Graphique-AR is a digital version of a type designed by Hermann Eidenbenz and issued by the Haas foundry in 1946.

A slightly more refined revival of the Fat Face, as supervised by Chauncey Griffith at Mergenthaler one year after ATF’s Ultra Bodoni.

Inspired by the beautiful typefaces like Helvetica and Neue Haas Unica, this beautiful typeface looks fantastic in print as well as online.

A slightly more refined revival of the Fat Face, as supervised by Chauncey Griffith at Mergenthaler one year after ATF’s Ultra Bodoni.

Slightly grungy and blurred-edged combined with a thick stroke and a fat drop shadow. This font is eye catching in many ways!

Sharper than a cactus patch, the thorny Prick is perfect for the Goth or Heavy Metal fan that lies dormant in us all.

A fun all caps bubble font. It's fat, it's happy, and it's perfect for fun greeting cards, posters, quotes, and groovy lettering designs.

Introducing by Balpirick Studio. Proudly Present, BROWNIE BUSTER Font. BROWNIE BUSTER is a Fat Handbrushed Font. Brownie Buster is a fat hand-brushed font. It is perfect for product packaging, branding project, magazine, social media, wedding, or just used to express words above the background. This font includes TTF and OTF, BROWNIE BUSTER also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Maori New Zeeland is made for all MAORI Tribal fans. It comes with many MAORI Tribal Graphics and a extra Font for two color style!

A big fat quirky face for big bold weird uses. Inspired by E. McKnight Kauffer and vintage travel posters, both styles have support for multiple languages.

A typeface with characteristics of roman and italic, fat face and stencil, modern and script. It was designed by Hans Bohn for Ludwig & Mayer in 1936.

Quirina is a very elegant joining Script that has – because of its high and open lowercase letters – excellent readability. It has a fat twin called Quiana.

Bodoni Classic Free Style is my really fat, high contrast free flowing, liberated designed, script-like non-script extension to my ever expanding Bodoni Classic family.

Trapped in a world they never made, the characters in our Story So Far have been engaged in final battle with their Arch Enemies... the characters known only as ToBeContinued. One of our characters will win, one will die, at least two of them will be engaged in a Clash of Titans. Face Front, True Believer, This One's Got it All! The Story So Far & Near complete family includes eight weights with support for Western & Central Europe.

Blogh is fat and quirky display font. Its heavy weight and sturdy letterforms with characterized by extreme artificial inktrap, make it uniquely perfect for headlines and titles.

Pepper was first conceived as an authentic alphabet of runes, but that was far too serious so it ended up as a greater spotted version of Salt.

Hi! Introducing this conceptual modern typeface "Inside the BOX". It's a two-in-one font - big letters are made bold and fat :) and small letters are thin.

Salt was first conceived as an authentic alphabet of runes, but that was far too serious so it ended up as a lesser spotted version of Pepper.

AZ Cupcakes is a special Font for Cupcakes bakery Designs and for all Fans of Cupcakes. It comes in Creamy Design an with many sweet and sugar Graphics.

Exodus is one of my favorite fonts so far inspired by old manuscripts and sci fi movies. Its a decorative display font. See the whole presentation here: Behance.net

Need some Pig Scratch to go with your chicken scratch? This is a full fat font with a side of delicious glyphs. Perfect for merch, school lessons, invitations.

MONZO is Contemporary Fat Font comes with 2 styles ( Regular & Outline ) with corresponding italics. Perfect for Logotype, Head text, Displayed text, and many more). Support for 75+ Language.

Madrone is an Adobe Originals typeface designed by Barbara Lind in 1991. Madrone was digitized from proofs of the woodtype collection in the National Museum of American History of the Smithsonian Institution in Washington, D.C. A fat face roman, Madrone is typical of popular early nineteenth-century styles. Fat face types are characterized by their squatness and extreme letter width. One familiar version of this design is Bodoni Ultra Bold. Madrone is eye-catching for display uses in advertising and packaging.

Bonita is a bold handlettering style based on movie poster lettering from the early 20th century. It's similar to the typeface Broadway, but much bolder and far less formal.

This rough and bold style uses detail and motion to create text with gritty character. These fat letters mimic a paintbrush or palette knife in a simple graff style.

Moonstone is for all those misunderstood goth Buffy fans. This font contains alternative versions that enable customisation of headlines and are intended to be freely mixed in one setting.

HotRod the Flame Font. Hot Font in 50th Flames Style. Made for all US Custom Cars Fans. The Font comes with many Graphics for Vintage Cars like Dices and Skulls

Arco is a brand new fat-face with some geometrical tweaks grabbing fresh and ideal for fashion editorial headlines. Arco also combines elegant symbols to sweet contrast. Normal & Outline version.

Oriental Ornaments was inspired by the ancient design motifs of the far east. There is an assortment of 85 ornaments located under the character set and shift + character set keys.

High-quality ornamental initials superimposed on nursery rhyme backgrounds such as Humpty Dumpty, Ride a Cock Horse, Baa Baa Black Sheep, Tom Tom the Piper's Son, Rub-A-Dub-Dub, the Queen of Hearts, Old King Cole, and many others. Includes one set of A-Z ornamental initials conveniently assigned to both the upper and lower case alphabet characters. Ornate and accurate renderings that can be used for the beginning of paragraphs in any children's publication or texts relating to nursery rhymes and fairy tales.

Gastromond began about five years ago with a question: why are fat faces always based on Didot or Bodoni models? Was there a reason that the stresses of these display faces was always vertical or horizontal and never angled? It was time to find out. Gastromond is meant to blend the Renaissance stylings of the Garamond types with the Victorian outlandishness of the fat faces. The result is an emphatic take on a classic genre. Loaded with swashes and alternates, Gastromond has enough character to go around.