The Republic Gothic series was among the last original wood type designs manufactured by Hamilton Manufacturing Co. It was first shown in Hamilton's New Gothic Faces in Wood Type (c. 1920). The design features a sans-serif style reminiscent of brush-formed letters popular with sign painters of the era. Originally issued in 6 different widths and in both outline and solid versions, this digital release features the "Extended" width known as Hamilton Republic Gothic series 775 & 776. The pair of outline and solid is designed as 'chromatics' that can be printed one over the other to achieve multiple color effects or individually as stylistic alternatives. This release features the first ever digitization of Republic Gothic. The two fonts are carefully aligned and kerned to allow for multicolor overlayment in any digital design program. It features a full Western and Central European Character set.

Introducing Terrapin! I named this after listening to a song called "Terrapin on a Tightrope." Considering the fact that a terrapin is a kind of turtle, it makes that song title seem pretty harrowing! This font has heavy roots in one of my favorite lettering styles. It's rough, scrappy, and likes to do its own thing. It has a full uppercase and lowercase set, numbers, punctuation, and lots of extended Latin characters for language support. It also includes alternate versions of 17 lowercase letters. Where Terrapin really shines is in the ligatures. I've written separate two- and three-letter combined forms for some of the most common letter combinations, and a few uncommon ones to boot. There are almost 100 ligatures in here, all PUA-encoded so everyone can access them (and also coded so if your software does automatic ligature replacement, they'll pop right in).

Rabsy is a unique cartoon font with a doodles concept. The included dingbat doodles pattern makes it easy for you to make unique patterns, and make fun display tittle. A mixed-case font (Rabsy and Rabsy Pattern) with lots of combination possibilities, makes for great fun! It is good for logotype, stickers, fun kids signs, and other lettering projects. This fun is perfect combination uppercase and lowercase. Rabsy File Downloaded: - UPPERCASE and lowercase - Lots of doodles Rabsy Pattern 1-9, A-Z and a-z (more fun with lots of combination possibilities) - Punctuation and numeral - Extended Latin characters for language support. Please let me know in the comments what you think or if you have any issues or queries, If you have any questions about licensing, need help with a typeface, or would like to request a new feature, drop me a message. Thank you, D&K Project

The Sabon® Georgian design translates the original Sabon typeface into Georgian language. Its old style Latin-based design traits and proportions have been carefully and beautifully interpreted as Georgian script characters. In the early 1960s, a group of German master printers wanted a typeface family which would provide them with consistent and predictable results, whether it was used as machine or hand-set composition. They approached one of Germany’s most distinguished type designers, Jan Tschichold, to undertake the design task. The end result of the design commission is a typographic tour de force, and the face that establishes Tschichold’s reputation as a type designer. The completed design, released in 1966, not only solved the imposed design problem of the early 1960s, it is also an exceptionally beautiful and useful digital design. The Sabon® Georgian design further extends the range of this remarkable typeface

Ganges Slab is a condensed slab serif typeface inspired by Central European advertising typography from late XIX century. It is a perfect match for Ganges Sans. The font has condensed proportions and original letter shapes. Ganges is designed mainly for editorial design, especially for display use, as well as short paragraphs of text. Its narrow proportion makes it very practical to use for posters and magazine covers. Characteristic letter forms fit great for branding, logo and packaging design. It is also a very interesting choice for websites and e-book headlines. Ganges Slab family consist of 27 fonts - 9 weight, 9 italics and 9 obliques. It supports extended set of latin languages, as well as broad number of OpenType features, such as case sensitive forms, standard and dicretionary ligatures, stylistic alternates, contextual alternates, lining, oldstyle and tabular figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

The font "Gaidar" named in the honour of Arkady Gaidar. He was a Soviet writer, whose stories were very popular among Soviet children, and a Red Army commander. He died in combat fighting with German nazis in 1941. Few generations of Soviet kids are raised on his books and a number of films were made based on his stories. This font inspired by posters, movie titles and book covers of this writer. The letterforms are bold and gnarly and comes in 2 styles: uppercase and small caps. It has LATIN and Extended Eastern Europe CYRILLIC letters. "ST-Gaidar" created for titles, poster design, web design, branding and packaging works, illustrations, badges and other typography works. Pls, don't use it for for typing large arrays of text. ST Gaidar supports 15+ languages: Belarusian, Bosnian, Bulgarian, Croatian, Dutch, English, German, Macedonian, Norwegian, Russian, Serbian, Swedish, Spanish, Slovenian, Ukrainian and probably others

Ethos Nova is a minimalist neo-geometric sans-serif typeface family of 12 fonts featuring the finest design inspired by the simple and clean design approach of the modern era. The typeface is made with a special focus on minimalism and simplicity in typography, this typeface can transform your design projects to another level of visual appeal. Handcrafted and designed with powerful OpenType features in mind, each weight includes extended language support including Western European & Central European sets. A total of 312 glyphs are included. Ethos Nova is a perfect choice for graphic design, text presentation, web design, print and display use. The typeface can be an amazing option for branding, logo / logotype design projects, marketing graphics, banners, posters, signage, corporate identities as well as editorial design. Adding extra letter-spacing for the Caps will make this font perfect for minimal headlines and logotypes, as shown in promo images here.

Claude Duflos was a French engraver and printmaker at the end of the 1600s. He produced a great number of beautiful plates, executed principally with the graver very neatly finished. At the base of his work we can appreciate his legible lettering carefully executed with his particular ductus. During this period three different hands were developed in France: Ronde (an script deriving from “Civilité”), “Lettre Italianne” and Bâtarde Coulée that is a modification of ronde. The hand of joined letters, which lent itself to a rapid writing, became a model for English round hand or copperplate style. CDuflos is our typographic interpretation of the lettering style produced by Claude Duflos. CDuflos is presented in two versions: Basic and Extended Pro, which include diacritics for Central European languages. The Pro version also comes with a set of decorative glyphs including ligatures, alternates and swashes, including terminal letters and a set of ornaments.

Here's a posh serif typeface and its matching italic. Glowing with elegance, Cosmetiqa can go head to head with classic evergreens like Bodoni, Didot, or Century. And just like those go-to favorites, Cosmetiqa really shines at the huge, layout-dominating sizes which have been a staple of top-shelf fashion branding and magazine design since at least the mid-1980s. You'll also find this font to be a great workhorse at much smaller sizes and in extended text passages, as the hairline serifs don't disappear in the smaller size ranges. As its title suggests, Cosmetiqa's unique look works perfectly in cosmetics and fashion branding, but also try it with 1990s-style message forward ad headline applications if you're after a retro look with a hint of a modern twist. The semi-condensed proportions and tall x-height make it great for pull quotes, page banners, and logo design.

Finador Slab is a soft slab-serif family. It has a strong character and can be used for a lot of cases, especially for editorial, branding, packaging and logos. The Slab version is based on the Finador Sans version. It matches perfectly and can be used easily together. The Finador Slab family includes 8 weights, from thin to heavy + their matching italics. With 900+ glyphs per style it supports over 200+ latin based languages, includes an extended currency symbol set and a lot of Open Type Features like small caps, ligatures, fractions, alternates and many more. The lightest and boldest weights are good for display usage, while the middle weights can be also used for body text. Finador Slab supports almost every of your needs. It meets all the requirements to become your next favorite workhorse family. So just give it a try. The Medium weight is for free.

Even though the name seems not to tell much, Indecise shows a clean and coherent design. The shapes of the characters reference the Latin typefaces that were promoted by great figures like Enric Crous-Vidal and José Mendoza y Almeida in the 50s. Indecise uses the body of incise typefaces and gets rid of the subtle terminals for the strokes. It is a high-contrast sans divided into 5 elegant subfamilies, which use different widths. From the condensed version to the extended one, the family includes 50 fonts counting upright and italic. This collection of widths make for many possible combinations of styles. Indecise is a humanist typeface, it puts geometry apart and embraces the calligraphic gesture. This helps to suggest the movement of the strokes while avoiding to create text with a static appearance. Thin and thick strokes come together and define a smooth rhythm for reading.

insigne is pleased to present new Christmas ornaments as the latest in the Blue Goblet series, a series of fonts and ornaments by artist Cory Godbey. This best-selling series has now been extended to include a new Christmas-themed member. Hand drawn by the artist, the Blue Goblet additions are a fun and lively take on Christmas ornaments. Expressive and spontaneous, these ornaments seem to dance their way across the page. They can be used in conjunction with the original Blue Goblet Ornaments and the Blue Goblet fonts, which include both a sans serif and serif member. Combine them to form interesting compositions, or insert them directly into your layout as chapter headings or illustrations. There are over 60 of the Christmas-themed ornaments, including Christmas trees, bows, ivy and more. Check out the .pdf or the promotional graphics to see all of these great options.

I've been in a vintage-meets-modern mood in my most recent font construction, and this is no exception. Whiskey Tango is a fun retro-style tall and narrow sans-serif font with a scoop of variety: it includes over 110 items in the Private Use Area, including small caps, alternates, ligatures, and ordinal indicators. There's just enough imbalance in stroke widths to make this font a little goofy and quirky, and really charming. All of the lines and curves are clean and sharp, making it great for text that's large, medium, or small. And it's great for crafting as well! As usual for me, this font contains over 300 extended Latin characters for language support, as well as full uppercase and lowercase sets of Greek and Cyrillic characters. And everything, as always, is fully PUA-encoded so all characters are easy to access, no matter what method you use.

It all started with the letter S. I drew it, I liked it, I based a font around it! This is Pickled Limes, a tall and narrow single-case font. It's built clean from the ground up, for ultra-sharp lines and corners, as well as super-smooth curves. The slightly flared ends and quirky character mix make this font a ton of fun to use on its own, but it will also pair well with tons of hand-written styles! I've branched out on this one; in addition to over 300 Extended Latin characters, I've also included Unicode's 256 Cyrillic and 121 Greek characters for even more language support. Add in the 90+ alternates, ligatures, and catchwords, and Pickled Limes clocks in at just over 1000 characters. I hope you enjoy using my tasty Pickled Limes for your branding project, logo, crafting work, or design project. Happy fonting, MyFonts fans! :)

Shàngó is CastleType’s beautifully-rendered interpretation of Professor F.H.E. Schneidler's elegant titling typeface released in 1936 with the name 'Schneidler-Mediaeval mit Initialen'. This latter design is usually referred to as Schneidler Initials. Although early on Medium and Bold weights were added to the somewhat delicate design of Shàngó, it seemed there were other possibilities that might be useful for display use. So, for the last couple of years I have been working on and off on a monoline version of Shàngó. This new design maintains the classic letterforms of the original, but its relatively even strokes gives it a more solid appearance, making it useful where a more modern, masculine look is needed. This new family is called Shango Gothic and is available in four weights: Regular, Medium, Bold, and Extra Bold. Shàngó Gothic is a member of the extended Shàngó family (Classic, Chiseled, Sans, Gothic).

Quantificat™ is a modern geo-humanist sans-serif typeface offering excellent legibility and strong personality. It is a fully featured text type family, well proportioned and uniform in color. It is designed to serve as a characterful display typeface, too, as it includes beautifully carved, flowing, calligraphy-inspired true italics, subtle, precise hairlines as well as modern, powerful and friendly heavy styles with emphasized ink traps. Quantificat family introduces advanced typographic OpenType features, such as stylistic alternates, swashes, small capitals, case sensitive forms, standard and discretionary ligatures, contextual alternates, lining, old style, tabular and small cap figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols. The complete family consists of 20 styles - 10 weights with corresponding true italics as well as 2 variable fonts. It supports extended latin languages. Quantificat is a part of one type system together with Qualion, Qualion Round and Bozon.

Steam combines the spirit of the old-fashioned wood type with modern flavours. Its distinctive reversed high contrast and extremely bold serifs make it impossible to stay unnoticed. It’s a fun and bold unconventional typeface that we’ve designed with great passion and curiosity! The type family consists of 13 weights that are divided into several packs. Each font in the pack can be layered on top of each other to make a funkier look. Steam is multilingual! It speaks more than 130 languages and supports extended Latin, Cyrillic, punctuation, default and small numbers, symbols and signs. It is also familiar with the OpenType features like standard and discretionary ligatures, stylistic sets, localized forms, small numbers and fractions and more. Steam looks best on logos, posters, headlines, and T-shirts and is perfect anytime you need some bold letters with specific flavour and touch. Have fun creating!

Eydis Regular is a casual script font that retains the original texture of the stroke on the paper. This font has good legibility as body type and strong expressiveness to be used as headlines or logotypes in all media requirements. These calligraphy fonts have already an extended character set to support Central and Eastern, Cyrillic as well as Western European languages. It has several especial alternatives for all letters that offer an infinity of design’s combinations. There are plenty of options to allow you to create something unique and special: standard and discretionary ligatures, several swashes and stylistics alternates for each letter, catchwords and much more. You may enrich your design using the Eydis Ornament set, with his 91 glyphs, tails and ornaments, whatever allows even more combinations. Eydis was made for turn your project more expressive, beautiful, and attractive! Have fun and be successful with it!

Salvatore is the neo-grotesque younger brother of Nutmeg type family. It comes with 36 weights that have been separated in two flavours. The first half is Salvatore normal, which has more neutral features; and the second one is Salvatore Roman, which has more versatility at the end of the characters. The name comes from the Mad Men character Salvatore Romano, who was a publisher in the mid 60s. In that period, grotesques typefaces ruled advertising, nevertheless, there wasn't a typeface that represented publishers as Salvatore Romano, that’s why we gave birth to this project. Designed with powerful OpenType features in mind, each weight includes alternate characters, ligatures, fractions, special numbers, arrows, extended language support and many more… Perfectly suited for graphic design and any display/text use. The 36 fonts are the first part of a larger Salvatore family. We’re proud to introduce: Salvatore.

Palatino Sans was designed as part of a group of three font families: Palatino nova, Palatino Sans, and Palatino Sans Informal. Together these three families act as the fulfilment of Herman Zapf’s original Palatino idea. Palatino, which was born as a metal typeface in 1950, proved to be one of the 20th Century’s most popular designs. Not only is Palatino Sans a completely new typeface, it is also a completely new interpretation of the entire sans serif genre. Its letterforms are curved, rounded, and soft, not hard and industrial. The fonts in the Palatino Sans family include several OpenType features, such as an extended character set covering all Latin-based European languages, old style figures, small caps, fractions, ordinals, ligatures, alternates, and ornaments. Palatino Sans can be mixed well with Palatino and Palatino Sans Informal. Palatino® Sans font field guide including best practices, font pairings and alternatives.

Newcastle gives you great opportunities for spicy typography. If you find some similarities to one of our fonts, ‘Blitzplakat’, you are right. We took it to the next level and made it even better: We extended the range of letters, added optional catchwords, extra shapes, shadows, dust and arrows. Here is a lead to get the most out of Newcastle: Use ‘Discretionary Ligatures’ in the OpenType section of your layout program of choice to turn frequent short words like ‘and’, ‘of’ or ‘from’ into catchwords. Choose ‘Styleformat 01’ to make them vertical. Keep ‘Contextual Alternates’ activated to make consecutive letters look more realistic (the second letter will be replaced automatically by a slightly different looking version). Want to roughen the look of your design even more? Add the dust hidden in the ‘Extras’ style by typing underscore, emdash, endash or hyphen. This font is vintage fun - let’s party!

Antipod is a versatile sans serif family designed with the stroke of the nib in mind. The early sketches were made with a reed pen and then stabilised to keep the specific junctions between verticals and horizontals shapes. The design of the letters constantly balance between curves and inner sharp corners and the contrast of one is cohabiting with the other to give Antipod its specific design. When Antipod is set at small size its specific are almost unnoticeable but the text has a very particular type colour. And this specificity is useful when setting texts for display, to give your design a strong personality. Each weight includes a set of extra glyphs to make your text settings more singular. It also comes with extended language support, tabular figures, fractions and more. It is suited for any work editorial design, signage, corporate as well as onscreen applications.

Dorica is a serif font family optimized for small sizes. It is very sober and simple, with a classic appearance at first sight but the curves and details like the serifs make it very different. The name is inspired by Doric, the simplest of the three orders of organizational systems of ancient Greece. The large x-height makes it perfect for use in magazines and every context which calls for text in small sizes. Dorica comprises 14 styles, from Thin to Black with their corresponding italics. Each font includes small caps, very useful for books, plus OpenType features such as proportional figures, stylistic alternates, tabular figures, numerators, superscript, denominators, scientific inferiors, subscript, ordinals, fractions and many ligatures. The extended character set supports Central, Eastern and Western European languages. The range of styles provides great flexibility for both text and titling, and the ligatures make for an original and creative appearance.

Introduction to Golane Introducing Golane, a Geometric Sans Serif font, it exemplifies a sleek, modern design. Firstly, its geometric styling enhances visual appeal. Importantly, this font is perfect for lengthy texts, offering remarkable readability. Additionally, its simplicity appeals to a broad audience, from novices to seasoned professionals. Design and Aesthetics Focusing on design, Golane is deeply rooted in geometric principles. Each character is meticulously crafted, ensuring a balanced and harmonious appearance. Furthermore, its clean lines and shapes exude a contemporary vibe. Consequently, the font masterfully combines form and function, making it highly versatile for diverse applications. User-Friendly Features Regarding user experience, Golane stands out for its user-friendly qualities. It’s notably easy to read, which greatly enhances the legibility of extended texts. Moreover, the font’s adaptability is evident, as it fits seamlessly in various contexts. Whether used in print or digital formats, Golane consistently maintains its clarity and effectiveness.

When I released Halogen, I asked ‘Who doesn't want or need an expansive contemporary extended sans that has a sense of style and swagger… what if it had a lowercase, small caps and various numeral options… how could you say no?’ Go, click on the Halogen link and read on, if you're interested. Halogen was well-received, so I decided to take it further with Halogen Flare (the name kinda tips you off as to what kind of typeface it is, don't ya think?). As always, I prefer not to take short cuts and provide an anemic offering of glyphs — a modern typeface offered today must provide more than just the basics and this one does — lowercase, smallcaps, old style numerals, tabular forms, stylistic and titling alternates, fractions, case-sensitive features, and even an alternate uppercase ordinal set is included. Now, go make cool print and digital things with it.

An intoxicating blend of rare flavours is what makes the new transitional typeface Wermut (German for vermouth) resemble its alcoholic namesake. Bitter and thorny at first glance, it proceeds to surprise the palate with a complicated taste that leaves a pleasant aftertaste. Wermut may not be taken in hastily, but needs to be thoughtfully enjoyed at a measured pace. Its dark colour, compressed, spring-like, shapes, well-built proportions, and agreeable letterforms all look safe enough until one is jolted to encounter the clipped serifs that lend the page an unexpectedly edgy appearance. The font comes in two weights with an extended character set in Latin and Cyrillic scripts supporting 66 languages. A product of slow, careful distillation, this infusion of multiple ingredients comes together to form a unique mature taste which will be appreciated by true connoisseurs of typographic cocktails. Desined by Gayaneh Bagdasaryan and Vyacheslav Kirilenko.

Near the end of his life, legendary type designer Eric Gill lived in Jerusalem, and became interested in the typesetting of the Hebrew alphabet and the challenges it entailed. He designed his own Hebrew font which has not (to my knowledge) been digitized before. It is sometimes held up as an example of how not to do a Hebrew font: Gill introduced strange serifs and shapes that were jarring to readers used to more traditional fonts. But it is quite readable, and does start to grow on you after a while; extended text in Gill Hebrew is possible. I've added a set of alternate digits that are based on the shapes of the letters (Gill's digits are pretty standard text figures). I've also made some of the Unicode Hebrew symbols that Gill didn't (e.g. New Sheqel Sign, Alef-Lamed ligature, etc.) and also included vowel-points.

The inspiration for the Okaytext family came from seeing so many fun, highly individualized special-use fonts. Alongside this massive selection, the choice of simple, plain & readable typefaces is relatively spartan. As a newly established foundry, we feel it a "must" to contribute our very best work to this important but oft-neglected genre of fonts. So the construction of the Okaytext family began. We feel that a rounded, sans serif font should be easily read, and very clean looking. It does not need to tire the eyes with any needless twists or silly quirks. So is Okaytext, it exists simply to be read, and hopes that it is a pleasant read. Okaytext is perhaps our most versatile font yet, its ultra-simplicity makes it adaptable to the demands of almost any typeset environment. Okaytext is extended, containing the complete West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Lapture is based on the Leipziger Antiqua by Albert Kapr, released in 1971 by the East German foundry Typoart. It has been extended and carefully redesigned by Tim Ahrens in 2002-05. The strong calligraphic characteristics are a result of the design process: "The size of the counters and the width of individual characters at small optical sizes were analysed with a steel pen while the letter shapes were designed in larger size with a specially trimmed reed pen. Sometimes the hand is more innovative than the head alone," says Kapr. A unique feature of this font is the introduction of gothic shapes into a latin typeface. "The basic concept is to string together narrow white hexagons as counters and inter-letter spaces, defined by vertical stems and triangular serifs. The interior spaces are at least as important as the strokes that make up the characters." Lapture is an ideal choice if a reference to gothic style is desired, as true black letter types are often too eye-catching and not as legible as latin fonts for unfamiliar readers. "The last few years have seen a number of very elegant typefaces based on the mellow and feminine renaissance model. However, sometimes we require a font that is strong and robust, harmonic yet rigid," says designer Tim Ahrens. JAF Lapture is provided in OpenType format. Each font contains more than 600 glyphs, including true small caps, nine sorts of figures, contextual and stylistic alternates and accented characters. This means that you only need to purchase one font whereas in other families you would have to buy two or three fonts in order to get the same. Technically, they follow the Adobe Pro fonts and provide the same glyph set and OpenType functionality. JAF Lapture Basic is provided in OpenType format. Each font contains the standard sets of both MacOS and Windows. In contrast to JAF Lapture they do not provide any advanced OpenType features and no extended glyph set.

A sans serif with a dynamic look for complex typographic work. Rival Sans is a sans serif font family possessing many strengths. Its 32 fonts and 2 styles, make Rival Sans a very versatile family and suitable for many graphic design projects such as branding, signage, editorial creation, advertising, packaging, broadcasting or logo creation. With the endings cut at 10 degrees and sharp cuts on the top of the stems of certain characters (like the l, b or the d) Rival Sans gives dynamism and readability to the lengthiest of editorial content. This beveled font design also gives rhythm to a text's sentences as well as a very functional look. All these design details give this new font family a modern, energetic and humanistic look. Rival Sans also has many powerful OpenType features such as case sensitivite forms, small capitals, old style and tabular figures, slashed zero, ligatures, fractions,and alternative characters to give personality to graphic design projects. Designed also for complex editorial content, this typeface has a powerful home kerning system called "Pro Kerning". With more than 2500 pairs of glyphs and many languages, Pro Kerning optimizes headlines, subtitles, texts as well as long paragraphs in real time. In addition to these extended features, the italic styles of this fonts family have been drawn as fully-fledged styles with different designs from their regular version so that the italic texts look like calligraphic phrases. Rival Sans has an extended character set with over 930 glyphs. This family covers over 130 languages from Western Europe, Eastern Europe and Central Europe. In addition to all the features of its kind, Rival Sans is part of a very complete "type system" with style variants such as the serif version Rival Serif or the slab version Rival Slab. With all these typefaces, you have 62 styles to make your own vibrant and professional graphics or web creations while maintaining consistency in your creations.

In 1459, while visiting his dying mother, Italian painter Piero della Francesca spent seven days creating a fresco of a pregnant madonna in a small country church in the hilltown of Monterchi (Italy). Hailed today as one of the masterpieces of Italian Renaissance, the fresco was given a new branding in 2019 by Art Director Riccardo Falcinelli who asked the Zetafonts team to develop a custom font for the project. The resulting typeface system, designed by Cosimo Lorenzo Pancini together with Andrea Tartarelli and Maria Chiara Fantini as a rework of Francesco Canovaro original Beatrix Antiqua, is a 50-weights ode to the beauty of classical roman letterforms, that pairs elegant alternates and quirky ligatures with an array of design options for clear and effective editorial, signage, logo and wayfinding design. The base display family, Monterchi, allows endless design expressions with a range of six weights from the slender thin to the strong extrabold, all with matching italics and an array of over one hundred discretionary ligatures. A fine-tuned companion Monterchi Text has been developed to excel in body use, with a larger x-height and wider spacing - clear and legible even at small sizes. The use range of the family is enriched by Monterchi Serif and Monterchi Sans that feature different contemporary interpretations of the same classical geometric skeleton, allowing for layered editorial design and variation. All the fifty fonts in the Monterchi Type System feature an extended character set of over 1100 glyphs covering over 200 languages using the Latin alphabet, as well as Greek and Russian Cyrillic. Open Type features include small caps, positional figures, alternate letterforms, stylistic sets and discretionary ligatures. With his elegant, historical aesthetic, Monterchi embodies the spirit of early Renaissance and the humanist obsession with constructed and geometric beauty - still managing to function as a workhorse family, ready to help any designer in need of a timeless classic look, or looking for the right ligature to transform a simple word into a striking wordmark.

A well-polished typeface is like the sweet sound of a melodious voice. Soprano is designed for elegant and luxury design elements. Whether it's brands for watches, jewelry, cars or fine wines, Soprano adds the undeniable and outstanding beauty of a professional designed elegant typeface. Soprano offers 5 weights and a full set of upper & lowercase letters, ligatures, old-style & lining figures as well as ​broad Latin​ language support. www.typethis.studio

De Arloy Typeface was inspired by art nouveau style from 1890-1910 which combining classic typography with awesome features bring classic touch on this decade :), it works well with normal size text but it works even better for large displays or short words. this is suit for : wine packaging, labeling, logo, classic shop, coffee shop, movie title, etc De Arloy Features Uppercase Lowercase Numerals & Punctuations Open Type featuring Ligatures

A casual sans that harks back to the very English style of book jacket and poster art of the late 50's and early 60's. The turned-in terminals are reminicent of Stephenson Blake's Grotesque 9, and the italic provides unique cursive versions of the lowercase characters. Available in a "narrow" version as well as two standard weights, this face lends itself to the wider letterspacing that evokes hot metal.

Kurkuma (Turmeric in Dutch) is a spice I use in all of my curries. And I love curry! It's not more than fair to name a font after my favorite ingredient, so here you have it: Kurkuma. It is a unique and somewhat bizarre font with both an angelic and a diabolical side. I wouldn't set a whole text in it, but it does look great in headlines, posters and websites.

Donatella - Handwritten Fonts are elegant handwritten fonts, with texture, to be as authentic as possible while still being able to read clearly on your project. Donatella is a truly versatile font - combining sophisticated, casual and even fun sides depending on the style you use. A complete set of upper and lower case letters, and a second set of lowercase letters, Donatella - Handwritten Font also has 37 Ligatures for question just email.

Performance is a set of perforated plates that appear to be characters. The construction of characters is described by sequences of holes whose shape and placement define the appearance and mood of font styles. An interesting feature of the design is an absence of side bearings and leading. Due to this feature a text article set by Performance forms a perforated coherent surface similar to postage stamp block.

This typeface is patterned after the lettering produced by the Marsh Stencil Making Machine, which was an indispensable part of industrial shipping departments in the mid-twentieth century. The font is unicase, but includes a “this side up” pointing hand at the section mark position, and a recycle symbol at the German double-s position. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. You may not feel strange if you find PAG Etiketa in news papers, noble film posters, or fashion magazines. This font has both a retro and modern side, so it is an all-rounder font for your design project.

A quintet of remorseless homewreckers, each member of the Vamp family contains hypnotic dingbats to lure you into their web. The Vamp family consists of the bewitching Vamp, the bigger, brasher Vamp Bold, the dangerous, psychedelic Psycho Vamp, as well as the lean (but still mean!) Vamp Slim and Vamp Slim Oblique. The Vamp family's seductive art deco form and fiendishly geometric wiles will break your heart and steal your soul.