Palatino Sans Arabic is a collaboration between Lebanese designer Nadine Chahine and Prof. Hermann Zapf. The design is a low-contrast companion to the award winning Palatino Arabic and comes in both regular and bold weights. It is designed for use in print in both large and small sizes, and brings into Arabic the informal and friendly appearance of Palatino Sans. The counters are wide open to allow for better readability in small sizes as well as to maintain an open and friendly appearance. The font has 1091 glyphs and includes a large number of extra ligatures and stylistic alternates as well as the basic Latin part of Palatino Sans and support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages.

Baldufa is a charming typeface with strong personality, which looks very comfortable in text. There is a search to obtain complicated curves and detailed features, which give the typeface a touch of beauty and elegance. However, this is also a self-conscious design that claims appreciation for quirkiness and human imperfection through the rounded serifs and irregular vertical stems. The typeface family is also a multi script project, containing Latin and Arabic scripts. The Latin consists of Regular, Bold and Italic styles, including Small Caps and many other typographic features. Whereas Arabic Naskh includes Regular and Bold weights. The whole family has been designed to work harmoniously together to help to produce catalogues and small publications of cultural content. We believe that Baldufa is a tiny but nice contribution to build bridges between cultures and this make us very happy. The letterforms in the Latin are inspired by the slight distortions and idiosyncrasies that came with old printing methods. It has distinct, features such as rounded serifs, irregular vertical streams, ink traps and extremely thin junctions. In the Italic, serifs have been removed to enhance movement and expressivity. These experiments in form have not come at the cost of legibility: The typeface remains suitable for both small and display text. To certain extent, the design of the Arabic gathers the same interest for experimentation than its Latin companion. Baldufa Arabic respects the basic features of Arabic script such as thick stokes in the baseline, multiple vertical axis, genuine stem modulation and good linking between words. However, it steps away from traditional Calligraphic Style. It has rounded top terminals and the traditional contrast between curves and straight stokes has been softened. Letter shapes sometimes slightly differs from tradition in order to obtain more expressivity. Overall, Arabic has been designed to acquire the same elegant and quirky aspect of the Latin.

Marista is a bit of an unusual design, a cursive monospaced font inspired by the classic cursive typewriter fonts used in the 1960s-70s. It is designed to feel 'real', and captures some of the light irregularities in line weight which characterise real typewritten text rather than their computer equivalents. Marista is distinctive but easily readable, even in block text where some monospaced fonts suffer. Marista is best used at small to medium sizes, and at a uniform size throughout a document or design to capture the typewritten feel. The italic is more similar to authentic typewriter cursive fonts. Try it for your next letter or invitation!

Fracture is a broken font -- broken into many pieces -- yet it still conveys a powerful and modern message. It is a funky, in-your-face font that has strong overtones of modern rap and hip-hop culture. Its fragmented look brings to mind graffiti, contemporary youth culture, kids-on-the-move. Fracture is a must for movie posters, event posters, CD & DVD covers, clothing ads & swing tags, funky magazines, in fact, any product aimed at the young, trendy market. The font is letterspaced and kerned and has a complete character set (all upper and lower case, numerals and mathematical symbols and a complete set of accented and special characters).

Core Circus is a layered type family consisting of seven 3D effect layers, eight 2D effect layers and one shadow effect layer. Uppercase and lowercase letters are separated by such features that counters are opened or closed. Core Circus provides other closed counter styles such as numbers with opentype feature (Stylistic Alternatives). Also available Core Magic (Slab- Serif version of Core Circus) and Core Circus Rough(Textured version) The shape of Core Circus is simple but the combinations of effect fonts are impressive. Core Circus makes your works charming and special with endless combinations (at least 262,551 kinds). This family is really nice for book titles, headlines, logotypes and any artworks.

RyuGothic Family is a humanistic interpretation of the Hangul Gothic style. It delivers messages in a soft, calm tone that does not overpower. The narrow counter design of consonants in Hangul and the narrow counter of the Latin lowercase letters are connected to create a sense of structural unity between the two sets of characters. This enables you to read long lines and works well in a variety of media and situations. Each font includes: 2,350 Hangul syllables, the smallest unit for expressing modern Korean; Latin Basic; punctuation; symbols for Korean codepage. Cyrillic, Greek, and Kana alphabets were excluded. The punctuation is designed in the preferred location for Korean typesetting.

Core Magic is a slab-serif version of Core Circus which is a layered type family consisting of seven 3D effect layers, eight 2D effect layers and one shadow effect layer. Uppercase and lowercase letters are separated by such features that counters are opened or closed. Core Magic provides other closed counter styles such as numbers with opentype feature (Stylistic Alternatives). Using Core Magic with Core Circus could make your works more charming and special with endless combinations (at least 262,551 kinds). This family is really nice for book titles, headlines, logotypes and any artworks. Also available the rough version of this family - Core Magic Rough.

I created this font to capture the innocence and playfulness of doodle lettering that is created in schools everywhere. Typographic rules are non-existent and the characters are sometimes oddly and incorrectly shaped but that's exactly what gives it charm. What really got me started was Napoleon Dynamite, his drawings and "typography". This font does not mimic what you see in the movie at all, but it attempts to capture the same spirit of high school "doodle typography". My favorite line: "I am pretty much the best artist I know". The font was named after Boondoggle keychains, the other craft most scholars acquire at some point in their school careers.

Finding fonts that work together to capture the aesthetic of an era is one of the biggest challenges designers face. Boucherie captures the lively essence of 19th-century French advertising typography with a collection of original designs. Use Boucherie to create typographic compositions that are at once fresh and familiar. Boucherie provides four distinct display fonts – plus ornaments, catchwords, and frames – that beautifully complement each other. See what’s included! http://bit.ly/2dqI1Ov *NOTE* Basic versions DO NOT include swashes, alternates or ornaments These fonts have been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

Luisina Script is a handwritten font reflecting calligraphy lettering. This font is inspired by hand-written, pop culture and urban culture. It includes numbers, punctuation, alternates, ligatures, and supports other languages. It is perfect for adding a hand-lettered style to your stationery, headlines, branding, and wedding invitation. Luisina Font multilingual support: Afrikaans, Albanian, Catalan, Danish, Dutch, English, Estonian, French, Finnish, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanish, Swedish, Zulu, and many more. What’s Included : Standard & Multilingual glyphs Ligature Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word. Hope you enjoy our font!

Solina is an exciting typeface that is inspired by the future life which is full of robots, mechanics, speed races, automotive and life in space. References to this font are based on the science-fiction visual of the modern-futurism mindset, making it perfect for any project that requires a futuristic and technologically advanced design. This font is perfect for creating sci-fi movie posters, technology-based branding, packaging, event and festival materials, automotive designs, and many more.

Heimat Sans is the grotesque typeface family within the Heimat Collection, also containing Heimat Didone, Heimat Display, Heimat Mono and Heimat Stencil. Heimat Sans is a legible typeface family designed for contemporary typography, especially for use in headlines and on posters, but also for reading purposes. It combines an idiosyncratic appearance with the feeling of a grid-based letter construction of the late 20s. Since the design might be too extreme for some applications, Heimat Sans character set provides two alphabets, the regular one plus an alternate design that comes across as less suspenseful. Heimat Sans [732 glyphs] comes in six weights and contains an extra set of alternate glyphs, many ligatures, lining [proportionally spaced and monospaced], hanging [proportionally spaced and monospaced], positive and negative circled for upper and lower case, superior and inferior, fractions, extensive language support and many more OpenType features.

Heimat Stencil is the monospaced typeface family within the Heimat Collection, also containing Heimat Didone, Heimat Display, Heimat Sans and Heimat Mono. Heimat Stencil is a legible typeface family designed for contemporary typography, especially for use in headlines and on posters, but also for reading purposes. It combines an idiosyncratic appearance with the feeling of a grid-based letter construction of the late 20s. Since the design might be too extreme for some applications, Heimat Stencil’s character set provides two alphabets, the regular one plus an alternate design that comes across as less suspenseful. Heimat Stencil [684 glyphs] comes in six weights and contains an extra set of alternate glyphs, many ligatures, lining [proportionally spaced and monospaced], hanging [proportionally spaced and monospaced], positive and negative circled for upper and lower case, superior and inferior, fractions, extensive language support and many more OpenType features.

The Irongate Font Family has a retro personality. The common denominators, in all the glyphs, is a blunt center serif. The main top & bottom of each Cap & lower case glyphs have 'fan serifs', yep serifs that fan out. This font's influence is based on a monogram I designed for my daughter's wedding where she described her image of the event being 'Classic with a Vintage Flair'. Irongate can be pictured on many things dated from 1918 - 2018. The font is available in 4 basic weights Light, Regular, Bold & Extra Bold. An additional pdf is included that gives the code for an additional 14 Dingbats, with each weight. Irongate works extremely well with Invites, Stationary, Signage, Embroidery, Letterpress, Ads, Logos and anything that feels Industrial or Hand-Crafted, eg. Coffee, Breweries, Antiques, Woodcuts, Western Styles, Sports Styles, etc.

Heimat Mono is the monospaced typeface family within the Heimat Collection, also containing Heimat Didone, Heimat Display, Heimat Sans and Heimat Stencil. Heimat Mono is a legible typeface family designed for contemporary typography, especially for use in headlines and on posters, but also for reading purposes. It combines an idiosyncratic appearance with the feeling of a grid-based letter construction of the late 20s. Since the design might be too extreme for some applications, Heimat Mono’s character set provides two alphabets, the regular one plus an alternate design that comes across as less suspenseful. Heimat Mono [684 glyphs] comes in six weights and contains an extra set of alternate glyphs, many ligatures, lining [proportionally spaced and monospaced], hanging [proportionally spaced and monospaced], positive and negative circled for upper and lower case, superior and inferior, fractions, extensive language support and many more OpenType features.

Introducing 'Afolkalips' a tribal display font. Inspired by hinterland culture in the world, especially Papua Tribe, Indonesia. The Papuan Culture has many native tribes based on their location, culture and different ancestors. The equation is, they have a culture of decorating the body with paint from plants. The motives are also diverse, but with the characteristics of firm lines. In addition to various line motifs, Papuan hinterland people also explore colors that distinguish one tribe from another. You can see it on face decoration, as well as their body parts. The tools they used to paint their faces were usually with wood or leaves. Clear lines are etched, producing a natural, rough and authoritative form. It is this form that inspires us in designing the 'Afolkalips' typeface. All-capitals font with strong strokes that very recommended for headline or display on a traditional theme. Complete with 50+ custom ligatures that give you more variations. Also featured with 28 accents. This font also has ornament swashes to give your design more tribal looks, you can use the swashes as a frame or decoration. Suitable for your design such as poster, flyer, t-shirt design, logo, magazine, signage, or billboard. Afolkalips is a minimalist-joyful font which is flexible to apply in bright theme or elegant style. What you'll get : - Uppercase - Lowercase - Numbers - Punctuations - Symbols - Stylistic alternates - Ligatures - Accents Hope you like it! Thank you for your support and happy designing!

Dark, spicy & distinctive display typefaces from the nineteenth century I had in mind when creating this font family. Extreme contrasts and sharp endings may remotely remind some blackletters, especially in narrowed styles. The range of interpolated widths is useful for designing a provoking poster, magazine, music or book cover.

Chatham is part of the "Staunton Script Family" of fonts designed by Ted Staunton for his historic novel centered around a family bible and the handwritten annotation through 7 generations. The Chatham font is overtly crooked and has an extreme right-leaning slant—perhaps we should call it "Cheney".

Gothic is a basic sans serif with thick strokes and minimal contrast. Designs of this nature first appeared in wood type catalogs around the 1840s, and proved extremely popular in advertising and broadside printing. This version is based on a wood type design manufactured by Hamilton Manufacturing Company.

Filt is based on hand-drawn sketches; no geometry, all visual. At the same time the curves are digitally constructed with extreme accuracy. The result – aggressive, playful, eager and ultra bold. This makes Filt a great headline and display unicase font. Filt Pro comes with a Greek set aswell.

TWA Assembly Sans is not your standard workhorse sans. Although it sports the same geometric shapes, grotesk characteristics, and comes in many weights, its unique qualities and slight diagonal curves give Assembly Sans a friendlier appearance. As the weight increase, the contrast becomes more extreme, adding to its approachability.

Tachyon is a family designed by Ethan Dunham that has clean simple lines. The family comes in four weights, regular, light, thin and hairline. The hairline version is extremely light and useable only at larger point sizes. This family is perfect where a high-tech look is needed.

BUCK HEAVY is an extremely monumental, architectural and brutal unicase font, designed for maximum visual and emotional impact. Use it in big and really big scales. It's great for headlines, prints, branding, editorial and websites — everything that strives for being really bold, vibrant and super strong and masculine.

A family of soft, rounded, yet bold display faces which can successfully be used in conjunction with one another. Due to the modular nature of this design there may be a very slight lack of smoothness to the curves at extremely large point sizes (around 200 pt and above).

Meet Ornable Typeface, your font of choice for a captivating blend of Renaissance, Art Nouveau, Medieval, and Art Deco vibes. This single-weight typeface is designed for those seeking a font that embodies a rich tapestry of artistic nuances. With 35 meticulously crafted ligatures, Ornable ensures your text is not just seen but experienced. Dive into the charm of fractions for precise numerical representation and case-sensitive forms for a perfect interplay of uppercase and lowercase letters. Stand out effortlessly with the inclusion of a unique arrow symbol, adding a modern touch to your designs. Ornable adapts seamlessly to various themes, from the classic allure of Renaissance to the bold geometry of Art Deco. Whether you're crafting posters or logos, Ornable celebrates your creativity with sharp lines and intricate details. It's the ideal choice for projects that demand a touch of mystique and retro charm. Capture the essence of artistic movements with this typeface and step into a world where past and future converge – embrace Ornable and redefine the boundaries of your creative expression.

Sam Suliman is a condensed display face supplied in three weights – Regular, Medium and Bold – plus a set of handy italics (obliques). All six fonts are included in the value family pack. The fonts are inspired by lowercase lettering on a Sarah Vaughan album cover designed by Sam Suliman in 1962, a style which contrasts sharp tight outer corners with soft rounded counters. The letters were perhaps influenced by a Solotype font called Herald Square, but without that font’s aversion to diagonals, and adding distinctive perky ascenders/descenders on the lowercase r, a, u, g and n. The Sam Suliman fonts also add the nubs to d, m, p, and q. Suliman was born in Manchester, England in 1927. After working for McCann Erikson in London, he moved to New York where he took on freelance work designing album covers, particularly celebrated are his striking minimalist designs for jazz records. He moved back to England in the early 1960s, designing many book jackets, film titles and fabrics, also working in Spain and India before settling in Oxford in the 1980s.

Introducing the "Brick and Stone Victorian Typeface" – a timeless and elegant font that beautifully captures the essence of the Victorian era. This exquisite typeface is a masterful blend of intricate craftsmanship, vintage charm, and artistic flair, making it the perfect choice for designers, typographers, and creatives seeking to evoke a sense of classic refinement and sophistication in their projects. The Brick and Stone Victorian Typeface boasts a rich repertoire of design elements that truly set it apart. With meticulously crafted ornaments, graceful swashes, captivating ligatures, and versatile alternates, this font provides an extensive toolkit to elevate any typographic endeavor. Whether you're working on invitations, branding, packaging, signage, or any other creative pursuit, this typeface lends an air of prestige and distinction to your work. Each character of this Victorian typeface has been thoughtfully created to reflect the ornate and elegant aesthetics of the 19th century. The font captures the essence of engraved stone and brickwork, giving your text an authentic vintage touch. The ornamental details add an extra layer of opulence, making every word feel like a work of art. Whether you're designing for weddings, formal events, historical projects, or simply seeking to add a touch of classic sophistication to your work, the Brick and Stone Victorian Typeface will exceed your expectations. Embrace the elegance of the past and unlock a world of creative potential with this remarkable font.

Roswale - Vintage Bold Font. Roswale inspired by vintage poster design, Roswale is a family script font designed with carefully handcrafted, Roswale is a bold font perfect for your home decor and craft designs Roswale is a vintage font that is perfect for story books, illustrations, comic books, t-shirts, posters, greeting cards, logos, branding, stickers, svg, crafting and all for display purposes. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. Retro Couture is also support multi language.

VASARELY has famous roots, its name is related to optical arts own Victor Vasarely. Dropping the field of Op-Art, you already know where we have been aiming at. The REGULAR and LIGHT cuts of VASARELY are quite ordinary, rectangular, but legible typefaces, but with the BOLD and EXTRABOLD versions you will be able to build diverse illusive type illustrations and layouts. Being build on a strict grid with same dimensions, the eye-affecting black-and-white contrast should trigger different optical effects. As an extra we build an EXTRUDED version as well. Have fun!

Welcome to Sazone, a font that represents the essence of the future with a stunning modern and futuristic twist. Are you looking for the perfect solution for modern, futuristic, sci-fi, and future-themed projects? Sazone is the answer. Sazone is a font specially designed to bring an extraordinary and stunning visual experience. Each letter is unique and conveys a sense of the future, showing astonishing sophistication and innovation. The main benefit of Sazone is its ability to deliver unrivaled style. With a unique and exclusive character, this font will give a modern, classy, and futuristic look to every text you use. Every detail is carefully thought out to create a standout and stunning impression. Also, multilingual support, allows you to display text in multiple languages without restrictions. This gives you the flexibility to reach a global audience and convey messages effectively in the most relevant contexts. Take your projects to the next level with Sazone. Let this font be the catalyst for your visual success in creating eye-catching future looks. It doesn’t matter whether you are designing logos, posters, or websites, Sazone will give off a distinctive feel, exude sophistication, and deliver an unforgettable experience. Explore endless possibilities and make your vision come true with Sazone. It’s time to enter a spectacular and amazing future. Choose Sazone and let this font become an indispensable part of your vibrant, modern, futuristic, sci-fi, and future projects. What’s Included : - File font - All glyphs Iso Latin 1 - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Burford is a font family that I sketched while traveling through Europe. I was mesmerized by all the unique typography that was showcased throughout the five countries I visited. Inspired by all that I had seen, I found myself spending 4-5 hours per day in Amsterdam’s Vondel Park drawing characters. Once back in the states I digitalized Burford, deciding it would make for a beautiful layer-based font. Burford Pro package comes with all 18 layering fonts including 5 base layers, 3 top layers, 5 bottom layers and 2 sets of graphic elements. They are strategically made to build on top of each other, creating a cohesive and easy to use layer-based family. Each font also comes with a set of Stylistic Alternatives for letters A C E F G H P Q R. Burford Basic package is created for users who don’t have access to premiere design programs (such as Illustrator, InDesign, Photoshop, etc) and are unable to use the layering effect. Burford can still be a powerful tool as each font can also be used on its own. It includes every font file not needed for the layering effect. (Include 13 fonts - Burford Basic, Dots, DropShadow, Extras Set A, Extras Set B, Extrude B, Extrude C, Inline, Line, Marquee, Outline, Stripes A and Stripes B). The Burford Extras set uses all basic keyboard characters - around 100 total elements per set. They are designed to go specifically with Burford and complement its varying styles perfectly. The set includes: banners, borders, corners, arrows, line breaks, catchwords, anchors and many more!

A 1940s Australian song folio featuring tunes performed by singer-actress Deanna Durbin had her name hand lettered in an interesting Art Deco style sans. This became the basis for Song Folio JNL, capturing all the nuances of the original in digital form.

A modernist typeface with powerful elegance. This bold and sophisticated font captures the essence of idealistic beauty through its tension, balance, and unexpected shapes. Inspired by the ideals of modernism, creating a distinct look that is sure to make a lasting impression.

Iron Heart is a unique hand brush font that suits very well for your modern grunge vintage design. its texture was very interesting. use it for your special design and brilliant project such as Apparel, Web project, youtube content, logo, and many more.

I created this font following my love for Etruscans, their culture and their myths. Many times I looked for a false, but similar, Etruscan TrueType font on the Internet, but I didn't find it, so one day I decided to make it myself.

The script designed for ParaType in 2006 by Isabella Chaeva. Based on informal handwriting, its characters have rough jaggy contours. In small sizes, the face simulates an effect of handwriting by felt pen on rough paper. For use in advertising and display typography.

Add some twinkling lights to a bold Art Deco font such as Art Lesson JNL, and the result is a typeface which truly puts your name (or message) up in lights. Opening Night JNL conjures up images of Broadway plays and Hollywood premiers.

Larque is a slab serif text typeface. The tall x-height and the open counters makes the font very legible at small sizes. Larque includes extended latin characters, ligatures, oldstyle figures and Open Type features. It is available in roman and medium weight.

This is a friendly display typeface with large ink inlets that make it look like the counters have been eaten away from the inside out by hydrochloric acid. It's legible at small sizes, but at large sizes the nice details make themselves apparent.

The design of Candle Wax JNL comes from an original movie poster for the movie "Bell, Book and Candle" starring James Stewart. The oddly erratic letter forms conjure up ideas of spells, witchcraft and other things found lurking on dark moonlit nights.