Puck is a Rounded Sans Serif font that comes in 20 styles from Thin to Black, including italics. Its design, which features rounded edges, open terminals, and extended width, along with generous negative space, ensures easy readability across different sizes. It's a versatile choice for various applications like print, banners, and branding. Plus, it maintains its adorable appeal on social media platforms like Instagram. Puck's design brings a blend of elegance and cuteness to any project.

D Blues its a sans serif typefamily of 9 weights plus matching italics. It is inspired by the neo humanist typefaces with a mix of 20st grotesque sans typeface. D Blues serve very well in web & print design areas, body text, excellent web-font legibility etc… D Blues is equipped with a complete set of opentype features including alternative glyphs, fractions, ligatures and many more. It is perfectly suited for highlighting lettering, magazines, web, interaction design, advertising & logotypes.

Vanitha is a bold script font, inspired by vintage logos and old-school sign painting. This font is made with hand drawings and still pays attention to the calligraphic form so that it looks modern and unique. Vanitha is a display font, which you can use as logos, logotypes, merchandise, sports themes, flags, banners, stickers, labels, posters, and others. This font is also equipped with stylistic alternates to beautify your typographic design. Thank you for your support!

Geodec is a bold sans serif with classical ornament turning it in a Ornate Initial

Blocky Shape is a bold script with attractive features. Get inspired by its unique style!

Allstar is a bold retro font with serious attitude! It works best in display sizes.

Century Oldstyle is Linn Boyd Benton’s and Morris Fuller Benton’s renovation of Phemister’s Miller & Richard Old Style for ATF forty-five years later, using the Century name for marketing purposes.

Hello, Are you looking for a strong bold font? Do you want of creating Something that stand out and inspire creativity, imagination, and endless fun? Wait no more, we will give you the best choice. Black Scratch a Strong Bold Font Black Scratch a Strong Bold Font, Inspiring from strong bold typography. This font is perfect for a design that makes it more attractive and playful. made with a very good level of aesthetics making this font suitable for book cover, poster, packging, merchandise, logotype and much more.

Le Havre is a geometric sans serif inspired by the golden era of the passenger ship, when getting to your destination was a delight in and of itself. Compressed capitals, a low x-height and geometric construction give this art deco inspired sans a unique look that looks to the past for inspiration, but is a new contemporary design usable in a wide range of graphic settings. Le Havre features eighteen art deco titling alternates, ligatures and old style figures. Le Havre is named for the port where many a famous luxury cruise liner was launched in the 1930s. One of the best examples of art deco luxury cruise liner advertising can seen in the famous poster advertising the SS Normandie by the French designer Adolphe Mouron Cassandre. In 2009 the Le Havre series was updated with a new thin weight and Le Havre Rounded.

Replay - Inspired by more than a hundred years from Cooper Black, Replay has a soft and rounded old-style serif typeface from the sixties era. Replay give a clean and versatile letterform that fits not only for display but also for reading purposes. Replay - equipped with several OpenType. Have 84 unique alternates and ligatures which consist of 3 stylistic sets. Comes with alternatives and ligatures, and helps to create stunning logos, quotes, posts, blog posts, branding projects, magazine imagery, wedding invitations, and much more. What you get Instructions Letters, numbers, symbols, and punctuation 84 unique alternates and ligatures Use in many programs even in Canva Multilingual Support Language Support: Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Luxembourgish, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Spanish, Swedish, Swiss-German, Uzbek (Latin) Come and say hello over on Instagram! https://www.instagram.com/dharmas.studio/ Dharmas Studio

Banished was inspired by posters for the 1968 Cult Cinema Classic, “Astro Zombies”, but it exudes the rough and tumble, chewed up and spit out Old West era. Banished dives head first into all of the nostalgic clichés of the old west, as well as the cult classic that inspired it. Here's what's included with Banished: 388 glyphs - including Capitals, Lowercase (Alt. Capitals), Numerals, Alt. Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. (see the 6th graphic for a preview of the characters included) Contextual Alternates that auto-switches between Capitals & Lowercase (Alt Capitals) glyphs, as well as Numerals and Alt Numerals for visual randomness. To access the Contextual Alternates feature, you will need to be using software with Opentype compatibility otherwise you can access the alternate glyphs via a Glyphs panel. Stylistic Alternates feature that swaps all default Numerals with their Alternates Numerals Font is provided in TTF & OTF formats. The TTF format is the standard go to for most users, although the OTF and TTF function exactly the same. Here's why Banished is for you: You're in need of a good rustic slab serif typestyle with a narrow width and gritty feel You're planning a Western themed party and need a unique western typeface You're a fan of the 1968 Cult Classic "Astro Zombies" as just have to have the font to match You've got one of those Old West photography studios and need a great Wanted poster font You just like to collect quality fonts to add to your design arsenal

A touch of modernism for all kinds of projects Like the rest of the family (Rival Sans and Rival Serif), Rival slab has round shapes with bevelled endings on certain letters such as G, Q or Z. These are the characteristics that make Rival Slab a contemporary cast iron for all kinds of projects. It provides advanced typographical support with features such as case sensitive forms, small caps, ligatures, alternate characters, fractions, slashed zero, circled, pro kerning…It comes also with a complete range of figure set options It comes in 16 weights with corresponding italics and it’s suited for multiple purposes including editorial use, web font, apps, digital ads, ebook, and also for advertising, long text, packaging and branding. As a modern sans serif font family, Rival Sans has true italics to give more style in long texts.

Introducing Telidon—the typeface that brings the nostalgic charm of old dot matrix printers to life. It’s a typeface that’s full of character, inspired by the clunky, mechanical printers of the 1980s that used to hum, buzz and chug away, as they churned out reams of perforated pages. Telidon’s unique dot-matrix appearance isn’t just a throwback to a bygone era, it’s a design element that can help your words stand out from the crowd. With its quick and simple flavor, Telidon will add a jolt of energy to your text, making it perfect for headlines, titles, and logos. This versatile typeface comes in three widths, three weights, and italics, giving you the freedom to create dynamic layouts and add emphasis where needed. Whether you’re designing a retro-inspired poster, a tech-forward website, or anything in between, Telidon is the font that can take your project to the next level. But wait, there’s more! Telidon also has a grungy companion—Telidon Ink—that can give your design a rough-and-tumble edge. So why not add a little dot-matrix magic to your designs and give Telidon a try? You won’t be disappointed! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Tebel Sans is a modern, ultra-bold sans-serif font perfect for all kinds of designs. With nine different thickness variations and two different typefaces (regular and italic), this font is the ideal choice for your designs. Its unique thickness makes your design look like a bold and elegant title. It is also a practical body text, with a large selection of different font families available in Opentype features such as multilingual ligature. Alternative fonts make it even more attractive and valuable for various graphic designs. Tebel Sans has a uniqueness that makes your designs look more powerful and modern. Languages Support :Afrikaans, Albanian, Asturian, Asu, Azerbaijani, Basque, Bemba, Bena, Bosnian, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Igbo, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Turkmen, Upper Sorbian, Vietnamese, Vunjo, Walser, Welsh, Western Frisian, Yoruba, Zulu

PT Sans Pro is a comprehensive type family intended for a wide range of applications. It consists of 32 styles: 6 weights (from light to black) with corresponding italics of normal proportions; 6 narrow styles; 6 condensed styles; 6 extra condensed styles and 2 caption styles (regular and bold). The design combines traditional conservative appearance with modern trends of humanistic sans serif and possess enhanced legibility especially in caption styles. These features, besides conventional use in business applications and printed materials, make the fonts usable for direction and guide signs, schemes, screens of information kiosks, and other objects of urban visual communications. The fonts have extended Latin and Cyrillic character sets serving alphabets of all title languages of the national republics of Russian Federation and supporting the most of the languages of neighboring countries. Each font contains about 1400 characters including small caps for all alphabetic characters, 4 sets of figures with lining and old style variations, stressed Cyrillic vowels, indices, fractions and so on. Design -- Alexandra Korolkova with assistance of Olga Umpeleva and supervision of Vladimir Yefimov. The fonts released by ParaType in 2010.

Superba Pro is a condensed Egyptian font family with short ascenders and descenders. The dots on the lowercase ‘i’ and the German umlaut-vowels are square. Haas Type Foundry created the original Superba in 1928-1930. Steve Jackaman (ITF) designed and produced a digital version of the bold weight in 1992. In 2017, Jackaman completely redrew the bold weight, added an accompanying wide weight, and expanded the glyph set to support Central and Eastern European languages. Like other slab serif faces, Superba excels at display sizes and is comfortable at subhead sizes. ­ It is robust, and has “superb” legibility, allowing it to dominate attention in any project it is utilized in.

Rodrigues is a casual signature script, designed by Amin Mario and Mans Greback in 2020. A font full of personality and curves, created using quick strokes to for a natural handwritten effect, which to gives the font an organic look in a digital world. The typeface comes with OpenType features such as alternates and ligatures, a bold style and multiple decorative elements. Use { } < > [ ] anywhere in a word to create a swash. Example: Mag[ical The font has extensive lingual support, covering all European Latin scripts. It contains all characters you'll ever need, including all punctuation and numbers.

Monia is a modern grotesque typeface family designed as a copy and display typeface. With its range of twelve weights, true italic weights, it offers a wide variety of design possibilities such as posters, magazine, corporate or packaging.

Parquillian is a calligraphic display face with good legibility. It is based on a hand using elements of Italic, Gothic and Fraktur, developed for creating wedding certificates. It has numerous ligatures and alternates with subtle yet elegant swashes.

This sanserif has 18 faces from Light to the Black Italic. Conqueror Sans keeps the vigorous design peculiar to all members of this family, but at the same time it is more neutral, than its having serifs relatives.

If you were a grotesque in mid-20th-century Switzerland, you were expected to be serious and proper, if a little dull. Unlike its dogmatic Modernist predecessors, Formular is a hip Swiss sans serif of the new generation. Inspired by the utilitarian 19th-century grotesques, its precision and and versatility are combined with a slightly eccentric character. A child of its time, it scoffs at the ideology of ‟ideal” forms, yet it is every bit as functional for all its idiosyncrasies, as any self-respecting Swiss sans. Formular comes in five weights with corresponding italics and a monospace companion to the regular weight. Each weight includes special extra-light punctuation, lining tabular and old style figures, case-sensitive punctuation, and stylistic alternates.

Blue Typewriter is a bold typewriter font and scans pack (with graphics, text, paper) sampled from old documents, for an authentic vintage look. Use this set in any designs that needs a vintage touch: in long or short texts, in digital collages, branding and packaging, social media posts, logotypes, etc. Included in this product: Blue Typewriter font with variations: underlined, dashed, crossed-out and dashed underline, in SVG and vector versions (with the vector versions created separately, so that the two versions include subtle differences)

Cajoun is a bold serif face from German designer Hans-Jürgen Ellenberger. The letters sit visually low on their baseline, in part due to their small x-height. Also, the curved portions of the letterforms have an old-style distribution of weight, which pulls the eye downward. This font has a contemporary feel, however, with crisp edges, and some pointy terminals. The typeface also contains old style figures. Cajoun is recommended for use in larger applications, where the eye can get a change to dance along its wide curves. Cajoun was designed in 2002, and is part of the Take Type 5 collection from Linotype GmbH."

The digital font Technotyp is based on the hot metal typeface created by the German typographer and type designer Herbert Thannhaeuser (1898-1963) for the former East German type foundry Typoart in Dresden. In the typography book ‘Der Schriftsetzer’ (Fachbuchverlag, Leipzig, 1952), by Paul Fritzsche, this absolutely beautiful slab serif design is presented in all its variations. Fritzsche remarked that – because of its rather condensed form and its relatively long ascenders – the 'Werkschrift' of the Technotyp (comparable with our 'Regular') seemed to be very well suited to serve as a text face, and recommended for this purpose that the face be cut for the composing machine. However, this never happened and the entire Technotyp family was made available for hand composition only. This is finally changing and being remedied for good now: URW++ proudly presents the new digital version of this really charming font family with its distinct flavor of the 1950s, adding it to the other digital renditions of Herbert Thannhaeuser fonts at URW++, namely Garamond No. 4 and Magna. The original Typoart family had an italic style for the light version only. The new digital version of Technotyp includes italic styles for the regular, medium and bold weights as well, enhancing the family to meet today’s standards and requirements for professional type setting. To further increase its usefulness, Cyrillic faces were created, too. True to the standard for all digital fonts at URW++, the character set for Technotyp covers all West- and East European languages.

Celover is an elegant and modern sans serif font. It can easily be matched with your various projects, so add it to your creative ideas and watch how it makes it stand out. Features: Multilingual Ligatures Alternates PUA encoded Files Included: Celover Regular & Italic TTF

Gargantua is a stylized, bold display font with a strong, unique and somewhat futuristic look. It's excellent for poster headers and logo designs.

A script typeface inspired by the signature bold, we created to provide ease in completing the work as typography, logotype, poster, title, T-shirts and other creative projects. Created in 2017 with more than 300 glyphs, it's rich of alternative characters, ligature and other cool features, so it is very easy to use for it.

Notes And Quotes is a font duo that includes a bold typewriter font and a casual script font. The contrast between the fonts makes it a striking pair, perfect for logotype design, modern branding and packaging, quotes and social media posts. Notes And Quotes includes 6 fonts: a handwritten script font with a slant alternative and a bonus set of handwritten doodles (underlines, circles, words and short sentences, etc) a bold typewriter font with a "jumpy" alternative and a set of bonus misprints and grungy elements

Nordika is an understated, elegant, sans serif face with that clean legible corporate look. Its simple, trendy design makes it distinctive enough for display work. It makes a bold statement and is highly readable. Nordika is both condensed and quite bold and is therefore suitable for body text where some emphasis is required. Great for text and headlines - for just about any application.

Gord’s unique blend of typefaces creates a mesmerizing and trippy effect that will transport you straight back to the era of disco balls, bell-bottoms, and groovy tunes. This typeface is like no other—it’s a puree of samples that will make your design stand out from the crowd. Gord’s ugly design is so bad, it’s good! Its quirky, uneven shapes and mismatched curves give your text a distinctive retro look that’s perfect for any project that needs a touch of 70s nostalgia. So if you’re ready to embrace the beauty of ugly and want to add some vintage flair to your design, Gord is the typeface for you. Get ready to unleash your inner boogie and take a trip back to the era of peace, love, and funk with Gord! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Pickle Standard is the display version of bb-Standard rigorously built on a grid. Read the article by Madeleine Morley for Eye on Design: A Font as Crisp, Squat + Rounded as a Pickle 3 styles: italic, regular and reversed italic