The former hot-metal font Sebaldus Gotisch, a 19th century Berthold in-house design, was carefully redesigned and updated for today’s use. This font contains a long s which you can access by typing alt b or by using the historical alternate OTF feature.

Bratt Graner is a modern brush font that is perfect for any title, shop name and logo. and also very suitable for product packaging, branding projects, magazine, social media, or just used to express words over the background. This font includes OTF and multilingual support.

Chalk Brush is a Chalk brush font. With a playful and natural handwritten style, it brings a classy and chic typeface. Chalk Brush is best used for weddings, branding, logotype, and quotes. Includes: - Chalk Brush (OTF) Features: - PUA Encoded - Multilingual Support - Numerals and Punctuation

In 1968 Hildegard Korger’s Typoskript was cut by Typoart in Dresden, Saxony. This freshly redrawn and digitized version was extended to include Central European, Baltic and Turkish letterforms, and possesses various OTF features. It is well suited for invitations, lyrics, poems and related things.

This typeface takes its inspiration from Lightline Gothic, designed by Morris Fuller Benton for ATF in 1908. This version is even lighter, making it suitable for headlines. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Best Quotes is a classy handwritten font. Made for any professional project branding. It is the best for logos, branding and of course quotes. Every letter has a unique and beautiful touch. Includes: Best Quotes (OTF) Features: PUA Encoded Multilingual Support Numerals and Punctuation

Slash Signature is a modern handwritten font. With a classy and natural handwritten style, it brings a classy and beautiful typeface. Slash signature is best used for branding, logotype, and quotes. Includes: - Slash Signature (OTF) Features: - Multilingual Support - Stylistics Set - PUA Encoded - Numerals and Punctuation

Pitchey Bloom is a modern handwritten font. With a classy and natural handwritten style, it brings a classy and beautiful typeface. Pitchey Bloom is best used for branding, logotype, and quotes. Includes: - Pitchey Bloom (OTF) Features: - Multilingual Support - Stylistics Set - PUA Encoded - Numerals and Punctuation

A smooth contemplative Antiqua with aspiring to the sky ascenders, inspired by the Quietism philosophy. Clarity of the mind is achieved by bringing the body into a state of calm and contemplation, and this is reflected in the design – the quiet horizontal serifs (body) are opposed to the peaky soaring ascenders (mind). The design also features four optical size subfamilies with different x-height and contrast, oldstyle diagonal stress, oldstyle figures by default, smooth details and slightly dark texture. Variable axes: Weight, Contrast, X-Height. Scripts: Latin, Greek, Cyrillic. Languages: 480+. The complete list of supported languages: michaelrafailyk.com/quietism Kerning: 4553 class-to-class pairs. Hinting: Not applied. Format: TTF – OpenType with TrueType outlines. Variable Font: Quietism Variable provides more options than static versions, and has three axes: Weight (Thin–Black), Contrast (Low-High), and X-Height (Low-High). Variable fonts includes thousands of styles that you can access using a sliders on graphic editor or via CSS on web browser. Mixing different axes gives you extra styles not represented by static fonts. Optical Size: The typeface is represented by four subfamilies: Text (low contrast, high x-height – for paragraph 10-20 pt), Deck (medium contrast, medium x-height – for subheading 20+ pt), Display (high contrast, medium x-height – for heading 72+ pt), Poster (high contrast, low x-height – for big size 120+ pt). Small Caps: Lowercase letters and Oldstyle Figures are replaced with Small Capitals forms. Capitals to Small Caps: Uppercase letters, all figures, and some punctuation are replaced with Small Capitals forms. Case Sensitive Forms: ()[]{}‹›«»-–—•·#%‰@ and Arrows are centered on capitals. Oldstyle figures are replaced with Lining figures. Oldstyle Figures: 0123456789 #%‰. Designed to work with lowercase letters. Used by default. Lining Figures: 0123456789 #%‰. Figures are the same height as uppercase letters (cap height). Proportional Figures: Lining, Oldstyle, Small Caps, Capitals to Small Caps. Tabular Figures: Lining, Oldstyle, Small Caps, Capitals to Small Caps. Ordinals: adehnorst. Superscript, Subscript, Numerator, Denominator: 0123456789. Fractions: ¼½¾⅐⅑⅒⅓⅔⅕⅖⅗⅘⅙⅚⅛⅜⅝⅞⅟ (precomposed). Any other fractions (even those typed through a slash) will also be displayed correctly, with the automatic replacement to Numerator + fraction + Denominator. Slashed Zero: All 0 figures. Contextual Alternates: Number sign character (#) before uppercase letters is replaced by its version centered on capitals. Hyphen character (-) between two uppercase letters is replaced by its version centered on capitals. First of two TT letters is replaced by its alternate form. Letters vwy before the letters fijmnprtuvwxy are replaced with an alternate shorter versions that fits better in the context. Contextual Alternates (Greek): ΆΈΉΊΌΎΏ. Greek uppercase accented characters lose their tonos accent and retain only dieresis in All Caps and Small Caps modes. Turned on by default. If you need tonos accents in All Caps then turn off Contextual Alternates (calt) feature. Stylistic Alternates: FTГТИЦЩцщ and their versions with diacritical marks. Stylistic Set 01 “Arrows”: Left <- Right -> Up Left Right <-> Up Down North West South East \> South West Stylistic Set 02 “Round-Square Cyrillic”: ДИЙЍЛФвгджзийѝклнптцчшщьъю characters are replaced with its Bulgarian or Russian forms. Stylistic Set 03 “Cyrillic Tse Shcha short tails”: ЦЩцщ characters are replaced with its alternate form with short tail. Stylistic Set 04 “Cyrillic I full serifs”: ИЙЍӢ characters are replaced with its alternate form with inner serifs. Stylistic Set 05 “FT bent inward serif”: FTГ characters and their versions with diacritical marks are replaced with its alternate form with right head serif that bent inside. Stylistic Set 06 “Small Caps centered on Capitals”: Small Caps are vertically centered on uppercase letters. Standard Ligatures: fi fl fb ff fh fj fk ffb ffh ffi ffj ffk ffl. Discretionary Ligatures: Th ct st. Localized Forms: 52 character substitutions for Azeri, Bulgarian, Catalan, Dutch, German, Kazakh, Macedonian, Moldavian, Polish, Romanian, Serbian, Tatar, Turkish. Glyph Composition/Decomposition (Diacritics): Full Latin and based Vietnamese set of diacritics (571 characters). Precomposed.

A casual sans that harks back to the very English style of book jacket and poster art of the late 50's and early 60's. The turned-in terminals are reminicent of Stephenson Blake's Grotesque 9, and the italic provides unique cursive versions of the lowercase characters. Available in a "narrow" version as well as two standard weights, this face lends itself to the wider letterspacing that evokes hot metal.

Thawed This is a display font of a narrow specialization, its letters seem to have melted and flowed, but at the same time it retains the shape of the letters and is well read. It is perfect for branding, logos, labels, short display inscriptions and advertising materials from flyers to billboards. This font includes drops of style, they make it possible to make the font more voluminous and give detail.

We have created this family inspired from the set of well known Auriol fonts used by the French popular "cheerful" satirical magazine Fantasio (1906-1948). The present version contains Normal, Italic, Bold and Bold Italic styles, in use for texts, plus narrow titlings and normal outlined with upper and lower case, both in use for titles. This family may be used together with 1906 French News, 1906 Titrage and 1890 Notice.

Tecnica Slab Stencil font family is the stencil version of Tecnica Slab font family, it has been designed for Graviton Font Foundry by Pablo Balcells in 2014. Tecnica Slab Stencil consists of 8 styles. The 4 “Stencil 1” styles contain a narrow stem for big sizes type and/or rigid materials printing, and the 4 “Stencil 2” styles contain a wide stem for small sizes type and/or light materials printing.

Tecnica Stencil font family is the stencil version of Tecnica font family, it has been designed for Graviton Font Foundry by Pablo Balcells in 2014. Tecnica Stencil consists of 8 styles. The 4 “Stencil 1” styles contain a narrow stem for big sizes type and/or rigid materials printing, and the 4 “Stencil 2” styles contain a wide stem for small sizes type and/or light materials printing.

Digot 02 is a pixel-style, grid-based, display typeface. This is another version of Digot typeface. Compared to Digot, it is characterized by a more slender form, the letters are taller and narrower, which makes the font lighter. The font is characterized by its simplicity, attention to detail, and original form. You can use it in a wide variety of projects. It gives many possibilities for creating graphics.

Martin Wilke designed the dynamic calligraphic typeface New Berolina in 1965. The light line of the strokes and the strong stroke contrast lets New Berolina dance across the page. Broad, generous capitals complement beautifully the narrower lower case characters with their low x-height. The capitals can also be used as initials. Used carefully and with generous line spacing, New Berolina will lend any text a fresh, lively look.

Speedometer is derived from Dimensions font family that is most narrow and black font for titling and logo. This Speedometer is more elegant by its contrast between the thickness of stem and thinness of the arms than Dimensions. This contrast makes more vigorous and speedy impressions too. All 6 weights and italics have upper and lower cases, accented characters and small capital glyphs that can be used with OpenType smcp feature.

Andulka was drawn in 2004 for the purposes of publication and visual identity. Her peaceful expression also excels in poetry and fiction. It reads so smoothly that you won’t even know that its width proportion is actually narrowed, so it’s very suitable for magazines, newspapers and thickest volumes of scientific literature. Her serif counterpart is Andulka. The entire Andulka system can easily build a typography of the entire publishing house.

Verger Junior is a serif font designed for editorial design, books, and magazines. But not constrained by anything but your fantastic imagination! Verger Junior is a part of the Verger Font Family. Junior is a moderate redesign with a ... specifik Ten-version for small text (footnotes, picture texts etc.) slightly narrower width a more conventional italic style new swash family Don't let its classic look fool you. It’s a working horse!

Scootchy is a high contrast, narrow typeface destined for use in both large and small point sizes. Blending an industrial and humanist approach, this typeface includes four weights ranging from a slender, regular style to a dark and contrasted Black weight. With an Extended Latin character set and a wide range of Opentype features, Scootchy aims to provide a versatile solution that can be applied to a wide range of layouts.

PH from Fontfabric Type Foundry is a multifaceted font system consisting of different font weights and type of condensation. Every one of these font weights contains a number of extension types - Condensed, Narrow, Regular, Extended and Wide. Along with all of this, you will also discover added groups of extras which could serve as a foundation or add that extra "cherry on the cake" to each unique design.

A universal text type was designed by Natalia Vasilyeva for ParaType in 2007. The type family is consist of 8 styles. Also corresponding decorative italic with calligraphic swash capitals was developed. The type has low contrast characters and narrow proportion. It is rather space-saved but very legible even in small sizes. For use in text and display typography. The upgraded version with extended character set was released in 2010.

In the late 1920s Walter Tiemann cut this font for Klingspor Brothers in Offenbach am Main. It comes close to Luthersche Fraktur and, though quite slender, possesses a good gray value and readability. This blackletter font fits excellently into narrow columns. Kleist Fraktur contains a bunch of useful ligatures, and by typing 'N - o - period', marking this combination and activating OT feature Ordinals you get an oldstyle numbersign.

Press combines aesthetic and functional attributes which make written text highly readable. It was originally designed for a newspaper with medium contrast to withstand harsh printing conditions. Its structure is quite narrow which makes this typeface ideal for body text and headlines where space is at premium. Supports Latin and Greek. This is a modern serif typeface which may be the right choice for newspapers, magazines and corporate communications.

Buddy Slender is the narrower version of the companion sans for Contenu, the book font family designed for a book on book family design called Practical Font Design. It's a loose, free, easy to read sans, so when my wife suggested Buddy, it clicked. This is the 2-font Buddy Slender family of Regular & Bold. I made a new more limited feature set for these fonts due to their designed usage.

CCS Levior is a classic modern font that is both stylish and unique with Narrow smooth curves and beautiful ligatures, tons of special alternative glyphs, ornament and multilingual support. It's a very versatile font that works great in large and small sizes. CCS Levior is perfect for branding projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

We've all seen the informational markings on commercial driveways or roadways instructing us which way to turn, where to park, etc. They are usually in stencil lettering 16 inches or taller, with compressed letters that make the horizontal strokes look slightly thicker than the vertical ones. By condensing the lettering in Narrow Stencil JNL by 20 percent, the result is Driveway Stencil JNL - a digital emulation of those painted road markings.

HU SpecialmovieKR is a retro, wide square typeface, characterized by streamlined, narrow stroke ends such as 'ㄴ,ㅅ,ㅈ'. The first consonants are designed to be large with full modules to improve readability. The grapheme 'ㅇ', which is the face of the font, is in the form of a square in harmony with straight lines and curves, expressing a solid and simple feeling overall. HU SpecialmovieKR includes Korean.

Necia Stencil font family is the stencil version of Necia font family, it has been designed for Graviton Font Foundry by Pablo Balcells in 2014. Necia Stencil consists of 16 styles. The 8 “Stencil 1” styles contain a narrow stem for big sizes type and/or rigid materials printing, and the 8 “Stencil 2” styles contain a wide stem for small sizes type and/or light materials printing.

Aguda Stencil font family is the stencil version of the Aguda font family and has been designed for Graviton Font Foundry by Pablo Balcells in 2014. Aguda Stencil consists of 16 styles. The 8 “Stencil 1” styles contain a narrow stem for big sizes type and/or rigid materials printing, and the 8 “Stencil 2” styles contain a wide stem for small sizes type and/or light materials printing.

Sehatie Script is a contemporary calligraphy font that dances up and down the baseline. which comes with a wonderful alternative. It has a casual and elegant touch. This font is PUA encoded which means you can access all the glyphs and sweeps easily! Works perfectly for logos, fashion, stationery, printing press, magazines, menus, books, invitations, wedding/greeting cards, packaging, labels, clothing, marketing, etc. Sehatie Script features 580+ glyphs and 350 alternate characters. includes initial and terminal letters, alternatives, ligatures and multiple language support. Files include: Sehatie Script One (otf) Sehatie Script Two (otf) Sehatie Script Three (otf) Sehatie Script Four (otf) To enable the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. and there are additional ways to access alternatives/swashes, using the Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). How to Access Alternate Characters in Photoshop CC. https://www.youtube.com/watch?v=xFlMwARHusY How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ How to access all alternative characters, using the Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to use the font style set in Microsoft Word 2010 or later versions: https://youtu.be/x1A_ilsBsGs How to Use OpenType Fonts in Silhouette Studio or Cricut Design Space: http://cuttingforbusiness.com/2016/01/28/how-to-use-opentype-fonts-in-silhouette-studio-or-cricut-design-space/

Introducing Yenisei - a modern serif font inspired by unique typography and lettering found in luxury serif styles, combined with modern typography elements. Yenisei features modern ligatures that allow you to create beautiful lettering and artwork. The font also comes with open type features, including alternate glyphs and end swashes, providing you with creative options for your designs. Yenisei is perfect for a wide range of design projects, such as logotypes, headings, covers, posters, logos, quotes, product packaging, headers, merchandise, social media graphics, greeting cards, and more. Its versatility makes it suitable for various design applications, adding a touch of elegance and modernity. To access the alternate glyphs, you will need a software program that supports OpenType features, such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe InDesign, or Corel Draw. This allows you to fully utilize the font's design possibilities and create unique compositions. Your zip package will include the Yenisei font files in otf, ttf, and woff formats, providing compatibility for different design projects. The font includes uppercase and lowercase letters, numerals, punctuation, and symbols, giving you all the essential elements for your designs. Yenisei also supports multilanguage characters, making it suitable for designing in various languages. Whether you're creating designs in English, Spanish, French, or any other language, Yenisei has you covered. In summary, Yenisei is a modern serif font that offers unique typography and lettering with a touch of luxury and modernity. With its open type features, multilanguage support, and versatile design applications, Yenisei is a great choice for your creative projects. Thank you for choosing Yenisei from our collection. Happy designing!

Hi! It took me almost a year to design Ecatherina script. Finally it is available to purchase! Ecatherina script is an opentype font-family (15 fonts: 5 styles for 3 line thickness) with a bonus (editable wedding invitations, menu, quotes, letters, and more) HOW TO GET ACCESS TO ALTERNATES? Absolutely easy, just type a number after any letter: a1, a2, a3 etc Capital letters have 3-4 options and more. So just type E1, E2, E3 etc and find your favourite one! I found this method the most useful when you need to experiment with design very fast. All characters are available through Glyph panel as well, even more each of the alternate letter has it’s own unicode (PUA) so you can copy/paste from Apple Font Book or Windows Character Map. Total amount of glyphs 1436. Compatible with SILHOUETTE & CRICUT DESIGN SPACE WHAT IS INCLUDED BP-Ecatherina OTF & TTF It goes with 5 weights: Thin, Medium, Regular, Bold, UltraBold BP-Ecatherina-Ex1 The only difference between previous font is that thin line is a bit thicker. BP-Ecatherina-Ex2 Even more thicker line. Help.pdf Help file with most common questions. Bonus - Ecatherina.fig with editable wedding invitations (10+ designs 5x7 inches), menu, quotes, letters. Important! You need to install Figma application (it is free) to access files. With Figma application you can import bonus files and edit the text, export as png, pdf, svg and print it. Bonus - help.pdf file with general information how to work with Figma if you are new. It is very easy application and I recommend it to you! It works with MS Word, I included example.docx file so you can understand how to work.

Based on my very first font creation, New Ayres keeps the same feel, but raised to high-quality level. Its long clean lines and soft curves merge old style and modern, giving a new meaning to timeless elegance. Perfect for titling; with at least five alternates per letter, the possibilities become endless. Choose the one better suited for your project and make your text stand out immediately! 703 glyphs take part in this font, including a large set of alternates, ligatures and swashes for you to choose from. With accents and special characters for languages, New Ayres supports 88 languages: Afrikaans, Albanian, German, Swiss German, Upper Sorbian, Asu, under Sorbian, Bemba, Bena, Norwegian Bokmal, Bosnian, Catalan, Czech, chiga, cornic, Creole Cape Verdean, Creole Mauritian, Croatian, Danish, embu, Slovak, Slovene, Spanish, Esperanto, Estonian, Euskera, Faroese, Filipino, Finnish, French, Rialan, scottish Gaelic, Galician, Greenlander, gusii, Hungarian, Indonesian, Irish, Icelandic, Italian, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Kiroundi, kölsch, latvian, lithuanian, luo, luxembourgish, luyia, machame, makhuwa-meetto, makonde, malay, malagasy, maltese, manx, meru, Northern ndebele, nyankole, norwegian nynorsk, oromo, polish, portuguese, romeo, rombo, romanian, rwa, samburu, sango, sena, shena, shamble, Shona, rope, somali, swedish, swahili, taita, teso, Turkmen, vunjo, walser, zulu. This font is PUA encoded: this means each character has a unicode name, and you may access any of them through this codes. Open Type features on the open type file: easy access for alternates and ligatures! The download includes both .otf and .ttf files, so you may choose which one suits you better. With a strong personality, but yet adaptable into many styles, New Ayres is everything you are needing for your projects!!

Burges Elbow - Playful Font In 2 Styles Created with the idea of bringing happiness and joy to any project, Burges Elbow is a perfect choice for those who want to add a touch of playfulness to their design. To use Burges Elbow to its full potential, it would be great for designs aimed towards children such as book covers, posters, and flyers. Its playful and quirky nature would also make it a great choice for branding aimed at a younger audience or products that want to add a sense of fun and whimsy. Burges Elbow comes with a variety of features, including uppercase and lowercase characters, opentype alternates and ligatures, and support for multiple languages. These features allow for a wide range of creative possibilities and make it easy to use in various projects. Included in the zip package are three different file types: OTF, TTF, and WOFF, which can be used in any design software that supports font installation. With these different file types, you can use Burges Elbow on any platform or device, making it a versatile choice for any project. Add a touch of fun and playfulness to your design with Burges Elbow. Its cute and whimsical nature will surely make your design stand out and bring a smile to anyone's face. In summary, Burges Elbow is a playful font in 2 styles that is perfect for designs aimed at children or those looking to add a sense of fun and whimsy to their branding. With its various features and file types, Burges Elbow is a versatile choice that can be used in any design project.

Padraig Nua is a font conceptualized and designed by Tony Fahy. It is a European Celtic font, contemporary to many languages, not just of Europe but of the world. It’s origin is influenced by events in Ireland in the 1960s when it was decided that the uncial letterform should not be used further in Irish schools for the Irish language—Gaelic—and that it should be replaced by the Roman letterform—the Cló Romhanach as it was called afterwards. This happened overnight without any apparent discussion. It probably had a lot to do with Ireland joining the EEC, as the EU was called then. It had a massive effect on the Irish language and culture, in that the distinguishing factor that gave the language it’s identity—the half uncial/uncial fonts that were in use in all school, government and society documentation and merchandise—were lost overnight. No one said how or why. It was just done. To this day, all documentation is bi-lingual in government and Gaelic is taught in schools and universities—and decreed so by the European Union—but the presentation for both languages is the Roman letterform. Throughout the world, there are millions of Irish Americans and Irish Canadians, Irish Europeans, Australian Irish, African Irish and many living in the Middle East and Asia—and this new font—Padraig Nua, will appeal to many of them, visually recalling their roots. No one had thought, in those days, of commissioning a design that might update the Gaelic language to a more contemporary appearance that would keep the cultural nature of it intact with a revised and updated font—at one with Europe, the US and the world. Tony Fahy designed Padraig Nua (New Patrick) to address the problem. It keeps an appearance that lends towards the Gaelic language but steers it in the direction of Roman fonts. Some characters reflect letterforms from the Irish/Gaelic manuscripts and uncial fonts.

Saphire is a elegant handwritten font with a natural and unique design will make your project more beautiful. The font is suitable for your branding project, printing, logos dan wedding. Included: Saphire (OTF) Features: Standard Ligatures Stylistic Sets Multilingual Support PUA encoded Numeral and Punctuation by Yumnatype

Fairgrid Urban is a modern handwritten font. With a classy and natural handwritten style, it brings a classy and chic typeface. Fairgrid Urban is best used for weddings, branding, logotype, and quotes. Includes: - Fairgrid Urban (OTF) Features: - Beautiful Ligatures - PUA Encoded - Multilingual Support - Numerals and Punctuation