Centima – a geometric sans serif typeface family, built in six styles. The typeface is intended for use in display sizes, but also is quite legible in text and is well suited for editorial and brand design. Centima is released in OpenType format with support for most European languages and includes some OpenType features – proportional/tabular, lining/oldstyle figures, slashed zero, ligatures, fractions.

Sonya Retro Font is an urban retro font with the style like a logotype lettering. was created to help you designing logotype or lettering style for your Brand or your clients. it has an extensive lingual support, covering European and Asian Latin scripts. The font contains all characters you'll ever need, including all punctuation and numbers. Multilingual Support Alternates, Regular/Extrude/Outline Thankyou

The display font Docklan arose from experiments of candle-grease and black ink. Book covers, music festivals, wedding invitations or just an essay in school – Docklan will allow you to make a statement in any setting! The lowercases are miniatures of the upper-ones and it comes with a set of basic English/Latin letters and some west European diacritics.

Deco Signage JNL was inspired by the cast metal letters of a German wall sign “Kaspar Stanggasinger-Haus” in an online display of European signage photography - and is available in both regular and oblique versions. Although the original age of the sign is unknown, the tall, thin monoline font it’s based on evokes a definite 1940s Art Deco design influence.

Blackfriars, a Victorian-era release from the Stephenson Blake Type Foundry, provided the basis for this rough-hewn gem. Slightly clumsy yet eager to please, this typeface adds a cheerful warmth to any project it graces. The PC PostScript, TrueType and OpenType versions contain the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

In its loose, angular forms, it is reminiscent of thorn bushes dotting the immense Kalahari desert. Spiky and freeform, Doorn calls to mind the irregular hand-drawn lettering found on wooden signs outside small shops in tiny African villages. The font contains all upper and lower case characters, punctuation, numerals and mathematical operators, as well as all accented characters used in European languages.

Lucilee is a full featured, OpenType script font from Michael Clark. It is a sweeping italic with many alternates, including ligatures, beginning and ending swashes, and a full Central European character set. It is a joining script that is fluid and also suitable for titling. Lucilee was designed with packaging in mind, but can be used for a wide variety of uses.

The inspiration for this elegant, willowy typeface was found in the 1903 type specimen catalog of Barnhard Brothers & Spindler. The original version was named "Racine"; this version takes its name from another town in Wisconsin. The Postscript and Truetype versions contain a complete Latin language character set (Unicode 1252); in addition, the Opentype version supports Unicode 1250 (Central European) languages as well.

An extremely low midline marks this offering, based on an “elegant” alphabet found in Samuel Welo’s chapbook, Lettering: Modern and Foreign, published in 1930 by Frederick J. Drake and Company. Definitely different, and Deco at its most debonair. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

A delightfully different typeface named Aphrodite, designed by Richard Nebiolo for Photolettering in the 1970s, provided the pattern for this svelte beauty. Graceful and elegant, it's the perfect choice for tasteful yet commanding headlines. The PC Postscript, Truetype and Opentype versions contain the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

This unusual sans typeface was inspired by a serif face called Faust, designed by Albert Kapr for the Institut für Buchgestaltung in 1959. Its mix of medieval, Jugenstil and Bauhaus influences makes it an intriguing choice for your next project. Both versions of this font include the Unicode Latin 1252 and 1250 Central European character sets, with localization for Moldovan and Romanian.

Introducing a vintage font Giftbox. It's a classic style font with thin lines decoration. Giftbox font set includes a main font file with lots of ligatures and a simple one which will be more usefull in a small size. Giftbox font has a west european multilingual support (please check out a screenshot with all characters). Thank you and have a lovely day!

Tabela is a family of typefaces inspired by the aesthetics of monospaced fonts. Its design, based on the monospaced font, preserves its characteristic elements. Perfect for headlines, titles and logotypes, it also has an alternative, more neutral stylistic variant for projects that do not require such distinctive lettering. Its wide array of diacritics allows it to be used in most European languages.

In 1956, Schriftgeißerei Genzsch & Heyse released the pattern for this typeface, designed by Werner Rebhuhn, under the name "Hobby". Despite its Eisenhower-era origins, the face retains its casual charm, spontaneity and freshness even after half a century. Both versions of the font contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Rianna Pauls is a beautiful signature font, fashionable appearance and elegant simplicity of lines. You will fall in love with this font Font is an open type with clean shapes and precise kerning. It includes ligatures encoded by the PUA. Language support: All European languages Don't forget to subscribe so you don't miss out on the new awesome fonts Dima

Here's an Art Deco classic with a bit of an edge. This typeface is based on a somewhat less refined but more energetic version of Broadway, designed by Morris Fuller Benton for ATF in 1928, originally named Broadway Poster. Both versions of this font contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Walter Foster art books strike again, this time with a bouncy script based on the work of Al Mack, from his Lettering: Brush & Pen in the Single Stroke. Light and lively, this typeface proves that it don't mean a thing if you ain't... The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

Pluton, a mono-spaced font, is designed to be versatile and easy on the eyes, with over 1400 defined glyphs. It has wide coverage comprising several different alphabets (Western European, Cyrillic, Hebrew, Runic, Ogham), mathematical, and physical symbols. Pluton Regular has been upgraded to contain over 2600 glyphs. A pluton is a igneous mass of rock formed at considerable depth.

CASU aérospatiale is an extruded 3-D font supported by equivalent "flat" styles. CASU aérospatiale is relaxed in character yet smooth in details. With the full family, you get many options for playing with text: add juxtaposition, depth, and texture to your work! CASU aérospatiale is extended, containing West European diacritics and ligatures, making it suitable for multilingual environments and publications.

Inspired by illustration lettering, Pocket has a contemporary, quirky feel. Its combination of narrow and round forms give it a humorous feel.It has support for most western and central European languages, and has alternates for most letterforms, allowing for variations that make it look authentically hand-drawn. Check out other fonts in the Pocket family: Pocket Serif and Pocket Swash

This engaging antique text face is based on Paragon Light, from the 1905 specimen book from Barnhart Brothers & Spindler. Although it is spaced and kerned for text work, it also is suited for headlines if you tighten the tracking. Both versions of this font contain complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Bridgewater is a hand-drawn, brush font with contextual alternates to help with flow and readability. Each letter and number has three variations. When the font is used in OpenType-savvy applications, the 3 variants of glyphs are automatically alternated to achieve a random-like effect. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Nightmark BB is a roman-inspired, all-caps calligraphy typeface, hand lettered by Nate Piekos. Intended for comic book dialogue lettering, it features contextual alternates for six versions of each letter, three versions of each number, exclamation point, and question mark, serif-I correction, manga-specific characters, bouncy baselines for three or more consecutive letters, and a ton of European characters!

Here’s another offering from the Baltimore Type Foundry, originally called Airport Tourist, which was obviously influenced by Paul Renner’s Futura Display, designed in 1932 for Bauersche Gießerei. This version features tight sidebearings and aggressive kerning, so your headlines will pack a punch. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

This elegant stencil face is based on an alphabet found in one of the innumerable Dover Books volumes edited by Dan X. Solo. Intended for headline use, it can also be employed effectively for short blocks of body copy. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Originally designed by Les Usherwood for a famous European car company, Elston Pro has been completely redrawn and remastered by Steve Jackaman and Ashley Muir. The new Elston Pro family has been fleshed out with a glyph set that is over 40% larger than the original Elston release, and contains all the high-end features expected in a quality OpenType Pro font.

Vulgat is a uncial inspired typeface that offers a vibrant personality while staying clear and legible in all applications, a contemporary style modeled by the past. Designed for use in editorial and branding situations, Vulgat can be used for titles but equally longer passages of text. This typeface features an extended Latin support for all European languages plus Cyrillic support.

Pradis Retro Font is an urban retro font with the style like a logotype lettering. was created to help you designing logotype or lettering style for your Brand or your clients. it has an extensive lingual support, covering European and Asian Latin scripts. The font contains all characters you'll ever need, including all punctuation and numbers. Multilingual Support Alternates, Regular/Extrude/ Thankyou

A whimsical and fun calligraphy style font that is perfect for informal and fun occasions. The design was inspired by a series of scrapbooking style fonts that I have been exploring over the past couple of years. Inspired by a hand lettered sample in a lettering how to book. Contains language support for both Latin-based and most Eastern European languages.

The 1930s produced many distinctive and stylish autos. One was the Auburn, and this typeface was suggested by a period poster for the make. Another fine car of the time gives the font its name, because “it’s a Duesie!” Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

DF Capitol features two faces, DF Capitol Skyline and DF Capitol Capitals (a multi-weight all-caps compliment) that epitomise Streamline Moderne. Strong geometry and large, open counters with heavily condensed verticals and a succession of contextual alternates and discretionary ligatures. DF Capitol presents a nice companion in two weights. Both contain full support for Eastern and Central European languages.

This distinctive poster face is based on the work of Dard Hunter, one of the pioneers of typographic design within the Arts & Crafts movement. Use it to create distinctive headlines, or to add some architectural interest to your designs. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

The typeface Modernistic, designed by Wadsworth A. Parker for American Type Founders in 1927, provided the design cues for this typeface which, unlike the original, includes lowercase letters. Best used sparingly for dramatic and memorable headlines. Both versions of this font contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

DF Capitol features two faces, DF Capitol Skyline and DF Capitol Capitals (a multi-weight all-caps compliment) that epitomise Streamline Moderne. Strong geometry and large, open counters with heavily condensed verticals and a succession of contextual alternates and discretionary ligatures. DF Capitol Skyline presents a nice companion in two weights. Both contain full support for Eastern and Central European languages.

Originally commissioned by magazine publisher IPC, Rogue has proved to be one of the most popular Device releases. Now extended and updated as Rogue Nova, it sports additional weights, East European language support and reengineered spacing and kerning. It is now a versatile 30-font family, with five weights and three widths, all with italics. Powerful and authoritative, sharp-edged and contemporary.

In their circa 1900 specimen catalog, Barnhard Brothers and Spindler called this typeface "Samoa", suggesting exotic locales. On the other hand, it also suggests some serious fun, and is named in honor of British artist Dudley Hardy, whose posters used a very similar typeface extensively. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

Tabela is a family of typefaces inspired by the aesthetics of monospaced fonts. Its design, based on the monospaced font, preserves its characteristic elements. Perfect for headlines, titles and logotypes, it also has an alternative, more neutral stylistic variant for projects that do not require such distinctive lettering. Its wide array of diacritics allows it to be used in most European languages.

This bouncy little number is based on handlettering often found on greeting cards in the 1950s and 1960s, and often the work of Alan Denney. Wild and wacky (and maybe a little bit tacky), this monocase font is a sure attention-getter. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

This exuberant face was suggested by a piece of French sheet music from the 1930s for the song Sur un Air de Shimmy, The name comes from an Australian song from the 1950s about a noncompliant boomerang. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

This quirky charmer appeared in the 1898 specimen book of the Cleveland Type Foundry, under the name of "Litho", so it's no mystery where it got its name. It's a perfect choice for engaging headlines, anytime, anywhere. The PC PostScript, TrueType and OpenType versions contain the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.