Decima Mono Round – another addition to the Decima fonts family. Decima Mono Round is a modern monospaced condensed sans serif family with classic geometric design, built in three weights and six styles. The letterforms in roman style are techno (engineered) in appearance, while italics remind one of elegant handwriting balanced with Roman geometry. The typeface is released in OpenType format with extended support for most Latin languages, as well as Cyrillic.

Carbon Neutral has a distinctly human style - lettering done cleanly with care -- not mass-produced nor mechanical. Get smooth typography which upon closer inspection is gritty & grassroots. The small details make this font friendly & inviting. Carbon Neutral has an exceptionally high level of detail which may cause your graphics program to operate slowly. Carbon Neutral is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Tide Sans Condensed is fresh, carefree, and just as good looking as its extended brother, Tide Sans. The Tide Sans family includes beautiful italics and an overall affable look lost somewhere between a humanist and a neo grotesque. Tide Sans does the work for you by providing a ridiculously large stylistic alternates set, fine tuned small caps, and a whole beach of alternate (amper)sands to feel between your toes.

Centar Sans is a simple, modern, universal, powerful, invisible but not characterless, sans serif family. The family is designed for identities & corporate projects. Its wide range of styles covers lots of possibilities of use, from headlines to texts. It supports a lot of languages including cyrillic and comes along with 19 OpenType features - Small Caps, ligatures, alternates and many more. Regular styles are FREE! Extended detail here. or here.

Lokko is a modern sans serif geometric font, includes upper and lower case characters, Latin, Cyrillic, Latin Extended symbols and other. The Lokko family consists of 8 fonts, divided into 2 subgroups (according to the type of style - St, Cut), and have the 4 types of thickness in each subgroup. Lokko fonts will be useful in developing a brand, creating posters and other graphic products, and for word processing.

Rigot is a Modern display typeface which comes in regular & Bold weights with features of extended & Additional Latin character set of 552 glyphs covering many languages with full Arabic language support and includes advanced OTF such as standard and discretionary ligatures, and stylistic alternates and more. Rigot covers many OTF features that suitable for Headlines and gives you the potential to show your business, brand or logo in a unique way.

Stropha is compact slab serif font family that comes with matching Italics. With distinctive differences between letter stems and with five weights only, Stropha is imagined as small, but "all you really need" family. It's original, with characteristic serifs, with deep ink traps, curvy top diagonal endings and gentle curvy touches in details. Contains Extended Latin character set. Fully applicable in any situation, from branding and editorial design to webfont usage.

Dortmund v1.02 2023, Oct 02 Dortmund is a sans-serif type family designed to offer support for most Latin script languages. Dortmund has nine weights, each with corresponding italics, 710 glyphs, and 17 OpenType features (aalt, calt, case, ccmp, dnom, frac, locl, numr, ordn, pnum, sinf, ss01, ss02, subs, sups, tnum, zero). Dortmund supports 377 languages and covers 3 Unicode blocks (Basic Latin, Latin-1 Supplement, Latin Extended-A).

Molecula is grotesque sans serif of slightly condensed proportions and humanist-grotesk features. The family features 9 weights from Thin to Black, each of which has an italic. The character set is robust, covering extended latin. All completely equipped with opentype features, alternative glyphs, fractions, lining numbers, small caps, subscript and superscript. Molecula has been designed for advertising, branding, packaging or anywhere a clean and contemporary voice is needed.

Luxgard is an authentic vintage font of 8 design styles (done as separate fonts) created for such areas as Media & Entertainment, Food & Drinks, Clothes, Music, Games & Applications, etc. with Multilingual support (Latin Extended). Well use in vintage labels, headers & titles, Posters, Street Signs and other Outdoor, Package Design. Please see the preview image with three letters S: You can make different combinations of these styles to get amazing looks of designs.

Bergen Text is the younger twin and a lifetime companion of Bergen Sans with perfect legibility and adorable personality. It has been carefully crafted to improve readability experience particularly on small text sizes. Bergen Text is a family of of 6 fonts. While being a small font family it has plenty of Open Type features for highly professional use and Extended Latin, Cyrillic (including Bulgarian character set) and Greek language support.

Introducing VeraCruz BT, a fanciful display typeface by Ray Cruz. A tasteful, flair serif design, VeraCruz BT is available as an OpenType font. By selecting the Contextual Alternates feature in OT savvy applications, many of the cap and lowercase characters will change automatically as you type to give the text an informal, animated look. There are also tabular and proportional figure sets, and the extended glyph set supports Central Europe.

The script version of the typeface Viabella introduces us to the calligraphic side of the Berlin type designer and typographer Karl-Heinz Lange. The sketches for this script typeface, which resulted from the close cooperation with Veronika Elsner and Günther Flake, found their roots in sketch drawings which Karl-Heinz Lange had already drawn in the 1980’s. For the Viabella design, Karl-Heinz Lange drew the basic letterforms of the Black and Regular cuts with a brush. He then re-worked the drawings and transferred them on to tracing paper. The design studio Elsner+Flake in Hamburg cut these typeface extensions and later digitized them manually with the help of the IKARUS Sustem. With the Regular cut as a basis, Elsner+Flake extended the family with the Light version and interpolated and re-worked the Medium weight. The completion of the family was taken over by the type designer Björn Gogalla who had done the same kind of work on Rotola, a design which Karl-Heinz Lange had also created for Elsner+Flake. While Viabella was originally conceived as a headline typeface, its lighter weights can certainly be used for shorter text applications. The Black version creates powerful headlines with highly effective accents. With the help of swashes, which are available for all weights, the user can lighten up longer texts and add special character to titles. In contrast to pure headline fonts, Viabella has been enriched by an extensive complement of special characters. In addition to the Europa-Plus character set which allows setting type in over 70 latin-based languages, the user will find multiple versions of numerals as well as oldstyle figures, tabular and proportional lining figures, diagonal fractions, and a complete set of superior and inferior figures and fractions (60%). With such a rich character set, Viabella is not only ideal for many different uses in the areas of newspaper, magazine and advertising but it will surely be chosen for the design of greeting cards, invitations and other design projects within the privat sphere.

Embrace the nostalgic charm of pixelated games with its versatile 6 Styles: Regular, Italic, Outline, Extrude, Outline Italic, and Extrude Italic. Whether you're crafting captivating logos, designing captivating posters, NANO PIX is your ultimate toolkit. Features: Nano Pix Main File Has 6 Variable: Regular, Italic, Outline, Extrude, Outline Italic, and Extrude Italic Multilingual Support Instructions (Access special characters, even in Cricut Design) Simple Installations Enjoy Designing! Dharmas Studio

I seem to be in my comic book font fase. It's not that I have tons of comics lying around (I actually have none), but when I was a kid, I used to read them all the time. Laser Eyes is a handmade comic book font. It is a little rounded, a little fat and very useful. You don't really have to put it to work in an actual comic book; it will feel at home just about anywhere. Laser Vision comes with two sets of alternate glyphs that cycle as you type, plus extensive language support, including Cyrillic and Vietnamese.

This is Tchig Mono, a monospaced type family that doesn't take itself too seriously. Why make a monospaced font? For coding, sure, but display? It’s my humble opinion that it’s the aesthetic choices driven by the constraints of the monospaced environment that makes them attractive. It’s a challenge for the type designer to squash and expand glyphs into a rigid bounding box, and the more unorthodox shapes that spring from this have a feel about them which lends them to postmodernist layouts and hipsterish anti-design. And the payoff for the type designer - no kerning! Yay. So what’s different about Tchig? Like I said before, it doesn't take itself too seriously. Even the name Tchig is just a stupid, fun sound (although it does show off that nice g!). There are a selection of playful alternates that give text a slightly alien feel. Stylistic set 1 chops off ascenders and descenders of lowercase letters, giving it a kind of small caps meets unicase feel (it is also accessible using the small caps feature). The other sets (or stylistic alternates if you don't have access to stylistic sets) make certain letters more twirly, more square, more “experimental”. Automatic fractions use a half-width numerator and denominator so fractions like one half and five eighths have the same width as figures (and every other glyph). There you go then - a monospaced type family not initially intended for use in the usual ways monospaced families are intended to be used. Give it a try. You could even do some coding with it if you like.

Futura is a classic geometric sans serif, one of the crucial typefaces of the 20th century. It remains relevant today and is widely used in logos, headings, web and print. Futura was designed by Paul Renner for Bauersche Gießerei (Bauer) in 1927. The typeface is based on simple geometric forms and is close in the aesthetics to 1920s-30s constructivism and the Bauhaus. Futura PT is the most complete Cyrillic version of Futura. It’s a type system of 25 styles: 16 regular and 9 narrow, from Thin to Extrabold. Futura PT has linear and old style figures, subscripts and fractions. The typeface supports more than 100 languages: Western and Central European Latin and the Cyrillic-extended. The Cyrillic version of Futura was designed by Vladimir Yefimov in 1991–1995. He partially redesigned the typeface in 2007, making it a wholesome consistent system, and Isabella Chaeva added new styles. The typeface was released under the name Futura PT. Isabella Chaeva returned to work on Futura in 2022. The typeface has three new styles, old style figures and extended Cyrillic support.

*Mont Specimen: http://bit.ly/montsp *Scroll down for the FREE DEMO fonts Features: • 744 glyphs in 20 styles; • Extended Latin, Cyrillic and Greek; • Perfect for headlines and logos; • Prominent x-height; • Distinctive pointed triangular bracketed “t”; • Coverage of multiple OpenType features; • Suitable for web, print, motion graphics etc. Mont is a geometric sans serif consisting of 10 weights ranging from Hairline to Black with matching italics. It supports Extended Latin, Cyrillic and Greek — more than 130 languages all together. The balanced characteristic of Mont with unique details, such as the pointed “t” and the prominent x-height makes it perfect for strong headlines and outstanding logos, but also suitable for long text. Mont comes with a range of OpenType features — including tabular figures, advanced typographic features such as ligatures, fractions, case-sensitive forms, superscripts, subscripts etc. The typefaceʼs versatility and merits make it easy to confront any graphic design challenge — web, print, motion graphics etc. Up with Mont to the top and beyond!Mont™ Font Field Guide including best practices, font pairings and alternatives.

Rubber B is a heavy display typeface with very tight open counters & character spacing and non-existent closed counters. It is an amalgam of styles and influences that demands attention. It is comparable with the highly geometric experimental fonts of the '90s and early '00s, but also heavily inspired by decorative fonts of the '60s and the psychedelic poster art of the '70s. Bold and loud, yet delicate, almost calligraphic in some cases. It works with Latin & Extended Latin, Cyrillic & Extended Cyrillic and Greek. It comes with 1,500+ glyphs, with more than half of them being ligatures. It also contains several Stylistic Alternates as well as Localised forms (available through the Open Type Features and also as ligatures). All these features are available in order to not only make sure that it works with as many languages as possible, but also that depending on the specific glyph or ligature one chooses to use, they have the ability to alter the emotional character of the word(s) they’re setting. Ideal for titles and logos, as it works best in medium and large sizes.

Sintesi Sans. Sans meets serif. Are you looking for a robust, contemporary but nonetheless an elegant font? Sintesi Sans might be exactly what you are looking for. Sintesi Sans builds together with Sintesi (SemiSerif) and Sintesi Semi an extended family. However each of the three member of the Sintesi-family accomplish the «synthesis» between Sans and Serif on its own way. Sintesi Sans scores because of its readability, robustness and contemporary style. It is a true Sans Serif and therefore really flexible, universally applicable especially as a body text font and in a broad number of other applications. Worth mentioning is the particularly slim «Extrathin» style, which elegance is not to be outbalanced. Thanks to the good readability and the wide set of styles and glyphs, Sintesi Sans suits to a wide spectrum of applications. Download a free trial package of the extended family with a reduced character set – check it out! Download a free trial version of Sintesi Sans with a reduced character set. Check it out!

Mellow Serif is a soft and friendly typeface. It looks compelling in large point sizes due to the rounded terminals and calligraphic details. Mellow Serif also works well in body text with a small leading size as it has even proportions and a large x-height. Mellow Serif includes ten styles—five upright and five italic, ranging from Light to Extra Bold. The typeface supports extended Latin, extended Cyrillic, and Greek. The character set also includes old style figures, small caps in the Light, Regular, and Medium upright styles as well as stylistic alternate sets that slightly change the way Mellow Serif looks in large point sizes. The Regular style also has alternative letterforms with swashes. Mellow Serif is great for book printing (from fiction and children’s books to science literature), headings, and large texts on the web as well as for toys and confectionary packaging. It also works perfectly with a rounded sans serif Mellow Sans. Mellow Serif was created by Natalya Vasilyeva, an expert in designing text and calligraphic typefaces, and released by Paratype in 2023.

Black Pearl is a revival of an ornate calligraphic font possibly created between 1850 and 1870. I spent two years looking for all the letters of this font; once I found them all, I immediately went to work on recreating this old classic. I was not able to find any numbers for the font, so new to this style are numbers, some punctuation and currency symbols. The Truetype and OpenType formats include an extended character set with Central and Eastern European accented letters. Extra characters in this font are left and right pointing hands in place of the less than and greater than keys; a ship’s wheel, located on the asterisk key; and a boat anchor on the bracket keys.

A practical font family with 4 weights for all your day to day design needs: headlines, body text, signage etc. High legibility at small sizes. An extended sans serif typeface with rounded endings that provides a unique softness appearance without losing legibility. The Pro version is an excellent support for Niqqud (Vowels). All marks are programmed to fit each glyph's shape and width. Best used with apps that support right to left Hebrew text, like Adobe InDesign CC or MS Word.

Talbot Type Keymer Radius is related to Talbot Type Keymer ; where Keymer is square-edged, Keymer Radius is subtly rounded for a softer look. Keymer Radius mixes geometric and humanist traits to achieve a modern, clean, elegant appearance. It is a legible and versatile text and display face available in six weights. Keymer Radius features an extended character set to include old style numerals, accented characters for Central European languages and bespoke characters in the italic for a more flowing look.

Suomi Script is a typeface with a twist (pun intended): it has more than 1600 ligatures with two or more glyphs connected to make it look like an odd hand-written script polished by ITC. With Open Type savvy programs this font automatically replaces single characters with the ligatures. Some hand kerning is needed here and there.

Magnox Display is a family of geometric and expanded display fonts. It brings impact and strength to titles and can be combined with many other sans serif types. It has smallcaps glyphs, alternates and rounded variation and their oblique versions. In 1.1 version you now have a variable version that has two axes: inclination and rounded edges.

The long-awaited extension of the freeware font "Action Is", this Sixties-inspired typeface has an added lower case and additional glyphs including accented characters.

While Adelle is a slab serif typeface conceived by Veronika Burian and José Scaglione specifically for intensive editorial use, mainly in newspapers, magazines, and online, its personality and flexibility make it a true multipurpose typeface. Adelle’s superior screen rendering and cross-platform consistency has also made it one of our most popular webfonts. The intermediate weights deliver a neutral look when used in text sizes, providing the usual robustness expected in a newspaper font. The unobtrusive appearance, excellent texture, and slightly dark colour allow it to behave flawlessly in continuous text, even in the most unforgiving editorial applications. As it becomes larger in print, Adelle shows its personality through a series of measured particularities which make it easy to remember and identify. Its energetic character, so inherent to slab serif fonts, becomes evident when used for subheadings and headlines. A condensed series of seven weights with matching italics expand Adelle’s possibilities. This extension provides flexible solutions in situations where saving space is vital but losing legibility is not an option. The new condensed series shares the same personality, proportions, and skeleton of the Adelle family, creating an harmonious texture when combined. Be sure to check out the companion to Adelle, Adelle Sans, to complete the look of your design with the intended personality and flexibility. Awards – Third prize for Latin text typeface in the 2009 Granshan Type Design Competition – Won Gold for Original Typeface in the 2010 European Design Awards – Selected in the first Ukrainian typeface competition in 2010 – Exhibited at the Rutenia Calligraphy & Typography Festival (http://rutenia.org.ua/en/index_u.html) in Kyiv, 2010 – Selected in the 2011 Type Directors Club Tokyo Exhibition – Selected in Communication Arts 2011 Typography Annual – Selected in Yearbook of Type I, 2013 – Part of the exhibition «Call for Type» and subsequent book Neue Schriften (New Typefaces)

Cosmic Pattern is clean, cool & charming. Designed with constellation in mind with bright and dim stars connected together in alphabetical pattern. Cosmic Pattern features extended characters, and contains West European diacritics & ligatures. Highly suitable for international environments & publications. For more universe inspired fonts please check our Star Cursive and Arco Star.

The Sans Serif is crafted for complex display typography with friendly extravagance and high readability. Each font has an extended character set and provides latin based languages. The typefaces include ligatures, alternate- & swash letters, various ampersands, smallcaps, fractions, lining-, tabular numbers, superior/inferior figures and other extras. Go with the flow!

'Adorable' has a happy mood. It also feels lively because you can feel the rhythm in the strokes. This typeface is suitable for any place where a happy atmosphere is needed, such as printouts for children, gift cards, children's clothes, birthday cards, and cheerful advertisements. It contains Latin extended characters.

Nouveau Rock creates a blend of old & new combined. Classic, yet funky. This font has a rough-cut elegance—surprisingly nostalgic. However, the influences of urban folk art also bring a modern familiarity. Nouveau Rock is extended, containing West European diacritics & ligatures, making it also suitable for multilingual environments & publications.

Make a bold statement with this modern, angular design - go wild and use it together with it's partner font, PolkaDot Wrench. This typeface features over 90 extended characters for setting European languages such as Czech, Danish, Dutch, Esperanto, Finnish, French, German, Italian, Hungarian, Polish, Portuguese, Romanian, Spanish, Swedish, Turkish & Welsh.

Phantaztik is a bold and groovy font packed with stylish interlocks, uncommon alternates, extended language coverage, and clever OpenType programming. Full of cheer and optimism, it's a fantastic option for packaging projects, book covers, game titles, apparel, and many more creative applications. Feel-good designs just got easier, check it out!

Agis is a modern geometric sans-serif family by Cloud9 Type Dept's Jani Paavola. The whole family consists of 5 weights from ExtraLight to Bold. The range of styles provides legit options for title, headline and body text. Suitable for branding of any form. Agis fonts have an extended character set to support Central and Eastern European as well as Western European languages, as well as OpenType features such as small caps, fractions, oldstyle numerals and ligatures.

Talbot Type Keymer is inspired by Margaret Calvert's Transport typeface, designed for the British road sign system in the early 1960s. Keymer mixes geometric and humanist traits to achieve a modern, clean, elegant appearance. It is a legible and versatile text and display face available in seven weights. Keymer features an extended character set to include old style numerals, accented characters for Central European languages and bespoke characters in the italic for a more flowing look.

Puck is a Rounded Sans Serif font that comes in 20 styles from Thin to Black, including italics. Its design, which features rounded edges, open terminals, and extended width, along with generous negative space, ensures easy readability across different sizes. It's a versatile choice for various applications like print, banners, and branding. Plus, it maintains its adorable appeal on social media platforms like Instagram. Puck's design brings a blend of elegance and cuteness to any project.

Moula is a modern sans serif with a geometric touch. Containing of 18 font, 9 uprights and its matching italics. It's shown a clean, minimalist, elegant, warmth, quirky, yet still purposed to be versatile and easy to read. Fit for various design or creative project. Support extended language (+ Cyrillic), fractions, tabular figures, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design.

Eggnog is a slightly heavy typeface that renders very well at even very small typesizes and looks sharp in large headlines. This typeface is egg-ish in shape and we've included a half-dozen eggs in case you're inspired to have some eggnog for breakfast! Eggnog includes a large assortment of extended characters to support many of Europe's languages, including Czech, Danish, Dutch, Esperanto, Finnish, French, German, Italian, Hungarian, Polish, Portuguese, Romanian, Spanish, Swedish, Turkish & Welsh.

Embryo Tiny based on the Embryo Typefaces Embryo and Embryo Open. In contrast to its big brothers it is way more readable in smaller sizes and on screens. These superheavy cute fonts are perfect for games, children's books, logos, posters and flyers. Special for the gamers: All numbers have the same width, so it is perfect for highscores. Embryo Tiny has an extended character set to support Central and Eastern European as well as Western European Languages.