Happy Dinosaur is a sweet and chunky lettered display font. Its friendly feel makes this font incredibly versatile, fitting a wide range of contexts. Add it to your creative ideas and notice how it makes them stand out!

ITC Studio Script was designed by Robert Evans, an informal script for applications in which a calligraphic look would be appropriate. The font includes a wide variety of alternate characters, which give a graphic designer's creativity no limits.

ITC Grapefruit is the work of Hungarian designer Gyori Attila, an angular, mannered and geometric display face with a loud appearance. ITC Grapefruit combines strong display characteristics with legibility and is suitable for a wide variety of uses.

Dream Island is a simple, relaxed, and fine handwritten font. Its simple style makes it fitting to a wide range of designs, so add it confidently to your informal or casual ideas, and you will love the results.

Conture Script is a classic script typeface with a thin contour. This high-quality font is drawn and created by Måns Grebäck during 2017. With its hundreds of glyphs, Conture Script supports a very wide range of languages.

Selitta is a sweet, soft hand-lettered handwritten font. Fall in love with its authentic feel and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and a wide variety of projects!

Sweet Lavender simplifies elegance into one truly outstanding handwritten font. It maintains its classy calligraphic influences while feeling contemporary and fresh. This versatility will appeal to a wide range of crafty ideas, from letterheads and titles, to stationery.

Mazzard Soft is a rounded version of Mazzard – a superfamily of three geometric grotesques with three different x-heights (H, M, and L). It features rich language support, includes Cyrillic, and offers a wide variety of alternate forms.

Spooky Green is an incredibly unique and quirky display font. Its friendly feel makes this font incredibly versatile, fitting a wide range of contexts. Add it to your creative ideas and notice how it makes them stand out!

Hello, here is it the new Rounded fonts Dopeness. It comes with extra Extrude and Shadows. Easy to read, easy to access the extrude and shadows. What's Included Inside The Fonts ? Uppercase Lowercase Numerals Symbols PUA Encoded European Multilingual Extrude ( Extra Style ) Shadows ( Extra Style ) Thank you, Regards!

Introducing Kamasunday Dynamic Blackletter, a typeface that seamlessly blends the timeless elegance of blackletter script with a modern, dynamic twist. This font is a perfect fusion of tradition and innovation, offering an impressive array of 837 meticulously crafted glyphs, ligatures, and alternates that will elevate your designs to new heights. Key Features: Dynamic Wave Design: Kamasunday Dynamic Blackletter features a captivating wave-like design that adds a sense of movement and energy to your text. Each character flows seamlessly into the next, creating a visually stunning and cohesive text. Modern Elegance: This font embodies the essence of modern elegance, making it perfect for a wide range of design projects, from branding and packaging to invitations and posters. Extensive Glyph Set: With a whopping 837 glyphs at your disposal, you have access to a vast selection of characters, including uppercase and lowercase letters, numerals, punctuation, and a variety of special characters, ensuring your design needs are met with versatility. Ligatures: Kamasunday Dynamic Blackletter includes an extensive set of ligatures, allowing you to achieve a more fluid and natural look in your text. These ligatures create seamless connections between characters for a polished and sophisticated appearance. Alternates: The font offers an abundance of alternate characters and swashes, giving you the creative freedom to experiment and customize your text. These alternates add an extra layer of uniqueness to your designs. Versatile Usage: Whether you're designing a vintage-inspired logo, a Gothic-themed poster, or a contemporary Music event poster, Kamasunday Dynamic Blackletter adapts beautifully to various design contexts. Timeless Appeal: While embracing modernity, this font retains the timeless charm of traditional blackletter script, making it a versatile choice for projects that demand a touch of history and sophistication. Elevate your design projects with Kamasunday Dynamic Blackletter, where the past and present merge into a harmonious typographic masterpiece. This font promises to breathe life into your creative visions, making your designs stand out with its unique style and extensive character set.

Günther Zainer, (or Zeyner or Zeiner), was the first printer to operate in the city of Augsburg. He was active from 1468 to his death in 1478. In that single decade he was responsible for printing 80 works. Most of these editions were for the clergy but he also printed the first Calendar and large-scale illustrated book intended for the wider public. This font is based on one of his more interesting and peculiar fonts. And it has been enlarged to include over a 1,000 defined glyphs for modern use and also for historical purposes many glyphs recommended by the Medieval Unicode Font Initiative organization have also been included.

A heavy weight - softened sans serif that is not only friendly, but easy on the eyes. Good Eatin was inspired by the title screen from the 1942 Warner Bros. cartoon titled, "Dog Tired". The original all capitals setting had a charming & quiet nature to it, which became even more pronounced when drawn out to include a lowercase set. Later expanded upon to include a Small Caps set, Good Eatin Pro achieves a wider, even more electric appeal. Loaded with personality, Good Eatin Pro is joyful and stands out without being an eyesore, and while being based on vintage lettering it has a contemporary feel.

Manifesto was designed for an article written in response to opinions that philosophy and personal expression have been wiped clean from today's design profession. Contemporary design is sterile and sublime. Enter Ken Garland's revision of the original 1964 Manifesto. The publishing of the "First Things First" manifesto 2000 is exhibit A that a trend for social belief systems is growing. Or is it? Many comfortably accept that designers are indeed "engaged in nothing less than the manufacture of contemporary reality". The four 'voices' of the TX Manifesto Family (Regular, Slant, Stout and Stencil) is intended for your typographical response, and push for conscientious design.

Get ready to dive into the retro vibes of the early 2000s with PUNK CYBER!. This font brings back the bold, colorful, and experimental visuals that defined the y2k era. With 6 captivating styles - Regular, Slant, Outline, Extrude, Outline Slant, and Extrude Slant Features: Has 6 Variable: Regular, Slant, Outline, Extrude, Outline Slant, and Extrude Slant Instructions (Access special characters, even in Cricut Design) Unique Letterforms Simple Installations Enjoy Designing! Dharmas Studio

This is an extension of Alquitran, but now converted into a family from the Thin to the Black Line, it contains dingbat, inspired by the Pichação!

An elegant calligraphic font, ideal for any defined artworks. This font has an impressive set of characters and alternative forms and extensive set of OpenType features.

Vivala Milk is a sans serif display font with calligraphic genes and an extensive Latin language support. It is ideal for headlines, posters, brands and magazines.

Mick is a hand-drawn typeface inspired by graffiti works of old style. The family contains Regular and Light styles. Cyrillic and extented latin character sets.

Fishbones is a font set consisting of fish-bone font-bats. Nothing fishy here – an extensive set of characters makes this an unusual and versatile font.

BluHead Studio LLC is pleased to be working with New Zealand designer Joseph Churchward in the digitizing of his extensive library of exciting and unique designs.

Based on the character shapes of Atria Bold, Blocksta is a bullish rough cut sans with extensive language support. Hopefully it won’t start another cold war.

Kiddy is simple and slightly rough on one side and light and funny on other side. Kiddy have two set initials (realised as Contextual and Titling Alternates) and numerous decorative elements.

Designed by Jochen Hasinger of Frankfurt, Germany, Covent BT is an unconventional geometric sans serif typeface, featuring rounded terminal ends and a stencil-like break of the contour in some glyphs. At first glance you might think of it as a display typeface, but the generous x-height and openness of the lowercase makes Covent BT very legible at text sizes. Central Europe and Cyrillic is supported in the extended glyph set. Each weight contains 485 glyphs and includes some alternate figures, some upper and lowercase alternates, as well as others, all accessible via OpenType features. Covent BT Symbols is a stylized geometric symbol font, intended to stand alone or used as a companion to the Covent BT typefaces. The array of glyphs covers many of the more popular icons of the day including symbols for web use, numbers, sports, travel and astrology, to name a few, each with its own unique stylized interpretation.

When ITC Officina was first released in 1990, as a paired family of serif and sans serif faces in two weights with italics, it was intended as a workhorse typeface for business correspondence. But the typeface proved popular in many more areas than correspondence. Erik Spiekermann, ITC Officina's designer: Once ITC Officina got picked up by the trendsetters to denote 'coolness,' it had lost its innocence. No pretending anymore that it only needed two weights for office correspondence. As a face used in magazines and advertising, it needed proper headline weights and one more weight in between the original Book and Bold."" To add the new weights and small caps, Spiekermann collaborated with Ole Schaefer, director of typography and type design at MetaDesign. The extended ITC Officina family now includes Medium, Extra Bold, and Black weights with matching italics-all in both Sans and Serif -- as well as new small caps fonts for the original Book and Bold weights.

This is the one and only Neil Bold, designed by Wayne Stettler in 1966 and originally published as a Typositor typeface. An award-winner and instant celebrity upon its release, Neil Bold became synonymous with magnified modernism for a whole generation. It was a jazz record packaging favorite, especially at Blue Note records, and made regular appearances on science fiction book covers during the last stretch of the genre's golden age. This digital version greatly expands on the film type one. New small caps and biform styles were added to the authentically revived main face (for a set of three fonts), and language support has been extended to include all Latin-based tongues. Neil Bold Pro, the OpenType version, comes in a single font that combines all three fonts into a single file, with programmed features for small caps, stylistic alternates (for biform shapes), a few extra alternates, class-based kerning, and additional language support for Cyrillic and Greek scripts.

When ITC Officina was first released in 1990, as a paired family of serif and sans serif faces in two weights with italics, it was intended as a workhorse typeface for business correspondence. But the typeface proved popular in many more areas than correspondence. Erik Spiekermann, ITC Officina's designer: Once ITC Officina got picked up by the trendsetters to denote 'coolness,' it had lost its innocence. No pretending anymore that it only needed two weights for office correspondence. As a face used in magazines and advertising, it needed proper headline weights and one more weight in between the original Book and Bold."" To add the new weights and small caps, Spiekermann collaborated with Ole Schaefer, director of typography and type design at MetaDesign. The extended ITC Officina family now includes Medium, Extra Bold, and Black weights with matching italics-all in both Sans and Serif -- as well as new small caps fonts for the original Book and Bold weights.

When ITC Officina was first released in 1990, as a paired family of serif and sans serif faces in two weights with italics, it was intended as a workhorse typeface for business correspondence. But the typeface proved popular in many more areas than correspondence. Erik Spiekermann, ITC Officina's designer: Once ITC Officina got picked up by the trendsetters to denote 'coolness,' it had lost its innocence. No pretending anymore that it only needed two weights for office correspondence. As a face used in magazines and advertising, it needed proper headline weights and one more weight in between the original Book and Bold." To add the new weights and small caps, Spiekermann collaborated with Ole Schaefer, director of typography and type design at MetaDesign. The extended ITC Officina family now includes Medium, Extra Bold, and Black weights with matching italics-all in both Sans and Serif -- as well as new small caps fonts for the original Book and Bold weights."

Type designer Hannes von Döhren created Brevia, a soft sans-serif type family consisting of seven weights plus matching italics. The fonts have a hint of a brushed feeling and come across as casual and friendly. Nevertheless Brevia’s architecture is straight, making it perfect for longer texts. Because of its large x-height, it also performs well in very small sizes. Brevia’s heavier weights are slightly more curved and have an eye-catching appearance. They unfold their strength especially in greater sizes. This contemporary type family is intended to be used in applications like Cosmetics, Service, Food and Advertising–basically everywhere a pleasant feeling should be conveyed. Brevia is equipped for highly professional use. The OpenType fonts have an extended character set to support Central and Eastern European as well as Western European languages. Each font includes small caps, fractions, old style-, lining-, tabular numbers, scientific superior/inferior figures and a set of arrows.

Right on the heels of the tremendous popularity wave that made Hollandse Mediaeval the most used Dutch typeface during the Great War years, Sjoerd H. de Roos was asked to design a 15 point type for De Zilverdistel, Jean François van Royen’s publishing company. So between 1914 and 1916, de Roos and van Royen collaborated on the typeface eventually known as Zilvertype, and which both parties viewed as an improved version of Hollandse Mediaeveal. Like Hollandse Mediaeval, Zilvertype was based on the Jenson model, but it is simpler, with more traditional metrics, lighter and more classic in color. This Pro digital version of Zilvertype comes expanded in all directions. It contains a roman, a bold and an italic. Each font contains over 685 glyphs, including small caps, eight different sets of figures, plenty of ligatures, some Dutch ornaments, and extended language support covering most Latin languages. Zilvertype Initials is also there to round out this distinctively Dutch text family and make it ideal for immersive text design.

Marco is a lively text face, with an informal touch, inspired by 15th century Italian letter-forms with strong calligraphic traces and intended to be used primarily in continuous and intensive reading conditions. Marco is full of features required for high-quality book typography, including: strong language-support in extended Latin, Cyrillic and polytonic Greek, a multitude of swashes in the italic styles of Latin and Cyrillic, stylistic alternates to obtain the best possible solutions and other typographic niceties. Inspiration for Marco goes back to Italian humanist typography such as those of Nicholas Jenson or Aldus Manutius, and general influences from calligraphy. As a result, Marco has matured into a personal and unique text face where its lively and somewhat informal style is an ideal counterpart to its careful and ingenious crafting. Toshi Omagari’s Marco features a huge set of over 1900 characters per style —and almost 2600 in the italics— and is available in Regular, SemiBold, Bold with matching Italics.

NEW! Update 3.0 What’s New: • New Narrow version of 18 weights • Bulgarian Localization Support • Tabular Figures • Case-Sensitive Punctuation • Extended Glyph Case • Icon Sets PDF Specimen available: http://myfonts.us/suAc3K Panton has been expanded with Panton Narrow! It has 9 uprights and 9 matching italics ranging from Thin to Heavy. The Panton font family includes 54 fonts - 19 uprights with 19 matching italics and 16 icon sets as a bonus! It is characterized by excellent legibility in both web & print design areas, well-finished geometric designs, optimized kerning, excellent web-font performance and legibility etc. Inspired by the classic grotesque typefaces - Panton has his own unique style, expressed in perfectly softened geometric forms. The font family is most suitable for headlines of all sizes, as well as for text blocks that come in both maximum and minimum variations. Panton font styles are applicable for any type of graphic design in web, print, motion graphics etc and perfect for t-shirts and other items like posters and logos.

Pasto is a fun and charming display type family of two styles with four weights each. 'Print' is a textured irregular stamp style, and 'Sharp' is a straightforward soft-edged type with clean strokes. It is clean, playful, and expressive, with a lightweight structure and fairly aired inner space. Pasto is perfect for display use and intended for medium and large settings. Still, it can be used in smaller point sizes for short sentences or words, providing a softer, delicate look. Pasto has three alternating alphabets that slightly differ from one another. Thanks to the Contextual Alternates, these alphabets are automatically replaced to avoid the same letterforms and textures appearing next to each other, creating a more spontaneous look when typing. This OT Feature is available for all the Sharp and Print styles. Some of Pasto's features are ligatures, stylistic alternates, numerators, fractions, special characters, currency symbols, and a glyph coverage that ensures extended language support.

Rocketto is a magical handwritten font carefully created with a touch of elegance. It will elevate a wide range of design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logos, labels, and much more!

Mighty Star is a fun and rough serif font useful for a wide variety of designs, its charming look will definitely make your crafts more fabulous! Great for your personal needs, promotional projects, gifts, scrapbooks, printing, and much more.

The real handwriting script. Very powerful impression because of its heavy, wide and speedy shape. Award Winning No. 1 font 2007 at MyFonts and Rising Star. There is one more script designed by in the same concept. -Banana -Nothing

DGS Art Deco Greek is a unique typeface breaking all boundaries available in Latin and Greek scripts. It can be used in a wide range of projects including invitations, theatre and cinematic productions, branding, logos , adverts and much more.

Fat, wide and friendly—that describes this offering from the Miller and Richards foundy of Glasgow to a tee. Use it in good health. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Black Stamp is a unique, strong, and original handwritten font. Natural and elegant, this font can be used on a wide variety of designs such as headlines, titles, headings, logos, branding, posters, invitations, books, and any other creative design.