Arquitecta. The humanist typography as a rational project. Since the experimentation from the Bauhaus through modern sans history we looked for a new mix to construct a rational geometric typeface with humanist proportions suitable for text layout and continuous reading. Inspired by American & European hand lettering from the first half of the past century, Arquitecta finds his own space as a great alternative for paragraphs in front of classics like Futura, Kabel or Avant Garde. The family contains 8 upright romans and 8 italics with the following features: - European accents, Old Style Numbers, Numerators & Fractions. - Ink traps to avoid press impressing spots & hinting optimized. - Small X-height with accentuated ascenders y descenders. Upgrade Mar 2023: Contours were corrected and the set was extended to the current Latinotype.

Kamerik 205 is inspired by the classic, geometric sans-serifs such as Futura and Avant Garde, but has shallower ascenders and descenders for a more compact look, and features a traditional double-storey lower case a and g. It's a versatile, modern sans, highly legible as a text font and with a clean, elegant look as a display font at larger sizes. It includes old style non-aligning (lower case) numbers, both proportional and tabular as well as accented characters for Central European languages. The Kamerik 205 family comprises of six weights, and is closely related to Kamerik 105. The most notable differences between the two variations, are the two-storey lower case a and g in Kamerik 205, where they are single-storey in Kamerik 105.

Arquitecta Standard. The humanist typography as a rational project. Since the experimentation from the Bauhaus through modern sans history we looked for a new mix to construct a rational geometric typeface with humanist proportions suitable for text layout and continuous reading. Inspired by American & European hand lettering from the first half of the past century, Arquitecta finds his own space as a great alternative for paragraphs in front of classics like Futura, Kabel or Avant Garde. The family contains 8 upright romans and 8 italics with the following features: - European accents. - Ink traps to avoid press impressing spots & hinting optimized. - Small X-height with accentuated ascenders and descenders. Arquitecta Standar update: Improvements of proportions and drawing. The set was extended to the current one of Latinotype.

Sina is a strong, sturdy and self-confident serif accented face. Distinct ascenders and descenders in classical proportions ensure pleasant reading. Robust but assertively warm, it recalls and references the virtues of early classical printing types but presents a distinctly contemporary look. With its even text flow it works very well for long texts. It is also great for headlines and in larger styles. An extended, fine-tuned range of weights renders it suitable for almost every application. Sina comes in 12 styles and in OpenType format. All styles contain standard and discretionary ligatures, small caps, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fractions, and scientific numerals. Sina supports West European, Central and East European languages.

This is a deco-style text OpenType Pro font loosely based on Koch's Locarno as seen in KochAltschrift a recent free German tribute to Koch's work. I was familiar with Meek's Letraset presstype version called Locarno, but I never liked the proportions used by either Meeks or Koch. So I radically revised ascender, descender, and x-height to make them more usable and brought the shapes within my sense of design. Mine is probably closer to Meeks than Koch, but hopefully it is a tribute to both. Astaire looks much more modern and it is much more usable. I added oldstyle figures, small cap figures, small caps, several ligatures, and more. There are an italic, bold, and bold italic also in this family

Fairgrounds JNL is the direct descendant of Twelve Oaks JNL, complete with a field of stars to draw attention to your layout for political posters, holiday events, charity bazaars, local fairs or any project that needs extra emphasis in its headlines.

Neckless Starways is distinctive handwriting and encapsulates the essence of street style. This typeface is perfect for an poster event, movie title, streetwear stuff, magazine layout, fashion brand, quotes, or simply as a stylish text overlay to any background image.

Heylabs Stroyed is distinctive handwriting and encapsulates the essence of street style. This typeface is perfect for an poster event, movie title, streetwear stuff, magazine layout, fashion brand, quotes, or simply as a stylish text overlay to any background image.

A revival and major expansion of a 1926 Ludwig Wagner Schriftgiesserei typeface called Titanic, Lexington is the ultimate art deco expression of the high times of signage and theater during the first half of the twentieth century. Big feminine caps and cozy direct minuscules make for a unique combination rarely found in other deco faces. Topped off with the humorous and quite suave tall and pointy ascenders and descenders of the alternates, Lexington makes for a versatile and uniquely eye-catching display face beneficial to poster art, book covers, classy menus, product packaging and music paraphernalia. The original specimen Hans van Maanen worked from showed the majuscules, minuscules, figures, and 4 alternates of some ascending minuscules. This new digital version includes all of the above, plus many more additions: - Plenty more alternates, for some caps as well as for all the ascending and descending lowercase. - Three different size variations for the comma and the period. - Oldstyle figures. - A full complement of accented characters to support more Latin-based languages than ever, including Baltic, Celtic, Turkish, and Central/Eastern European languages. - A Handtooled style variation that covers both the main character set and the alternates. Lexington was named after Manhattan's Lexington Avenue, home of the some of the most famous and polished art deco architecture of the 1920s and 1930s. Lexington and Lexington Handtooled come in all popular font formats. The OpenType versions combine their respective alternates with the main character sets, for ease of use within OpenType-savvy applications.

Capricho is a warm, comfy, and pleasantly readable typeface. It unites the virtues of a 17th century transitional typeface with its own distinctive and individual flavour. Its large descenders and ascenders make for a distinguished appearance. The complementary Italics with its gently flowing ductus is the contrasting counterpoint.

This gentle script, designed by writing master Georg Salden, is full of grace and vitality. The richness of ideas appear particularly in the curved capital characters. Lower case letters have curved elements primarily at the ascender and descender parts. Daphne Script contains numerous alternate characters and other OpenType features.

Alardo is intended for branding that is synonymous with sports. The initial character was built in bold with a bold personality, but thin strokes and flowing italics provide a flexible and unique family series. Glyphs are made in low contrast strokes, short ascenders and descenders, and low caps.

Calligraphica was designed because there are very few inline fonts, and even fewer inline calligraphic fonts. The original forms were written with a split pen in a single stroke. The minuscules have a rougher look and the capitals have a smoother shape to imitate hand written calligraphy with more formal, decorative initial caps. The Calligraphica family contains 6 fonts: Calligraphica Regular and Italic are the regular upright roman true italic version of the font. The ascenders on this font are a bit higher than the capital letters--this is standard for most fonts. Calligraphica LX Regular and Italic are similar to the first 2 fonts except their ascenders are longer and reach high above the capital letters--giving these fonts a taller appearance. Calligraphica SX Regular and Italic are similar to the first 2 fonts except their ascenders are shorter and are the same height as the capital letters--giving these fonts a shorter appearance.

Kinderly is perfect for many different projects such as logos & branding, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events, or anything. what’s inside : Accents (Multilingual Characters) PUA encoded Numerals and Punctuations (OpenType Standard) ligature

Mourning is perfect for many different projects such as logos & branding, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events, or anything. what’s inside : Accents (Multilingual Characters) PUA encoded Numerals and Punctuations (OpenType Standard) ligature

LinkeHand Pro was based on the handwriting of Oliver Linke. Due to its rather compact appearance with short ascenders and descenders LinkeHand can be used with rather tight line spacing. Both Regular and Bold come with Small Caps and a multitude of special ligatures to make LinkeHand look really manually written.

ITC Giovanni is the work of the californian type designer Robert Slimbach, whose goal was to create a face of classic old style proportions that was nevertheless thoroughly contemporary. ITC Giovanni was given a modern feel with slightly shortened ascenders and descenders, a slightly larger x-height and optically lighter capitals.

The Placard Condensed font family is based on drawings received from Germany. These narrow, heavy, sans serif typefaces were made for use in headlines and advertising display work. Placard Condensed has a large x-height, short ascenders and descenders and is capable of packing very tightly to produce forceful publicity work.

Burghal Design's mission, should we choose to accept it: design a typeface whose characters consist only of hexagons, circles, triangles, squares and crescents. Mission accomplished, and voila! Monkeywrench is the result. Monkeywrench includes upper and lower case letters, numbers, symbols, punctuation, and accented foreign characters, as well as 7 lucky dingbats.

Park Avenue Park Avenue was designed by R.E. Smith in 1933 for American Type Founders. Park Avenue is an elegant and light script with freely drawn capitals. Park Avenues pen-drawn quality is particularly evident in the lowercase. The ascenders and descenders of this script font are long; the ascenders are bent-over at the top. Park Avenue has a small 'x' height with tall ascenders, giving the face a refined, elegant appearance. The full elegance and lightness of Park Avenue are only apparent when combining upper and lowercase. It would be worthwhile trying this script in display sizes, for personal messages, invitations, business cards and greetings cards.

Always is an elegant script font in six styles. Always makes full use of extravagant ascenders and descenders, giving the font a generous, opulent appearance. To use the font to its best advantage, we suggest that the user allows a generous line spacing. (For example: use multiple line spacing of no less than 1.3 when using the MS Word application). Always comes in six styles, condensed light, light, condensed regular, regular, black and fat, giving the user enough variety for all possible uses. Use a combination of styles for product branding, book covers, greeting cards, wedding media, women’s advertising media. The Always combination will enable you to use different styles of the same font for headings, sub-headings and body text. Always makes use of OpenType features and includes a number of automatic and discretionary ligatures, giving the font a varied, handwritten effect. Always contains over 283 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present) as well as characters for ligatures and alternate characters. It has all the accented characters used in the major European languages.

Only Wishing is perfect for many different projects such as logos & branding, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events, or anything. what’s inside : Accents (Multilingual Characters) PUA encoded Numerals and Punctuations (OpenType Standard) ligature

Button is a solid, chunky, font, with a bold symmetry that makes it a must for products aimed at the younger set. Its unusual letter shapes all point to “NEW TREND!” It is the perfect choice for marketing companies targeting: ⁃ web-design and the creation of stylish buttons and menus ⁃ the music scene: CD covers, posters, music videos ⁃ the movie scene: posters, ads, movie titles ⁃ the theatre scene: posters, programs, ads, promotions ⁃ the fashion scene: swingtags, posters, brochures, signage, ads It has been carefully letterspaced and kerned. It contains a full character set: all upper and lower case characters, punctuation, numerals and accented characters are present.

Kunjani, (the Zulu word for "How are you?") is a feisty, contemporary "African Renaissance" font, vibrant and richly decorative, embodying the spirit of modern Africa. The characters are full of movement and excitement, combining a hand-carved look with contemporary elegance. Traditional and contemporary designs are used to make the upper-case alphabet essentially African, while lending variety to the already interesting structure. The font is a must for creators of the contemporary look of Africa. It is perfect for music media & promotions, film media & promotions, clothing hang tags & promotions, posters for "Support Africa" events, and indeed, any project that has its focus on Africa. The font has been carefully letterspaced and kerned. All upper and lower case characters, punctuation, numerals and accented characters are present.

Rambla is a humanist sans for medium-long texts. It’s slightly condensed, with a generous x-height and short ascender/descenders. Its proportions have as objective to gain space in height and width. It’s elegant at large sizes and legible at the same time, with a lot of rhythm in small sizes.

Nova Caere is a typical urban calligraphy, gestural with its fast lines, with short and slightly noticeable ascender and descender traits. Condensed lower case and rounded capital letters are quite similar in height. Nova Caere has been studied for alternating upper and lower case inside the words of the text, so as to reinforce their expressive content. Stylistic variations that combine particular couples of letters have been developed, as well as some descender traits have been highlighted that can be employed to characterize words and phrases.

Transatlantic Cruise is an elegant outline script, would look best on Menu headlines, Invitations, Logos and Postcards (especially sent from cruise ships! :) It contains basic latin western and central european language extensions and accents.

Angelus is a flowing script that can be seen as a more casual modern version of the copperplate script, with a fresh take on the way the ascenders and descenders interact with the totality of the setting. Angelus is ideal for use in package design, as well as on personalized collateral and book covers.

Rétrospectif is a tribute to the fonts of the Thirties and Forties. It consists of two families, Rétrospectif and Rétrospectif faible. The two families differ in height: Rétrospectif is particularly stretched, Rétrospectif Faible is lowest. The latter, compared to Rétrospectif, presents shorter ascending and descendants and more rounded eyelets. The glyphs' structures are modular.

The German-born designer Lucian Bernhard designed Bernhard Fashion in 1929. An American" typeface, Bernhard's original design was created for the American Type Founders (ATF). It bespeaks the spirit of the roaring 20s. The hairline-thin letters exhibit elongated ascenders (but not descenders), and many stylized elements. The capital letters also all descend visibly below the baseline. In text, the extra large capitals seem almost like drop caps. This typeface is best used sparingly in text. Largely set headlines will allow readers to enjoy the fashionable quality of Bernhard Fashion's design."