With my dingbats and your favorite software, you can create elegant web graphics in minutes! All these fonts were created with the web designer in mind. Each font consists on 26 original shapes with endless possibilities: virtual jewelry, buttons, framing, interfaces, etc. For examples of what you can do with these fonts: Click Now!

With my dingbats and your favorite software, you can create elegant web graphics in minutes! All these fonts were created with the web designer in mind. Each font consists on 26 original shapes with endless possibilities: virtual jewelry, buttons, framing, interfaces, etc. For examples of what you can do with these fonts: Click Now!

TOCinRings has letters in circles. The letters are from a typewriter font called TiredOfCourier. The typeface contains characters that can add color to letters. There are two ways to do this. One uses layers and the other a combination of characters, some with zero width. This pdf file explains the how this can be done.

I used to be a tour guide and I traveled to China numerous times. Usually, the itinerary mentioned going to a restaurant in Beijing and eating ‘Beijing Roast Duck’ (北京烤鸭), a famous dish that has been prepared since the Imperial era. Typically, the whole duck is sliced at your table. The skin is crisp, glazed and thin and you should eat it with thin pancakes and thinly sliced spring onion. Of course, if I had to guide several ‘China tours’ in a row, I would often eat something else (there is only so much Beijing Duck you can eat). Peking Duck is a nice, handmade, Chinese Ink font. Use it for your restaurant menu, your book covers or your posters, advertising oriental food!

Vallassina is named after Vallassina, a village in the valley of the upper tract of the river Lambro in northern Italy. The most important settlement in the area is the town of Asso, from which the valley takes its name. Spasell is a slang of Insubric language, spoken until 19th century by inhabitants of Vallassina, when they used to go out from the valley for business and they didn't want to be understood by the people. What makes this valley unique is that the locals use a unique whistle language to communicate to each other. Vallasina is confidently irreverent yet curiously attractive. How many ways can you use Vallassina to whistle to your neighbors? Vallasina is available in OpenType format.

Soul Drifter is a handwritten font collection of 6 fonts that were designed to go together nicely. All six fonts were drawn using the same brush pen, so that their weight and design are consistent, and you can mix and match them easily. Soul Drifter includes: - a brush script font in regular and slant versions, with over 100 ligatures - a matching set of swashes to ornament your texts and designs - a cute sans font in two weights, regular and bold (true bold, drawn separately) - a tall serif font in all caps, with two sets of caps All you need for beautiful and easy designs with a hand-lettered feel, such as postcards and notes, creating logotypes, social media posts, branding and packaging, etc.

Ultra legible forceful sanserif in 32 fonts Parisine was born as official parisian métro signage typeface. This family of typefaces has become over years one of the symbols of Paris the Johnston for the London Underground or the Helvetica for the New York Subway. The Parisine was created to accompany travelers in their daily use: ultra-readable, friendly, human while the context is a priori hostile. Meanwhile, Parisine is now a workhorse and economical sanserif font family, highly legible, who can be considered as a more human alternative to the industrial-mechanical Din typeface family. More human, but not fancy: No strange “swashy” f, or cursive v, w etc. on the italics, to keep certain expected regularity, important for information design, signages, and any subjects where legibility, sobriety came first. Born as signage typeface family, the various widths and weights permit a wider range of applications. In editorial projects, the Compress version will enhances your headlines, banners, allowing ultra large settings on pages. The Narrow version will be useful as direct compagnon mixed to standard width version when the space is limited. The various Parisine typeface subfamilies Parisine is organised in various widths and subsets, from the original family Parisine, Parisine Gris featuring lighter versions of the usual weights and italics, Parisine Clair featuring extra light styles, to Parisine Sombre with his darker and extremly black weights as we can seen in Frutiger Black or Antique Olive Nord. Many years of adjustments were necessary to refine this complex family. Initially, Parisine was designed by Jean François Porchez in 1996 for Ratp to solely fulfil the unique needs of signage legibility. Parisine remain the official corporate typeface of the public transport in Paris, the worldwide capital for tourism, and now integral part of the French touch. Directly related, Parisine Office was initially created for Ratp’s internal and external communication, Parisine Office is available at Typofonderie too. Not connected with Ratp and public transports, Parisine Plus was created as an informal version of Parisine. Parisine: Introducing narrow and compressed families About Parisine Parisine helps Parisians catch the right bus Observateur du design star of 2007

Good Vibes Only! This hand drawn brush font gives a loose and laid-back feeling to any project. Included with are 10 common connector words like "the" "and" and "with" which can easily be accessed through Illustrator's glyphs panel. Also included are 24 hand drawn sun & surf themed icons.

Arbinova is a strong slab serif font. With its swash and beautiful arrangement of letters, this typeface will look outstanding in both formal and non-formal designs. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! Caps only Fonts.

Latherrich is a unique, geometric, sans-serif font family inspired by iconic typefaces such as Avant Garde and museo slab. Latherrich fonts are versatile and can be used successfully in magazines, posters, branding, wedding invitations, cards, interiors, product design, websites, etc. Feature: Open Type Feature Web fonts Standard Ligatures

Smooth with the roughness and made from scratch, Miser sans serif font family was designed by Mislav Serdarušić and it's name is derived from designers name. Miser typeface blueprints were somewhere in the subconsciousness of the designer but have seen first light of the day in September, 2021. during the Covid pandemic. Inspiration comes from handwritten technical letters of designers parents and graffiti explorations. It comes in 12 styles (6 weights with pairing Italics) with all Latin European language characters which are in daily use(without Greek or Cyrillic). Designed in contemporary appearance with innovations on some letters. Basic ligature set is included. It is suitable for magazines, books and websites, various graphics and paragraphs. Miser has a taste of science, technology, design & architecture, sports and more, yet contemporary boldness but distinctive to regular and oval modern typeface shapes. A must have on your system.

Blythe is a stylish and contemporary handwriting font that captures the elegant hand of the 50s with the immediacy of handwriting fonts such as Affable. There are many handwriting fonts out there, many of which border on being grungy and irregular. This font combines beauty with individuality and panache. Blythe is characterized by dramatic ascenders and descenders (found on characters such as f, g, h, j etc) and it may be necessary to increase the line-spacing a little in some applications to accommodate these features. Suggestions for use: -- wedding stationery -- greeting cards -- valentines day mediaa -- beauty product media -- lingerie tags -- women's magazine pages -- classical music media -- award certificates The font is fully professional: carefully letterspaced and kerned. It contains over 235 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). (It has all the accented characters used in the major European languages).

Core Sans C family is a part of the Core Sans Series, such as N, M, E, A, D, G, R and B. Core Sans C is inspired by classic geometric sans (Futura, Avenir, Avant Garde etc.). It is based on geometric shapes, like near-perfect circle and square. It has a much higher x-height (height of lowercase letters), an effect which promotes readability especially at small print sizes. The Core Sans C Family consists of 9 weights (Thin, Extra Light, Light, Regular, Medium, Bold, Extra Bold, Heavy, Black) and Italics for each format. Core Sans C supports complete Basic Latin, Cyrillic, Greek, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, oldstyle figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. Core Sans C is an ideal font family for use in magazines, web pages, screens, displays, and so on.

Created with the needs of branding design in mind, Jan Hendrik Weber's Unitext is a crisp, clean typeface that functions well across print and online use. It blends humanist and grotesque qualities, adopting a style that the designer describes as “neo grotesque”. Narrow spacing is what sets this typeface apart, however it also uses open counters and angled details to boost readability. “The ideal font should work at every touchpoint,” says Weber. “And designers shouldn’t need an introduction or a set of rules on how to handle this typeface. Unitext allows designers to work without explanation.” The Unitext family includes 7 weights, spread across 14 fonts with extensive Western, Central and Eastern European language support. Unitext Variables are font files which are featuring one axis and have 14 names instances: Hairline, Hairline Italic, Extralight, Extralight Italic, Light, Light Italic, Regular, Italic, Semibold, Semibold Italic, Bold, Bold Italic, Black, Black Italic

FWD Egyptian Tower is a designers stack-able Display family best purchased as one package. The four versions can be manipulated in your favorite graphics or sign making application to achieve the different effects as shown in the font family ad designs. All fonts are tightly spaced and are very often intentionally overlapped creating a balance for each very unique wider bottomed character. Being stack-able, the designer can duplicate the original text layer and by changing the font on the lower of the two layers to another of the family can then add another available effect. This can be repeated to add other of the available effects. Then by converting the text of the lower text layers to curves or outlines and welding the characters of the words together, the overlaps can be eliminated. This process is fairly common practice for a graphic designer and quite easy once done a few times.

Deutsch Black, designed by Barry Deutsch for VGC in 1966, provided the inspiration for this extrabold exercise in heavy ink coverage. A number of variants, in lowercase slots, were added to offer flexibility to your headline designs. Both versions include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Moldovan and Romanian.

Astina Script Font is an urban retro font with the style like a logotype lettering. was created to help you designing logotype or lettering style for your Brand or your clients. it has an extensive lingual support, covering European and Asian Latin scripts. The font contains all characters you'll ever need, including all punctuation and numbers. Multilingual Support Alternates, Regular/Extrude/ Thankyou

Here’s another nostalgic beauty from the Central Type Foundry of St. Louis, originally titled Harpers, designed for the popular newsweekly of the same name. Its bouncy, quirky letterforms will add vitality and visual interest to your headlines and subheads. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

Radhen Retro Font is an urban retro font with the style like a logotype lettering. was created to help you designing logotype or lettering style for your Brand or your clients. it has an extensive lingual support, covering European and Asian Latin scripts. The font contains all characters you'll ever need, including all punctuation and numbers. Multilingual Support Alternates, Regular/Extrude/ Thankyou

Will Ransom designed the exemplar for this series for Barnhart Brothers & Spindler in the early 1900s. The typeface was originally named "Parsons", after the advertising director of a Chicago department store (evidently a very BIG customer of BB&S). Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

A festive, elegant script, Corinthia flows with perfect connections and beautiful curves. It’s a delightful design that offers wide usage... Available in OpenType format, this award winning font comes with over 500 glyphs, and character sets for European languages. All three weights are perfect for creating elegant design work from packaging and romance novels, to invitations and social expression products.

3D Blocky is a hand-drawn 3-D font. Composed of friendly & fun letters, this font is sure to become a favorite for you. There is a sprinkling of dingbats scattered around the alternates, just there to make this font extra fun and useful . Check it out! 3D Blocky is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Moldiv is a sans serif display typeface with geometric appearance. Its clean and angular shapes provide a futuristic and robust design. Moldiv consists of a single weight, an extended European character set, and kerning and symbols were manually edited. It has a timeless style which is great for display purposes, especially for headlines, posters, magazines, book covers, logos, and much more.

Centima – a geometric sans serif typeface family, built in six styles. The typeface is intended for use in display sizes, but also is quite legible in text and is well suited for editorial and brand design. Centima is released in OpenType format with support for most European languages and includes some OpenType features – proportional/tabular, lining/oldstyle figures, slashed zero, ligatures, fractions.

Sonya Retro Font is an urban retro font with the style like a logotype lettering. was created to help you designing logotype or lettering style for your Brand or your clients. it has an extensive lingual support, covering European and Asian Latin scripts. The font contains all characters you'll ever need, including all punctuation and numbers. Multilingual Support Alternates, Regular/Extrude/Outline Thankyou

Apple Jam is a sweet and friendly handwritten font. Whether you’re looking for fonts for Instagram or calligraphy scripts for DIY projects, this font will turn any creative idea into a true piece of art! Apple Jam comes with: 3 font styles: regular, bold, light uppercase & lowercase standard punctuation & numbers special accents & characters for most of the European languages cyrillic typeface

Blackfriars, a Victorian-era release from the Stephenson Blake Type Foundry, provided the basis for this rough-hewn gem. Slightly clumsy yet eager to please, this typeface adds a cheerful warmth to any project it graces. The PC PostScript, TrueType and OpenType versions contain the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

The inspiration for this elegant, willowy typeface was found in the 1903 type specimen catalog of Barnhard Brothers & Spindler. The original version was named "Racine"; this version takes its name from another town in Wisconsin. The Postscript and Truetype versions contain a complete Latin language character set (Unicode 1252); in addition, the Opentype version supports Unicode 1250 (Central European) languages as well.

A delightfully different typeface named Aphrodite, designed by Richard Nebiolo for Photolettering in the 1970s, provided the pattern for this svelte beauty. Graceful and elegant, it's the perfect choice for tasteful yet commanding headlines. The PC Postscript, Truetype and Opentype versions contain the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

This unusual sans typeface was inspired by a serif face called Faust, designed by Albert Kapr for the Institut für Buchgestaltung in 1959. Its mix of medieval, Jugenstil and Bauhaus influences makes it an intriguing choice for your next project. Both versions of this font include the Unicode Latin 1252 and 1250 Central European character sets, with localization for Moldovan and Romanian.

In 1956, Schriftgeißerei Genzsch & Heyse released the pattern for this typeface, designed by Werner Rebhuhn, under the name "Hobby". Despite its Eisenhower-era origins, the face retains its casual charm, spontaneity and freshness even after half a century. Both versions of the font contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Hello! Introducing a Slab Serif font family named Practish. It's a typefaces set that includes 7 weight variations from Bold to Thin. This font has a strict classic shape and diverce characters thickness makes it useful in lots of cases at any sizes, from visit card to billboard. Practish font family has also a multilingual support of west european languages and 13 ligatures.

CASU aérospatiale is an extruded 3-D font supported by equivalent "flat" styles. CASU aérospatiale is relaxed in character yet smooth in details. With the full family, you get many options for playing with text: add juxtaposition, depth, and texture to your work! CASU aérospatiale is extended, containing West European diacritics and ligatures, making it suitable for multilingual environments and publications.

Inspired by illustration lettering, Pocket has a contemporary, quirky feel. Its combination of narrow and round forms give it a humorous feel.It has support for most western and central European languages, and has alternates for most letterforms, allowing for variations that make it look authentically hand-drawn. Check out other fonts in the Pocket family: Pocket Serif and Pocket Swash

Bridgewater is a hand-drawn, brush font with contextual alternates to help with flow and readability. Each letter and number has three variations. When the font is used in OpenType-savvy applications, the 3 variants of glyphs are automatically alternated to achieve a random-like effect. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Here’s another offering from the Baltimore Type Foundry, originally called Airport Tourist, which was obviously influenced by Paul Renner’s Futura Display, designed in 1932 for Bauersche Gießerei. This version features tight sidebearings and aggressive kerning, so your headlines will pack a punch. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Hostil is a modern typeface ready to fight for you. In any territory. Hostil has complete sets in Latin, Hebrew, Cyrillic, and Greek chracters. Plus Central European, Vietnamese, Baltic, Turkish complete sets with all diacritic signs and punctuation marks and extra characters belonging this ranges. Hostil has a wide variety of presentations, like Regular, Bold, Italic, Outline Wide, ExtraWide, Shadow and Compressed.

Pradis Retro Font is an urban retro font with the style like a logotype lettering. was created to help you designing logotype or lettering style for your Brand or your clients. it has an extensive lingual support, covering European and Asian Latin scripts. The font contains all characters you'll ever need, including all punctuation and numbers. Multilingual Support Alternates, Regular/Extrude/ Thankyou

A whimsical and fun calligraphy style font that is perfect for informal and fun occasions. The design was inspired by a series of scrapbooking style fonts that I have been exploring over the past couple of years. Inspired by a hand lettered sample in a lettering how to book. Contains language support for both Latin-based and most Eastern European languages.

DF Capitol features two faces, DF Capitol Skyline and DF Capitol Capitals (a multi-weight all-caps compliment) that epitomise Streamline Moderne. Strong geometry and large, open counters with heavily condensed verticals and a succession of contextual alternates and discretionary ligatures. DF Capitol presents a nice companion in two weights. Both contain full support for Eastern and Central European languages.