Hello Everyone, introduce our new product Font Psychomachy Handmade Scary Font with ligature and Multilanguage support.Introducing of designs look modern, unique and fun. It’s perfect for labels, quotes, posters, DIY projects, branding, packaging, greeting cards, websites, photos, photography overlays, signs, window art, scrapbooking, tags and so much more!our new product that inspired by Street Tagging, graffiti style with a fun theme very good for graffity poster, flyer, childrenbook, cartoon, comic etc . That is has charming, authentic and relaxed characteristic more natural look to your text You can activate 15 Alternates glyphs and 10 Ligatures glyphs OpenType panel.

Adieu is an old-fashioned display font traced and modified from a group of Victorian fonts. It is very stylized, but it is very attractive to many of my clients.

Wonder Brush is a display typographer's guilty pleasure. It's one of very few fonts ever made that can take intense abuse and still look natural. Partly based on a 1969 Friedrich Poppl design called Poppl Stretto, but considerably fused with ideas found in interwar magazine ad lettering and signage, Wonder Brush caters to the idea that most graphic designers would rather use design elements they can enjoy. When you spend your days being "challenged" and "creatively tested" and "communicating the message," you can definitely use a little bit of playtime. And this font gives you just that, playtime on the job. Wonder Brush appears to be a straightforward narrow upright brush script. But it really is made of malleable rubber. Take it into a program like Adobe Illustrator, set something, stretch or squeeze, shear or warp, slant or transform… just play with it like they used to do in the 70s and 80s. You will soon discover that this font really is a big old top hat, and it's up to you and your mischief to pull rabbits or geese out of it. A single font that allows you to emphasize content or manage space mechanically without affecting the integrity of the type setting. And if your playtime includes fiddling with OpenType features, you're in for a bonus treat: Wonder Brush comes with over 800 characters, including a lot of alternates and extended language support. So tweak away until your eyes cry with joy. The only rules are the ones you set, and even those are meant to be broken.

TT Nooks useful links: Specimen | Graphic presentation | Customization options TT Nooks is an experimental font family that includes a high contrast serif, TT Nooks, and an upright italic, TT Nooks Script. Despite the difference in style, both subfamilies get along well, which is partially thanks to their similar proportions. Each of the subfamilies includes 4 weights: Light, Regular, Bold and Black. The main subfamily is TT Nooks—a stylish high-contrast serif with a light touch of self-centeredness. If TT Nooks were a person, it would be an elegant lady with an independent and firm personality. In the original sketches of TT Nooks there were traces of a broad pen, but in the course of further evolution the typeface moved away from this style, retaining only the high contrast of strokes. In addition, in the process of design searches TT Nooks has obtained a touch of geometricity. The serifs in TT Nooks stand out especially visibly thanks to their geometric shape that resembles slippers. In addition to their peculiarity, such serifs add stability to the font and allow better compensation of the black and white ratio within the letters. TT Nooks has small capitals for Latin and Cyrillic alphabets, as well as a set of stylistic alternates (including some figures) that makes the typeface a bit more geometric. In addition, we have drawn more than 25 ligatures, including ligatures for capital letters, slashed zero and many other useful OpenType features. TT Nooks Script is a complementary family designed to harmoniously extend the main family and expand its scope. The forms of the characters in bold and light fonts of TT Nooks Script are quite different. For example, Black & Bold have high contrast strokes and an open aperture, and in Regular & Light the aperture of the characters is closed. TT Nooks also has small capitals for Latin and Cyrillic alphabets, ligatures, oldstyle figures and other OpenType features. In light faces, TT Nooks Script is more humanist and has artifacts inherent to the continuous movement of a flat pen. In bold faces, TT Nooks Script has a very dense and dynamic typing rhythm, and the shape of the letters begins to geometrize. We had had the difficult task of preserving the continuity of forms between bold and light faces, and we have managed to solve it thanks to the found rhythm, which united different fonts, and proximate stylistic solutions.

Sonus – a new monoline family with dynamic-flow drive. Influenced by early English sans serifs - Powerful and energetic but with some classical features. Its firm structure makes it great for text and demonstrates its lively linearity in displays. Sonus comes in 16 styles, in OpenType format and with extended language support.  All weights contain standard ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction and scientific numerals and arrows.

Sixta, a new monoline face with a classical background, has comfortable proportions and a puissant appearance. Although it has plenty of movement and is eventful, its discreet stroke ductus makes it excellent both for text and display. Sixta comes in eight weights, in OpenType format and with extended language support for more than 40 languages. All weights contain proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals.

Abalda adds to the number of “bad-taste” alphabets as seen on faded commercial inscriptions painted on neglected old houses. To enhance its warm character, some picturesque discretionary ligatures were added. Use it for posters, private invitations, or create a punchy company logo – the smell of old times will coin decent traditional look without a vulgar “Art Nouveau” cheapness. Yes, Abalda shares its overall proportions with Zeppelin 43, hence the whole family is a good choice to combine with.

I was cleaning out my pencil box and found an old marker pen. I wanted to throw it away, because it was leaking all over my stuff, but decided I could use it one more time. The result is Full Blast font: a ‘brush’ font (made with that leaking old marker pen). Use if for your fireworks packaging, fiery pepper sauce bottles and whoopee cushions (and just about anything else as well). Comes with an explosive amount of diacritics.

Where's the party? Don't forget Contempo Elan! This stunning new font comes with it's own party ornaments. The right solution for any festive occasion, this super innovative face comes in two flavors. Contempo Elan Grand Script is a surprisingly elegant alternative to a more traditional formal script. Designed by Wesley Poole of Hawaii, this alphabet is definitely a hip script. Early reviews call this font "remarkable" and "a masterwork". Contempo Elan Ornamental is elegant and fun! Just perfect for those last minute Holiday announcements or any use that requires a classy, celebratory typeface, Contempo Elan Ornamental fits the bill. Equally at home on board the Enterprise or beckoning revelers at Mardi Gras, Contempo Elan belongs in every type library, just for fun. Party on.

Khalisa is a beautiful and charming display font with a bold vibe. Get inspired by bird feather. Khalisa font suitable for standout designs and make any design idea into a true standout.

Westwood is the work of American West Coast designer David Westwood, a bold display typeface featuring a fine linocut effect. Westwood exhibits a dramatic, eye-catching style with a rough-hewn look.

Yontrakam is a bold display font with a sharp and sleek appearance, exuding a futuristic and sci-fi vibe. Ideal for conveying special emphasis in diverse media, including posters, packaging, and more.

Burger Royale JNL by Jeff Levine is a bold, sans serif font with a slight Deco feel, inspired by the logo of a former Florida chain of hamburger shops called Royal Castle.

Give your designs an authentic handcrafted feel. "Distance Bold Script Font" is perfectly suited to signature, stationery, logo, typography quotes, magazine or book cover, website header, clothing, branding, packaging design and more.

This Arabic typeface family was created by Younes Alaboudi. Yanson proudly incorporates a timeless geometric style with humanistic nuances. Featuring three weights from Light to Bold, Yanson supports OpenType features for Arabic.

Lactosa is a sweet script font that is bold, full of energy, and curvaceous! The font comes with alternates for you to play with, and can amplify the uniqueness of your designs.

Meksa is sleek, minimal & very clean. This wide typeface is perfect for bold headers, impact text, or logo design. Meksa is multilingual, appropriate for international publications. Includes Cyrillic, West European diacritics & ligatures.

Realtime is a cool, thick lettered and robotic display font. This font is ideal for writing web designs, business cards, or pretty much anything else that requires a techno and bold touch.

Introducing! Gracioso is a new cute and funny display font. This font adopts a bold, cute, firm, and trendy style. Very suitable to meet your various design needs that are trending now.

Hello, Introducing Bold and Cute Fonts Grateful Everyday. this font rounded good for your Graphic. Frendly use, Easy to Read. What's Character Included ? Uppercase Lowercase Symbols Numerals Multilingual Support Thank You, Regards.

Gostyk is a bold and stylish font. Perfect for use in a variety of purposes, such as writing articles, magazines, branding projects or simply as stylish text to display on your screenshots.

Rima is a stencil display face with imposing slab serifs, designed to suggest strength, confidence, expertise and efficiency. Regular and Bold weights are included along with two handy italics (optically corrected obliques).

The extra bold, squared Art Deco sans hand lettering found on a 1940s travel poster for the Pennsylvania Railroad inspired Rail Service JNL, which is available in both regular and oblique versions.

AZ Clouds was inspired from a need to develop a sans serif typeface with center accents for a t-shirt design. This font was designed for use as a fun bold headline.

Outrage is highly disfigured to the verge of illegibility. The base font is Fiendstar Bold Condensed and the distress pattern is derived from a series of semi-abstract paintings. The result screams.

Goudy Handtooled was done in 1922 and is a shaded version of Goudy Bold. Some authorities credit the design to Charles A. Becker and others to Morris Fuller Benton and Wadsworth Packer.

Examples of a wood type alphabet for letterpress are the basis for Rounded Sans Wood JNL. Clean and bold, the rounded ends give a softer, more informal look to any display copy.

A mid-1950s hand lettered ad for Stenso Lettering Guides provided the inspiration for Stencil Company JNL, now available in both regular and oblique versions. The Stenso Lettering Company of Baltimore, Maryland pioneered easy-to-use and inexpensive lettering devices with guide holes for accurate spacing. Originally designed by a school teacher (Ruth Libauer Hormats) around 1940, the company was family run until it was sold in 1962 to Ottenheimer Publishers. They in turn sold the line to the Dennison Manufacturing Company, and it was discontinued in the 1980s after Dennison merged with Avery.

Based on a Monotype 1930s condensed poster typeface, Placard Next is bursting with personality. Unexpected details appear throughout the design, from its wedged diagonals and single storey a to its round tittles – which would more ordinarily be square, and mechanical. The warmth and quirkiness of its character really shines through when set at larger sizes, making this a typeface for posters, headlines, and anywhere else designers need to make a statement. Designer Malou Verlomme has paid particular attention to the typeface's 'word images', further amping up its impact, and added some vintage flavor with Placard Next Round. As well as a striking display typeface, Placard Next's four widths and six weights – hairline to bold - mean it's a versatile design, that can be adapted for use in almost any environment. The complete family contains 48 fonts: 24 in Placard Next and 24 in Placard Next Round. It includes a large multilingual character set.

Do you need versatile font for your design? Meet Rasfire, a serif font family that makes your design project becomes a delightful experience. Everything you need is already here. It generates simple and modern vibes. What's particularly nice about this font is how it works equally good in header or smaller text. With 8 different styles to this font family, ranging from thin to extra bold, you have variety of ways, you can put this simply-styled serif to use. It is also has more fascinating features that helps you maximize your design. Features: Multilingual Supports Numerals and Punctuations PUA Encoded It can be used for many design projects, such as poster, logo, book cover, branding, heading, printed product, merchandise, quotes, social media campaign, etc. Learn more about how to use it by seeing the font preview. Thank you for purchasing our fonts. Please don’t hesitate to contact us, if you have any further question or issues. We’re happy to help. Happy Designing.

AZ College Brushed font was inspired from a combination of typical collegiate t-shirts designs and also the current wave of A&F t-shirt designs (rough painted look). This font utilizes an "old look" to the line work which is designed to have a "worn feel" to it. It is designed to compliment it's sister font; AZ College. Ideal for use as headline or sub-head text in you design. Note: This font is somewhat detailed and is memory intensive. It is not recommended to use, unless you have a powerful computer.

Talbot Type Klamp 105 is an elegant and streamlined, geometric sans-serif. A legible text font, its narrow proportions mean it’s economical with space; while at larger sizes it makes a confident, modern display face. Klamp 105 is available in a comprehensive family of seven weights, featuring an extended character set to include old style numerals, as well as accented characters for Central European languages. It is also available with some character variations as Klamp 205, most notably featuring a traditional, double-storey lower case a and g.

Talbot Type Klamp 205 is an elegant and streamlined, geometric sans-serif. A legible text font, its narrow proportions mean it’s economical with space; while at larger sizes it makes a confident, modern display face. Klamp 205 is available in a comprehensive family of seven weights, featuring an extended character set to include old style numerals, as well as accented characters for Central European languages. It is also available with some character variations as Klamp 105, most notably featuring a more modern, single-storey lower case a and g.

AZ Text font was inspired from a need for a generic worn san serif text of letters that looks old. This font utilizes an "old look" to the line work which is designed to have a "worn feel" to it. Ideal for use as the body or text in your design.

Tokyo Olive was designed as an homage to nostalgic display types and advertisements in the mid-late 80s. The mid-late 80s was the era of the post-modernism and fancy-decorative design especially in Japan In other words, it was the mixture of superficial form-operation and girly taste. This curious design movement vanished without a trace in the 90s, but it had its moments. Tokyo Olive has voluminous and simple geometric skeleton (for post-modern) with rounded and craft-style stencil joints (for fancy decoration). We added a classic open style as a little spice. The mixture of those essences makes new impression we have never seen before. Tokyo Olive family consists of 5 styles for stacking color font. Please use Photoshop or Illustrator, or your favorite graphic design apps that can handle layers. Layers are the printing plates of wood type. You should be able to change text color for each layer. Tokyo Olive "Standard" style is the base of this font family. You can add open effect by stacking "Fill" layers over the Standard layer. Instruction 1. Type your text as you like. 2. Set font-name "Tokyo Olive" and font-style "Standard". 3. Set color of "Standard" layer. 4. Duplicate the "Standard" layer to make "Fill" layer. 5. Set font-style "Half Fill" or "Full Fill" and new color of upper layer. Tokyo Olive Standard, Half Open, and Full Open style can be used solely.

Designed by Cosimo Lorenzo Pancini with the help of Francesco Canovaro, Unigeo is an eulogy to the design style of vintage computing, with its obsession for geometric modularity, ultra-tight tracking and striped rainbow overload. It aims at giving a new perspective to the ever-useful geometric sans genre, by adding a vintage flair to selected letters while keeping optical adjustments to the minimum, to prioritize the modular, constructed look aspect of the typeface. Furthermore, like every vintage gaming system, Unigeo has been developed with different "memory versions":32, 64 and 128. The main family, Unigeo 64, is display and logo-design oriented, featuring tight tracking and iconic signature letterforms, and referencing vintage design and typefaces from the photo-lettering era. These letterforms are substituted in the Unigeo 32 variant with more contemporary shapes, resulting in a workhorse geometric sans, highly optimized for text use but still suited for logo design and display use thanks to its wide weight range. Last but not least, the Unigeo 128 subfamily gives the same skeleton a striped treatment reminescent of optical art and modernist computer logos. All Unigeo families are developed in eight weights, ranging from Thin to Extrabold, for a total of 40 styles, each provided with an extended character set covering languages using latin, cyrillic and greek glyphs. Full Open Type Features are provided, including positional numbers, legatures and alternate glyphs, as well as a variable font version for each subfamily.

Cnabel, is a display font inspired by the Art Nouveau movement, particularly by Slovenian book illustration from the period. It�s a modern interpretation that took some characteristic features. It has no contrast, large x-height, and rather wide proportions. The typeface feels constructed and futuristic, but at the same time, it has sinuous round lines that provide an organic feel. Its unconventional shapes guarantee a unique design experience. Good for posters, branding, headlines, logotypes, covers. Easy to use, fits nicely to different materials, attracts attention. It supports European languages, has alternates characters, OpenType features, and ligatures. It�s in 3 weights: thin, regular, and bold. It� contains 357 glyphs.

Rimbomba is a freehand style font with long ascenders and descenders and a steep slant making it elegant yet casual. It is inspired by writing letters by hand, as it was done before, with strokes that in the normal style imitate the tip of a pen and in the medium and bold styles they imitate a round pen stroke. It is a font with strength in its movements and finesse in its curves, which creates a homogeneous set that is easy to read and which produces a certain reading speed. It is complemented with stylistic alternatives for the beginning and the end of the words.

Venice La Corla is a breathtaking serif font that embodies timeless elegance and sophistication. This typeface exudes a sense of refinement and grace that is perfect for projects where a touch of classic charm is required. Each character in Venice La Corla is meticulously crafted to provide a harmonious balance between its serifs and elegant lines, resulting in a truly remarkable font. Key Features: 1. Serene Elegance: Venice La Corla's primary hallmark is its serene elegance. The font's graceful serifs and curvaceous letterforms create an atmosphere of sophistication that is suitable for various design applications. 2. Timeless Appeal: Inspired by the romanticism of the Italian city of Venice, this font transports you to an era of classic beauty. Its timeless appeal is perfect for projects that require a touch of nostalgia and charm. 3. Versatile Usage: Venice La Corla is incredibly versatile and adapts effortlessly to different design scenarios. Whether it's a formal wedding invitation, a vintage-inspired poster, or a high-end fashion magazine, this font adds a touch of class to any project. 4. Exceptional Legibility: Despite its ornate elegance, Venice La Corla maintains excellent legibility, making it a practical choice for long passages of text as well as for branding and display purposes. 5. Captivating Details: The font's characters are adorned with captivating details, making it a true work of art. Each letter is thoughtfully designed to enhance the overall visual appeal of your design. Recommended Uses: Venice La Corla is ideal for a wide range of projects, including but not limited to: - Wedding invitations and stationery - Vintage and classic-themed designs - High-end fashion and luxury branding - Editorial design and magazine layouts - Product packaging and labels - Fine art prints - Wine labels and menus for upscale restaurants Incorporate Venice La Corla into your design projects, and you'll instantly elevate the aesthetics, adding a touch of timeless elegance that will captivate your audience.