This stately typeface takes its inspiration from Erbar Medieval, designed by Jakob Erbar for the Ludwig & Mayer foundry of Frankfurt am Main, released in 1914. Equally at home in headlines or text blocks, this face is both elegant and inviting. Both versions contain the complete Latin 1252, Central European 1250 and Turkish 1254 character sets.

Masha is a new 3D font notable for its unique style and attractiveness. It is appropriate to use this font as addition to different pictures or pieces of art, it is a good final touch for something unusual and beautiful. The hand made letters provide individuality and an unusual appearance. It supports all European languages.

Larsson is a hand-drawn, all-caps, ultra-narrow font created by Bartek Nowak. It contains two variations for each letter and a lot of ligatures. Use for invitations, greeting cards, posters, advertising, weddings, books, menus etc. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

The 1885 specimen book of the Palmer and Rey Type Foundry of San Francisco featured the inspiration for this typeface under the name Courier. This version has been thoughtfully designed to use Contextual Alternates to avoid unsightly swash collisions. Both versions of this font include the complete Latin 1252 and Central European 1250 character sets.

Long before there was Scooby Doo, there was scooby-dooby. This exuberant font is based on the works of whacked-out 50s album-cover artist Jim Flora, whose imaginative illustrations defined hot jazz and cool cats. The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

Meet "Long giraffe," a condensed font inspired by a giraffe's elongated neck. It offers two font families, one displaying significant thickness contrast between horizontal and vertical strokes. Perfect for mobile screens and narrow spaces. Supports Western and Eastern European languages, making it versatile for diverse design needs. Embrace the elegance and functionality of Long giraffe.

A rather droll unicase typeface, discovered in a 1970s chapbook of suggested lettering for Soviet propaganda posters, inspired this bouncy beauty. Way more fun than a barrel of Volga Boatmen. The PC Postscript, Truetype and Opentype versions contain the complete Latin language character set (Unicode 1252) plus Central European (Unicode 1250) languages as well.

This unicase beauty is based on the typeface Vesta, originally designed by Albert Auspurg for H. Berthold AG, Berlin and introduced in 1926. Classic, stylish and elegant, this typeface will add grace and charm to any project. Both versions of this font include the complete Unicode 1252 Latin and Unicode 1250 Central European character sets.

In 1921 the Klingspor foundry released Walter Tiemann’s Narziss™. This beautiful and elegant font was completely redrawn and redesigned and extended to cover major European languages East and West. The font contains also a 'long s‘ and related useful ligatures which can be reached by using the OpenType features historical letters and historical ligatures.

A travel poster from the 1940s for Mexican tourism provided the inspiration for this voluptuous font with a strong architectural feel. A few unexpected idiosynracies in the letterforms add to its charm. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

Manifest is a geometric typeface family based on the principles of simplicity, modernity and functionality. With a low-contrast design approach, it performs excellently in any project from print to digital. It comes in five weights with an extended character set including 240+ glyphs per typeface which supports Western and some Central European languages.

The Shoreman This typeface is a vintage Sans Serif Display Typeface. The Shoreman comes packed with over 450 glyphs containing many alternates and decorative characters. With so many options of characters, you can give any of your projects it's own unique character. What's Included? Over 450 Glyphs with tons of alternates Western European characters Thanks!

PB Capitalis Rustica IVc is a font face designed for imitate latin writing style found in manuscripts from 1st to 9th century. All characters are handwritten by use ink and reed pen (calamus), scanned, digitized and optimized for best quality without lost its handwritten visual appearance. Character set support codepages: 1250 Central (Eastern) European, 1252 Western (ANSI), 1254 Turkish, 1257 Baltic. Include also additional characters for Cornish, Danish, Dutch and Welsh language, spaces (M/1, M/2, M/3, M/4, M/6, thin, hair, zero width space etc.) and historical characters (overlined Roman numerals, I-longa, historical ligatures for "nomina sacra" and "notae communes"). OpenType TrueType TTF (.ttf) font file include installed OpenType features: Access All Alternates, Localized Forms, Fractions, Ordinals, Superscript, Tabular Figures, Proportional Figures, Stylistic Alternates, Stylistic Set 1, Historical Forms, Historical Ligatures. Include also kerning as single 'kern' table for maximum possible backwards compatibility with older software. Historical ligatures for "nomina sacra" and "notae communes" are mapped to Private Use Area codepoints. Use of OpenType features to get historical characters: ïTo get "I-longa" use Stylistic Alternates for: "I"(U+0049), "i"(U+0069), "dotless i"(U+0131). ïTo get "nomina sacra" use Historical Ligatures and write uppercase letters: DS for: "Deus", DMS or DNS for: "Dominus" EPS for: "Episcopus", IHS for: "Iesus", PBR for: "Presbiter", SCS for: "Sanctus", SPS for: "Spiritus", XPS for: "Christus". ïTo get "notae communes" use Historical Ligatures and write: B(U+0042) + "middle dot"(U+00B7) for: "-BUS", Q(U+0051) + "middle dot"(U+00B7) for: "-QUE". ïTo get "scriptio continua" (writing without words separation) use Historical Forms (regular spaces are replaced by zero width spaces between words). ïTo get "middle dot" for separate words use Stylistic Set 1 (regular spaces are replaced by middle dot between words).

Campeche is an expressive yet functional typeface family. Seeking to express its beauty, it twists the conventions of classic typography when necessary. Campeche finds its inspiration in the grotesque typefaces of the late 19th century coupled with a typical Latin American playful sense that gives it a modern freshness. The initial form arises from the idea of expanding Seriguela, evolving along the way, becoming its own system with a unique personality. Campeche is designed for today's requirements. It is available in two styles and three widths, from condensed to extended, with 9 weights each, totaling 54 fonts, in addition to the variable version. Campeche is a comprehensive typographic system that provides versatility for almost any use. It can be used for packaging, editorial, branding... etc. The mix of widths and between the normal and display versions can generate complex graphic parts or systems with different levels of hierarchy, without losing unity.

The intention with Capo was to make a typeface with a pinched, angled connection between curves and verticals. We have explored this incised, cut motif previously on typefaces, most notably Noah, Sabre and Harbour. These have focussed more specifically on stone-cut forms. For Capo we wanted to mix the expressive quality of its ‘pinch’ idea with an overall aesthetic that could be applied to text rather than headline. So Capo has something of the function and warm, organic quality of Grotesque style typefaces. In Capo’s Bold and Black weights the sharpness of the letter shapes is more dramatic and emphasised, making for great effect for large-sized text. Why Capo? A capo is a device used on the neck of a stringed (typically fretted) instrument to shorten the playable length of the strings by pinching or clamping them in place, hence raising the pitch.

Octagen is a family of 16 condensed Sans Serif fonts of geometric construction and neo-Gothic style with short descenders and a humanistic finish in the curves and auctions of the tiny letters to avoid the coldness of the grotesque typographies, providing expressiveness, energy, warmth and docility , resulting in a friendly typography with a lot of personality and readability, specially drawn for the composition of short and medium texts, signage or headlines where horizontal space saving is needed. The typography has 529 glyphs (Latin Extended-A) with advanced OpenType functions, several number games, a complete set of neutral-style alternative lower case letters and the Bitcoin symbol. For Octagen cursive styles I used a set of lowercase letters without terminal finishes, more neutral than the regular versions, this being compensated by the expressiveness of the italics inclination, thus achieving important morphological, coherent differences within the conceptual development of this typographic family.

Hargloves sans remixes between grotesque proportions and 80’ industrial inspired-typefaces. Yes, it is a major improvement from original Hargloves fonts with completely different projections. Hargloves Sans intended primarily for text, editorial or long-form text. This new design emphasized on reader joy experience when reading text without losing typeface characters. Hargloves Sans support almost all Latin script language, roughly around 356 latin language according to hyperglot analytics. This language coverage is heypentype priority to serve all possible Latin script language all over the world. The premise is simple, because it is text typeface it should cover all Latin script languages whether its popular language or not. Hargloves Sans have a higher x-height compared to Hargloves. Higher x-height will give a seamless, undistracted reading. The open counter on nearly squared proportions is Hargloves Sans main character. There’s a lot of feature coming for this typeface in the future.

As the foundry’s top–of–the–line family, Gerlach Sans was named after the highest peak in Slovakia. Its functional design is enhanced by a few subtle ingredients, adding life and giving words a more playful voice. The family has eight weights ranging from delicate hairline to the super thick black. Each of them includes a genuine italic companion with variant shapes. The large character set accessible through OpenType features provides the designer with a wealth of opportunities and supports a wide range of Latin-based languages. It is stuffed up with tabular and proportional figures, old-style and lining figures, fractions, superscripts and subscripts, ordinals, case-sensitive forms, circled numbers, arrows, icons and many more. Combining legibility and usability of its grotesque style with cool elegance, Gerlach Sans provides a strong partner for your print and web project. You can download the instruction PDF here.

TG Glifko is a new contemporary sans-serif grotesque typeface with a combination of large and small aperture, make Glifko feel quirky, dynamic, and unusual. TG Glifko works excellent for display applications and still looks gorgeous in small size. It comes in seven different weights, from ultra-light to extra black, and matches with italic. They also supported various OpenType features, like stylistic alternates, case-sensitive forms, numerators, denominators, superscripts, subscripts, fraction, and multilingual support, coverage more than 200 languages. We are pleased to see our typefaces used by many people. If you are one of them who use our typefaces in your project, feel free to send some in-use sample images to us at info@tegamitype.com. We may upload them on our social media and our website www.tegamitype.com If you have any question or concerns regarding our products, please send us an email at info@tegamitype.com

Ceebo is a friendly sans-serif, which show some aspects of a humanist and grotesque typeface. It retained more details of writing and got some forms and characteristics of an italic. The font contains some alternative glyphs. It also contains some ligatures and discretionary ligatures. In addition, there are adjusted figures and additional character for uppercase letters, lowercase letters and small caps, which react by OpenType-Feature. The font was designed to stay legible also in small sizes: beside as possible open counters, a tall x-high, distinct vents and cuts, it especially are the details of the glyphs which make it discernable. The regular weight is slightly thinner than other sans-serif fonts, moreover the diacritics and small glyphs were designed for small sizes by taller and more open forms. The resulting “ruggedness” is mellowed by half-rounded stems and pointed stem ends.

Buffalo Bill is a revival of an old favorite font that’s been around since 1888, the James Conner’s Sons foundry book of that same year is the oldest source I've seen for this old classic. If you're looking for the font used as the logo for Buffalo Bill’s Irma Hotel in Cody Wyoming please refer to the FontMesa Rough Riders font. New to the Buffalo Bill font is the lowercase and many other characters that go into making a complete type font by today’s standards. The Type 1 version is limited to the basic Latin and western European character sets while the Truetype and OpenType versions also include central and eastern European charcters. William F. (Buffalo Bill) Cody called America’s Greatest Showman was one of the United State’s first big celebrity entertainers known around the world, millions of people learned about the Old West through Buffalo Bill’s Wild West shows which traveled throughout the United States and Europe. William Cody, at age eleven, started work on a cattle drive and wagon train crossing the Great Plains many times, he further went on to fur trapping and gold mining then joined the Pony Express in 1860. After the Civil War Cody went on to work for the Army as a scout and hunter where he gained his nickname Buffalo Bill. In 1872 William Cody started his entertainment career on stage in Chicago along with Texas Jack who also worked as a scout, the Scouts of the Prarie was a great success and the following year it expanded to include Wild Bill Hickok and was eventually named The Buffalo Bill Combination. By 1882 Texas Jack and Wild Bill Hickok had left the show and Buffalo Bill conceived the idea for the traveling Wild West Show using real cowboys, cowgirls, sharpshooters and Indians plus live buffalo and elk. The Wild West shows began in 1883 and visited many cities throughout the United States. In 1887 writer Mark Twain convinced Cody to take the show overseas to Europe showing England, Germany and France a wonderful and adventuruos chapter of American history. The shows continued in the United States and in 1908 William Cody combined his show with Pawnees Bill’s, in 1913 the show ran into financial trouble and was seized by the Denver sheriff until a $20,000 debt (borrowed from investor Harry Tammen) could be paid, Bill couldn't pay the debt and the loan could not be extended so the assets were auctioned off. William Cody continued to work off his debt with Harry Tammen by giving performances at the Sell’s-Floto Circus through 1915 then performed for another two years with other Wild West shows. William F. Cody passed away in 1917 while visiting his sister in Denver and is buried on Lookout Mountain joined by his wife four years later. Close friend Johnny Baker, the unofficial foster son of William Cody, began the Buffalo Bill Memorial Museum in 1921, over the years millions of people have visited William Cody’s grave and museum making it one of the top visitor attractions in the Denver area. William F. Cody romantisized the West creating the Wild West love affair that many still have for it today through books and cinema.

ATF Franklin Gothic® A new take on an old favorite Franklin Gothic has been the quintessential American sans for more than a century. Designed by Morris Fuller Benton and released in 1905 by American Type Founders, Franklin Gothic quickly stood out in the crowded field of sans-serif types, gaining an enduring popularity. Benton’s original design was a display face in a single weight. It had a bold, direct solidity, yet conveyed plenty of character. A modern typeface in the tradition of 19th-century grotesques, Franklin Gothic was drawn with a distinctive contrast in stroke weight, giving it a unique personality among the more mono-linear appearance of later geometric and neo-grotesque sans-serif types. Franklin Gothic has been interpreted into a series of weights before, most notably with ITC Franklin Gothic. But as the original type was just a bold display face (later accompanied by a few similarly bold widths and italics), how Benton’s design is expanded to multiple weights and styles as a digital type family can vary significantly. Benton designed several gothic faces that harmonize with one another, including Franklin Gothic, News Gothic, and Monotone Gothic, that can serve as models for new interpretations of his work. With ATF Franklin Gothic, Mark van Bronkhorst looked to Benton’s Monotone Gothic—originally a single typeface in a regular weight, and similar to Franklin Gothic in its forms—as the basis for lighter styles. ATF Franklin Gothic may appear familiar given its heritage, but is a new design offering a fresh take on Benton’s work. The text weights are wider and more open than some previous Franklin Gothic interpretations, and as a result are quite legible as text, at very small sizes, and on screen. ATF Franklin Gothic maintains the warmth and the spirit of a Benton classic while offering a suite of fonts tuned precisely for contemporary appeal and utility. The 18-font family offers nine weights with true italics, a Latin-extended character set, and a suite of OpenType features. Download the PDF specimen for ATF Franklin Gothic.

Huge is a handwritten font with a personal charm. Huge is perfect for branding projects, homeware designs, flyers, posters, product packaging - or simply as a stylish text overlay to any background image. Whats Include? 1. Uppercase and lowercase characters 2. Supports international languages 3. Numerals & punctuations, stylistic alternates, and ligatures 4. Accessible in the Adobe Illustrator Glyphs panel, or under Stylistic Alternates in the Adobe Photoshop OpenType menu, Adobe InDesign, Corel Draw, even work on Microsoft Word. 5. TTF and OTF files 6. Bonus 59 vectors (swashes, catchphrases, and doodles) Fonts include multilingual support. Please message me if you're unsure of any language support. Thanks for looking, and I hope you enjoy it! Please don't hesitate to drop me a message if you have any issues or queries. Omotu Studio ibnu.blawong2@gmail.com

Telder HT Pro is a humanist sans serif family with 10 weights, conceived as a web font with nice legibility at normal text sizes. Originally based on grid fitting shapes it became a multi-purpose typeface with low contrast, open counter forms, wide proportions and a touch of freshness. It is ideal for paragraph text on websites as blogs and news sites and works great for printed text. Its extreme weights are suitable for display sizes. This PRO version contains 10 weights and 2 styles. All the fonts contain small caps, alternate glyphs in stylistic sets (such as B, P, R, a, f, g, w, x, y & z), four number sets (lining and old style, proportional and tabular), ordinals, superiors, inferiors, fractions, disctretionary ligatures, arrows and more. Each font contains +1000 glyphs.

Athens is an elegant typeface of contrast. Designed for branding, headlines and titles. The family offers class and clarity at larger and smaller sizes. Its a modern take of the old didone genre, confidently playing with extremes of thick strokes and whisper-thin curves, but removing the serifs, planting it firmly in modern day design. Its a careful collaboration between beauty and function. FEATURES 10 Fonts (4 weights + inline + matching italics) Supports ALL Latin based languages. (657 Glyphs per font) 2 options of numbers (Basic and stylistic) Athens features upper and lower cases, USE Each font offers something different and are all crafted to work harmoniously together. Athens Light, Regular, Bold and inline is designed specifically for headlines, titles and branding. Athens Book is optically designed for use in smaller sizes, making great body copy.

Introducing to you, Cooraline! Comes with 2 fonts style! Cooraline it's retro, psychedelic, bold, playful, and really unity together in your design to give it that retro feel. This font has an authentic groovy style that is perfect for making any project like a header, logo, quote, layout magazine, poster, packaging and label design, etc. Better which is use it on the 60s until 80s design project, this font will give some old-school touch to your design projects. Back in the psychedelia era Cooraline came with open-type features such as ligatures and extra clip art, and the other alternative Cooraline Shadow consists of underwater elements that suit with underwater atmosphere, so you can combine these two fonts to make an amazing retro, psychedelic with undersea vibes in your project designs.

All 6 fonts use the characters A - K and a - k to show two planets/stars/moons moving across each other. Nice and simple. There's a different number of points on the stars, or they're different sizes, and some appear to pass left-to-right, and some appear to pass the other way. Just type in ABCDEFGHIJK or abcdefghijk and you'll see. Two fonts have all the characters on the same level, (All-Black and Black+White). The Offset font has the 'sun/moon' with one slightly above the other and in black and white, and Half has them all-black. Partial has them even further separated in 2-tone. NearMiss is a very close shave. Comma, hyphen, and full stop/period give just a single symbol; there's a Space, and that's it.

girl love Script is a sweet calligraphy writing while maintaining its elegance. This will increase your design stand out! girl love is the perfect typeface for all your types of projects, such as advertising, branding, graphic design, quotes, wedding designs, logos for online or offline businesses, photography, and more. Make your business more beautiful! girl in love has 2 VERSIONS of the regular script with slanted tails. Feature: - Uppercase and lowercase letters (including PUA coded extra glyphs) - Numbers and Punctuation - Most Multilingual Accent - Can be used in any software, such as Adobe Photoshop, Illustrator, Silhouette Studio, even Microsoft Word, PowerPoint and others. HOW TO ACCESS SWASH: PC: Using the character map. Easier to use Character Map UWP (Free Download from Microsoft store) Feel free to chat with us if you have any questions. Thank you :)

Paper Works is a font created to enhance each design with a touch of bold, unique and decisive style. Paper Works is made in a handwriting style so it is suitable for use in product design and display titles. Paper Works also includes 2 different styles, including Regular and Outline, which are made to give different styles but still have the same character. Paper Works are included in the display font category so Paper Works can be used for any designs that have a cheerful, elegant and strong impression. It will also be very suitable when used on titles, logos, product posters, websites, menu books, books, and many designs that can be explored using document fonts. it will look very beautiful and easy to remember and very easy to use.

Introducing Black Butcher - Oldtype Series, created by ikiiko. Black Butcher is inspired by logo/ typography of classic american muscle car. The letters are bold script fonts with a flexible and straight line. This font have a unique waveform and has a large selection of stylistic sets. You can play with many style choices! This typeface is perfect for an vintage car logo, magazine cover, poster & flyer design for automotive event, and also good for vintage product, or simply as a stylish text overlay to any background image. What's included? 2 Weights : Regular & Italic Uppercase & Lowercase Number & Punctuation Alternates & Stylistic Multilingual Support Get also a good offer & FREEBIE at our site : www.ikiiko.com Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Monstro is a carefully hand-crafted typeface with different lettershapes on upper- and lowercase slots, although being an all-caps font. When working in OpenType savvy applications, the contextual alternates feature can take care of alternating the glyphs, preventing double letters from showing the same lettershape while bringing more spontaneity to your designs. There is also a set of stylistic alternates for added amusement: just turn on the stylistic alternates feature or pick the glyphs manually. Monstro comes in 2 versions: sketchy and solid, both hand-drawn. And yet there is the matching picture font that brings a big bunch of irresistible monsters and other very cool graphic elements. Sans-serif and bold, useful and friendly, these fonts are quite perfect for a monsterful of purposes. I can tell that you are gonna be friends!

Brigesta is a serif display font featuring classic glyphs developed in a modern and classy style. This font idea has various references, from classic to modern, making it the perfect typeface with a distinct and contemporary look. This font offers a broad set of options for creating headlines, logos and headlines. It's perfect for books, magazines, advertising, editorial, packaging, quotes, branding and more. Brigesta font completes your access to OpenType features to access a large selection of alternative letters and ligatures, a choice of letters you like from various upper and lowercase letters for a luxurious and distinctive look. FEATURES: 2 Font weight Uppercase & lowercase letters Alternative & Ligature Styles Numbers & Punctuation Characters with accents Supports Multiple Languages. If you still have questions, just send me a message and I'm happy to help ;)

Benson Script is a script that is desperately trying to be anything but a script. With 3 contrast levels, and 2 styles, the six styles of Benson Script are an experiment in the diversity of a single stem width. Modernism’s desire to fit all elements within geometric constraints and adhere to strong verticals has spread throughout type design, but has had little to do with the frills and ornaments of script. Cutting a script down to its bare bones is an offensive idea to many—almost seeming insulting to its genre. Benson Script bridges that genre gap between frill and function. As a matter of genre Benson Script errs on the side of modernism, and adds flair as a last resort. Read more about her open type features, and the development process here.

Introducing! Imagine Forest Font! a casual and charming brush font. Indigo Forest is very suitable to fill your design needs such as, branding, social media, merch, ads, book title, packaging, etc. Imagine Forest includes 2 fonts : - Imagine Forest: The main font with Uppercase, Lowercase, Number, Punctuation, and also multilingual support. - Imagine Forest Alt: Besides you can access alternative characters from the main font through the opentype feature, you can also install this alternative fonts. Indigo Forest Alt font will give you other options for a character, which of course will add a natural impression. Imagine Forest also has a some of ligatures that will enhance the natural impression. Thatís it! Please do let me know what you think, feel free to comment if there are issues or queries. Enjoy the Font, Thank You!

Hi designer, let me introduce my newest font Hello Kindess. Hello Kindess is my newest font brush that I made using a simple brush with a modern style and irregular base line. contemporary approach to design, natural handmade, suitable for use in title designs such as clothing, invitations, book titles, stationery designs, quotes, branding, logos, greeting cards, T-shirts, packaging designs, posters, and more. Hello kindess Font consists of 2 kinds of styles namely upright and italic style so that designers are free to choose the desired style. Hello Kindess Font Also has 20 Extras made by hand which are very suitable for various purposes in design. Extras that I made with full detail so it looks very unique. Thank you for seeing I hope you like it.

The font collection is called "Brocades", it is a crafted display with vintage themes. These collections contain monoline script, sans serif stencil and serif stencil. Every font comes with 4 style typefaces (regular, rounded, rough and stamp). Brocades give more extras 2 pack illustrations (animals and motorcycle). This script font includes 3 sets alternates and swashes. The Brocades matches apply in some designs such as the logotype, poster, label, badge, packaging, apparel, branding, and more custom design. Brocades features : 4 style typefaces (regular, rounded, rough and stamp) Uppercase, lowercase, numeral, symbol, punctuation, alternate and swash in monoline script All-caps, numeral, symbol and punctuation in sans serif and serif font Multilingual PUA Encoded Brocades includes : 14 fonts (script, sans serif, serif and dingbat) 52 illustrations in dingbat Thank you for your support and choosing us.

The Dragon Quill family is the 3rd reincarnation of earlier (yet to be released) dragon fonts. A simple 'Dragon Round' grew to become 'Dragon Flare', then evolved to become 'Dragon Quill'. Within the Dragon Quill family, 1 'Subtle Goth' is the most basic, followed by 2 'Goth' and 3 'Gothic'. 4 'Tribal Tattoo' is the most complex font in the family, adding hooks, spikes, holes and extra shapes around and between letters. Because of the complexity of level 4 'Tribal Tattoo', occasionally inserting letters into existing text may cause some unusual effects between the letters. If you find this distracting, a workaround can be to convert it into one of the other fonts (like Subtle Goth), while editing, then to turn it back into 'Tribal Tattoo' when finished.

Monvar, A new Cooper with layered typefaces. It’s Simple, Bold, Versatile, and Friendly feel that you get in Monvar Typefaces. Monvar comes with 5 Layers : (that you can mix and match the looks as you like) Base Inset Outline Shadow 1 Shadow 2 Monvar Created with an All Caps that the uppercase are using an initial swashes. Perfect fitted layer to give you a more contrast, more bold look of the title. Every glyphs including the alternate characters are curated for the best and possible without eliminate characteristic of this fonts. Our creation on the display to give you a reference what it looks like on your project. such as Branding, Header, Logotype, Poster, Magazine, Packaging, Food Menus, and etc. It shows that Monvar clearly can accommodate various design style.