Introduce Lugo Rockwell is a brush vintage handwritten font to give an incredible impression for all your project design come with a lot ligatures and Alternative to make everything look realistic handmade handwritten. Included: Uppercase & Lowercase Number & Symbol International Glyphs Multilingual Support Ligature Alternative Hope you enjoy it.

FG Lina was inspired by an old handwritten book I found in the library. It contains some alternate caps characters and some rough lowercase characters. I had lots of fun designing the missing characters to fit in the script. I hope you will enjoy this Quill Script font!

The Stephenson Blake foundry in England, made two fonts, Flemish Expanded and Flemish Condensed. In our view, one was too wide, the other too narrow; so we redrew it and renamed it Brussels. Why not? Belgium is one of the few places where you may still hear Flemish spoken.

Jourba is my quick scribbled serif font. Here and there you can notice inkblobs and obvious clumbsy lines. Comes with alternate upper- and lowercase along with a lot of ligatures of the most used typical letter combinations! You will need to use OpenType supporting applications to use the ligatures.

Inline Retro JNL is Art Deco in style, featuring condensed characters and its namesake inline. While not a true revival of a vintage design, the same influences are utilized throughout the font to give it retro appeal. Inline Retro JNL is available in both regular and oblique versions.

RL Bouba is an experimental display typeface that includes three weights. RL Bouba can be used on but is not limited to, posters, billboards, T-shirts, album covers, basically any design that needs a big eye-catcher font! Bouba offers Basic and Western European Latin letters, numbers, and punctuation.

This font is not a historical one, in spite of the fact that it was inspired by the Cancellaresca pattern (look at 1491 Cancellaresca and 1610 Cancellaresca). We have created this one as a fantasy script for a decorative use, like for invitation, greetings, menus, posters and so on...

This font is almost as much fun as a trip to NOLA. 40 illustrations that cover Mardi Gras and food, with buildings, trolley, paddle wheel, pelican and musical instruments. The instruments and adult beverages are universal. Plus a hand lettered New Orleans. A lot of variety in this collection.

Just a hint of grunge in this font, one side fairly clean and one side with subtle grunge. Demigrunge lends itself readily to display, headlines and writing sentences without verbs in them. Just one style in this family. Lots of accented characters and extensive punctuation. Great for goth titles.

Hello, introducing a vintage style all caps typeface "Dusky Slab". It's a seventies style font with bold serifs and reverse contrast inspired by western hippie culture. Dusky Slab supports a lot of languages, including west european and cyrillic characters (check out all available symbols on the last screenshot).

Introducing Keshia, a fun and fancy script font with a lot of alternates character. The flourish touch is unique, its help you to make wonderful lettering. Keshia is perfect for logotype creation, lettering compositions, wedding invitations, fashion projects, book cover design, magazines, cards, packagings, posters, branding and more.

Display Prominent is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. In place of a lowercase there are short caps that are centered horizontally on the tall caps. There are also short numbers, punctuation, and miscellaneous characters.

Conqueror Text consists of 12 faces and is a part of a super family Conqueror. It is intended for big text blocks. Someone considers that the Conqueror Text — not so text font, because it too bright and unusual. But others, more courageous, use ConText and are quite happy.

For those who wish to use the Sofia Pro font family in a variable version, this family comes in 2 files with 2 axes of variation (weight and italic). This version gives you a lot of freedom in the creation for your next project with a multitude of possibilities.

A vintage metal stencil from a saw mill with the term "reusable skid" was the model for Saw Mill Stencil JNL. Although the original was what would be termed a semi-stencil (some letters did not have 'breaks' in them), the font was designed with a more traditional look.

Friendlist is a casual modern handwritten font. Friendlist comes with a lot of ligatures and ending swash that make your text is more charming and more expression. Friendlist brings natural element to your design, it's perfect for wedding, stationery, logos, social media quotes, branding identity, and many more.

Introducing Misyela, made with modern handwriting! You can use it for your work because there are a lot of features in it to contain a complete set of letters lower and uppercase letters, assorted punctuation, numbers, and multilingual support. This font also contains several ligatures and alternate characters.

Based on the Morris F. Benton for ATF in 1920, it was not completed for production until 1926. The serif version we released a few years ago was so popular, that we decided to design a complementary sans serif version in three weights, along with three corresponding Swash fonts.

Introducing Sherley, a new elegant script font, lovely and sweet. Sherley is perfect for styling logos, stationery, wedding event, invitation, quote, social media, websites and so much more! Sherley comes with Opentype feature and a lot of alternates to help you make great lettering. Also supports multi language.

Are you ready to unleash your wild side? Look no further than Duality, the tough and eccentric display typeface that will add a truly unique and unforgettable flair to your message. These fonts are not for the faint of heart—their wild slab-serifs and insane ball-terminals will make your text stand out in a sea of bland and boring fonts. Choose from three different styles to make your message truly pop. The regular style is perfect for making a bold statement, while the gritty Sand style adds an extra layer of texture and edge. And if you really want to make a statement, go for the letterpress Steel style—its rugged, industrial look will make your text look like it was stamped onto the page with raw, unbridled power. Whether you’re designing a poster, a logo, or anything in between, Duality is the perfect choice for anyone who wants to inject some wild, untamed energy into their typography. So go ahead, embrace the madness, and let Duality take your design to the next level. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Attention all designers and typographers! Discover the font that will take your work to the next level— Alphii. This sophisticated, angular typeface is the perfect blend of precision and simplicity. Its clean, straight lines exude elegance and sophistication, while its easy-to-read nature makes it the perfect choice for conveying serious technical information. Alphii is a typeface that means business. It’s the perfect choice for those who want to communicate with confidence and authority. With four weights and italics available, you can customize your message to suit your needs. Whether you’re creating a sleek corporate logo or designing a technical manual, Alphii has got you covered. So why settle for a font that just looks good when you can have one that performs? With Alphii, you’ll be able to communicate your message with precision and style. Don’t miss out on this incredible typeface—try Alphii today! Most Latin-based European, Greek, and some Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greek, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Ukrainian, Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Step back in time to the opulent 1980s with Reagan, the typeface that embodies the spirit of the era. With its textured, vintage tee shirt aesthetic, Reagan is the perfect font to transport you back to a time of excess and extravagance. But Reagan is not just any typeface. It channels the hunger of t-shirt wearers from the era, who demanded a fanciness only Pretorian could provide. This late seventies Victorian revival burned like a chichi wildfire, spreading its flowery flame across the low-end design world for a solid decade. Now, Reagan reigns supreme as the ultimate vintage t-shirt font. Its letter pair ligatures help break up the monotony of plain repeating characters, making it a must-have. But Reagan is more than just a typeface. It’s a gateway to the past, a portal to a time when fashion was brave and uncompromising. So embrace the spirit of the 1980s and make Reagan your go-to typeface for all your vintage tee shirt needs. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Petrarka may be described as a Condensed, Sans-Serif, Semi-Fatface Roman. Huh? Bear with me on this. The Fatface is a name given to the popular nineteenth-century romans that where characterized by an extremity of contrast between the thick and thin stroke. The earliest example that is generally familiar is Thorowgood, believed to have been designed by Robert Thorne and released by Thorowgood Foundry in 1820 as "Five-line Pica No. 5." Copied by many foundries, it became one of the more popular advertising types of the day. Later, in the period from about 1890 to 1950, you find a number of typeface designs with the thin stroke beefed up a bit, not quite so extreme. What you might call Semi-Fatfaced Romans begin to replace the extreme Fatfaces. Serifed designs like Bauer’s Bernard Roman Extra Bold and ATF’s Bold Antique appear. In addition, we see the development of semi-fatface lineals or Sans-Serif Semi-Fatfaces. Examples include Britannic (Stephenson Blake), Chambord Bold (Olive), Koloss (Ludwig & Mayer), Matthews (ATF) and Radiant Heavy (Ludlow). Petrarka has much in common with this latter group, but is distinguished by two salient features: it is condensed and it shows a strong blackletter influence, as seen in the ‘H’ particularly. Petrark was released about 1900 by the German foundry of Schelter & Giesecke of Leipzig and is one of the designs of the period that attempts to reconcile roman and blackletter traditions. Making a cameo appearance in this Multi-Lingual font is the Anglo-Saxon letter yogh (#729), which, along with the thorn and the eth, is always useful for preparing flyers in Old English. There are still pockets of resistance to the Norman French influence that washed up on England’s shores in 1066. This font stands with King Canute, seeking to hold back the tide (ignoring the fact that Canute was a Dane). Support the fight to preserve Anglo-Saxon culture. Buy Petrarka ML today. Petrarka Initials brings together the Petrarka upper case letters with a very sympatico Art Nouveau rendering of a female face.

Introducing Fenwick—a typeface that pays homage to Ontario’s rich heritage. With its unique take on late-nineteenth-century sans-serif typefaces, Fenwick is a perfect addition to any vintage-themed graphic design project. At first glance, Fenwick may resemble old-fashioned gothic typefaces, but upon closer inspection, you’ll notice its inspiration from once-popular serif display fonts and elegant clock digits. Fenwick’s unique design blends the best of both worlds, resulting in a timeless font that captures the essence of a bygone era. For added authenticity, Fenwick features proportional old-style numerals that can be easily accessed in OpenType-friendly applications. The typeface is available in Light, Light-Italic, Regular, Italic, Bold, Bold-Italic, and an engraved all-caps style, giving you the flexibility to use Fenwick in a variety of contexts. Whether you’re designing a vintage-inspired logo or creating a custom poster, Fenwick is the perfect typeface to add a touch of Ontario’s heritage to your project. So why not give Fenwick a try and see how it can elevate your designs to new heights? Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Step into the future of typography with Cybermontage, a postmodern display typeface that channels the electric energy of the 80s and 90s. This font brings a fresh take on the retro typographic trend with its eclectic mix of campy colors, clean geometric shapes, torn paper edges, faux finishes, and kitschy patterns. Cybermontage is not your average typeface—it’s a work of art that uses OpenType technology to create a pseudorandomized effect by shuffling several variations of glyphs. Don’t worry if your application doesn’t support OpenType, you can access all the character variations from the Unicode Private Use Area (PUA) encoding. Get ready for a typographic adventure with Cybermontage. The character interconnection can get pretty wild, so if your application supports optical kerning, you may want to activate it. Whether you’re designing a bold headline, a retro poster or a quirky logo, Cybermontage will take your design to the next level. Join the postmodern revolution and make your designs stand out with Cybermontage, the font that defies convention and unleashes creativity. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Introducing Gendouki, the ultimate futuristic typeface that will transport your designs to the cutting-edge of technology. With its striking filament stencil lines, reminiscent of spacecraft access panels, Gendouki is the perfect choice for projects that demand a bold and hyper-futuristic look. Imagine using Gendouki as a large, low-contrast backdrop element, setting the stage for your content to shine. The sleek and modern lines of the font will add depth and dimension to your design, creating a dynamic visual experience that’s sure to capture your audience’s attention. But that’s not all. Gendouki is also perfect for producing movement in your paragraphs when applied as a techno drop-cap. Watch as your text springs to life, animating your words and drawing your reader in with its captivating energy. So if you’re looking for a font that combines the sleek, hyper-futuristic look of a spacecraft with the sharp, clean lines of modern design, look no further than Gendouki. Try it today and take your designs to a whole new level of cool. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Introducing Madawaska, the rugged slab-serif typeface that commands attention and exudes an air of authority. Born in Canada, this classic font packs a powerful punch with its stocky, weighty design and distinguished personality. With a total of eight hefty weights and italics, Madawaska offers the versatility you need to convey your message with the utmost impact. And for those who require easy web or application deployment, the font also includes sturdy small-cap styles that are sure to impress. But that’s not all—Madawaska offers even more character with two scuzzy effect styles, Madawaska Jeans and Madawaska River. These unique styles feature custom textured OpenType ligatures that add an extra layer of personality to your designs. So if you’re looking for a typeface that embodies strength, reliability, and a touch of grit, look no further than Madawaska. Let it add a rugged edge to your next project and make a lasting impression on your audience. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Monotype Bembo is generally regarded as one of the most handsome revivals of Aldus Manutius' 15th century roman type, but the original had no italic counterpart. The story is told that Stanley Morison commissioned Alfred Fairbank, a renowned calligrapher, to create the first italic for Bembo, which was released as metal fonts in 1929. Alfred Fairbank, however, claimed that he drew the design as an independent project and then sold his drawings to Monotype. According to him, the statement has been made that I was asked to design an italic for the Bembo roman. This is not so. Had the request been made, the italic type produced would have been different." Whichever version you believe, it was obvious that Fairbank's design - while undeniably beautiful - was not harmonious with Bembo roman. A second, more conventional italic was eventually drawn and added to the Bembo family. Fairbank's first design, which was based on the work of sixteenth-century writing master Ludovico degli Arrighi, managed to have a modest life of its own as a standalone font of metal type. It never made the leap into phototype fonts, however, and the face could have been lost, were it not for Robin Nicholas, Monotype Imaging's Head of Typography in the United Kingdom, and Carl Crossgrove, a senior designer for Monotype Imaging in the US. Nicholas and Crossgrove used the original drawings for Fairbank as the starting point for a new digital design, but this was only the beginning. They improved spacing, added subtle kerning and optimized the design for digital imaging. In addition, Nicholas created an alternative set of lowercase letters, fancy and swash capitals and enough alternate characters to personalize virtually any design project. By the time his work was complete, Nicholas and Crossgrove had created a small type family that included Fairbank, a revived version of the earlier metal font, and Fairbank Chancery, a more calligraphic rendition of the design. An additional suite of ornate caps, elegant ligatures, and beginning and ending letters accompanies both fonts, as does a full complement of lowercase swash characters. Now, instead of a failed Bembo italic, Fairbank emerges in its true glory: a sumptuous, elegant design that will lend a note of grace to holiday greetings, invitations, and any application where its Italianate beauty is called for."

This is Alter Littera’s first original design. The font has been created by attempting not to reproduce any historical typeface in particular, but only to re-create the overall forms and style of classic black-letters from different time periods and places. Two specific sources must be acknowledeged nonetheless: (1) the “Black” type from William Caslon’s A Specimen of Printing Types (1785), and (2) the “Caslon Gotisch” type by D. Stempel A.G. (1926). In addition to the usual standard characters for typesetting in modern Western languages, the font includes a comprehensive set of special characters, alternates and ligatures, plus Opentype features, that can be used for typesetting as in antique writings and printings. The glyphs are clean, smooth and definitely readable, so the font will be suitable not only for large titles and headings, but also for full text pages. Specimen, detailed character map, OpenType features, and font samples available at Alter Littera’s The Oldtype “Alter Gotisch” Font Page.

Marcione is the real deal, a contemporary and dynamic condensed display font family that blends the classic Deco and Grotesk styles in a playful and modern way. This font family got personality, you can see it right away in the lowercase letters, with a diagonal stem in characters like “a”, “h”, “m”, and “n” that gives it that extra kick. You can use Marcione to create some killer designs in editorial, branding, or advertising. This font family packs a punch with six distinct styles, ranging from Light to ExtraBold, and it’s got you covered with broad Latin language support. That means no matter where you’re from, Marcione can help you make a statement. This font is highly versatile and visually engaging, a true boss. With its condensed design, it takes up minimal space while still commanding attention and conveying a sense of sophistication. Trust me, you won’t regret having Marcione in your font library, it’s the real deal.

Grace was designed by Elisabeth Megnet and appeared with Linotype in 1992. The font is a part of the package Calligraphy for Print, which also contains Ruling Script and Wiesbaden Swing. Calligraphy for Print 2 completes the set. These packages offer modern calligraphy fonts particularly well-suited to use in posters, magazines and advertisements. The basic style of Grace is based on the Gothic miniscule of the 13th century. It represents a modern philosophy held by Andre Guertler, Professor of Typography in Basel with whom Megnet once studied. With this philosophy, calligraphy is not to be seen as a decorative art, and fonts created according to this tenet have far fewer ornamental strokes. They are eccentric, drawn out and almost bulky. Like Gothic forms, one of the predecessors of this font, Grace gives vertical lines a particular emphasis. This font is not meant for long texts but makes a distinctive impression in shorter texts or headlines.

The initial idea of timesquare typeface inspired by Helvetica when presenting the board information on a subway escalator in Time Square, Manhattan, New York. This confirms strength the legend of Helvetica is not lost amid rampant nice fonts in the site. Therefore it should not appropriate that this timesquare fonts come to rival the greatness of Helvetica. Fonts timesquare thrive (since 2008 for self used) of the basic forms of Helvetica to timesquare born in different shapes and sizes. The greatest challenge during development timesquare is both shape similarity to Helvetica directly, as well as to other fonts inspired by Helvetica. Timesquare's main characteristics are the wide character, modern touch and individually, can work well on a wide variety of applications in books, brochures and magazines as well as applications in advertising. This typeface has been developed on the Latin character sets. Hopefully useful.

Palatino Sans was designed as part of a group of three font families: Palatino nova, Palatino Sans, and Palatino Sans Informal. Together these three families act as the fulfilment of Herman Zapf’s original Palatino idea. Palatino, which was born as a metal typeface in 1950, proved to be one of the 20th Century’s most popular designs. Not only is Palatino Sans a completely new typeface, it is also a completely new interpretation of the entire sans serif genre. Its letterforms are curved, rounded, and soft, not hard and industrial. The fonts in the Palatino Sans family include several OpenType features, such as an extended character set covering all Latin-based European languages, old style figures, small caps, fractions, ordinals, ligatures, alternates, and ornaments. Palatino Sans can be mixed well with Palatino and Palatino Sans Informal. Palatino® Sans font field guide including best practices, font pairings and alternatives.

C.P. Company is a group of types including 4 different forms and it is a complementary sign of communication for the C.P. Company clothes maker. C.P. Company communication makes use of media such as the press and the web and that’s the reason why we have always felt the need for a font that would not show incongruities through the monitor. Therefore we have decided to change the structure of glyphs like a, e, g, s… in the most contrasted versions to prevent the serifs from touching the internal parts of the letters and in this manner we have made a really unusual stylistic choice for a group of types. The difference between the height of caps and smalls is very low (about 20%) so that the smalls are easy to read even when their dimensions are on a very small scale. Moreover this stylistic solution gives the possibility to avoid using the small capitals in case of charts and catalogue codes (i.e. Tricot M5) and provides more vertical compactness between the lines. Even a sentence written in capital letters next to another one written in smalls does not look so much contrasted from a typographical point of view and then it is not unpleasant. The limits due to different constructive principles have been overcome by means of a grid based on the automatic division of EM square of 9-point type and in this manner the letters have a wider face. The font is even more unusual owing to the style chosen that belongs to the classical tradition of hair-lined types for glyphs like e and also thanks to ligatures like ? in the characters set. CP Company is a geometrical font whose alphabet makes use of the style of types that preceded the Helvetica, matched with more experimental and updated solutions. Numbering is monospaced. The bending of number 2, the slight raising of the oblique serif of number 4 and the presence of a hair-line in number 7 are the solutions adopted to make the types match in a more balanced manner.

Capsule is a reverse-stress, high-contrast, rounded sans-serif font with two distinct personalities. An all-caps face, there are however variations of some letters in the lowercase slots. The lowercase variants are more playful, with more bulbous elements that riff on phototype faces like Amelia and Data 70, but all can work together and be mixed and matched to your heart's content. Capsule boasts a bunch of esoteric discretionary ligatures to play around with, and stylistic alternates for 4, 7 and £. The language support is extensive enough to set essays in most Latin-based languages, even though that's the last thing you should be doing with this font! Capsule should be set large. The fit is tight and the kerning is aggressive. It's not what you'd call a workhorse, but Capsule is an All-Caps you'll (see what I did there?!) want to use for impactful headlines, cutting edge logos and post-modern layouts.

Are you looking for a true cursive sans serif? Stile is a true cursive with moderate inclination. Its cursive character has mainly to do with writing-speed. Therefore it may serve also as copy font and not only for emphasizing purposes. Stile has a good readability and is really flexible and universally applicable. Stile is a sans serif and renounces to an excessive use of ligatures and other explicit calligraphic shapes in order to ensure a contemporary style and a homogenous text color. The whole font family consists of 8 weights (from ultrathin to black) and offers a wide range of Western and Eastern European special characters, typographical ligatures, uppercase, oldstyle and fraction figures. In addition Stile features a very complete and specifically tailored range of numberings and arrows. Bring a personal style into the artwork, with Stile. Download a free trial version of Stile with a reduced character set. Check it out!

Rhonda Script is a new fresh and modern handmade calligraphy with decorative characters and dancing lineage! So wonderful on invitations, greeting cards, branding material, business cards, quotes, posters, and more. Rhonda Script comes with 489 glyphs. Alternate characters are divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates. OpenType features are accessible by using OpenType savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X versions, and Microsoft Word. And this font has code PUA unicode so that all alternative characters can be easily accessed by craftsmen or designers. Rhonda Script contains uppercase and lowercase, International lingual support, signature and symbols, Punctuation and PUA numbers, Unicode Style, Alternative Styles, Style Range 1-11, Contextual Character Variations. If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternative sets using Font Book (Mac) or Character Map (Windows).

Charcuterie is a collection of ten distinct yet related typefaces, and three ornamental typefaces. Used individually or blended with other fonts from this large family, elements of Charcuterie are well suited for headlines, titling, logos, display, packaging, signage, or advertising. The entire collection lends itself to experimentation, acting as a complete and complex toolbox, enabling you to work in extraordinarily varied ways. Each Charcuterie typeface has different, yet complementary features. Engraved features 135 swash alternates and Cursive boasts 275. Frames offers a broad and endless approach to creating frames of any proportion and style. Catchwords features nine different styles for a total of 82 glyphs. 100 Ornaments include a vast array of arrows, brackets, rules, icons, ribbons and more. See what’s included! http://bit.ly/2c5OzoK *NOTE* Basic versions DO NOT include swashes, alternates or ornaments These fonts have been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/