In Fehlian I blended features of my earlier Arthur and Lindau releases. Fehlian is a sturdy yet sophisticated Art Deco style Roman semi-serif. It is an excellent choice for titlings, headlines, labels, shopfronts and any other display usage which needs to be typographically furnished with something special. Moreover, besides the plain Fehlian font you have the option of yet another two wonderfully decorated versions which lend even more beauty to your designs. Note that Fehlian is a capitals-only product. It has no lowercase but the uppercase is completed for multilingual usage and supports every Euro-Latin language.

Elogium Pro is designed by Naghi Naghashian. It is a modern interpretation of classic Roman characters in 3 weight: Light, Regular and Bold. The character set of this Font family supports most western languages including: Afrikaans, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish. There are 17 additional symbol characters: euro, litre, estimated, omega, pi, partialdiff, delta, product, summation, radical, infinity, integral, approxequal, notequal, lessequal, greaterequal, and lozenge. It also includes the characters necessary to support the following central European languages: Croatian, Czech, Estonian, Hungarian, Latvian, Lithuanian, Polish, Romanian, Serbian (Latin), Slovak, Slovenian and Turkish.

Bouwsma Script, based on Philip Bouwsma's own handwriting, was originally released in 1994 and settled for nothing less than being an instant classic. One of Bouwsma's widely used works in the 1990s, Bouwsma Script finds its home now at Canada Type, where it was updated with the Euro symbol and complete support for Turkish, Baltic, and Central and Eastern European languages. It now also comes in all popular font formats, including OpenType. Real, casual, friendly, and loaded with the designer's artistic touch, Bouwsma Script can be seen around the globe on plenty of store signs, book covers, product packaging, promotional posters and a variety of other paraphernalia.

Ostad Pro is designed by Naghi Naghashian. It is a headline font, as a modern interpretation of classic Sans Serif Roman characters in 2 weights: Regular and Bold. The character set of this Font family supports most western languages including: Afrikaans, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish. There are 17 additional symbol characters: euro, litre, estimated, omega, pi, partialdiff, delta, product, summation, radical, infinity, integral, approxequal, notequal, lessequal, greaterequal, and lozenge. It also includes the characters necessary to support the following central European languages: Croatian, Czech, Estonian, Hungarian, Latvian, Lithuanian, Polish, Romanian, Serbian (Latin), Slovak, Slovenian and Turkish.

Avid Pro font family is designed by Naghi Naghashian. A modern interpretation of classic Sans Serif characters in 6 weights: Thin, Light, Regular, Demi Bold, Bold and Heavy. The character set of this Font family supports most western languages including: Afrikaans, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish. There are 17 additional symbol characters: euro, litre, estimated, omega, pi, partialdiff, delta, product, summation, radical, infinity, integral, approxequal, notequal, lessequal, greaterequal, and lozenge. It also includes the characters necessary to support the following central European languages: Croatian, Czech, Estonian, Hungarian, Latvian, Lithuanian, Polish, Romanian, Serbian (Latin), Slovak, Slovenian and Turkish.

Divan Pro font family is designed by Naghi Naghashian. It is a Headline font family, a modern interpretation of sans serif characters in 2 weighs: Heavy and ExtraBlack.The character set of this Font family supports most western languages including: Afrikaans, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish. There are 17 additional symbol characters: euro, litre, estimated, omega, pi, partialdiff, delta, product, summation, radical, infinity, integral, approxequal, notequal, lessequal, greaterequal, and lozenge. It also includes the characters necessary to support the following central European languages: Croatian, Czech, Estonian, Hungarian, Latvian, Lithuanian, Polish, Romanian, Serbian (Latin), Slovak, Slovenian and Turkish.

Decora Pro font family is designed by Naghi Naghashian. A modern interpretation of classic Roman characters in 1 weigh and 2 styles: Regular and Regular Italic. It is a Liaison between the classic Roman typeface and script style. The character set of this Font family supports most western languages including: Afrikaans, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish. There are 17 additional symbol characters: euro, litre, estimated, omega, pi, partialdiff, delta, product, summation, radical, infinity, integral, approxequal, notequal, lessequal, greaterequal, and lozenge. It also includes the characters necessary to support the following central European languages: Croatian, Czech, Estonian, Hungarian, Latvian, Lithuanian, Polish, Romanian, Serbian (Latin), Slovak, Slovenian and Turkish.

Anelo is about beauty with objectivity. A handmade sans serif with a humanist style. 889 Latin and Greek glyphs covering lots of Western and Eastern European alphabets. You can use Anelo from a LaTeX equation (there are 117 Greek/Coptic glyphs; please see image #6 in the gallery for an example of an Anelo/Computer Modern combination) to billboards and traffic signs. Its crisp, upright, handmade aspect takes communication to a direct and personal level. Anelo has some important OpenType features, like kerning, standard ligatures, old style/tabular/proportional figures and diagonal fractions. There are 25 currency symbols, including Euro ₠ €, Shekel ₪ and Bitcoin ₿. Each Anelo style has a condensed version, which gives room to many interesting combinations. For best results on screen, the Semibold Family is recommended.

Mira is a playful, decorative Art Nouveau font, released by Roos & Jung Foundry in Offenbach AM, Germany about 1902. The exaggerated serifs and the sharp contrast between the thick and thin strokes gives the page a whimsical “salt and pepper” look that is very distinctive. Mira uses our new encoding. The Euro symbol has been moved to position 128 and the Zcaron/zcaron have been added at positions 142/158 respectively. Otherwise, MIRA has our usual idiosyncratic glyph selection, with the German ch/ck instead of braces, Western European accented letters, lower case “o” and “u” with Hungarian umlaut and our usual Hand-in-Hand symbol. In addition, black-letter-style upper case “H” and “T” characters are included. Download the PDF Type Specimen for locations.

Roumi Pro is designed by Naghi Naghashian. It is a headline font, as modern interpretation of classic Roman characters in 1 weight: Regular. The naming is driven from the name of Rumi (the Roman), Persian philosopher and poet, 1207-1273. The character set of this Font family supports most western languages including: Afrikaans, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish. There are 17 additional symbol characters: euro, litre, estimated, omega, pi, partialdiff, delta, product, summation, radical, infinity, integral, approxequal, notequal, lessequal, greaterequal, and lozenge. It also includes the characters necessary to support the following central European languages: Croatian, Czech, Estonian, Hungarian, Latvian, Lithuanian, Polish, Romanian, Serbian (Latin), Slovak, Slovenian and Turkish.

Introducing 58 Rodeo: A Classic Redefined 58 Rodeo is based on several different woodtypes used primarily as display faces in the late 1800s/early 1900s. The difference with this version of a classic woodtype is the balance and legibility. 58 Rodeo has been redrawn to emphasize line and character uniformity. The goal is to create a eurostyle, square look in a western font designed for modern applications with wild west sensibility. Additional characters provide whimsy and flair to round out any layout on the fly. Stars and other sorts are included in this reinterpreted design. Egyptienne-style fonts possess a universal appeal and are spectacular for adding interest and legibility in a variety of applications. The extended character set includes the Euro, placed on the currency key.

A modern neo-grotesque typeface. Having grown up in Sheffield and been completely immersed in the work of The Designers Republic I became very drawn to their treatment of Helvetica, especially the close tracking of the letter space. This visual investigation led me to the study of the font Hass Unica, a so called improvement to Helvetica. In order not to replicate and become a clone of Unica I redrew all the characters from scratch improving optical appearance, developing subtle corrections and reshaping individual letterforms. The result is a remixed neo-grotesque font that has strong general optical balance with great rhythm under close tracking. Details include 10 weights, an extended European character set, true italic, manually edited kerning and Euro symbol.

Los Lana Pro is a handmade display typeface. Unlike other font families, this type has not a modular structure, that is, each character has been individually designed. The coherence of structure elements across different characters is given by irregular strokes. This curveless typeface is perceived as being curved because of its straight lines, which form different-size angles. Los Lana Pro is a rustic typeface that captures the stereotypical “Andean hippie” handmade aesthetics. Irregular shapes and broken lines give it a distinct personality. Los Lana Pro looks better in larger sizes. Includes many ligatures, two groups of alternate characters, and titling caps characters. Languages include: Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Romanian and Pan Africa Latin. Photos by Sergio Recabarren.

An elegantly refined typeface with a subtle wedge serif, the character shapes of Acolyte STF set a rhythm of light and dark like windows in a cathedral. Standing tall (as in condensed!) and respectful, Acolyte STF is aptly named as a companion to any design, packaging and advertising. Acolyte will illuminate your designs with a display typeface reminiscent of European 20th century letterforms. Its distinctive letterforms are slightly chiseled and angular with curves in just the right places. Wrapped in an aura of mystery, Acolyte's origins are from condensed typefaces, with an understated gothic feel. Available for Macintosh and Windows, Acolyte will set an edgy tone for all of your design needs. Complete with an Adobe-standard character set, this font also includes the Euro and is cross-platform compatible.

Maribor is a slab serif font with nice shapes, they are both soft and angular. It is perceived calmly and with a twist. Maribor means "Mara`s pinery". The energy of the Universe, reflecting the modification, renewal and change for the better is called Mara; Ancient wise ancestors called it so. Today it is known as the goddess Mara in the Vedic worldview of the Slavic-Aryan peoples. Maribor is a multilingual font, it contains characters for 104 Latin languages and all Slavic, including all capitals for them. There are all major currency signs, including the ruble and the Euro. Many OpenType features allow you to make a variety of compositions; as well as to see the font from the new side thanks to the stylistic sets for the Slavic alphabets.

Ravensara Serif - elegant high contrast classic serif. Style of the typeface originates in a classic Didone but took a step to simplify some letter forms and make Didone feel more contemporary. Ravensara Serif is a part of the Ravensara superfamily, united by the same anatomy, which currently also includes Ravensara Sans and Ravensara Stencil. Ravensara Serif, despite its ancient roots and due to simplified and smoothed forms, can be used in a variety of different styles. It’s a perfect choice for bold headlines, oversize typography, fashion logos, branding, identity, website design, album art, covers, posters, advertising, etc. It is available in 7 weights, including Thin, Light, Regular, Medium, SemiBold, Bold and Black. Ravensara Serif extends multilingual support to Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Pan African Latin and Afrikaans.

Hinton is a modern, clean text font, including 840+ characters, many Opentype features, all European & Slavic symbols. It is calm, orderly and a bit perky. Hinton has a lightweight and pleasant design, so it fits well and easy to read. Its characters are simultaneously austere and elegant, and have their own flavor. Hinton includes all European and Slavic alphabets, Euro and other 8 signs of currencies. In addition to basic Latin and Russian there are German, Dutch, Spain, French, Romanian, Turkish, Czech, Polish, Croatian, Serbian, Ukrainian, Belorussian, Baltic, Scandinavian, Icelandic and others alphabets. Opentype features: stylistic alternates, manual kerning, standard ligatures, discretionary ligatures, small capitals, capitals to small caps, case, oldstyles numerals, tubular numerals, localized forms, stylistic set, historical forms, fractions, ordinals, numerators, denominators, slashed zero and others.

The talented designer of the well-known Formata typeface, Bernd Möllenstädt was born on February 22, 1943 in Germany. He has lived in Westfalia, Berlin and Munich, Germany, and now permanently resides in Munich. From his earliest years he was interested in typography, first studying as a typesetter (1961-64) and then a student of graphic design (1964-1967). In 1967 Möllenstädt joined the Berthold typefoundry and his career as one of the leading type personalities began. One year after joining Berthold, he became the head of the type design department. For 22 years he worked as the head of that department, under the leadership of Günter Gerhard Lange. Upon Lange’s retirement in 1990, Möllenstädt ascended to the type directorship of Berthold where he was responsible for type design and font mastering. Möllenstädt designed two typeface for the Berthold Exklusiv Collection, Formata (1988) and Signata (1994). Under license from Berthold, Adobe marketed Formata as part of the Adobe Type Library. Formata is now one of the most successful sans serifs in the world, used both in American and European magazines, as well as newsletters in the Far East (Gulf New Kuwait). Formata also was chosen as the corporate typeface of Postbank, Allianz, VW Skoda, Infratest Burke, etc. In addition to his work for Berthold, Möllenstädt has lectured at local Munich schools on typography and graphic design, and designed corporate type identities and diverse logos for major corporations, including Allianz, Commerzbank, Mauser Officer and Hoepfner. Möllenstädt continues his association with Berthold as a designer. He most recently completed small caps and fractions for Formata. He also has substantially contributed to Berthold's Euro symbol program (e.g. adding the Euro symbol design-specific to the most popular families). Möllenstädt currently is working on a new Berthold Exklusiv design.

The Miramonte™ Pro Family was designed by Steve Matteson in 2006 as a friendly sans serif design suitable for user-interface design, corporate branding and publishing. The name means 'behold the mountains' in Spanish, suggesting the rustic, unrefined type design. Miramonte™ Pro Family is based on Stanislav Marso's humanist sans serif released by Graphotechna in 1960. This revival includes a cursive style italic rather than a sloped roman. Miramonte Pro Family includes an extensive character set for publishing Central and Eastern European languages. Its OpenType features include the euro symbol, alternates, old style figures, proprtional lining figures, diagonal fractions, stacked fractions, superscript/subscript and scientific inferiors. Character Set: Latin-1, CE, OpenType Pro features. View Miramonte Pro Type Specimen (PDF)NOTE: An OpenType-savvy application such as Adobe Creative Suite, Mellel or QuarkXPress is required to access the OpenType typographic features.

The font is devoted to the historical past of the peoples of Europe, which today is hidden, but which can not be lost forever, because it lives in the genetic memory and hearts of people. Beautiful font in the historical traditions of 17-19 centuries. Elegant, luxurious, sweet. Some forms and combinations of forms are not always ordinary, but always interesting and exciting. - Letters for all Latin alphabets - Letters for all Slavic alphabets - Ligatures. All standard (ff, fi, fj, etc.) as well as fb, fk, tt, ft - Stylistic alternates a, y, g - Ordinals - Fractions - Historical forms of letters s, я - Historical ligatures ss, si, st - Historical Slavic letters - Lowercase alternates for ж, к, я, ect. - National ligatures: German ss, Icelandic and French ae, oe, Dutch ij - Uppercase German SS (Eszett Große) - Currencies: dollar, ruble, euro, pound, cent, yen and more...

This font has 2 styles in one keyboard layout! There is a solid style, and an outline style. The capital letters match the small-case. The capitals are all solid letters, while the small-case are the same, but an outline version. Same with your numbers, there is 2 styles (Outlined hollow numbers, or press shift and a number to get it's matching solid version). Common punctuation marks, brackets, etc., are included too, in both styles (There's even a hexagonal euro and dollar sign). To make these characters easier to find, repeats are spread throughout your alternate keys. The two styles can be used together, nicely complimenting each other. Hive Mind is NOT appropriate for important business presentations, lengthy novels, or anything you want to be an easy read. Use this font anywhere you want to create a funky look or need to be cryptic... Have fun with it!

Superfont type family, created by Tom Nikosey, California Typographic Designer/Illustrator is based on his design and illustration for the title art for the 1984 movie Supergirl. 'I've always felt someday I would design a complete font with variations, including Euro Glyphs and dingbats and numbers based on that logo and letters'. Cozyfonts Foundry is the manifestation of a career-long desire to create fonts in 2011 with his release of Aladdin Bold font family. Superfont is the 22nd font family release. Superfont has a 1960s superhero feel and movement. The entire font family is italic by style. There's a hint of Retro-Moderne in it's overall look. The 1960s ushered in the supersonic era in travel and technology with the jetset look in fashion, product design, fabric design, and type design. Superfont is Cozyfont's take on that era with the innocent future-forward attitude in it's glyph's personality.

Black Drum is a rare revival typewriter face, made digital from analog samples gathered with great care by Coniglio Type. A time and place; type and life. Black Drum is contemporary designer type, made from the struck steel hammers of an Art Deco Period san serif face transferred from a mechanical 1926 custom editor Royal Portable typewriter. Anna Conroy of Type Heritage, LLC, Philadelphia comments on Black Drum and its new place in time today: “Wow! nice lookin’ face Joseph! —Perfect, somewhere between Cable; [Rudolph Koch, 1927] (which was about the first transatlantic telegraph cable) with its raised x-height; and Futura [Paul Renner, 1928]. Yup, it has that great “Monopoly Game” question mark -- and all on a period-piece typewriter! You should have no trouble grafting that sorely needed Euro symbol.” –And he very well did! Author: Joseph Coniglio Producer: Coniglio Type MyFonts debut: October 2021

Juxta is a unique experimental and futuristic script. It was born from the idea to combine two antipodes: programming fonts aesthetics and handwritten script. Juxta has witty and jagged character combined with a perfect grid structure and certain decorative elements, such as cross out letters, that gives it the spirit of Nordic minimalistic design. Juxta script is a part of Juxta superfamily, united by the same aesthetics, which currently also includes Juxta sans. Juxta script is available in 7 weights, including Thin, Light, Regular, Medium, SemiBold, Bold, and Black. It is a potential leitmotif of graphic design projects that need a creative breakthrough, including logos, labels, branding, identity, website design, album art, posters, advertising. Juxta offers standard ligatures, contextual and stylistic alternates. It extends multilingual support to Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Pan African Latin, Afrikaans, and Basic Cyrillic for exceptionally far-reaching global accessibility.

Mottle is a strong, chiseled typeface made to help you stand out from the crowd. Gnarled after patterns found in nature such as marble, tree bark, and the brindled coats of animals, Mottle exudes a unique, natural, yet man made look. Great for display use such as logos, movie and album covers, and signage, Mottle gives off a feeling that is old yet new, gothic yet modern. Mottle supports over 30 languages, featuring over 400 glyphs and 500 OpenType kerning pairs. The Dollar, Euro, Yen, and Pound symbols are included, as well as Extended Diagonal Fractions support, and the Estimated Symbol. Language support for Basic Latin English, Western European Diacritics, Afrikaans, Basque, Breton, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, Gaelic, German, Hungarian, Icelandic, Indonesian, Irish, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Romanian, Saami (Southern), Serbian, Slovak, Slovenian, Spanish, Swahili, Swedish, and Turkish.

Haakke (or Håkke) - a casual, hand drawn (Stabilo OH pen, Fine) font with 4 alternates to all upper and lower case letters (a-z + å ä ö) as well as numbers for a realistic hand written look and feel! “Ligatures” have been created for double letters (TT, tt, ff, ll & LL (open type version of the font and open type compatible layout application required). Of course it holds all(?) the special characters that you will ever need. 451 glyphs... Haakke also includes symbols. Zodiak signs (letter a-l, upper case A-L write the corresponding name of the sign), planet signs (m-z, upper case M-Z write the corresponding name of the planet) triangles, squares and stars (from pentagrams (5 pointed) to Dodecagrams (12 pointed). (Write a 4, or shift-4 ("euro-sign", european keyboard, or "dollar sign", american keyboard) before your star or triangle and you will get a circle around it).

Movie Script is the script that was used in German movie-brochures. Those were small four page leaflets with a lot of sepia-colored pictures about the movie one was about to see. Today those things are collectors items. The script was also used on those hand-painted posters above the cinema entrance. I cleaned up the old script and made it just a little bit more readable, but overall I left it as it was. Of course I added the necessary glyphs for today's world, like Euro and so on. When I was a kid, my grandfather gave me 1 German Mark and I could go to the movies matinee, that was around 10:30 in the morning, the entrance cost something like 60 Pfennig and the rest was for peanuts and a drink. Still today I love my grandfather for that, movies introduced the world to me (no TV then). Your grandfather-loving designer Gert Wiescher

Don Sans is a sturdy display sans which evokes the invironment of old-day industrialism, steamers, locomotives and other machinery; dusty back-yard workshops and the glamorous air of backstage life. It has been inspired by various letterings crafted by former graphic workmen who would have had an idea of simple letter construction but did not really wanted to bother with detail sophistication. Hence the result is somewhat quaint and imperfect … if that is something you are willing to enjoy. The unique charme of this typeface lies in its lack of perfection. And yet it embodies a peculiar straight-forward strength and sobriety, a visual stubbornness which is certainly not over-used! Utilize Don-Sans for stationary and ads, for crisp title settings and smart identity graphics; for menus and leaflets, business cards, cutting-edge campaign eye-catchers … whatever your imagination makes of it! Don Sans is a multilingual typeface, it supports every Euro-Latin language.

The Arthur Cabinet font family offers a most particular range of seven fancy ornamental fonts in the spirit of the Art Deco era. These fonts celebrate the age of elegance, stylishness and refinement to its very best. They give you a unique tool for exquisite designs. The fonts of this family are derivatives from the Arthur Sans series, which you may also want to have a look at. Use this unique typefaces for distinctive personal stationary, outstanding headlines, captivating brochures and invitations; for marvellous logotypes, wonderful menus, hotel leaflets, exciting ads … for brillant designs. Each Arthur Cabinet font features the same comprehensive Euro-Latin encoding for full language support. Additionally, every font includes a small supplementary set of fine ornaments. – For an even more comprehensive range of Arthur embellishments check out the font Arthur Sans Regular or Arthur Ornaments! Have also a look at the sister fonts of the gorgeous Arthur Sans Family, which will offer you yet another wonderful scope of fascinating typographic possibilities. ________________________________________________________________________________ Tip: Set Sample text (see below) manually to [ABCDE…] to view effectively the fonts most relevant parts! ________________________________________________________________________________

This design is one of the true gems to come out of the 1930s typeface era. Even though the face was originally designed to counter the invasion of European sans-serifs, it remains faithful to the principles found in its creator's poster work. Lucian Bernhard's lettering creation for American Type Founders is to this day a favorite among font connoisseurs worldwide. It has a unique personality. This deluxe version is packed with extras including the original oldstyle figures, alternates, and ligatures. A number of styles and alternate characters have been added to the family such as heavy italics, extra heavy italics, and capital figures. And an easier-to-identify "flagged" figure one and the new euro symbol are now located in each individual style. Bernhard Gothic is also available in the OpenType Std format. Lining and oldstyle figures, stylistic alternates, and additional discretionary ligatures are now combined in each style. These advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Introducing Mullingar, our latest submission to the display typeface’s world library. Heavily inspired by the letters that are used in old/classic advertisements and signpainting culture, with a little magic touch of modern twist to keep this family relevant. Mullingar letterforms were built from bold and blocky base, unique serif combinations, clean plus smooth curves, and sharp edges. Available in six styles (Regular, Bold, Light, plus Slanted in each version), that guaranteed to give you joy in designing. Mullingar family is a reminiscent of retro sign painting, featuring a rustic architecture that makes it quite at home in a wide variety of design themes. Its blocky characters are best used in bold signage, headlines, advertising, logo designs, product packaging, merchandise, apparel, posters, album artwork, book covers, titling, etc. This typeface also provides additional versatility through OpenType feature, offering discretionary ligatures, standard ligatures, and stylistic alternates. It extends multilingual support to Basic Latin, Western European, Euro, and Pan African Latin languages for design projects intended for an international audience.

Ravensara Stencil - elegant high contrast classic serif. Ravensara family was born from the idea of taking the Didone concept to weight extremes. In light and medium weights Ravensara transmits a very elegant and high fashion style attitude, but stays readable in small sizes and can even be used as a text font. That makes it an ideal solution for projects, that needs an injection of contemporary sophistication. Heavy weights perfectly complement light and medium ones and also works great by their own in large sizes. It is a part of the Ravensara superfamily, united by the same anatomy, which currently also includes Ravensara Sans and Ravensara Serif. Ravensara Stencil is available in 9 weights, including Thin, Light, Regular, Medium, SemiBold, Bold, ExtraBold, Black and ExtaBlack. Ravensara font family, combining its classic origins and contemporary elegance, is a perfect choice for bold headlines, oversize typography, fashion logos, branding, identity, website design, album art, posters, advertising, etc. Ravensara Stencil extends multilingual support to Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Pan African Latin and Afrikaans.

P22 Saarinen is a typeface based on the architectural lettering of Finnish American architect Eero Saarinen.The Saarinen fonts were created to help commemorate the 75th anniversary of Kleinhans Music Hall in Buffalo, NY, which was designed by Saarinen in collaboration with his father Eliel Saarinen and is recognized as one of the greatest concert halls ever built in the United States. Saarinen’s own lettering styles were combined with various lettering manual suggestion for proper lettering to create a flexible casual lettering style in regular and bold weights. The Pro fonts include multiple variations of each letter for a more natural lettering style as well as stylist in variants to achieve various highs for crossbars and other customizable variants. The Pro fonts also include Central European character set, fractions, small caps and an array of hand drawn directional arrows. Individual non-pro versions feature: Saarinen Regular - characters with low cross bars Saarinen Alt 1 - characters with high cross bars Saarinen Alt 2 - characters with mid cross bars and old style figures Saarinen Arrows - bold and regular arrows combined in one font

Vialog is a large and versatile sans serif family consisting of four weights of roman with corresponding italics, each with small caps and Old style Figures. Designers Werner Schneider and Helmut Ness based the concept for Vialog on the forms in "Euro Type," an unpublished type designed by Schneider in 1988 for the German Federal Transportation Ministry. For Vialog, Schneider made comprehensive legibility studies of the existing European transportation fonts, and combined and adapted the best features to make a new information system font family. He fine-tuned Vialog's characters and spacing with a special regard to the legibility problems of transportation settings, such as viewing type at distances and while moving. For example: cap I, J and lowercase i, j are common legibility problems in sans serif fonts, so in Vialog, these characters have serifs. In addition to its usefulness to the transportation industry, the Vialog family confidently meets the needs of corporate design and branding systems with its space-saving attributes for text settings, as well as the large number of weights and styles.

Now, more than ever, the world needs BenderHead. Why? – Because... it just does. Don't ask why, just take our word for it. BenderHead has its thicks and thins all mixed up. For you typographic aficionados, stroke weights and hairline weights aren't consistent, and many rules of typographic design were broken to make this font. We're sure there's a use for it... we've used it on CD covers and posters - and have seen it on a poster for the Zelda video game at Babbages. It's offered here for the first time through Altered Ego Fonts. I don't think we need to explain its history, its inspiration, or its historical reference to you... (we're not certain there is any.) Just accept it as it is, and use it profusely. Benderhead AEF features a full character set, including the Euro. It supports the following codepages: -Latin 1 -Latin 2 (Eastern Europe) -Western Baltic -Turkish AEF highly recommends the OpenType version for compatibility with future Macintosh and Windows operating systems. Not to mention they work better in Adobe InDesign.

Lapidaria is a typeface that may be described as a ‘geometric sans with humanist qualities’. Its mood is smart and sober, its appeal is calm, cool and classical. Though quite well performing even in longer text bodies, a particular strength of Lapidaria lies in display typography. The most peculiar aspect of Lapidaria is its new family concept: for the very first time ever a tricameral alphabet model has been realized as a general-use sans: uppercase, lowercase and middlecase letters blending smoothly into one typographic tone, thus offering entirely new typographic possibilities. – The middlecase (or uncial) sorts being accommodated in the lowercase positions of the Medior fonts. All nine fonts equally offer full character coverage for all Euro-Latin languages – and for Greek. There are a lots of special characters and ligatures. Last but not least, a set of ten ornament characters (in each font) will let you make sparkling designs which will thrill your clients. Each font contains about 500 characters, that makes over 4,500 in total for the complete Lapidaria family package. __________________________________________________________________________________________

"Berganza" is a typeface designed as a tribute to the spanish century called "Siglo de Oro". Embellished with several ornaments and swashes, it quickly reminds an age in which castilian arts & letters were flourished, as well as the fantasy knighty fables adventures of heroes, loved ladies and evil villains. Although the Siglo de Oro cannot be set in specific dates, it is generally considered to have lasted more than a century; between 1492, the year of the discovery of America and 1681, the year in which the writer Pedro Calderón dela Barca died. Lope de Vega, Francisco de Quevedo, or even William Shakespeare (in England) are also famous figures of this time. Berganza typeface takes its name from the main character of the picaresque novel "The Conversation of the Dogs" (Cervantes, 1613). Berganza is able to speak with the other dog Scipio on a big number of social & philosophical topics. Talking about technics, Berganza is a modern typeface but with a humanist flavour. Thanks to its various styles and flourishes, it immediately refers to the culteranism aesthetic of that time, whose aim was to elevate the noble over the vulgar. But also, Berganza takes advantage of the contemporary technology, highlighting in his drawing the contrasted forms and certain broken and unusual strokes in order to give it a brave and different style touch. Berganza includes four weights to be used for continuous reading with great visual richness. However, it is more recommended for large sizes, since its unusual and particular details appear when the letter grows. Finally, the hundreds of glyphs and Opentype features that it has incorporated, allow us to change the aesthetics of the type according to our needs. OPENTYPE FONT 518 CHARACTERS 1113 GLYPHS 4 INSTANCES (Regular, Bold, Italic & Bold Italic) 38 LANGUAGES 28 LAYOUT FEATURES (stylistic sets, ligatures, historical ligatures, swashes, contextual alternates, numerals, etc) DESIGNED BY CARLOS CAMPOS IN 2021 www.cuchiquetipo.com Dummy text from wikisource.org («Rinconete y Cortadillo», by Miguel de Cervantes).