stylistic alternates. Use it for a comfortable period feel in your design work.

Patches is a multi-faceted, victorian-era serif typeface for when you need something more than plain text. Get that extra attention while adding a genuine, original appearance to your message. Patches was designed from scratch to give a sense quality and depth. Its designer Mans Greback has created a typeface with a complex structure, yet one that will be easy to master. This work will suit every style, taste and skill level. It is a decorative and completely hand-drawn design in vintage lettering, with the perks and flexibility of present-day technology, which is exactly what you'd expect from a modern typeface. Whether you are making a decorative floral headline, drawing a cowboy logo, or creating a unique design based on this ornamental font, the hopes are that Patches can give you a set of tools and inspiration to bring out the best of your artistry. Standing on the shoulders of giants, it was inspired by a wide range of works, and will hopefully be able to continue to teach and inspire future artists. Or at least help you become a better designer when you're designing an elegant and classic headline. Set the coloring of Patches to light gold and cream tones to apply a luxurious look, or in dark tones for a more rugged impression. Bold, bright colors will make it appear In the mid-1800s, decorative design flourished in the Western major cities. Victorian style thrived and encouraged techniques such as enamelling, embroidery and calligraphy. From the 1880s onwards, there were a series of reactions to higher Victorian tastes, with Art Deco reaching the heights of the 20th century. However, the Victorian art persisted popularity, as it changed to more sophisticated designs which made it more attractive to specific professions and groups. The evolution of the Victorian style in the mid-20th century was a key factor in the succession of the movement. Classic shops and salons, sport designs and traditional festivals, and later Rock'n'Roll and Harley Davidson-themed graphics ​inspired the continued development of the art. Aspiring to carry on this tradition, this typeface family consists twelve different high-quality variations. The main ones are Patched and Patched In – an outlined variation – and each one provided in five weights: Thin, Light, Medium, Bold and Black. Additionally, the two rough fonts Hangaround and Prospects, that tries to grasp the rough, earthy atmosphere of a shady motorcycle club. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europa to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

This is a Vanderburgh and Wells wood type cap font from 1877. We don't know if the originators made a lowercase for it, but we did. Most effective in larger sizes.

Made with a wide pen, with a lot of love! Loads of international letters, and 6 different versions of each lowercase letter (these cycles automatically AS you type - just like magic!)

TOMO Pillo! a blocky style fat face with attitude. Bold, heavy and fun! all at the same time! You will only need this font to make your designs stand out fresh!

One Code was made in the end of 1998. Original naive character was specially created for an unique design project, but now it is ready for use as an ordinary typeface.

Lost Land is a horror hand drawn font. The font made for cover design, logos, headlines, apparel design, magazine titles etc. Font includes multi-lingual and currency support, numerals, and punctuations.

Cordial is a solid, friendly font. Like other informal script fonts, Cordial works in nearly any context. This font was originally named Pulpatoon, but the designer's wife made him change it.

Old Russian is a fake Cyrillic alphabet, based on old Slavic characters universally adopted in the old days of the Russian empire. Offering an opportunity to create a unique historical look.

Minimum Waste - the name is taken from a Sade song, but is meant more as a political statement. Please be aware about your everyday use to make sure the planet survives!

Subtle slab serifs and distinctive hooks of this square ultra light type face will add a bit of elegant feeling to your sweet designs. Masherbrum Slab looks better in larger sizes.

Soli, based on an architect's handwriting is a fun, modern script face with a very complete character set. Can be used for journaling, scrapbooking, or anywhere a handmade touch is needed.

Solid Serif JNL adds tiny serifs to the letter forms of Parkitecture JNL and changes the look and feel into an Art Deco Roman face for display, titling and period pieces.

Skjald is a decorative typeface for use on posters and in books where an elaborate face enhances the mood. The Skjald font is an excellent choice for book covers and posters.

Dabi is a bold sans serif type family of three weights plus matching italics. It is suitable for logos, titles, posters, etc. Made from a compilation of all his design projects.

The typeface was designed for ParaType (ParaGraph) in 1994 by Oleg Karpinsky basing on his original artwork. A decorative face in Op-Art style. For use in advertising and display typography.

Made in bold style and wide, as well as consistent spacing between letters, this font has a distinctive aesthetic value, suitable for graphic design use such as logos, posters, and others.

As its name suggests, TRGrunge is a rough, grungy font that is surprisingly readable. Derived in 1997 from a 1989 sans-serif face, it was expanded with additional characters in 2021.

Simple Fact is a family of 4 fonts and 2 sets of drawings. All fonts and drawing was made with the same inky pen, leaving a slightly blurred and rugged look

Originally designed by DeLittle of York of England, this face conveys a casual quality with contrasting strokes, rounded forms, and serifs with a brush-like quality. A lovely decorative display font.

Based on a revival of one of the popular wooden type fonts of the 19th century, suitable for display, lower case missing but not always designed for this type of face.

Weeneez JNL is an out-and-out novelty font made entirely of hot dogs. The font contains only the alphabet and numerals and a few other symbols including basic punctuation marks.

Bubblegum is a font made in styles: With its nice and sweet appeal, it is perfect for scrapbooking, print design, stationery, blog header, greeting cards, posters, blog header and art quote.

Nina Ketchup is a hand drawn font made with lines. Each letters have his own style. Work perfectly with wood background or hipster logo types. Natural flow for a fantastic effect.

What else is there to say? Children's wooden blocks inspired this playful face. Use and enjoy! Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Marlita is a carefully made script, great for quotes, branding, packaging, wedding card, advertising, and more. It comes with 10 variations of ampersands as well as various titling and ending swashes.

Designed at ParaType in 1990 by Tagir Safayev. Based on Courier typewriter face of International Business Machines, 1956, by Howard Kettler. The decorative styles were added in 1997 by Alexander Tarbeev.

Sign Decal JNL is an outline version of Sheldrake JNL - lettering based on original water-applied decal transfers once made by the Duro Decal Company (now Duro Art Industries) of Chicago.

Sportune is made to support the work of designers who are used to making works with a sporty style. This font is great for various design styles, modern or old school.

Rubbish JNL from Jeff Levine is simply letters scribbled from an old stencil as if made by a child... But the look takes on a form of "stencil grunge" as well!

A classic late nineteenth-century face from the Dickinson Type Foundry of Boston. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.