Asherah - Serif font family - Multilingual support, 12 Style - OTF Asherah is a modern serif font family. This font family is multilingual supported and 12 different styles. With different character designs in its structure, it can meet your needs in innovative pursuits. It has a timeless structure where you can create your modern-elegant or classic design alternatives. Well suited for books and magazines, editorials, headlines, websites, logos, branding, advertising and more. Asherah font family can meet your needs in all modern and classic creative projects. CHARACTER RANGES : Basic Latin, Latin-1 Supplement, Latin Extended-A, Latin Extended-B, General Punctuation, Currency Symbols, CJK Symbols And Punctuation, Private Use Area (plane 0), Alphabetic Presentation Forms With this font you can create your unique designs. If you have a question, please contact me. Have a good time.

Aure Declare officiates with dignity and dispassion. These traditional serif forms engage the reader with a no-nonsense subtext of reliability. Declare’s capacity to showcase the message rather than the medium brings a welcome legibility to extended text and a formal assertion to astrological expressions and chartwheels. Declare is an original design developed by Aurora Isaac. After more than a decade in development, 2018 marks the first release of the CJ and KB glyphsets in regular, italic, bold, and bold-italic. The CJ glyphset is a full text font supporting a variety of European languages. A matching set of small-caps complements the extended lowercase and uppercase glyphsets. Supporting glyphs include standard ligatures, four variations of the ampersand, and check-mark and happy-face with their companions x-mark and grumpy-face. Numbers are available in lining, oldstyle, and small versions, with numerators and denominators for forming fractions. Companion glyphs include Roman numerals, specialized glyphs for indicating ordinals, and a variety of mathematical symbols and operators. The CJ glyphset also includes an extended set of glyphs for typesetting Western Astrology. These glyphs are also available separately in the KB glyphset: a symbol font re-coded to allow easy keyboard access for the most commonly used glyphs. In addition to Aure Declare’s versatility as a text font, Declare pairs well as a no-nonsense foil to any decorative design. Aure Sable, for example, will shine all the more beside Declare’s practicality. Aure Declare pairs especially well with its close cousin, Aure Wye. Wye’s decorative forms provide elegant titles and drop-caps for Declare’s extended text. Give Aure Declare a trial run! You may discover a permanent place for this font family in your typographic palette. AureFontDesign.com

A font family in continuation of the bb-book A , also kicking up weight, width and contrast, but upside down. 4 styles: condensed, regular, expanded and ultra-expanded.

A carefully drawn geometric typeface. Exacting angles are combined with smooth corner details to form a clean, legible font with a modern appearance. The compact nature of the letterforms allows for great use of space across text layouts. Details include 6 weights with italics, extended European & Cyrillic character set, manually edited kerning and Euro symbol.

Ursula Handschrift is based on the designer’s handwriting. Individual characters are simple, soft and expressive; making it a friendly, organic script. It will work well in scrap-book style designs, comic books, for informal headings and image captions. Ursula Handschrift is extended, containing West European diacritics making it suitable for multilingual environments and publications.

Doodle Pen is a whimsical hand-drawn typeface. Characters are based on ballpoint pen multi-line drawings creating a scribbled texture and soft edges. This typeface will work well for headings, short paragraphs and scrap-book style designs. Doodle Pen is extended, containing West European diacritics making it suitable for multilingual environments and publications.

A font design of Paul Zimmermann, first released by Ludwig Wagner, Leipzig, in 1960, now revived and extended by Central European, Baltic, and Turkish character sets and their small caps. This font contains both lining and oldstyle numbers. To get access to all ligatures, it is recommended to activate both standard and discretionary ligatures.

Madisonian has been found in a catalogue of the New York Bruce type-foundry, dated 1859. The lower cases have the feeling of a Bodoni Italic and the initials have a "spencerian" touch. This font did exist originaly in a single weight. The family has been extended with a bold and an engraved version.

Typeface was designed in 2021-2022 by Alexey Chekulaev. It has small serifs and original contours, it’s also well read in small sizes. Each style has 1400 characters of Latin, extended Cyrillic, Greek, including small caps, as well as alternate characters. Diafragma is a good choice for headings, logos, branding, packaging, publications and websites.

Letterforms from the 30s, inspired by Bauhaus Bold, combine with super 70s styling to create this disco-era delight. The bold characters, rendered by prismatic multilines, create striking headlines with a strong architectural feel. Both versions of this Pro Series font contain the complete Unicode Latin A character complement, along with extended ligatures and fractions.

Henny is a simple but elegant handwriting font which is legible even in very small sizes and longer texts. There is an extended character set with some extra ligatures for a natural look. Henny was used in “Coffeeshop” for titel and headlines: http://www.amazon.de/Aus-dem-Coffeeshop-Dr-Oetker/dp/376700688X Have fun using it!

Geisha Holiday is an urban font with a unique look. The letters express slightly the formalized strokes of kanji characters but the overall tone is relaxation. Enjoy the laid back, modern, and distinctive style of Geisha Holiday. Geisha Holiday is extended, containing West European diacritics and ligatures, making it suitable for multilingual environments and publications.

Varial Two typefaces are new and updated versions of Varial family created 2014: Extra-condensed Opentype™ sans-serifs with small caps, extended character set (european languages support) and extra features (fractions, ligatures and alternatives). Varial Two Rounded family is versatile in all design applications, for example all headlines, display use, infographics and more!

Salud is hand-drawn typeface based on light and bold slab serif. It has 8 font styles and supports extended latin. It may be used in presentation for a big company or in flyers for a birthday party. Other words it plays at both sides: can be formal and at the same time funny.

OpenType users benefit from alternate lowercase characters, crossbar ligatures for common letter pairings, case sensitive quotes and smart apostrophes. Other goodies include optional old style numerals and a few clip-on swash elements, accessible by keyboard or supporting application’s OpenType glyph menu. Meritage Pro extends the character set to support Eastern European and Baltic languages.

Introducing SA Woodland Hills - a clean, elegant, modern typeface that you can use in packaging or branding, creating beautiful logos, headlines, quotes and any other printed matter. The font supports Russian and Ukrainian Cyrillic, as well as extended Latin. We hope that the font will become your excellent assistant in the design of products.

An Art Nouveau alphabet that has stood the test of time, Nicholson French, by legendary sign-painter Frank H. Atkinson, is over 100 years old and going strong. In modern typographic trim, it comes with OpenType feature replacement options and multi-language support, from standard Latin-1 to Latin Extended-A, Greek and Cyrillic.

Azola Cursive is an elegant connected letter cursive script arriving with a family of detailed & artistic styles. Azola Cursive features diagonal hatched texture, outline & solid variations. Azola Cursive is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications. This new font family pairs well with the existing Azola (noncursive) family.

Kittle Round is a robust display font, with a strong, pared down look based on bold geometric forms. Loaded with personality, Kittle Round features a full upper and lower case character set and an extended set of accented characters for Central European languages. It is also available as Kittle Rough, with a time-worn look.

Glamline Font is classic and modern sans serif font carefully designed and well looking with Latin Extended character set. It is good for Text and Headers with lowercase and uppercase letters both! Glamline ideally works in luxury, fashion, cosmetics, wine and food areas. Please see the large preview images to see how it works.

MASKEY is a rough typeface with a freehand writing style, comes with 3 family styles (Normal, Overlapping, and Block) which are perfect for your designs that want a rough, modern vintage, freestyle style, and carefully crafted for all graphic design needs. Following Language Support : LATIN EXTENDED ( Western European, Central European, South Eastern European ) Thank You

Handwritten Pencil Capitals You need a simple pencil written look? There you go. Maybe the Bleistift fulfills your needs. It’s perfect to use on notes or handwritten lookalike products. The font uses the calt-OpenType-feature to replace every second lowercase with an alternate. This makes the look way more handwritten. Extended detail on behance.net.

After the successful release of Encorpada Black, now it’s time of Encorpada Pro type system. Now with seven weights and a lot of curves. Freely inspired by the didones shapes, Encorpada Pro now have a extended character set with more than 40 languages supported, Opentype Features and Amazing Swashes in Italic Version.  Enjoy It.

Tithua is a modern font with strokes clear and well marked, easy to read and simple design. The curved shape on the slab terminations give a harmonious and pleasant smoothing which removes stiffness and enriches the design. For now comes in five different widths and includes Latin extended-A characters and some OpenType features.

The name says it all. Gothic from the old literary style and/or current subculture genre. And Gothic meaning a block or sans serif style of lettering. The concept was to take the classic German style lettering and create a contemporary extended block letter typeface. The result is a fusion of old and new.

The boss of extended typefaces, Brian Bonislawsky, has belted out this ultra wide design, EuroMachina, that looks like an odd meld of OCR-A, Microgramma and Bank Gothic. And if that wasn't enough, Brian then felt the need to distort it in various ways, creating Broken, Eroded and OverGreased. A little something for everyone.

In 1921 the Klingspor foundry released Walter Tiemann’s Narziss™. This beautiful and elegant font was completely redrawn and redesigned and extended to cover major European languages East and West. The font contains also a 'long s‘ and related useful ligatures which can be reached by using the OpenType features historical letters and historical ligatures.

Manifest is a geometric typeface family based on the principles of simplicity, modernity and functionality. With a low-contrast design approach, it performs excellently in any project from print to digital. It comes in five weights with an extended character set including 240+ glyphs per typeface which supports Western and some Central European languages.

Futuriata is Elegant Futuristic Conceptual Font Family of four fonts different weights. It has unusual look which will make your title phrase unique, stylish, fashionable and hi-tech. Use it in your projects in such areas as robots & androids, hi-tech, future, virtual reality, space, fashion and others. Multilingual Extended Latin characters and symbols included.

A modern journalistic style typeface. The subtle condensed characters create great economy of space best suited to brochure, editorial and magazine layouts. Also using the contrasting weights you can add great dimension across headline and body copy. Details include 6 weights with italics, an extended European character set, manually edited kerning and Euro symbol.

FatTimes is an extension to my HardTimes family. Times are too hard for boring typefaces, so try the fat one one for a change. Your hardworking typedesigner - Gert Wiescher

A Tartufo is a truffle in Italian. I have to admit, I have never eaten one, so I couldn’t really tell you if they’re any good. I suppose they are, but you’ll have to find that out for yourselves! Tartufo font is a bit of a weird font. It was hand made with a rollerball pen on some very expensive French paper. As I was drawing each glyph, I figured I might as well include Cyrillic and Greek. Tartufo is not a text font - I’d use it for packaging, posters, book covers and T-shirts. Comes with a whole bunch of diacritics!

Gulfs Display Inspired by the 90's playful cartoon & comic books. This playful font comes in six widths; condensed, semi condensed, normal, semi expanded, expanded and extra expanded. This font can be used for modern and vintage designs, also can be easily paired with some graphic elements (Illustration, Photography) this font perfect for, Logotype, Branding, Title, and Packaging.

Thunderbold is inspired by "Fast & Bold character" so,this is a powerful font suitable for poster, banner, flyer, race number, logo, logotype and more.This font have an extrude style to save your time to make extruded fonts just switch to extrude style!.Not just that, Thunderbold have a lot of Alternate too. Be bold like Thunder !

Nerine is a modern brush lettering and handwritten font duo designed by hand lettering artist Eliza Gwendalyn. Both scripts were drawn completely by hand and digitally perfected to bring you these unique script fonts. Nerine is a bold, connecting brush script, with lots of swashes and loops, while Nerine Deux is a lighter, straight stroke semi-connecting script, with a little less flair. Both scripts are ideal for use in a wide range of projects, from branding & advertising to wedding stationery & birth announcements! They also pair well with sans serif and serif typefaces! Each font is packed with ligatures and some alternate letterforms that help text runs appear more natural. The OpenType ligature feature will automatically insert ligatures when certain glyph combinations are typed, and the swash feature in Nerine will replace some beginning and ending letters with nice gentle swash alternatives. Nerinet also boasts five Style Sets that let you swap out groups of letters with interesting alternatives. Both fonts support the extended European character set so language support is extensive. Pick up Nerine or Nerine Deux, or the Nerine Duo Family today, and watch your creativity blossom!

I had a totally different name assigned to this font at first. Then, while drifting off to sleep one night during the creation process, my sleepy brain said, "You know, BLORP would be a great name to go with these letter shapes." Normally when I have those half-asleep ideas and look at them in the morning, they make no sense. But I decided to make a sample image for BLORP, and it turns out I really like it! So ... BLORP it is! This font is extensively edited for super-smooth lines and curves, so it'll cut like butter in your Cricut or Silhouette machine. Though it's also super cute for print projects, logos, branding, or anything else you want to use it for! It has a funky mix of letter sizes and heights, and two sets of uppercase letters, so you can mix everything together JuSt LikE tHIs, and it'll still look great! BLORP includes over 300 extended Latin characters for language support, including, but not limited to: Catalan, Czech, Danish, Esperanto, Estonian, Finnish, French, Gaelic, German, Icelandic, Irish, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Romanian, Serbian (Latin), Slovak, Slovenian, Spanish, Swedish, Turkish, Welsh, and more!

Seconda Round is a contemporary, legible, and versatile typeface. It is the round companion of Seconda. Unlike Seconda Soft, which has moderate rounding — the edges of Seconda Round’s characters are fully rounded. The Seconda Round family has been enriched by a collection of Outline and Shadow fonts, each with its own Fill font. Combine an Outline or Shadow font with its Fill font in an application that uses layers, to create a two-color version of the Outline or Shadow font. Seconda Round has 32 styles, extensive language support, eight different kinds of figures, sophisticated OpenType features — so it’s ready for advanced typographic projects. For text and display use. The Outline, Shadow, and Fill fonts are not suitable for small size texts. The Fill fonts are only to be used in combination with their Outline or Shadow font. Seconda Round can be combined with any other member of the Seconda superfamily, extending the wealth of design options the Seconda superfamily offers. Seconda Round is well suited for graphic design, editorial design, and corporate identity design. Seconda Round’s Outline and Shadow fonts will add flair to any design project. For more information about Seconda Round, download the PDF Specimen Manual.

URW Dock Condensed is the matching complement for the URW Dock. Including 20 additional condensed styles the URW Dock Condensed is the space-saving alternative in the URW Dock family. URW Dock is a contemporary geometric type family rooted in the square sans genre. Inspired by the square sans typefaces of the 60s, it is a reinterpretation and enhancement particularly designed for today’s requirements of a multipurpose font: to work excellent in print and screen environments. Including a wide range of styles, an extended character set and a careful composition, it has the ability to give brands, artworks, and interfaces a modern, professional and unique touch. Its high legibility and clear informative and technological appearance are perfectly suitable for infographics, signage and way-finding systems. And especially when embedded in app, gaming and infotainment software it will display its strength. While the upright styles communicate a clear, instructional and informative message, the italics express an industrial, dynamic and forward-thinking spirit. An extensive language support, several figure sets and a wide range of OpenType Features will make the URW Dock font family a perfectly suitable partner for a wide range of print, web and app projects.

Novel Sans Hair is the new package of 24 ultra light weights of Novel Sans Pro, the humanist grotesque typeface family within the largely extended award winning Novel Collection, containing Novel Pro, Novel Sans Pro, Novel Sans Hair Pro, Novel Sans Condensed Pro, Novel Mono Pro, Novel Sans Rounded Pro and Novel Sans Office Pro. Novel Sans Hair has a carefully attuned character design and a well balanced weight contrast. Classic proportions and the almost upright italic makes Novel Sans Pro being a modern humanist with the calligraphic warmth of a real italic. Many similarities with the other typeface families within the Novel Collection enable designers to combine the families and reach highest quality in typography. Novel Sans Hair [1020 glyphs] comes in 24 styles and contains small caps, an extra set of alternate glyphs, many ligatures, lining figures [proportionally spaced and monospaced], hanging figures [proportionally spaced and monospaced], small caps figures [proportionally spaced and monospaced], positive and negative circled figures for upper and lower case, superior and inferior figures, fractions, extensive language support, arrows for uppercase and lowercase and many more OpenType™ features.

The sans serif linear antiqua Maxima which was created in the beginning of the sixties by Prof. Gert Wunderlich for Typoart Dresden, was newly actualized in 2007 after more than 45 years. Many hands and heads were involved in the successful re-design of Maxima Now over a period of two years to assist the designers of the Elsner+Flake Design Studios in Hamburg, and the typeface family is now available. The re-design happened in close cooperation with Wunderlich who has given support to numerous projects in Elsner+Flake’s studio in Hamburg. A great deal of care was given to the necessary preliminary tasks such as the viewing of the original designs and print tests, the analysis of the digital Typoart data which had been in the possession of Elsner+Flake since 1985 and 1989, and a design conceptualization based on detail correlations, as well as the extension of the character complement. It had been Elsner+Flake’s goal to include as many of the existing Maxima cuts into the re-design program as possible. The result is an extended font family with 25 weights in EuropaPlus layout.