LE MANS - CLASSIC is a font inspired by vintage motorsport racing. In particular, advertising posters from the 70's. This time period was important as it showcased not only the cars that changed but also the illustrative styles & typography. Features: Offered in 2 Styles - Regular & Compressed Extensive Language support Specialised Kerning on all character combinations Designed by KAZER STUDIO

Buttermilk is the first font from illustrator/designer/typographer Jessica Hische. It’s a wonderful display script that is feminine but bold. It’s equipped with decorative caps (which would make great drop-caps), fancy numerals, and a far too extensive array of ligatures (automatic in most programs thanks to OpenType) to make it easier for you to set it beautifully.

Mezzano is a classic retro-inspired sans serif display font - perfectly suited for any design that requires a timeless aesthetic with a little personality. This product features an extensive set of ligatures which will help your typography stand out, as well as multilingual support to maximize the applications. Perfect for editorial designs, web design projects, social content & much more!

Tengu is a multiline display typeface digitised and expanded from Gustavo Pardo Sarmiento Tangui (1973). An intricate wirelike framework creates an elegant yet futuristic font ideal for apparel, books, t-shirts and posters. The font includes over 400 characters. Opentype features include digital numerals, lining figures, fractions and language support covering Western, South and Central Europe.

Firstly is a script font with a unique character. It was created by Måns Grebäck during 2019 and 2020. Its wavy shapes and soft flow gives any project or logotype a well-balanced personality. It has an extensive lingual support, covering all European Latin scripts. The font contains all characters you'll ever need, including all punctuation and numbers.

Cataneo was designed at Bitstream by Richard Lipton and Jacqueline Sakwa and was initially released in 1993. Cataneo is an elegant chancery cursive typeface, inspired by the work of Bernardino Cataneo, a 16th-century Italian writing master. Cataneo offers as companions, typographer sets of swash characters and extensions to round out the family of three weights.

Hello Alexandria is a modern handwritten font, the name of this font taken from a city in Egypt (Alexandria). USE Hello Alexandria works great in branding, logos, Quotes, headlines, high fashion, Landing Page and Magazine. FEATURES Ligatures, Stylistic Alternates, Numbers & Punctuation / Extensive Language Support Thanks for checking out Hello Alexandria. I really hope you enjoy using it!

Jaggers is a handwritten typeface based on the letterforms Caslon. It may be hard to see the resemblance between these two since Jaggers is such a unique font. Its casual appearance is charming and easy to read. Jaggers has an expanded character set including European letters and symbols! This font is definitely one of Victory"s best.

Closer is a highly customizable Swiss Grotesque with overclosed aperture. Being a bit wider than the average grotesque and featuring some humanistic shapes, Closer feels less bland though still relatively neutral. Closer comes in 9 weights (18 styles altogether), features extensive language support including Cyrillic and is highly customizable with 7 stylistic sets to mix and match.

Frieda is a handwritten calligraphy script equipped with contextual alternates features and ligature variations for a customised look. Just add "+" before the letter or manually choose the character from Glyph Palette. Authentic, chic, but also relaxed with a set of beginning and ending extensions. Frieda can be used for weddings, greeting cards, invitations, books, menus, advertising, etc.

Rolf is a modern font of condensed typeface, Rolf is a narrow neutral geometric font designed for headlines and posters. The Italic weights are designed with high-quality compensation for all circles and strokes, made to combine rotalik techniques and details on each slope. Rolf has expanded Latin coverage to be ideal for Western, Central and Eastern European languages.

Gigranche font Family is Modern Expanded Grotesque sans serif style and which is where this font is very strong and bold for digital manufacture/ printing industry. This font is inspired by streetwear (Urbanstreet) which relies on courage, art, and strength. The Gigranche font also comes with several symbols, fractional numbers and additional glyps from various languages (Multilingual Support).

Querino Sans is an extra-bold sans-serif font, created by Måns Grebäck during 2018 and 2019. It comes as a regular, upright version and as italic. The font is multilingual and has an extensive range of glyphs; it supports all Latin-based European languages, contains numbers as well as all symbols and characters you'll ever need.

Ki is a monospaced display typeface inspired by older VCR / camcorder OSD (on-screen display) fonts. It is peculiar for its diagonal angles being restricted to 45°, which results in a specific textural effect perfectly legible in small type sizes. Ki comes in 7 weights with corresponding italics, and features extensive language support with over 500 glyphs, including Cyrillic.

Bouclé.2 – an upgraded edition of Bouclé fonts (2009), with careful refinements to glyph shapes and extension of glyph amounts, which enabled support of more Latin languages. New edition consists of eight styles: Light, Regular, Bold weights for plain and round fonts respectably, plus Regular and Light italics. Typeface is released in OpenType format with some OpenType features.

Karlisbad is a monospaced font in which lines expand and contract to form letters. The No-Lines styles can be used alone but it was their use in layers that inspired their creation. They can be used to give the letters a different color than the lines or to create an outline or hollow-letter effect.

Believe is a versatile font family. Strong capitals and a smooth, open lowercase are effective in a variety of applications. The geometric, near-monoline construction lends a classic durability, tempered by softened edges and vibrant shapes. Version Including : Thin, Regular, also in slant (Italic). Every letter has been redrawn and refined, with improved kerning and expanded language support.

Helsinki 2.0 is a completely updated version of our popular Helsinki typeface. We expanded the character set, changed the weight structure, and also added italics. Helsinki is inspired by the Finnish traffic sign typeface. It is based on geometric shapes, with technical and masculine forms. Helsinki is rather narrow, which makes it well suited to headlines and short text.

Fox Sans Pro – an upgraded version of Fox Sans TRF (2008), with careful refinements to glyph shapes and extension of glyph amounts, which enabled support of more Latin languages as well as support of Cyrillic. Four more styles have been added to the original six styles. This typeface is released in OpenType format with some OpenType features.

As a display typeface in expanded form, SpaceLab is a futuristic font of rigorous geometric construction designed for headlines or to label the intergalactic ships and other electronic and mechanical devices of the future. SpaceLab has a set of ligatures that make it more versatile to use. SpaceLab comes in two versions: Regular, Regular-Italic, Bold and Bold-Italic.

BluHead Studio LLC is pleased to announce the release of 7 fonts from the Churchward Freedom family designed by New Zealand typeface designer Joseph Churchward. BluHead Studio is in the process of digitizing many of the fonts in Churchward's extensive library of exciting and unique designs and will be releasing them in OpenType format on a regular basis.

Introducing the new "Abu Dhabi" font, a handwritten signature font. For those of you who are needing a touch of clean handwritten signature, chic and modernity for your designs, this font was created for you! Abu Dhabi was built with beautiful ligatures and alternate ending and It has an extensive lingual support, covering all European Latin scripts.

Bella was designed in a hurry for the birthday party of a little girl named Isabella. The character set was expanded later and works for a variety of uses. It has a fun, informal quality that made it ideal for a preteen girl's party, but the sharp serifs and thick strokes make it equally suited to edgier occasions.

Egon Condensed is a geometric sans serif typeface family built in nine styles - light, regular, bold weights in roman and italic respectably, plus three alternatives in roman. Egon Sans Condensed is an extension of Egon family - Egon Slab Serif (2008) and Egon Sans Serif (2010). Egon Sans is released as OpenType single master with a Western CP1252 character set.

Magnox Display is a family of geometric and expanded display fonts. It brings impact and strength to titles and can be combined with many other sans serif types. It has smallcaps glyphs, alternates and rounded variation and their oblique versions. In 1.1 version you now have a variable version that has two axes: inclination and rounded edges.

Weltschmerz, world-weariness… I love the sound of it, so I chose this name for my new font. Weltschmerz font is a hand made Jugendstil typeface which was modeled on a 1910 poster from Austria. Weltschmerz is a classy typeface, a little melancholic, but with a positive uplift in the end. Weltschmerz comes with extensive language support.

A display font with expanded width, bold weight is cultivated with high contrast in strokes, suitable for ephemeral design applications. It simulates the impact of cut tools with paper, cloth, and comes along with a feeling of geometric suggestions. Jaina Sans also supports over 200 latin based languages with 235 accented characters along with basic OpenType features.

Observant is your true partner when you want something with a handwritten attitude. Works great with invitations, greeting cards, presentations and alike. Each letter has got 7 different versions, which automatically cycles as you type. This is a neat trick to make your text look more random, and avoid repeating letters. Comes with extensive language support!

Bagor is a sans-serif typeface with a heavy touch. The concept is a big x-height and small ascender. Comes with 3 widths, namely: normal, wide, and expanded. And also a round version, making it 6 styles. Complete with ligature, alternative glyphs become an attractive choice. Bagor is perfect for branding, titling, headline, and more.

Introducing new typeface! Hoogy- A modern sans serif with beautiful swash. It has unic construction for the future style. Hoogy Font look clean, luxury, unic, elegant but still has funny taste. Perfectly used for product presentation, elegant logo design, packaging or invitation cards or heading text. Features Two style/ Numbers & Punctuation / Extensive Language Support/ligature and alternate

Dearest is a distinct flowing script based on handwritten characters found in a 19th Century German book chronicling a history of the Middle Ages. Originally released in 2001 as a set containing two styles, Script and Swash, Dearest is now expanded in 2014 as a pro font with several hundred new characters including support for Central European, Cyrillic and Greek languages. Other Opentype features include ligatures, fractions and figures, Roman numerals, alternate letterforms and more swashes to expand the possibilities of this designer-friendly font. In addition to the Dearest Pro font, a new companion font has been added- P22 Dearest Alternates. The characters contained in this font are part of the pro font, but are also designed to be used with Dearest Script and Dearest Swash and is intended for those who have applications that do not support Opentype features.

Gothiks Round Compressed is the rounded version of Gothiks Compressed. It is a 6-weight display sans-serif influenced by Texturas. The rhythm and verticality of Texturas can be easily identified on the letters with diagonal strokes like A N M K k V v W w X x Y y Z z: here they are all vertical. This kind of morphology was chosen because it accepts condensation in a very natural way, giving to this sans-serif a very unique personality. It has an extensive character set—with extensive language support—and many OpenType features like fractions, small capitals and different figure sets. Default figures align with lowercase. The typeface’s name refers to the plural of the word Gothic, which in turn can refer to both sans-serifs or Blackletter, depending on geographic location. Use it BIG!

Gothiks Round Condensed is the rounded version of Gothiks Condensed. It is a 6-weight display sanserif influenced by Texturas. The rhythm and verticality of Texturas can be easily identified on the letters with diagonal strokes like A N M K k V v W w X x Y y Z z: here they are all vertical. This kind of morphology was chosen because it accepts condensation in a very natural way, giving to this sans-serif a very unique personality. It has an extensive character set—with extensive language support—and many OpenType features like fractions, small capitals and different figure sets. Default figures align with lowercase. The typeface’s name refers to the plural of the word Gothic, which in turn can refer to both san-serifs or Blackletter, depending on geographic location. Use it BIG!

Winslow Title is a high contrast modern type family comes in two styles and a monolinear script family. The traditional proportions of Winslow Title are historical in nature and follow the design and style of Winslow Book as a high contrast variant. The Winslow Title Mod family is a contemporary take on the style, with tapering terminals and less pronounced finials. Each family includes both styles, to be accessed through the opentype panel as a stylistic alternate. If preferable, you can purchase the entire family collection to have easier access to both styles, but it's not necessary. The typeface family comprises of roman and italic styles in six weights from Thin to Black and two widths in the roman style: Regular and Narrow. The accompanying script family has a single weight but offers five tracking widths, from Narrow to Wide. The bundle is an elegant combination of styles perfect for titling and display design. The serif typeface is packed with features that make ideal titling styles. Not only do they include the Stylistic Alternates, but also Titling Alternates, Discretionary Ligatures, Small Capitals, Swashes and Contextual Ligatures. As noted previously, the typeface comes in two styles, Traditional and Modern. Each can be accessed either by the Stylistic Alternates or Stylistic Sets. Titling Alternates are alternates that expand the ball terminals to K, R, V, W, and Y (see Titling Alternates slide). Contextual Ligatures are for capital combinations with A that tighten the gap created by the extended serifs. It connects characters with a pairing serif (the lower right serif of the M with the lower right serif of the A) and bridges them together. This combination works for single and multiple A combinations. It is turned on automatically in the Opentype panel and shouldn’t need to be accessed individually. Alternatively, the Discretionary Ligatures feature combines diagonal or baseline stems with lifted small capitals, creating a unique combination of characters. Swashes is an extensive feature that offers up to five swash options per many of each character. These can be selected via the Glyphs panel or as character alternates in Adobe programs. The Script family has a feature set of it’s own, with initial and final swashes on lowercase letters, middle swashes for select characters, and a titling feature that joins words together by replacing the space with a line. Stylistic alternates create a bouncing baseline on connecting strokes. *Note: there is no great need to purchase both families as all styles can be accessed via Opentype features, but if customers prefer to purchase both styles, it can be done by selecting the Complete Typeface Family collection.

The ITC Stone Sans II typeface family is new from the drawing board up. Sumner Stone, who designed the original faces in 1988, recently collaborated with Delve Withrington and Jim Wasco of Monotype Imaging to update the family of faces that bears his name. Sumner was the lead designer and project director for the full-blown reworking – and his own greatest critic. The collaborative design effort began as a relatively simple upgrade to the ITC Stone Sans family. As so often happens, however, the upgrade proved to be not so simple, and grew into a major design undertaking. “My initial intent,” recalls Sumner, “was to provide ITC Stone Sans with even greater versatility. I planned to add an additional weight, maybe two, and to give the family some condensed designs.” As Sumner began to look more closely at his twenty-year-old typeface, he decided that it would benefit from more extensive design improvements. “I found myself making numerous refinements to character shapes and proportions,” says Sumner. “The project scope expanded dramatically, and I’m pleased with the final result. The redesign has improved both the legibility and the overall appearance of the face.” The original ITC Stone Sans is part of the ITC Stone super family, along with ITC Stone Serif and ITC Stone Informal. In 2005 ITC Stone Humanist joined the family. All of these designs have always offered the same three weights: Medium, Semibold, and Bold – each with an italic counterpart. Over time, Stone Sans has emerged as the godfather of the family, a powerful design used for everything from fine books, annual reports and corporate identity programs, to restaurant menus, movie credits and advertising campaigns. ITC Stone Sans, however, lacked one attribute of many sans serif families: a large range of widths and weights. “These fonts had enjoyed great popularity for many years – during which graphic designers repeatedly asked for more weights and condensed designs in the family,” says Sumner. “Their comments were the impetus.” ITC Stone Sans II includes six weights ranging from an elegant Light to a commanding Extra Bold. An italic counterpart and suite of condensed designs complements every weight. In all, the new family encompasses 24 typefaces. The ITC Stone Sans II family is also available as a suite of OpenType Pro fonts, allowing graphic communicators to pair its versatile design with the capabilities of OpenType. These fonts offer automatic insertion of ligatures, small caps and use-sensitive figure designs; their extended character set also supports most Central European and many Eastern European languages. ITC Stone® Sans II font field guide including best practices, font pairings and alternatives.

Brother XL & XS is an expansion of Brother 1816, one of the best sellers of 2016: myfonts.com/fonts/tipotype/brother-1816 We decided to add new widths to the type system, designing a condensed version (XS) that is perfect for narrow spaces without loosing legibility, and an expanded version (XL) with a lot of character for display uses but without abandoning funcionality. Both typefaces where created to adapt in diverse design languages being able to be “retro” or “modern” making it very flexible and working well in texts or titles, in print or screens. Brother XL & XS mixies Geometric shapes with Humanistic strokes at the same time. You can choose between a pure geometric or humanistic style, condensed or expanded, or even mix between XS, XL, or its alternate characters to create the feeling that you need for your projects. Its humanistic nature makes it easy to read, legible in small sizes; perfect for branding, editorial and signage. It has a total of 32 fonts, which are divided into 2 groups: XS (16 condensed weights) & XL (16 expanded weights). Each weight has +460 characters, +20 alternates, angular and straight edges, swashes, fractions, ordinals and much more.... Brother has also been specially designed for web (using hinting instructions), making it work in small and large sizes on different types of screen resolutions.

Drummer is a large futuristic font family inspired by the Expansion TV series, old science fiction book covers and Honda Prelude and Porsche logos. The family contains a large number of styles and a lot of language support. 54 styles, 6 in width (Ultra Condensed, Condensed, Normal, Expanded, Extra Expanded, Ultra Expanded) and 9 in weight (Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold, ExtraBold, Black). The font also has a variable version. 573 glyphs, including 40 alternate characters. A lot of work has been done on the font. The fillets on the symbols have been well worked out and tested for a better visual and practical experience. The font combines the monospacing of many characters combined with kerning, which makes it very convenient for many purposes, such as vertical typography. The font is good in all sizes, both small and large, which makes it possible to use it anywhere. Branding, logos, titles, posters, texts, covers, merch, prints, web, titles, banners, games and design in games and much more. In the near future, it is planned to add another axis of variability - the slant. Consequently, the family itself will increase. It is also planned to add a small case (capital). If you want to say something about the font or get a font in other formats, then write to the mail: bunineugene@gmail.com .

Hempa Sans is a modern sans serif font family with a geometric touch. Consists of 16 Styles 8 upright and 8 inclined to match. Thin Weight - Black Designed with strong open-type features in mind. This font has alternate characters in Letters (G, M, R, g, k, r, t, u, y). Each weight includes extended language support for numbers, arrows, binders, and more. Great for graphic design and any display use. It can easily work for Web, Print, and more. This typeface comes with a standard 445 character set that supports more than 80 Latin-based languages.

Statement Sans is a versatile sans serif font family created by the Sudtipos team in the spirit of modern neo humanistic fonts, with a deep grotesk and industrial influence that can be discovered along the system. Developed to express its potential in UX and UI projects, corporative interfaces or editorial web and print layouts, Statement is available in 9 weights with matching real italics, extended latin language support, and also including classic and old style figures as well as plenty of stylistics alternates. Last but not least, Statement Sans includes a one file variable font to join the party.

This all caps display font is defined by its close spacing and thick serifs for a distinct appearance. Inspiration came from old movies set in the Wild West. The characters are tall in stature so works well in spots with limited space. Use Durango Western for a wanted poster, social media, or team logo. Basic/Extended Latin, European accents, punctuation, diacritics, kerning, and Cyrillic characters are included. The eroded version features varying levels of distress between the uppercase/lowercase and contains a few alternates. NOTE: Due to the level of detail in the eroded version temporary computer slowdown may occur.