3,667 search results (0.042 seconds)
  1. As of my last update in April 2023, "Bizzy Bee" is not a widely recognized or extensively documented font within the design community or among the commonly used typographic resources. However, let me...
  2. "Queer Theory RegularTrial" by Harold Lohner is an embodiment of artistic audacity and a celebration of diversity within the realm of typography. This font captures the essence of inclusivity and cha...
  3. UglyQua, a font created by the prolific designer Manfred Klein, is an intriguing entry into the typographic world that defies conventional beauty in design to make a bold statement. This typeface, ro...
  4. TrajanusBricks is a unique and artistically designed font, inspired by ancient history yet infused with a contemporary flair. This typeface draws its essence from the grandeur of Roman architecture, ...
  5. SchulVokalDotless is a distinctive typeface designed by Manfred Klein, a reputable figure in the realm of typography known for his eclectic and wide-ranging font designs. As its name suggests, “Schul...
  6. Robotaur, crafted by the innovative minds at Iconian Fonts, is a font that captures the imagination and propels it into a science fiction realm. It is not just a collection of characters; it's an ens...
  7. The font named "abc" by Weknow is a distinctive typeface that showcases the creativity and artistic versatility of its creator, Weknow. Weknow is well-known for his prolific output of unique fonts, o...
  8. The Pseudo (BRK) font, conceived by the creative mind behind AEnigma, stands as a unique and memorable entry in the realm of digital typography. Its design philosophy intertwines the familiar with th...
  9. Virgin, as a hypothetical font, is not known in my list of documented fonts up to my last update in 2023. However, let's imagine what Virgin might encapsulate as a typeface design concept, given its ...
  10. "I Hate Comic Sans" by Utopiafonts reflects a unique chapter in the world of typography that is as much about personal expression as it is about the broader discourse surrounding typeface design and ...
  11. Cubicle is an intriguing font style that exudes a blend of modernity and meticulous design, tailored for both digital and print mediums. It plays a pivotal role in delivering messages with a crisp an...
  12. The "Butterfly Chromosome AOE" font, designed by Astigmatic One Eye, is a striking testament to the imaginative and experimental spirit that defines much of modern typography. This font manages to en...
  13. As an artist with a penchant for typography, exploring the attributes and unique qualities of SF Diego Sans by ShyFoundry is a delightful journey. This particular font stands out as a testament to th...
  14. As of my last update, the MDRS-FD01 might not be widely recognized in mainstream typographic circles or it's a new or specific creation that hasn't fully entered the common design lexicon yet. Howeve...
  15. Orthotopes Oblique, a font designed by the innovative Megami Studios, is a true testament to the harmony between structure and fluidity. It's as if this typeface captures the dynamic motion of the fu...
  16. As of my last update in 2023, "Twenty Four" may not refer to a widely recognized or standardized font within typographic communities or font libraries. However, the playful and imaginative name sugge...
  17. The "Huggable Hedgehogs Demo" font by Brittney Murphy is a delightful and charming typeface that seems to capture the essence of whimsy and playfulness, much like the endearing qualities of hedgehogs...
  18. "Hugh is Life Personal Use" is a font designed by the talented Billy Argel, a designer known for his proficiency in creating unique and expressive typefaces that are not only aesthetically pleasing b...
  19. Serif Medium is a font that gracefully bridges the gap between tradition and modernity, embodying a perfect mix of elegance and readability. Its roots are firmly planted in the serif tradition, which...
  20. Subatomic Tsoonami is not merely a font; it's a vivid journey into the realms of creativity and innovation, embodying a blend of whimsy and sophistication that's rare in the typography world. At firs...
  21. The font "Lido STF" is an intriguing and versatile typeface that merits a close examination for its design, usability, and overall aesthetic appeal. Its design springs from a blend of old-style serif...
  22. The font "GroutPix" by ffeeaarr embodies a unique blend of pixel art inspiration with a modern twist that captures the essence of digital craftsmanship and nostalgic 8-bit aesthetics. This distinctiv...
  23. Ihminen, designed by Jenny Barck, is a highly captivating font that reflects an artistic melding of humanistic qualities and typographic design. This font family is named after the Finnish word for "...
  24. The "Ams Trame" font, created by Pleine Page-Luc Mahler, is a delightful exploration of typography that captivates both designers and viewers alike. This font stands out through its unique blend of a...
  25. "Presa ANTIPIXEL.COM.AR" by Antipixel is a distinctive font that embodies a unique blend of contemporary aesthetics and functional versatility. Designed with a creative flair, this font showcases the...
  26. The !PaulMaul font, crafted by the distinctive type foundry !Exclamachine, is a bold statement in the world of typography, reflecting an adventurous spirit combined with a modern twist. At its core, ...
  27. Ye Old Shire is a font that evokes the rustic charm and storied past of medieval England and the broader British Isles, transporting its audience to an era of knights, folklore, and the textual craft...
  28. As of my last update in April 2023, Pehuensito is not a widely recognized typeface within the vast landscapes of typography and font design. Given this, I will approach the description of Pehuensito ...
  29. As of my last update in early 2023, there isn’t a specific font universally recognized by the name "Pink" that could be easily pinpointed within the vast landscape of typography. However, let's stret...
  30. The Penelope font, crafted by Dieter Steffmann, stands as a testament to the unique blend of artistic flourish and classical sensibility. This font is remarkably distinct, primarily due to Steffmann'...
  31. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  32. The Spin Cycle 3D OT font is a visually dynamic and innovative typeface that stands out for its unique three-dimensional appearance, drawing its design inspiration from the vibrant energy and movemen...
  33. As of my last update in April 2023, "Snag Mag" by The Logo Factory isn't a widely recognized or documented font in the most accessible font libraries or in the common resources graphic designers turn...
  34. As of my last update in April 2023, I must note that specific details about a font named "Kero Font" could be subject to the context in which it is being referenced, including its designer's intent, ...
  35. As an encouraging and helpful artist, let me introduce you to the intriguing world of the font known as STR, a creation that stands out for its unique characteristics and the purpose it serves within...
  36. As of my last update, "Among Us" as a term is best recognized for its association with the popular multiplayer game known for its unique blend of social deduction, teamwork, and betrayal mechanics. H...
  37. As of my last update in 2023, I don't have direct access to specific databases or updates about fonts developed beyond that point, including the detailed specifics about "Candyful" by Typefactory. Ho...
  38. "Feedback BB" is a distinctive font crafted by the renowned type foundry Blambot Fonts, which has made a name for itself within the comic book industry and beyond. Founded by Nate Piekos, Blambot has...
  39. Bistecca, a creation of Studio Kmzero, is a distinctive font that encompasses a unique blend of artistic flair and practical design, reflecting a deep understanding of typographic form and function. ...
  40. Nyctophobia, a captivating font created by the talented designer David Kerkhoff, is a masterpiece of design that embodies the essence of fear and intrigue, much like its namesake suggests. The word "...
Looking for more fonts? Check out our New, Sans, Script, Handwriting fonts or Categories
abstract fontscontact usprivacy policyweb font generator
Processing