Introducing, Roghsire.A stylish displa font with chic & classic looks. This typeface has been made carefully to make sure its premium quality and luxury feel. It comes with Slant Version. Very suitable for logo, headline, tittle, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Silver Broom is a display font with fun and playful looks. This type of font perfectly made to be applied especially in storybook children or child theme which is need a standout font, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase and lowercase numbers and punctuation multilingual swashes feature ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Ember is an informal script with a judicious sprinkling of ligatures that give it a flowing freehand liveliness. Neither overly formal and stuffy nor cheap and cheerful, Ember is elegant yet friendly, sophisticated yet approachable, fun and frivolous but stylish and well bred. Ligatures are set to be on automatically, and the stylistic alternates and optional final forms for some of the characters can be toggled on and off using the OpenType panel in design applications with advanced OpenType support. Designer Rian Hughes says that he felt he was "possibly channeling the spirit of Roger Excoffon". Neither pastiche nor revival, Ember does seem to evoke the famous French designer's trademark elegance.

Haystack is a handwritten script with many . You can use also for headline or signature. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual alternates and ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Introducing, Huyton- a unique display script with reverse contrast, comes with extrude. The unusual reverse contrast make this typeface one of a kind. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : extrude version uppercase & lowercase numbers and punctuation multilingual alternates and ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Garrigue is a sans-serif typeface, it's inspired by the typography of German rationalism of mid XXth century, the base version is combining this rationalism with more organic elements, while Garrigue Sharp is simpler, ideal for technical applications. The OpenType functions allows near 700 different combinations of ligatures in Capital letters, which gives to text interesting patterns and a lot of dynamism in 100 different languages, including cyrillic. The family contains different stylistic alternates which gives more flexibility to the typeface. The Garrigue family includes 14 weights, seven styles from Thin to Black in Normal and “Sharp” version. Each font includes OpenType Features such as Discretional Ligatures, Proportional Figures, Tabular Figures, Numerators, Superscripts, Denominators, Scientific Inferiors, Subscript, Ordinals, Standard Ligatures, Stylistic Alternates and Fractions. Larsseit family supports Latin and Cyrillic, all these languages are covered: Latin language support: Afrikaans, Albanian, Asturian, Azeri, Basque, Bosnian, Breton, Bulgarian, Catalan, Cornish, Corsican, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Filipino, Finnish, Flemish, French, Frisian, Friulian, Gaelic, Galician, German, Greenlandic, Hungarian, Icelandic, Indonesian, Irish, Italian, Kurdish, Latin, Latvian, Lithuanian, Luxembourgish, Malagasy, Malay, Maltese, Maori, Moldavian, Norwegian, Occitan, Polish, Portuguese, Provençal, Romanian, Romansch, Saami, Samoan, Scots, Scottish, Serbian, Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish, Walloon, Welsh, Wolof Cyrillic language support: Adyghe, Avar, Belarusian, Bulgarian, Buryat, Chechen, Erzya, Ingush, Kabardian, Kalmyk, Karachay-Balkar, Karakalpak, Kazakh, Komi, Kyrgyz, Lak, Macedonian, Moldovan, Mongol, Permyak, Russian, Rusyn, Serbian, Tatar, Tofa, Tuvan, Ukrainian, Uzbek

Jenkine casual and natural written handwritten brush strokes. Letters are made with brush on paper then scanned carefully drawn into vector format. This typeface is ideal for use in any professional project, such as blog titles, posters, wedding elements, t-shirts, clothing, book covers, business cards, greeting cards, branding, merchandise etc. Enjoy Jenkine fonts with passion and love for your awesome projects to make your projects quality!

Jaella is a modern retro serif family. It has unique characters, such as capital A, R and B, making your design unique and stand out. Designed for editorial use, display or fashion-related branding concepts, She can be elegant or play with alternatives for a cheerful retro look. This versatile family has seven weights, from thin to black, and a variable format that can generate more weights.

MS Mincho™ Japanese font features serifs at the end of its strokes, and can be used for a variety of uses from screen display to publications. This font file is 5.3 MB in size. MS Mincho Japanese font is a trademark of Microsoft Corporation. MS Mincho font Character Set: Latin-1, Japanese (code page 932). MS Mincho is available in both TrueType and OpenType font formats.

Agafia handwriting script is based on the hand of Agafia Karpovna Lykova - the last member of the Old Believer family lived like an hermit in the Khakass taiga. The face is developed for the new book on the history of Lykov's family by Lev Cherepanov. It's built in OpenType format with a contextual substitution of letterforms and specific ligatures. Designer - Gennady Fridman. Released by ParaType in 2009.

Roicamonta font looks very feminine and delicate. Perfect fit for invitations, greeting cards and other printing where soft and elegant writitng is required. The design stems from Copperplate calligraphy and comes in two styles - upright and italic. This family consists of six font files overall, each file contains over 1200 glyphs. Complete with variety of swashes and fancy ligatures. All engineered and included in handy otf format.

Neubau Grotesque is an upright italics variation of Neubau Sans and is built in three weights. The main difference of this typeface is that it presents a softer and more human look (less techno), while retaining the condensed geometric structure of its counterpart. Neubau Grotesque is recommended for use as a display font, and has been generated in a single OpenType format with Western CP1252 character set..

As Titans Clash in The Final Battle of Good versus Evil, Man versus Machine, God versus Mortal and Coke versus Pepsi, ace lettering artist, Ferran Delgado from Spain teams up with our very own John ‘JG’ Roshell for one last attack on the assembled Cover Lettering Styles of Yore. Fill your lungs and prepare for... BATTTTTTLECRRRRRYYYYYYYYYYY! See the families related to Battle Cry: Battle Scarred & Battle Damaged .

VOIX Regular and Italic is a stylish, modern & monospaced font ready to make your work hard for you! It has several unique glyphs that create a unique style. VOIX is not your typical monospaced boring font - from the outset the goal was to develop an exuberant, dynamic and contemporary mono-spaced font. Ideal for coding, writing and has plenty of attitude to stretch into display formats!

For decades, spot illustrations - whether by hot type, photoengraving, clip art or (in later years) digital means provided decorative and often lighthearted breaks in reading printed copy. This collection of twenty-six cartoon images has been meticulously re-drawn in digital format from 1920s-1930s era source material. By adding a simple caption underneath a design, your ad copy can be enhanced with these wonderful period pieces.

From the technical hand of Alejandro Paul and the creative jungle in the mind of Angel Koziupa, comes a wild-natured script. Alma may appear slightly weathered, but still maintains a sharp and determined face. The casual strokes are at times pointed, yet ultimately playful. Released in OpenType format to expand possibilities of use with lots of alternates when used with OpenType-aware applications such as AdobeCS.

DEAD MEAT - a bold, uppercase display font. Give your titles and logo types a hand made lettering look Features All uppercase font (use lower case key strokes for alternative character). Each glyph is unique from hand drawn originals. – Web font format included. The zip package contains both an opentype (.oft) and web font (.woff), DEAT MEAT has been created with all Western European characters.

The design of Grosser* is inspired by the northern european modern architecture with it's rational shapes. The font was born for posters and to be used on large formats, the geometric shapes and the solid structure makes it a very good choice to do posters and graphics where you need an extra bold font with sharp lines. *Grosser (Größer) is a german word, which means "bigger/larger".

Malbeck is a script which is both as elegant as it is unique. Very playful typographic treatments can be produced using the large selection of alternate characters. This 2007 version of Malbeck is now available in OpenType format to expand possibilities of use with lots of alternates when used with OpenType-aware applications such as InDesign. Designed by Koziupa and digitized by Ale Paul.

Calanda is a forceful, sturdy and dynamic slab serif with distinctly shaped characters. The Calanda family consists of 16 styles and comes in OpenType format with extended language support. Calanda is very well suited for ambitious typography. All weights contain ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and arrows.

Magic Spell is a mystical, fun font based on a handlettered alphabet in an old 1930s book on lettering. It captures that old world feel of magical wizards and fairy tales. Conjur up some fantastic designs with this bewitching font! Jukebox fonts are available in OpenType .otf format and all fonts contain basic OpenType features as well as support for Latin-based and most Eastern European languages.

A beefy unicase flare serif typeface inspired by a Frank Kane pulp paperback of the same name. Dead Rite is filled with awkward comic personality, mixing Capital and lowercase forms into a pseudo-unicase format that is a joy to play. A dangerous temptress, with large scale easily legible letterforms, this typographic conundrum is waiting for you to solve how it should be used for your designs!

Sky Clipper JNL is a bold, Art Deco sans serif typeface derived from the hand lettered title on a 1940s-era “Big Little Book” entitled “Flying the Sky Clipper with Winsie Atkins”. The design is available in both regular and oblique versions. “Big Little Books” were published by the Whitman Publishing company and featured short stories printed in a tiny sized book format for young children.

Alskar sans is an elegant contemporary wide sans-serif typeface with strong stylistic geometric, authentic contrasts, drawing on the aesthetics and representing the shifting contemporary aesthetics. The distinctive stance gives the right visual consistency for branding and communications. Alskar sans is perfectly suited for headlines, large-format prints, brand identities, social media, advertising, editorial design, posters, magazines, logos, headings, body copy, digital and more.

Inspired by the classic German Antiqua style, Gilhaus is a totally original modern serif rooted in iconic history and built for modern projects including branding, web and digital apps, large format printing, and more. While subtle serifs and soft edges bring in an element of warmth and approachability, Gilhaus is balanced out by the bold angular strokes and high contrast letterforms typically found in classic Antiqua typography.

Bobalicious is a gorgeous display typeface that is sure to stand out. Make your design look exceptional with easy accessibility. Designed by Daily Studio. Bobalicious will pair beautifully with various fonts and function well with the project you are working on. Perfect for gorgeous logos and headers. This typeface includes full lowercase, uppercase, numbers, punctuation, and standard latin letters. With 235 glyphs and file in OTF format.

Just a cute little handwritten-like font, it's whimsical, classy, yet relaxed and adds flair to anything. Perfect for cards, letters, recipes, journaling and much more! Mademoiselle Magnifique PW is intended and suitable for Display use and wonderful as a journaling font. This font is meant for display, titles, beautiful signage, cards, journaling, etc. Mademoiselle Magnifique PW is available in OpenType, and TrueType format.

Introducing Laguna Font Collection. Inspired from American motor inn signs and vintage restaurant signs in 50s-70s. Laguna comes with open type features such stylistic alternates, stylistic sets, contextual alternates & ligatures. Also available in variable font format. Laguna Font Collection is best uses for headings, Logo type, quotes, apparel design, invitations, flyer, poster, greeting cards, product packaging, book cover, printed quotes, cover album, movie, etc

Westonia Script is modern script font, every single letters have been carefully crafted to make your text looks beautiful. With modern script style this font will perfect for many different project ex: quotes, blog header, poster, branding, logo, fashion, apparel, letter, invitation, stationery, etc. Westonia Script including alternate glyph and beautiful swirl.

Sathseed is a fun, lively, handwritten brush script created with the utmost care, love, and attention to detail. It's ideal for logos, titles, product packaging, merchandise, quotes... Try it for yourself in the preview section - what you see is what you get! To achieve an authentic handwritten feel, Sathseed comes with a full set of lowercase substitutions and ligatures to play with, giving you lots of variety. If you use software that supports OpenType, they are included in the main font that will be active as you type. If not, I've also included Alternate and Ligature as separate fonts for you to use. Your download will include the following files in TTF & OTF format. Litagure as well as alternate and extra swash. For web font use, a web font kit consisting of Awesomespill Regular fonts in WOFF, WOFF2 formats is also provided. Any question? Drop me a line and I'll be happy to answer!

A title font that looks better as larger the font size. First of all, it is designed for use in the upper-case format. Feature style: futurism, space, modernism, glyph variety (uniqueness (minimum automatic generation)). A kind of „s‟ in the lower-case format sets the tone and emphasizes the character, formed in the Prime Numbers Nebula — they determined its appearance, and influenced the style as a whole. Particular attention is paid to the kern: the kern table is formed manually, taking into account absolutely all the glyphs included in the font-family. Two types of stress (grave, acute) for all letter glyphs. The font contains basic Latin and several additional tables, as well as three types of quotation marks, a non-breaking space and a hyphen, a short, medium, and long dash. For a set of mathematical expressions there are centrifugal signs: equal, minus (not a hyphen or minus-hyphen), plus, multiplication (X-shaped and dot), plus-minus, division. The font was made for 3 years.

Quiroga Serif began in 2007 with the name Quadratta Serif. This typography was designed for continuous text, legible at medium and small sizes, with great saving of space, optimized for 6, 8, 10 and 12 points. The morphology is a mix between tradition and innovation; it has a vertical axis, thick serifs, tall x-height, light modulation and a lot of internal space between letters: key to improve legibility at small sizes. Formally, my idea was to make a serif type that had a unique color, this is visible due to the light modulation. This is also complemented with the incorporation of not common, alternative signs. Some parts of the letters that are usually curb or diagonal where made horizontal (for example: a, q, p, etc.), this makes the eye of each character to be wide and unique. The serifs (wedge type) suffered diverse variations during the process. At the begining they where thicker and ended vertically, but this caused a great deal of printing errors. And so we decided to modify them by giving them an angle to avoid visible errors in medium and small sizes. The ch, and ll ligatures where rescued because they are a part of our current spanish alphabet. The historic ligatures and stylistic alternates give different options to users who want different alternatives within a text. The accentuation signs were composed in a middle line above all signs to avoid visual shock. We also gave plenty of importance to small caps numbers, mathematical signs and currency signs so that the could interact well.

Deva Ideal was inspired by women’s beauty. It didn’t come only from the desire to create a new typeface. It also seeks to materialize beauty in a visual form. Instead of imitating the shapes of the female body or other formal attributes, Deva Ideal is an abstract expression of the women’s beauty. The unique character of the typeface is achieved by the use of soft, almost invisibly bent strokes, since one of the priorities of the typeface is not to disturb the eye of the reader with odd design details. Deva Ideal excels in her cold beauty and shows her sex appeal. The soft curves present in Deva Ideal differ from the masculine and technical shapes used in most contemporary typefaces. Deva Ideal has ideal proportions (90 / 60 / 90) and its shapes are essential and simple. Because of this, it is ideal for setting text in all kinds of printed matter: catalogues, books and magazines. The letter forms are wide and open, so text can be set in small sizes and thus space can be saved, while keeping the same degree of readability. The author wishes to acknowledge František Štorm for his invaluable opinions. Also to Palo Bálik and Peter Bilak for their contributions. I am specially grateful to all the devas (archaic expression for beautiful young girl), who inspired me to design this typeface. This is dedicated to Janka Ráczová, Jarka Krajčiová, Mariana Felgueiras and obviously to Martinka Filípková! Every use of Deva Ideal is a little homage to these interesting women.

Le Typorium présente une nouvelle famille de caractères calligraphiques basés sur une écriture étudiée à travers les manuscrits et autographes de Georges Brassens, poète et musicien (1921-1981). Son tracé, rigoureux et appliqué, souvent minutieux, est à l’image d’une œuvre unique et singulière, immédiatement reconnaissable. Le script Brassens offre des fonctionnalités OpenType telles que des caractères alternatifs pour les majuscules et les minuscules afin de renforcer la fluidité d’une écriture manuelle, des chiffres alternatifs, des fractions et un jeu de caractères accentués étendu pour prendre en charge de nombreuses langues étrangères. Trois graisses ont été créées afin d’offrir une large palette de possibilités graphiques. 60 images d’un poète qui a cassé sa pipe à l’âge de 60 ans., classées en trois séries de vignettes (pictogrammes, symboles, portraits), elles illustrent l’univers imagé et la richesse symbolique de la poésie de Georges Brassens où les représentations mythologiques et allégoriques y tiennent une part importante. Georges Brassens est un poète, auteur-compositeur-interprète né à Sète le 22 octobre 1921, mort à Saint-Gély-du-Fesc le 29 octobre 1981 et enterré au cimetière Le Py de Sète. Auteur de plus de deux cents chansons populaires, il met en musique et interprète ses poèmes en s’accompagnant à la guitare. Outre ses propres textes, il met également en musique des poèmes de François Villon, Victor Hugo, Paul Verlaine, Paul Fort, Antoine Pol, ou encore Louis Aragon. Il reçoit le Grand Prix de Poésie de l’Académie Française e 1967. Un grand nombre d’écoles, salles de spectacle, voies, parcs et jardins portent également son nom, dont à Paris le parc Georges-Brassens, tout proche de l’impasse Florimont où il vécut ses premières années parisiennes, de sa maison de la rue Santos-Dumont et du café Les Sportifs Réunis – Chez Walczak – rue Brancion qui lui inspira « Le Bistrot ». À Sète, l’Espace Georges Brassens ainsi que de nombreux festivals et associations redonnent vie au poète et à son œuvre. The Typorium presents a new calligraphic typeface family based on a writing studied through the manuscripts and autographs of Georges Brassens, poet and musician (1921-1981). Its layout, rigorous and applied, often meticulous, is in the image of a unique and singular work, immediately recognizable. Brassens script offers OpenType features such as alternate characters for upper and lower case to enhance the fluency of handwriting, alternate numbers, fractions and an extended accented character set to support many foreign languages. Three weights have been created to offer a wide range of graphic possibilities. 60 images of a poet who broke his pipe (French expression for passing away) at the age of 60, classified into three series of vignettes (pictograms, symbols, portraits), they illustrate the imagery world and the symbolic richness of Georges Brassens poetry where mythological and allegorical representations hold an important part. Georges Brassens is a poet, singer-songwriter born in Sète on October 22, 1921, died in Saint-Gély-du-Fesc on October 29, 1981 and buried in Le Py cemetery of Sète. Author of more than two hundred popular songs, he sets to music and performs his poems, accompanying himself on the guitar. In addition to his own texts, he also sets to music poems by François Villon, Victor Hugo, Paul Verlaine, Paul Fort, Antoine Pol, or Louis Aragon. He received the Grand Prix of Poetry from the Académie Française in 1967. A large number of schools, theaters, streets, parks and gardens also bear his name, including in Paris the Georges-Brassens park, very close to the impasse Florimont where he lived his first years in Paris, his house in the rue Santos-Dumont and the café Les Sportifs Réunis - Chez Walczak - rue Brancion which inspired "Le Bistrot". In Sète, the Espace Georges Brassens as well as numerous festivals and associations bring the poet and his work back to life.

The Core Sans B Family is a part of the Core Sans Series, such as N, NR, N SC, M, E, A, D, G, R and BR. The family has very small x-heights and large ascenders(descenders) which give an elegant feeling in body text. It is a sans-serif family but it’s structure is similar to serif fonts, so you can make paragraphs beautiful with this font family. It is very legible and readable even in small size because of its open counters and distinctive shapes. This font family consists of 7 weights (Thin, Light, Regular, Medium, Bold, Heavy, Black) and Italics for each format. Core Sans B supports complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, oldstyle figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, web pages, screen displays, and so on.

Re-introducing the classic mid-1500s Garamond forms for the twenty-first century is never an easy task. But Hans van Maanen makes a fine attempt at just that by remodeling the traditional shapes through a modern lens with stunning results. Aragon is a workhorse family that performs very well in a variety of text sizes, from footnotes and legal copy to lengthy body sets. Its combination of wedge serifs with uniquely tapered stems offers a sturdy Dutch touch that improves legibility altogether, while at the same time the slight stress shift to the top half of the characters makes the immersive reading experience very open and comfortable. The Aragon family comes in a standard two-weight set with corresponding italics, a roman small caps font with its own italics, and very attractive initials for display uses. All fonts come in the usual popular formats, and include a glyph repertoire that covers Western, Central and Eastern European languages, as well as Turkish and Welsh/Celtic.

The popular Geogrotesque family becomes an extended system with the inclusion of three new members to the family; Geogrotesque Condensed, Geogrotesque Compressed and Geogrotesque Extra Compressed. The condensed series keep the spirit of the original one, and give way to a superfamily up to 56 styles. This new system fluidly varies between widths, ranging from the original width to a 55% of it in the narrower one. As their original partner, the new fonts are great headline families for publications, but will also work in text of intermediate length and point size. The Geogrotesque superfamily offers now one font for each design need. It is available in Open Type format and includes Ligatures, Tabular Figures, Fractions, Numerators, Denominators, Superiors and Inferiors. All of them with support for Central and Eastern European languages. This type family consists of 42 styles, 7 weights plus italics in 3 widths. For more details see the PDF.

Heroxy is an sans serif display font, and with a style that is very different from the others. Heroxy is well-suited for posters, social media, headlines, magazine titles, clothing, large print formats - and wherever you want to be seen. Inspired by the style of design that is currently popular, and this is the answer to all the needs of every idea that you will pour in this modern era. We highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application. Thanks and have fun!

Regatino is an geometric display sans font, and with a style that is very different from the others. This font comes in Regular and Oblique Version. Regatino is well-suited for posters, social media, headlines, magazine titles, clothing, large print formats - and wherever you want to be seen. Inspired by the style of design that is currently popular, and this is the answer to all the needs of every idea that you will pour in this modern era. We highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application. Thank You.

Varese Gradient is a color font for display, headlines, or large body text. Use it for bold graphic statements or a vintage mood. Its geometric style is inspired by Art Deco and early 1900s European travel posters. This typeface will set a friendly and light tone while giving messages a unique and memorable feeling. The gradients transition vertically and come in these sets; color with white, color with black, two colors, chromatic grays, grayscales, and concepts like summer or cappuccino. The font name will indicate its color. The full family includes one regular font. Here is a list of all the fonts in color. The lowercase letterforms are similar to the uppercase, but the lowercase have counterforms. It comes with OpenType features such as alternate glyphs, half-height letters, standard ligatures, and stylistic sets. The fonts are OpenType SVG format and fully scalable. Contact Tarallo Design if you need custom colors. Varese Gradient has siblings, Varese Soft (rounded) and Varese Outlined (color/shadow/outline).