Reminiscent of the hand-lettering found in mid-century children’s books, Akemi Aoki’s MVB Grenadine is a quirky sans, broken free of its geometric roots. Letterforms bounce along the baseline in a jolly dance, yet remain clear and legible, whatever the reader’s age. MVB Grenadine is available in a broad range of six weights, each with italics.

Oregon Street - Urban Brush Font with its distinctive character that can be easily implemented in your various design projects . Oregon Street came with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature

This font "SKETCHY IN SNOW" is so cute and playful. It is great for quotes, logo, branding, packaging, t-shirt design, cover kids book, tote bag design, social media and anything your project Both uppercase and lowercase are match perfectly. You can combined them as you like. Features: Uppercase Lowercase Number & Punctuations International Accent PUA Encoded

A decorative font with descending tails on the capital letters. The design is based on a popular typeface from the 1880s, mainly used for personal names on title-pages, advertisements and stationery. Today, you can use it e.g. on book and album covers, invitation cards, restaurant menus and concert programs to give a fin-de-siècle impression.

Chella is a friendly display type family of 8 weights and matching italics. Chella has soft forms combined with some sharp edges. It includes swash capitals, end swashes for lowercases and a few options for ascenders and descenders. Chella is a great choice for package design, children's books and where ever you’ll need a playful and friendly font.

This loopy offering is patterned after a typeface from the 1888 specimen book from the Central Type Foundry of St. Louis, called simply "Spiral". The ragged contours on the original face have been smoothed out, but it still is an attention-getter. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

MVB Bossa Nova is based on unattributed hand-lettering found in an old book, circa 1946. Yet unlike many scripts based on a vintage source, it feels fresh and dynamic. This is due to the skilled hands of Holly Goldsmith, who gave the forms a contemporary vigor despite their age. Alternate glyphs with extended ascenders offer extra flair.

Mokalatte - Stylish Script font with a natural handwritten feel. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes. This font is PUA encoded which means you can access all of alternate glyphs and ligatures.

This delightful semiscript is based on an offering from a 1930s specimen book from the Mergenthaler Linotype Company, originally called, simply, "Card Italic". Elegant without being stuffy, it is equally “at home” announcing anything from formal occasions to casual get-togethers. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Sunshine Gabriela is a beautiful script font, suitable for any projects such as logos, branding projects, homeware designs, product packaging, mugs, quotes, posters, shopping bags, t-shirts, book covers, name cards, invitation cards, or greeting cards. You can also use it for labels, photography, watermark, special events, and all your other lovely projects that need a beautiful script taste.

Fallisanta is a flourish script font with a little bit retro vibes and cursive high contrast stroke. Fallisanta includes opentype features Ligatures and Alternate lowercase flourish. It support multilingual more than 100+ language. This font is suitable for logo design, Movie Titles , Books Titles and any awesome project you create. Make stunning work with Fallisanta flourish font. Cheers, MaulanaCreative

Bouncyland - Stylish Bouncy Script font with a natural handwritten feel. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes. This font is PUA encoded which means you can access all of alternate glyphs and ligatures.

Devans is a high-contrast blackletter typeface, it adds a bold touch to your projects and will inspire you to create something unique and modern. This font also comes with alternative characters, and multi-language support. This font is ideal for titles, flyers, book covers, printed quotes, logotypes, clothing designs, branding and album covers. Files include:

Introducing Rahaely, a elegant script font with a lot of alternates character. This font is perfect for logotype creation, lettering compositions, wedding invitations, fashion projects, book design cover, magazines typography, cards, packagings, posters, branding and more. Come with Opentype feature with a lot of alternates, its help you to make great lettering. This font is also support multi language.

Bellastory is a font that is intentionally made with hand strokes using a brush pen, so that it gets a natural texture, and produces beautiful fonts for your various designs, this font is suitable for cover books, magazines, logos, invitations, business cards, screen printing, product packaging, posters, invitations, greeting cards, news, blogs, everything including personal charm.

Steelplate Gothic Pro is a sans serif font family with traditional and drop shadow weights. It shares letterform similarities to conventional Copperplate Gothic families, but has no spur serif endings. Most of the original designs came from the Western Type Foundry when BB&S acquired it in 1918; all were cut by Robert Wiebking. It was recast in 1954 by American Type Founders (ATF). Steve Jackaman (ITF) designed and produced a digital version of the original single weight in 1997. In 2017, Jackaman completely redrew and expanded the family, adding entirely new condensed variants and true small caps. Steelplate Gothic Pro has a masculine, industrial feel, and works effortlessly at display and subhead sizes. It shares letterforms with its sans serif sister family, Barnsley Gothic.

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. To see how patterns can be constructed, see the “Samples” file here. Shapes that tessellate and also resemble real-world objects are often called Escher-like tessellations. TessieMoreStuff contains mostly Escher-like tessellations with no clear organizing principle. Most or all of these shapes were discovered/created by the font designer during the past twenty years in the process of designing maze books, colorings books, and a book about tessellations. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns. The addition of a solid style that must be colored makes these new fonts a bit more difficult to use but offers far greater possibilities in getting visually interesting results.)

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. To see how patterns can be constructed, see the “Samples” file here. Shapes that tessellate and also resemble real-world objects are often called Escher-like tessellations. TessieMoreStuff contains mostly Escher-like tessellations with no clear organizing principle. Most or all of these shapes were discovered/created by the font designer during the past twenty years in the process of designing maze books, colorings books, and a book about tessellations. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns. The addition of a solid style that must be colored makes these new fonts a bit more difficult to use but offers far greater possibilities in getting visually interesting results.)

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. To see how patterns can be constructed, see the “Samples” file here. Shapes that tessellate and also resemble real-world objects are often called Escher-like tessellations. Most of the shapes contained in TessieMiscellaneous are Escher-like tessellations. Most or all of these shapes were discovered/created by the font designer during the past twenty years in the process of designing maze books, colorings books, and a book about tessellations. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns. The addition of a solid style that must be colored makes these new fonts a bit more difficult to use but offers far greater possibilities in getting visually interesting results.)

A tessellation is a shape that can be used to completely fill the plane. Simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. To see how patterns can be constructed, see the “Samples” file here. Shapes that tessellate and also resemble real-world objects are often called Escher-like tessellations. This typeface contains many Escher-like tessellations that resemble animals including horses, goats, rabbits, fish, frogs, and other vertebrates. Most or all of these shapes were discovered/created by the font designer during the past twenty years in the process of designing maze books, coloring books, and a book about tessellations. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns. The addition of a solid style that must be colored makes these new fonts a bit more difficult to use but offers far greater possibilities in getting visually interesting results.)

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations. These Tessie fonts have two family members, a solid style that must have different colors when used and an outline style. They can be used separately or they can be used in layers with the outline style on top of the solid style. For rows to align properly, leading must be the same as point size. To see how patterns can be constructed, see the “Samples” file here. Shapes that tessellate and also resemble real-world objects are often called Escher-like tessellations. This typeface contains many Escher-like tessellations that resemble flying birds. Most or all of these shapes were discovered/created by the font designer during the past twenty years in the process of designing maze books, colorings books, and a book about tessellations. (Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns. The addition of a solid style that must be colored makes these new fonts a bit more difficult to use but offers far greater possibilities in getting visually interesting results.)

Boomshell is a very eye-catching font with natural-looking textural strokes, plus a few ligatures and swash additions. Perfect for project branding, logos, product packaging, posters, invitations, greeting cards, news, blogs, everything including personal charm, etc.

Introducing, Grayson Serif. Grayson is a swash serif font that have an unique look to give your design a little bit of elegant but still feminine. this font is perfect for magazine, headline, editorial, instagram pst, etc.

Say hello to Eatboy font. Made with love and joy. Comic look, Bold, Thick, so it will make your design more beautiful, cute, fun, and colorful. It comes In two awesome styles, regular and italic.

An elegant calligraphy script. I named it after my hometown, Kazincbarcika. I think it looks interesting written down.The first letter I designed was the initial "K" and I have built the whole set around that.

Remish is a bold serif with high contrast, making it a versatile and elegant typeface. With a touch of vintage vibes, it will add a sleek and bold look for headlines, invitations, advertising and more.

A vintage look label font named "Farm House".Typeface includes five styles for clean version and five styles for rough version, for sample look at 4th preview. This font will good viewed on any retro design like poster, t-shirt, label, logo etc. For using effects layers (for clean or rough version): - Type your text in Regular. - Copy that and paste at the same position. - Change the style to Shadow or Texture.

It's Tushy not stussy, even it's Pretty but ain't lazy. yoo what's up, this font is dedicated for you to be your crafting material. Super ready for any craft project as branding image, any tags, card maker, invitation card, greeting card, wedding decoration for your farmhouse wedding or rustic look, or decorative material.

Adagio is a spontaneous, casual kind of font but don’t be fooled into thinking just because it’s all uneven and painted that it’s a pushover. There’s a bold brush pen at the heart of the design as well as a full set of alternate lowercase characters if you’re looking for something extra.

🏆 Selected for Tipos Latinos 8. 🏆 Hiii Typography 2018 Merit Award. Rocher was designed while looking for an answer to a simple question: what would a typeface look like if it was made of stone? It certainly would look solid, but did we have to add cracks and rubble so it would resemble rocks? We didn’t think so. We decided to tackle the problem a different way. We added corners where there usually aren’t any and threw some unusual letterforms into the mix. The result is a typeface that feels like stone, but if you look closely there is nothing inherently stony about it. Unexpected corners provide just the right amount of roughness, while unusual letterforms give the text an informal aesthetic, traces of something naive and handmade. A family was born when the sturdy letterforms were turned into a series of playful layers. With 9 fonts in total, Rocher can be mixed and matched to create unique layered compositions that add depth to the layout. We designed Rocher to be used in logotypes, packaging, mobile apps and headlines. We are confident you will find another handful of scenarios where it can shine.

Typer Pro (formerly Consul Typewriter Pro) is a modern OpenType font family reviving the look of old typewriters. Its carefully converted forms are detailed enough even for high pointsizes while keeping a reasonable number of outline points. Typer Pro comes in two variants: Typer Pro Mono is strictly monospaced (all characters occupy the same amount of horizontal space – this way old typewriters usually operated). However, sometimes a more even appearance may be desirable. Therefore, Typer Pro Text has been proportionally altered for a more pleasant and balanced look. Moreover, it is possible to achieve both proportional and monospaced look in both families via Stylistic Sets. You can choose from four different weights in each family and pick characters from its extensive glyph set. Typer also contains a number of Stylistic alternates, randomly replaced alternative letters to avoid the repetition of letters in a word. Typer Pro is a versatile typeface and is perfectly legible even at small sizes and on-screen. When printed, it looks best at its original size around 11–12 pt. Typer supports many OpenType features and offers great multilingual support for most of Latin-based languages. Feel free to download the detailed PDF Specimen.

The Neuzeit Office family is designed after the model of the original sans serif family Neuzeit S™ , which was produced by D. Stempel AG and the Linotype Design Studio in 1966. Neuzeit S itself was a redesign of D. Stempel AG’s DIN Neuzeit, created by Wilhelm Pischner between 1928 and 1939. Intended to represent its own time, DIN Neuzeit must have struck a harmonious chord. DIN Neuzeit is a constructed, geometric sans serif. It was born during the 1920s, a time of design experimentation and standardization, whose ethos has been made famous by the Bauhaus and De Stijl movements in art, architecture, and design. Upon its redesign as Neuzeit S in the 1960s, other developments in sans serif letter design were taken into account. Neuzeit S looks less geometric, and more gothic, or industrial. Separating it from typefaces like Futura, it has a double-storey a, instead of a less legible, single-storey variant. Unlike more popular grotesque sans serifs like Helvetica, Neuzeit S and especially the redesigned Neuzeit Office contain more open, legible letterforms. Neuzeit Office preserves the characteristic number forms that have been associated with its design for years. After four decades, Neuzeit has been retooled once again, and it is more a child of its age than ever before. Akira Kobayashi, Linotype’s Type Director, created the revised and updated Neuzeit Office in 2006. His greatest change was to retool the design to make its performance in text far more optimal. Additionally, he created companion oblique to help emphasize text.

Pascal is a typeface designed in 1953 by José Mendoza y Almeida, inspired by an alphabet created by his father for engraving. It is an elegant and classic typeface. Its use is optimal for use in short texts, headlines and covers. Pascal is a Trademark of BauerTypes SL

Vintage Glader is a beautifully crafted script font that exudes a timeless elegance and sophistication. Designed with a fairly thick weight, this font makes a bold statement while maintaining a classic script style. Its well-balanced proportions ensure a consistent and harmonious look across all letters, making it both visually appealing and highly readable. One of the defining characteristics of Vintage Glader is its contrasting strokes, which add a dynamic rhythm to the text. This contrast not only enhances the overall aesthetic but also contributes to the font's excellent legibility, making it suitable for a wide range of design applications. Adding to its charm, Vintage Glader swinging ends on some letters, lending a playful yet refined touch to the script. In addition, enjoy the features here. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Vintage Glader fits in headlines, invitations, logos, posters, flyers, branding materials, greeting cards, print media, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Larabiefont isn’t your average typeface. It’s a beautiful blend of retro inspiration and modern design. The manual typewriter that inspired it may have been designed in the early 1970s, but this techno typeface has a contemporary feel that makes it perfect for today’s digital world. With its well-defined shapes and rounded edges, Larabiefont exudes a sophisticated personality that sets it apart from other typefaces. The uniform stem widths give it a sleek, streamlined look that’s perfect for technical designs. And with four widths, two weights, and italics, it’s incredibly versatile, whether you’re designing a logo, a website, or a print layout. So if you’re looking for a font that’s both retro and modern, sophisticated and streamlined, look no further than Larabiefont. It’s the perfect choice for any designer who wants to make a bold statement with their typography. Try it today and see the difference it can make in your designs! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Mr Lucky is Mr Happy's slab brother and a hand-drawn narrow typeface designed for one of our books. You can layer different styles over the background style to achieve lots of colorful effects. Use just one style to get a single color letter or set Fill over Background or Stripped Background to get a two color mode. Mr Lucky has upper and lowercase characters with up to three alternate glyphs and special alternate uppercase diacritics. Build in OpenType Contextual Alternates feature will automatically set alternate glyphs depending on frequency of appearance of the same character (even in web font but only in HTML5 browsers). The script doesn’t throw random glyphs. For example in the word “HIPPOPOTAMUS” you will automatically get three different “P” glyphs and two “O” glyphs. It really works great but of course you can always fine tune it by hand.

May I present to you: Tacky Shoes. Actually there's nothing tacky here - just liked the sound of that :) Just like the letters may look quite straight-forward, but here and there the lines are a bit off, which enhances the handmade look - which makes it great for work like posters, invitations, flyers, stickers or something that has to do with creativity. Each letter has 6 variants (in all 6 versions!) which makes the text look more natural and random - because these variants cycle as you type!

Rockinstead counts 1, 2, 3, 4, 5, 6, 7, 8... Eight variations per letter, plus alternates for numbers and even for punctuation marks! It is equipped with some clever OpenType programming to make substitutions on-the-fly: the Contextual Alternates feature, with the help of a very careful kerning table, takes care of cycling the alternates in an amazing random-like way, impressively mimicking a true handwritten text. The Discretionary Ligatures feature manages the substitution of handy cursive catchwords, adding that charming twist. To put it more bluntly, this font AUTOMATICALLY alters your typing so that it substitutes glyph variations while you do nothing but type away! No need to use PopChar here to do the substitutions manually, the font itself takes care of that for you. This typeface was originally painted on paper, drawing inspiration from Ralph Steadman’s seminal lettering style. On a first glance it may look quite wild - and it proudly is, indeed. But look again: it is stylishly wild, it is strong, unpredictable, full of attitude and good energy. This multifaceted font will certainly strike its way for free-spirited design applications. Just please be warned: it’s seriously addictive!

Hello for our first debut on MyFont "Smoothness" is a modern script font. Smoothness is a gorgeous organic handwritten and that looks stunning in just about every works. With Full Multilingual support. well-suited for advertising, branding, logotypes, packaging, titles, headlines and editorial design. Enjoy with Smoothness font. Cheers! Note : this helps you to use all of our font functions To get Special Characters like Our Preview Image · Adobe Photoshop go to Window - glyphs · Adobe Illustrator go to Type - glyphs You can get special characters by access Character Map for Windows user, and Font Book for MAC user. Download tutorial below : How to Access special characters, You can Download the link for Support you : http://www.mediafire.com/file/o3sml68hxp6h6yd/Access_Spesial_Characters.pdf/file This is information and tutorial how to use ligatures in Adobe Illustrator, Adobe Photoshop, Microsoft Word (Windows and Mac). And Enable alternates characters in other apps. Download the guide here : http://www.mediafire.com/file/edm9sjjwx9g1vi2/How_to_Active_Ligature.pdf/file if you get a trouble on our font kerning : http://www.mediafire.com/file/9e0q5sjzx97e06m/how_to_slove_trouble_kerning.pdf/file Includes · OTF File · TTF File · Beginning and Ending Characters · Ligatures · Numbers + punctuation · International Languange

Ciseaux was inspired and is dedicated to the art of paper cutting. Early paper cutting artists were often royalty, but it soon became a folk art practiced by commoners whose cutouts decorated their homes. By the seventeenth century it had spread throughout the world. The Japanese called it Mon-kiri, the German's Scherenschnitte and Turkey even boasted a guild devoted to the art form. In Poland the designs were traditionally symmetrical and often used layers of colors to form pictorial collages. When Russian invaders confiscated scissors, villagers were found to cut their intricate designs with sheep shears! The art form later developed into cutting out elaborate designs of nature scenes and people, celebrating special occasions and even decorating legal documents. Ciseaux letterforms mimic paper cutting art in its shapes with a rather loose and almost joyous rhythm. The overall effect is somewhat earthy and natural yet it has an element of sophistication that cannot be ignored. Just like paper cutting, Ciseaux can be used for special occasions like invitations, brochures, identities, restaurant menus, and if you dare, some awesome looking paper graffiti. Available in TT, PS and Opentype for Mac and Windows.