A spontaneous, fresh, honest and non-doctored brush script font with an almost complete set of extra characters. Excellent for people that want to put their statement on the wall, but don't have the hand for it, but it's also great for use in poster design, bookcovers and scrapbooking.

Gazardiel is a decorative new script font with elaborate flourishes on the upper case characters, interlocking lower case and calligraphic-style weighting which creates a very attractive overall look. The upper case characters are quite complex, but still readable. It's an excellent font for invitations or other formal designs.

Prose Sans is a wide sans serif font family that comes in 8 weights. With its slightly tilted axis and relatively high contrast strokes, it is both elegant and strong. The standard and discretionary ligatures help achieve a more tailored look, excellent for branding, logo design, poster design etc.

Vegas is the work of British designer David Quay, an excellent choice where a bright, glitzy effect is desired. Like most scripts, the capitals work as initials in conjunction with the lowercase. The lowercase letters should be set very closely or touching to create a true script effect.

Justus Erich Walbaum was a German punchcutter who worked in Weimar around 1800. He produced both serif and blackletter typefaces. Walbaum Fraktur" is based on his famous blackletter-style type (called Fraktur in German). Walbaum Fraktur is an excellent font for anything old-fashioned, Northern European, or typographically quirky."

Resolution is a modern monospaced typeface with 4 weights. The typeface is a satire of rendering of early screens and inherited its name through this sentiment. Since screen resolution is getting higher, this font is a memorial to low resolution screens. Resolution is also an excellent programmer’s choice.

Azuree is a typeface designed by Bauersche Giessere in 1908, simulating copperplate engraving, frequently used in cards. Today it is still an excellent choice for publishing projects, both for typographic compositions and for headlines, adding a romantic and rough touch at once. Azuree is a Trademark of BauerTypes SL

Shervington Engraved is a re-drawing of our previous Shervington typeface, showing it as it appears hand engraved on copper-plate with a stylus, with the letter forms shaded in diagonally. It combines excellent clarity with a rustic distressed look, and is ideal for use on signage and headings.

Wary is a geometric, contrast sans-serif with an avantgarde touch. Wary was inspired from lettering used in a Russian book from the seventies. Use Wary font in advertising and display typography. Wary received a citation for excellence in type design the in international competition "Modern cyrillic 2014".

Introducing the new and tasteful Black Dolphin Multilingual Font Duo. Black Dolphin is a stunning pair of luxury signature script and a hand-drawn brush font, designed to contrast and complement each other with elegant beauty and contemporary style, making it an excellent fit for projects of all types.

Azariel is a decorative calligraphic script font designed to have linking characters in the lower case and elaborate swashed capital letters which overlap and nestle with adjoining characters. It's very elegant - excellent for invitations and other decorative uses where you want something a bit less formal but very stylish.

Inspired by the Inland Type Foundry's 1901 design "Hearst," (which was a copy of a design by Frederick Goudy... The story behind this font and its naming can be found in the Hand-Picked Links below), this rustic font makes an excellent companion to P22 Arts and Crafts.

Another beautiful script design by German type designer Ralph M. Unger. Atramant is casual and easy, ideal for any setting in larger sizes. Still, due to its excellent legibility, it can also be used for short text blocks in smaller sizes. Atrament was originally designed for the URW++ FontForum.

Inspired by the elegance of Herman Zapf’s designs crossed with the readability of early 20th century Gothic fonts by Morris Fuller Benton, 19-PRA is a sans-serif with a visible stroke contrast and a humanist tone of voice. The large x-height seen in fonts like News Gothic and Palatino increases legibility and condensed proportions give excellent readability making it perfect for newspaper and magazine publishing. A typeface that can serve for both body text and titling the uppercase excels for headlines and renders beautiful brand names when tracked out. It sets well with both a serif or sans serif and has various open type features including: 12 standard ligatures, 3 discretionary ligatures, tabular figures, old stye figures as well as European accents.

Darka is a splendid, mysterious dark lady reincarnated in digital vectors as an original blackletter font. Her gothic, medieval, nocturnal attributes take the form of sharp terminals, seductive curves, calligraphic flair and complex character. Darka blends the balance of Textura, the flow of Fraktur and the elegant lowercase-to-uppercase ratio of Bâtarde into a stylish, inventive typeface with a Mexican soul. Starting as a personal, calligraphic hand, Darka slowly evolved into digital type, developing alternate glyphs, flourishes and special signs to preserve its hand-written origins and delicate tension, making it an excellent display typeface and, surprisingly, even a distinctive, crisp font for short texts. Darka received an Award of Excellence at the Type Directors Club of New York annual competition.

Ornate Blackboards is a beautiful collection of ornaments from Intellecta Design, excellent for use in works of art and editorial publications, like book covers, headpieces to sections of books, magazines, packaging works, and many other solutions. Good to use with roman versals, chiseled fonts and many other different kinds of typefaces.

Introducing, Gollder Vintage Font Duo is an excellent choice for logo design, branding, packaging, business cards, and adventure-themed designs. Its combination of script and sans serif styles, along with the textured and solid options, provides ample creative opportunities for designers to explore and create stunning visual identities and marketing materials.

Inspired by blackletter type styles. Sillium is built on modular basis. As a result, it excels in a wide range of display settings, logotypes, and short text. Determine the grid and create a complete set of cohesive characters (a-z) and multilanguage characters (latin based) in either lowercase or uppercase.

Jerash was developed jointly by Dave Nalle and Mike Scarpitti. It draws on the look of several classic fonts from the 1920s and 30s which evoked the look of Middle-Eastern calligraphy. The synthesis is a font with style, strength and regularity. It's an excellent counterpoint to our Caliph font.

Catigan recreates classical attitudes by reflecting some of the attributes of transitional typefaces. Catigan does not, however, follow historical models. Catigan is warm with a very personal expression and also with excellent text qualities. The complementary Italic makes a distinctly calligraphic impression and stands in lively contrast to the roman weights.

Ballarih is a contemporary humanist typography, including 16 fonts with 08 weights and italics. Characterized by a prominent x-height and excellent readability for both web and print. Ballarih contains 820 glyphs including tabular figures, ligatures, fractions, small caps, alternate glyphs,case-sensitive forms, superscripts, subscripts and extensive language support.

Lexikos was designed by Vince Whitlock and based on the design of the typeface Corinthian. It is a condensed sans serif typestyle with heavier horizontal weights as vertical. Lexikos is best used with close letter and word spacing and is an excellent choice for applications requiring a clean, contemporary look.

Ragtime was designed by Alan Meetks, an all capital condensed sans serif typeface. It features thick/thin weight variances and fine line casing adornment which recalls magazine styles of the 1940s. This typeface should not be letter spaced too closely. Ragtime is excellent for anything requiring an elegant, refined look.

Breakneck Font Duo includes Breakneck and Breakneck Italic fonts. The fonts are excellent for expressing motion; ideal for racing themes. The sharp angles combined with the bold sport style create the expression of speed. Each font contains all basic Latin characters that includes uppercase, lowercase, numbers, punctuation plus much more (130+ characters).

Witchcraft is a classic Roman font in three weights and corresponding italics. The ‘v’,’w’,and ‘y’, use the old style join at the top reminiscent of Georg Belwe’s Roman design “Belwe”. The large x-height makes for a powerful headline font but excellent for text setting especially in the lighter weights.

Alpha is a modern Sans Serif design, very elegant and readable but still also economic. Alpha is offered in regular, bold and italic, with the bold italic still in the works. Alpha is strikingly clear and without any flourishes. Its pretty large x-height guarantees excellent readability, and the design is easily recognized.

Unytour Display is a modern sans-serif font family of 36 fonts. It includes nine weights with italics from Extra Light to Heavy. Each weight includes alternatives (A,G,I,R,a,l) and OpenType features. Unytour Display features excellent legibility for print, as it does for reproduction on TV screens and more.

Pablo is the work of British designer Trevor Pettit, who based this dramatic typeface on the signature of Pablo Picasso. The chunky lowercase reflects the very essence of Picasso's influence and the initial capitals can also be used on their own. Pablo is excellent for work requiring a vivid, cutting edge appearance.

Andralis was designed by Ruben Fontana in tribute to the designer Juan Andralis. Its handcrafted, strong and robust appearance, maintains at the same time a friendly and human tone. It was specifically designed to perform well in long texts, also offering excellent results in headlines. Andralis is a Trademark of BauerTypes SL

Okaycat Font Foundry proudly presents "Cat Talk"! An excellent illustrated picture font containing so many cute cats on the capital letters and small letters without cats to compliment, for easy cat designs. If you're looking for related fonts without cats, you might want to try our Maple Street and Maple Lane fonts.

Sweet Hand was inspired by casual, neat hand lettering. It is casual and informal and is ideal for use in conveying these qualities. It is excellent for casual text and at large sizes an effective casual display font. The font includes upper and lowercase alphabets, numbers, punctuation, accented characters, symbols, and miscellaneous characters.

Arab Stroke is an exotic typeface with an Arabian touch which makes a variety of applications possible. Whether for products from far away lands travel advertisements or anything needing a dynamic look, Arab Stroke is an excellent choice. The font is particularly eyecatching in headlines and combines well with sans serif fonts.

Sigmathin is a graceful and refined script font designed to resemble a handwritten signature. Its smooth curves and delicate strokes give it an elegant and sophisticated appearance. This font exudes a sense of style and professionalism, making it an excellent choice for projects that require a personal touch or a touch of class.

Tasty and sweet, Postre is a sleek high contrast serif type with certain Art Nouveau influence. Postre is excellent for headlines, packaging, posters and any other display use conveying an elegant impression. Postre is equipped with a selection of 50 alternate characters set in Swash, Stylistic and Titling Alternates, as well as standard ligatures.

Introducing SA Woodland Hills - a clean, elegant, modern typeface that you can use in packaging or branding, creating beautiful logos, headlines, quotes and any other printed matter. The font supports Russian and Ukrainian Cyrillic, as well as extended Latin. We hope that the font will become your excellent assistant in the design of products.

Wolfram is a bold display font based on an Art Nouveau type design from Germany. It features very thick letter forms with gnarled edges simulating antique printing, though the letter forms are stylish and rather modern looking. It's a striking font - excellent for buttons and other places you want to provide some strong emphasis.

In his compilation of stencil alphabets, Dan X. Solo called this one simply "Concave Stencil". Excellent for marking cases of whiskey or gunpowder, or for setting strikingly up-to-date headlines. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

ISZO is a modern precision, seamlessly blending tech innovation with humanist elegance. Sleek lines and meticulous geometry reflect architectural brilliance. Subtle curves evoke approachable essence. Resonating with standardization and excellence, ISZO captures the contemporary design and typography's future—a harmonious balance of allure and human connection, ideal for conveying technical prowess and artistic sensibility.

This special Office version of Brandon Grotesque is especially for all Microsoft Office applications (Word, Excel, Powerpoint …). It contains just the 4 basic styles which are stlye-linked and can be easily accessed by the "I" or "B" button in Office. The fonts are manually hinted so their appearance is also optimized for these applications.

Isis is the work of type designer Michael Gills, an all capital, classical looking display roman typeface with an open engraved effect. It can be used alone or in combination with most established classical roman typefaces. Isis is ideal for a wide range of headline applications and gives text a look of quality and excellence.