The source of inspiration for MFC Petworth Monogram is a specimen from the 1917 "Strong's Book of Designs". This popular lettering style has been incorporated into numerous film type foundries of the past, but lacked digital permanence. We've expanded the original All Capitals glyphset to include smallcaps to make monograms, and have added numerals and basic punctuation for extended basic typesetting. Download and view the MFC Petworth Monogram Guidebook if you would like to learn a little more.

Centima Pro is an enhance development of Centima – a geometric Sans Serif typeface, released back in 2011. Centima Pro family consists of two sub-families Sans and Serif fonts. Centima Sans – an upgraded version of Centima, with careful refinements to glyph shapes and extension of glyph amounts, which enabled support of Cyrillic languages. A new extended sub-family Centima Serif have been added to the Centima Pro family. This typeface is released in OpenType format with some OpenType features.

A completely square typeface. And wide. It is all futuristic and fast. I have redesigned the uppercase D (which was identical to the O), V and Y - and also a couple of the lowercase letters: a narrower r, a more identifiable t and f and weight corrections to the v, x and z. This font only had a very basic ASCII character set, so I have created a large amount of glyphs, and expanded it with the usual multilingual support. The future is now. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "Western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

This cool techno font is easily recognizable with its quite unique stroke endings. I have increased the ascenders and descenders slightly (so they would work better with the new diacritic letters) and introduced a few alternate letterforms in addition to generally expanding the character set. A totally enjoyable reworking of an original design. Now also with a Bold and a brand new Light variant! Please note that these variants are made by adding/removing from the regular shape, so the letters no longer sits on the baseline. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Font TD Fabrika. Supports: Cyrillic, Latin, Extended Latin, Extended Cyrillic. Suitable for small volumes of text, titles, logos, illustrations, posters, packaging...

Font TD Empire Supports: Cyrillic, Latin, Extended Latin, Extended Cyrillic. Suitable for small volumes of text, titles, logos, illustrations, posters, packaging...

Font TD Stargorod. Supports: Cyrillic, Latin, Extended Latin, Extended Cyrillic. Suitable for small volumes of text, titles, logos, illustrations, posters, packaging...

Font TD Kinoteatr. Supports: Cyrillic, Latin, Extended Latin, Extended Cyrillic. Suitable for small volumes of text, titles, logos, illustrations, posters, packaging...

Font TD Skazka. Supports: Cyrillic, Latin, Extended Latin, Extended Cyrillic. Suitable for small volumes of text, titles, logos, illustrations, posters, packaging...

Font TD Kareliya. Supports: Cyrillic, Latin, Extended Latin, Extended Cyrillic. Suitable for small volumes of text, titles, logos, illustrations, posters, packaging...

Font TD Pobeda. Supports: Cyrillic, Latin, Extended Latin, Extended Cyrillic. Suitable for small volumes of text, titles, logos, illustrations, posters, packaging...

Geometric/Technical style logotypes have been developed for car chrome labels since the early 1980's. Many of these sleek logotypes are lacking an expansive family to enhance and express their brand in a richer sense, becoming true brand workhorses. The Aspire SmallCaps family finds its origin of inspiration in the ACURA automotive company logo, and from there expands to an 6 font family of weights & oblique styles, striving to become a workhorse. Aspire SmallCaps is perhaps the most true to form tribute to the original all capitals inspiration logotype. It maintains all capital forms (whether standard or smallcaps) and yet is still strikingly powerful in its presence and readability including numerals, and a comprehensive range of weights, creating a straightforward, uncompromising collection of typefaces that lend a solid foundation and a broad range of expression for designers. Here's what's included with the Aspire SmallCaps Family bundle: - 438 glyphs per style - including Capitals, Small Caps, Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. (see the 6th graphic for a preview of the characters included) - Stylistic Alternates - alternate characters that remove the angled stencil cuts for a more standardized text look. - 3 weights in the family: Light, Regular, & Black. - 3 obliques in the family, one for each weight: Light, Regular, & Black. - Fonts are provided in TTF & OTF formats. The TTF format is the standard go to for most users, although the OTF and TTF function exactly the same. Here's why the Aspire SmallCaps Family is for you: - You're in need of automotive sans font family with a range of weights and obliques - You're love that ACURA letter styling, and want to design anything within that genre - You're looking for an alternative to Eurostile with more stylized letterforms. - You're looking for a battle-tech typeface for your futuristic war chest labelling. - You just like to collect quality fonts to add to your design arsenal

Geometric/Technical style logotypes have been developed for car chrome labels since the early 1980’s. The styles are loaded with inspiration for great font families, but surprisingly, many of these sleek logotypes are lacking an expansive family to enhance and express their brand in a richer sense, becoming true brand workhorses. The Aspire family finds its origin of inspiration in the ACURA automotive company logo, and from there expands to an 6 font family of weights & oblique styles. Aspire pays homage the techno display styling of the inspiration logotype, further evolving beyond its brand inspired origin to give birth to a font family that pulls on modern and historical styles. It adopts a sturdy yet approachable style with its uniform stroke forms and curves, and goes on to include a lowercase, numerals, and a comprehensive range of weights, creating a straightforward, uncompromising collection of typefaces that lend a solid foundation and a broad range of expression for designers. Here’s what’s included with the Aspire Family bundle: 477 glyphs per style - including Capitals, Lowercase, Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. (see the 6th graphic for a preview of the characters included) Stylistic Alternates - alternate characters that remove the angled stencil cuts for a more standardized text look. 3 weights in the family: Light, Regular, & Black. 3 obliques in the family, one for each weight: Light, Regular, & Black. Fonts are available in TTF & OTF formats. The TTF format is the standard go to for most users, although the OTF and TTF function exactly the same. Here’s why the Aspire Family is for you: - You’re in need of automotive sans font family with a range of weights and obliques. - You’re love that ACURA letter styling, and want to design anything within that genre. - You’re looking for an alternative to Eurostile with more stylized letterforms. - You’re looking for a clean techno typeface for your starship console labelling. - You just like to collect quality fonts to add to your design arsenal.

A grunged-up variant of a classic font – with ultra-tight spacing (uppercase letters are mostly overlapping). Perfect for that worn but stylish look, now with hugely extended language support. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Refuse has an extended Latin, extended Cyrillic and Greek alphabet so it will work with most languages in Europe and the Americas.

Klapt Arabic is a geometric sans serif family that is soft on the outside and sharp on the inside. It is based in the Arabic Kufic style. Klapt Arabic can be bold or very elegant and is well suited for designs ranging from branding and corporate identity to editorial design or web design. It has a timeless style and is great for display purposes, especially for headlines, posters, magazines, book covers, logos... you name it! This font family of four weights includes an extended character set supporting most Latin languages ⁠and extended Arabic, including Persian and Urdu. Feel free to share your designs using Klapt Arabic or just get in touch via email to hi@seventype.com. Klapt Arabic is the extension of Klapt https://www.myfonts.com/fonts/seventype/klapt/.

Dynasty is an extensive and versatile family that exploration and modernisation of the typographic quirks associated with the 'American Gothic' type school (in much the same way as English Grotesque was an exploration of Gill/Johnston idea-space) and adds chamfered elements to dots and tails to emphasise and extend the early machine-made aesthetic. Elegantly clean and readable at headline and small text settings, where (as with all fonts in small sizes) the introduction of tracking will improve legibility.

Winner of the "no prizes for guessing" category, Overlapper's main feature is that the letters overlap slightly. I thought it best to just come straight out with it. In case there's someone just recovering from a lobotomy. There's an extended character set with accented letters and extensive punctuation, in case you need to do anything more than basic displays and titles. The package contains both OTF and TTF versions - install either OTF or TTF, not both versions on the same machine.

Filler is a display typeface that allows you to change the width of font characters from extra narrow to extremely wide shapes. The typeface includes complete Latin language support with contrasting drawing of accents and punctuation. The character set includes special symbols, such as a set of emoticons or arrows that support OpenType features. In addition to the five styles – Compressed, Condensed, Medium, Extended, Expanded, Filler also offers Filler Variable font. The font is intended primarily for strong display use in large proportions.

Hyperon is a text typeface, which is especially useful for math and physics literature. Its nature is defined by austere and humanist features that show the most in italic. The typeface includes weights from Regular to Black and widths from Condensed to Semi Expanded. What stands out for Hyperon is the extended character set, with added Greek and lots of mathematical signs. Some styles have small caps. The typeface was designed by Natalia Vasilyeva and released by Paratype in 2020.

Toroka is a geometric sans serif type family with an extensive selection of styles. Functional and highly legible, it has a friendly vibe due to the lack of extending stems on "b", "d", "p", "q", "u", and "r". Its distinctive personality comes across through the rounded apexes of "V", "W", "v", and "w". Stylised "g" and "y" add sugar and spice. The additional stylistic set offers an eccentric display alternative to the uppercase. Opentype features include ligatures, tabular figures and fractions.

For these fonts I have reworked the spacing a bit, and completely redesigned the "N" as they were calligraphically very wrong. Kevin King says: "Petrock is based on letterforms found in a small city Church in Exeter - from a display case about bell ringing. A lovely simple labeling hand, I think I've done it justice... Petrock Light is a lighter form of Petrock - makes both of them more usable." ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

A Historic Revival with a Sophisticated Rustic Edge Pennyroyal began as a Barnhart Brothers & Spindler typeface called Plymouth Bold, first cut in 1900. What began as a straightforward rustic typestyle has been revived to include a more extensive character set. But this font wasn’t just revived, it has come alive with character and personality. Pennyroyal includes 564 characters. The expanded SmallCaps option for gives the typestyle a more sophisticated look, expanding on the original typeface inspiration. Opentype features include: A collection of ligatures. Smallcaps. Full set of Inferiors and Superiors. Proportional figures and Oldstyle figure sets

The Brazzari Pro AOE is an unusual but fun geometric typestyle design. It is the historical revival and elaboration of the "Bizarre" typeface created by MacKellar, Smiths, & Jordan Co. in 1884. What began as a basic character set of Capitals, lowercase, numerals, and a small handful of punctuation characters has been expanded to a full character set including unlimited fractionals, superiors & inferiors, ordinals, tabular & proportional figures, and an expanded language glyph set, all with a smallcaps and Caps to Smallcap set to match. Definitely a niché use typeface, however, it has some great appeal. The letterforms of Brazarri Pro AOE are easy to convert to paths and extend various stems, making this revival something you can really let your imagination run wild with for your designs. WHAT'S INCLUDED: Enable the Stylistic Alternates feature for standardized letterforms without the extensions. Extensive language support. Invocation has accented and special characters that support the following languages: Afrikaans, Albanian, Basque, Bosnian, Breton, Catalan Cornish, Corsican, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Galician, German, Hungarian, Icelandic, Irish, Indonesian, Italian, Kurdish, Leonese, Luxenbourgish, Malay, Maltese, Manx, Maori, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Occitan, Oromo, Polish, Portuguese, Rhaeto-Romanic, Romanian, Scottish Gaelic, Scots, Serbian (Latin), Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish, Walloon, & Welsh. One of my guilty pleasures is in taking the time to recreate historical typefaces as digital fonts, and expand on their character sets to enable them to be used more widely than their limited originals. A lot of incredible historical typestyles created as wood or metal type with bare bones character sets have been lost or only exist as limited specimen proofs in old books. These typefaces may have more niché uses than modern typefaces, but I believe it is important nonetheless to preserve these typefaces for future generations. These typefaces, if nothing else, can often inspire new creations.

An unnamed historical font, scanned and patched. Originally upper and lower case only. I have extended it to include numbers, symbols and extended ascii characters.

Funtastic is a carefully crafted fun font. Multilingual: It has Extended Latin and Extended Cyrillic letters. It's created for games, web design, branding and social media works.

SCALTER was designed in the early April and published in July 2020. Scalter Serif is inspired by the characteristics American vintage sign then the sans serif it’s combination retro typeface. All shape of this typeface is make strong and more contrast, giving a more dynamic and retro feel. Scalter are available in 5 Widths (Condensed – SemiCondensed – Normal – SemiExpanded – Expanded) with matches 4 style (Serif – Semi Serif – Sans Bold- Sans Black - Script) with a total 42 Styles. Also includes support for 26+ Latin (Extended) Languages.

Groovecore is a modern bold serif display font with an unmistakable 1970s vibe. This is a design that is equally at home on a retro t-shirt logo as it is on a stylish fashion headline. The combination of plump rounded serifs and pointy curls sets up a nice graphic interplay of shapes. You'll find Groovecore to be carefully and extensively kerned, with even color weight that's makes it shine even in small extended text passages. Quirky but legible, Groovecore is a great choice in many contexts.

Filler is a display variable font that allows you to flexibly change the width ratio of font characters from extra narrow to extremely wide shapes. The typeface includes complete Latin language support with contrasting drawing of accents and punctuation. The character set includes special symbols, such as a set of emoticons or arrows that support OpenType features. In addition to the variable font, Filler also offers five width styles – Compressed, Condensed, Medium, Extended, Expanded. The font is intended primarily for strong display use in large proportions.

An update and extension to the popular September family. An authoritative and robust design for headline and shorter texts in the lighter weights, this modern family has all the necessary weight and presence for corporate and academic use, company brochures, branding, sport packaging, television idents, posters, packaging and film titles. This all-new version includes: Six extra weights in both upright and italic, bringing the full family to nine weights Extended character set Old style numbers Numerators and denominators Superior and inferior numbers Alternate glyphs

Klartext [plain talking, clear words] A modern monospaced type family of 10 weights. Klartext Mono combines a classical monospaced font and modern monolined sans-serif with a humanistic touch. It is characterized by a large x-height, slightly condensed glyphs with well shaped curves and soft strokes. As a special feature, Klartext contains a bunch of uncommon glyphs like the German capital sharp S, a nice arrowset and a basic phonetic alphabet (20 letters in IPA Extensions, some more in Latin Basic thru Extended B).

Mediator is a balanced contemporary sans serif typeface that performs well both in display sizes and body text. The family contains 30 fonts in 3 widths: 8 romans with matching italics, of slightly extended proportions, from Thin to Black; 7 narrow and 7 condensed, from Thin to ExtraBold. The character set in normal upright faces was expanded to include small caps and all faces include old style figures. The typeface was designed by Manvel Shmavonyan with the participation of Alexander Lubovenko and released by ParaType in 2016.

Supra Rounded is the newest addition to my big SUPRA-family. It really rounds of the huge family with a friendly design, that makes it an excellent and elegant text-typeface. It is an OpenType family for professional typography with an extended character set of over 700 glyphs and extensive kerning. It supports more than 40 Central- and Eastern-European as well as many Western languages (except Greek and Cyrillic). Ligatures, different figures, fractions, currency symbols and small caps can be found in all cuts.

Viktor Solt-Bittner drew logo sketches for an insurance company. Luckily for Schriftlabor, they rejected the design, and he turned the sketches into a font family. Years later, Plantago was expanded, developed and completed by Schriftlabor’s type directors Franziska Hubmann and Lisa Schultz. Plantago shows delicate leaf-like stroke endings and subtle curvings and offers condensed and wide variants. Typeset in 6 weights from Light to Black, 3 widths from Condensed to Extended, both upright and italic, totaling in no less than 36 styles.

SK Mutka is a geometric sans serif made in the style of Art Deco. Its graceful forms are emphasized by the arched structure typical for the style and spirit of Art Deco. The typeface is suitable both for decorative work and for typing because it includes uppercase and lowercase. Moreover, it supports a wide language range. SK Mutka typeface supports extended Cyrillic, Latin, as well as an extensive character set. SK Mutka is perfect for bold and classic designs, for print and web works.

YAPARI is a font inspired by a street typography located in a Makassar city 2005, this writing is poured into a font and then made several variations of width which are Wide, Extended, and Expanded kind of stretched font then have thickness ranging from Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold, Ultra. This font is suitable for use for design projects that have a bold impression and can also be used for all lines of media as well as formal and informal

Looking for a tall, skinny, rounded serif font, with a fun hand-written feel? Look no farther than Garrulous! Garrulous is a mixed-case font, with the lowercase letters standing just as tall as the uppercase, so you can mix and match uppercase and lowercase in the same word for an extra fun look. It also comes with 32 double-letter ligature pairs, 17 uppercase and 15 lowercase, so you won't have the exact same letter twice in a row. As usual, the letters in Garrulous have been cleaned up extensively, to make everything sharper and easier for crafters and for any print projects. And I've included over 300 extended Latin characters for language support. Garrulous includes: - Standard characters A-Z, a-z, 0-9, and punctuation - 32 double-letter ligature pairs - Over 300 extended Latin characters for language support

SK Skrynka™ is a strict monospaced geometric accidental typeface. He absorbed both industrialism and simplicity, and futurism along with modernism. It is imbued with the spirit of the distant future and refers to the culture of cyberpunk. With its features, it resembles a computer's electrical circuit and fits perfectly into a futuristic design. SK Skrynka font supports many languages: extended Latin (Western European, Eastern European and Central European, etc.), extended Cyrillic (Russian, Ukrainian, Belarusian, Serbian, etc.), Greek and even Hebrew. This allows you to use it in absolutely any direction and style of design. Also, this font has many stylistic alternatives that bring variety to the monospaced typeface, further expanding its expressive capabilities. The SK Skrynka typeface will look great in headlines, or in stylized text and will become a functional addition to design work or game design.

Refrankt is a multifunctional sans-serif type family with 18 styles, ranging from Thin to Black with matching italic styles. The key visual feature of Refrankt is its wider characters and expanded proportions, which accentuate the character of the type family and extend its application. Refrankt works well as a display font but can also be used comfortably in headings and larger bodies of text. Refrankt offers a clean and thoughtful take on the functional grotesque sans-serif style and can be used in a wide variety of projects, from UI/UX design to packaging and branding. It can also be employed as a font for logos and word marks. Whether you're looking for bold, sturdy letterforms or dynamic flexibility, Refrankt readily adapts to any task. Refrankt would look at home in projects related to technology, athletics, industrial design and many more. The functionality of Refrankt is defined by its multilingual support (200+ languages) and its extensive OpenType features, such as Case-Sensitive Punctuation and Stylistic Alternates, among many others. In addition to a standard set of figures, Refrankt includes tabular figures, old-style figures, superiors, inferiors, and fractions. The entire character set comprises over 800 glyphs. Free trials available on our website: https://groteskly.xyz/ Refrankt Features: • 18 Fonts (9 Upright & 9 Italic) • Variable Font • 800+ characters/font • 200+ languages supported • Extensive OpenType Features • Versatile and Multifunctional

Our Quintessential Pro is based on the calligraphic lettering style known as the Italic Hand. As speed became more essential in writing hands, styles became less formal and more relaxed. Classic, clean, and casual, Quintessential fits a lot of design uses - hence its name. The SmallCaps and extensive figure sets only work to further expand the usefulness of the typeface across a wider breadth of applications.