Malte is a geometric sans-serif typeface, inspired from the modern age. Designed to use as type play, headline, quote and for composition. Malte come with nine weights that mappings to CSS font weights. Malte supported many languages as included extend latin glyphs.

Say hello to Leyton Hills! It's a heavy, smooth script, with double letter ligatures and some fun alternates to play with. Perfect for making a very bold statement. The lowercase letters are compact and cuddle close together, making this a very cute font.

Add some twinkling lights to a bold Art Deco font such as Art Lesson JNL, and the result is a typeface which truly puts your name (or message) up in lights. Opening Night JNL conjures up images of Broadway plays and Hollywood premiers.

Junglegym provides a playful structure for an energetic project. Climb on and see what you can do! Junglegym family includes regular and bold and ensures extra movement with discretionary ligatures, including double letters and a handful of others to keep play lively.

Schriftatlas: Alphabete von A bis Z strikes again with this dazzling display of geometry at play, originally named Concentra. Best used at larger sizes for maximum impact. Both versions contain the complete Latin 1252, Central European 1250 and Turkish 1254 character sets.

Rafter is a new, sans font family, with modern, narrow line, graphically attractive with both upper and lower case letters. Spaced and mastered for optimal readability, Rafter plays well in a wide range of projects and applications. The typeface provides multilingual support.

Candor is a typeface designed by Daily Studio. This font has over 200 glyphs with multilingual letters included. Perfect for gorgeous logos and titles. You can play with the letters and make your projects look marvelous. it will pair beautifully with many fonts.

Kame has a unique character and comes with 2 styles, allowing you to play with combinations to create a stunning display. This font is suitable for many design formats, such as posters, cover art, logos, magazines and anything with a futuristic theme.

GrottoGoth is a sans serif created to expand the availability of fonts used in creating Gothic, Halloween, and overall spooky designs. This is the first font designed by Grey Fortress Enterprises. Additional variations are planned and other original fonts are in the works.

Ancoa is a Sans Serif Display typeface, which plays with its rough form and works perfectly on posters, designs of different uses, contains 19 fonts and includes different styles from Inline, Layer Inline, Rough and the different Weights between Regular to Fat.

Thick, wide and medieval, Dragon Drop would feel at home in Arthurian times. The name is an obvious play on words that the designer saved for a long time before creating the right font to use with it. Looks best at larger sizes.

Lockon Velline wass inspired from a biker and tattoo style with progressive edge and sharp tips, to make the fonts more bold and dynamic. Equipped with Open Type features to activate the stylistic alternates to play with as desired for your individual taste.

Minimal and modern sans serif consists of 10 weights from hairline to black as well as variable versions. Works great for branding, fashion, modern, and casual valentine design theme. Designing a logo is made easy with lots of alternates to play with.

Montage has played a weighty role in some of the most influential and enduring typography of the past few decades, from book jackets and album covers, to posters and logos…you name it. Exhibiting an uncommon ability to wield immense power while demonstrating extraordinary finesse, Montage’s commanding profile packs a hefty punch which is softened only by its lithe yet durable serifs. Originally designed for Photo-Lettering in the mid-1960s by type legend, Ed Benguiat, the fonts were given a jump start by Jess Collins before ultimately being shaped into five compatible widths by longtime House co-conspirator, Mitja Miklavčič. Under the guidance of Ben Kiel, along with some additional chin-stroking by Ken Barber, Montage has been fully developed into a robust family ready to tackle any challenge you can throw at it. FEATURES LIGATURES: In order to ensure that Montage maintains its bold presence in tricky text settings, we’ve added a handy set of pre-drawn letter combinations. When enabled, the Ligature feature identifies problem pairs like—fl, fi, ff, ffl, and of course, fyi—and substitutes them with glyphs optimized to enhance font performance. ALTERNATES: For fickle typographers, we’ve also added a handful of alternate characters to allow Montage to suit any number of mood Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Say hello to Decrypt H1—a geometric typeface that features highly stylized capitals with sharp corners, circular forms and generous proportions. Specifically created for visual impact—use Decrypt H1 when you want your words to stand out from the rest of the crowd. The concept is modern, futuristic and non-traditional. Perfect for display text, logos and headings. The development of Decrypt H1 started in 1997, inspired by Alex Kaczun’s best selling grotesque font family called Contax Pro. Decrypt H1 is specifically introduced here as a bold weight, but Alex plans to expand the design to include many weights, styles and alternative design treatments. Stay tuned! If you like Decrypt H1—check out it’s alternate twins Decrypt 01, Decrypt 02 and all of Type Innovations fonts at: http://www.myfonts.com/person/Alex_Kaczun/

Say hello to Decrypt 02—a geometric typeface that features highly stylized capitals with sharp corners, circular forms and generous proportions. Specifically created for visual impact—use Decrypt 02 when you want your words to stand out from the rest of the crowd. The concept is modern, futuristic and non-traditional. Perfect for display text, logos and headings. The development of Decrypt 02 started in 1997, inspired by Alex Kaczun’s best selling grotesque font family called Contax Pro. Decrypt 02 is specifically introduced here as a bold weight, but Alex plans to expand the design to include many weights, styles and alternative design treatments. Stay tuned! If you like Decrypt 02—check out it’s alternate twin Decrypt 01 and all of Type Innovations fonts at: http://www.myfonts.com/person/Alex_Kaczun/

Say hello to Decrypt He2—a geometric typeface that features highly stylized capitals with sharp corners, circular forms and generous proportions. Specifically created for visual impact—use Decrypt He2 when you want your words to stand out from the rest of the crowd. The concept is modern, futuristic and non-traditional. Perfect for display text, logos and headings. The development of Decrypt He2 started in 1997, inspired by Alex Kaczun’s best selling grotesque font family called Contax Pro. Decrypt He2 is specifically introduced here as a bold weight, but Alex plans to expand the design to include many weights, styles and alternative design treatments. Stay tuned! If you like Decrypt He2—check out it’s alternate twins Decrypt H1, Decrypt 01, Decrypt 02 and all of Type Innovations fonts at: http://www.myfonts.com/person/Alex_Kaczun/.

TextTile is a system of heavy sans titling faces which can be utilized to carry a repeating chromatic pattern across words and letters. It stands apart from other chromatic faces, where layered effects typically interact only within each letter and do not carry through from one letter to another. The pattern repetition across letters of varying widths is achieved through OpenType substitution, using conditional alternates for each successive letter to allow for a seamless appearance across words, regardless of letter combinations. Though the pattern exists on a strict grid and the letters' widths and spacing must be highly regular in order to preserve the pattern repeat, the letterforms themselves are not rigid; rather, they appear organic, lively. The initial release includes patterns inspired by a classic buffalo plaid, separated into its horizontal and vertical components to maximize the creative possibilities for layering one-, two-, three-, and even four-color plaid patterns. Kits are available to produce the plaid pattern in detail—with overlapping diagonal hatching fully visible—or as a simplified version in which transparency can be used to simulate plaid or to create a checkered or striped effect. The TextTile family of fonts is a flexible canvas for mixing and matching a broad array of patterns to create a unique look. Check back for more pattern releases and take a look at the online specimen to see what is possible with the current offerings. Usage Notes For best results use an OpenType aware program. Enabling Contextual Alternates will ensure pattern alignment. For patterns that are made up of vertical stripes or columns using the Stylistic Alternate/Stylistic Set 1 will shift the columns. Stylistic Set 2 will change 1-0 into blocks of patterns.

Agakê is a typography for comics with 03 weights, variations in italics and shadow. It has 432 glyphs with support for multiple languages and was designed to adapt to a variety of styles and narrative genres, whether adventure, fiction, graphic novel or even superhero. Traditionally, the typeface in the comics are applied in capital letters, seeking the optimization of the space without losing the readability. But Agakê was designed to work also in lowercase, allowing a greater number of combinations and an incredible reading experience. Valuing the foundations of the graphic narrative, Agakê obtains total harmony next to the most diverse styles of illustration of the comic books.

Tubby came about when I made a book with Cooper Black as a headline font. I started playing with heavy forms, and as a result was Tubby. It has a fat and friendly feel, and with swash italics it is fairly versatile in use.

A very heavy headline only typeface which should be typeset at rather large type sizes due to its fine counters. It’s the ideal typeface for building a brick-wall out of letters. Surprise is in the details, so play it loud and big! It’s fun.

Swiftel is a Layered Script font. Brings an unusual Modern feeling. You can play the Base layer as a Regular then you can add depth font by using Shine, fill and outline layers and shadow solo. Of course the fonts is Equipped with opentype features.

Evening Gown JNL comes from the lettering displayed on a printed ad for the fictional "Gowns by Roberta" in a scene in the 1935 film of the same name. "Roberta" starred Fred Astaire and Ginger Rogers and was based on the successful 1933 stage play.

Moldr Thai, a sans-serif with modular grid structure with Thai script, inspired from handmade letter to industrial machine mold, Moldr come with 9 weights in complete family, Support many language with standard Adobe Lain 4 glyphs, world-ready and mark2mark support, especially Thai script.

Ring O Fire was inspired by a game I used to play where you suspend a coin over a glass with a paper napkin and take turns burning holes in the napkin with a cigarette until the coin drops. Is that weird or what?

Carabelle is based on the Nebiolo type foundry’s Calipso design. Newly redrawn and with many original details added, this old typeface has been revitalized. Noble and sweet, Carabelle plays the elegant companion for cup cake shops, wedding invitations or culinary tours through France and Italy.

Xero is an intentionally loose creation of a humanist font, given a Russian flair! Played rougher than its counterparts Helvetica and Arial, Xero works well for those who want to go that route but don't want the sharply defined lines of others in the humanist family.

De La Croix font was inspired by the works of Eugène Delacroix, leader of the Romantic School. De La Croix is a strong yet romantic font that plays well in a wide variety of placements like posters, signage, advertising, fashion, display, wayfinding, publications, packaging, logotypes, and more.

Boring titles? Boring chunk of text? Unbore’em all! This nifty stackable family features two fonts, both with two options for each letter. Pile them up and play with opacities for a killer superposed effect. Or use each alone if you prefer. Unboringness guaranteed either way. Cheers!

An expressive disconnected script and a stylish display face that play together devilishly well. Add some handsome extras to the mix and voilà Blueshift, ​​a hand-drawn family with a remarkable contemporary accent. Splendid designs are guaranteed for all​!​ (​And tonight Mr. Kite is topping the bill.)

Analogy is a bold typeface that is strong, geometric, and confident. Manifolds will give your design alternatives a modern look and make your creative work stand out with lots of unique ligatures. highly recommended and those who are planning a poster design, logo, headline, t-shirt, etc.

Ingredients: 1) Dusan's right hand; 2) The eye of the Cobra, leg from the dragon, software from the Bill; 3) Elliott Smith (TM) playing in the background; 4) Old grandmother to tell you not to spice it too much; 5) Empty label for your jar/ box/ product...

In isolated Eastern European states, atop cold castle towers, nefarious nonbelievers are discussing their diabolical devises with their minions, acolytes and sweet little Yorkshire terriers! Evil Doings is a font that gives form to the softly spoken schemes and terrifying tweets of these psychopaths, sociopaths and just plain naughty boys and girls. Will Good Triumph and Defeat the EvilDoings of EvilDoers?! Only if we listen to the cries of the oppressed proletariat and quash the devilish dreams and evil schemes of Fascist Dictators EVERYWHERE! Features: Four fonts (Regular, Italic, Bold & Bold Italic) with upper and lowercase characters. Includes Western European international characters.

Chaman is a “hybrid” font. On the one hand serifless, temperate and readable, and on the other hand quick and livily as a manual script, thanks to many unexpected ligatures. Letter design is plain and functional, punctuated by dynamic elements, mostly in ligatures and contextual glyphs, generated at the beginning and end of the word, thanks to your software’s OpenType features. It draws inspiration from the Tibetan alphabet, originally close to our own latin alphabet, as it stems from Bhram handwriting, itself derived from Phoenician alphabet. This alternation of stright vertical lines and regular bows makes Chaman’s design stand out.

Goudy Two Shoes is a digitization and expansion of a 1970s type called Goudy Fancy, which originated with Lettergraphics as a film type, then was released into the dry transfer (rub-on) arena, where it became really popular. This digital expansion of the original design contains many additional characters, including "plain" variants on the caps, as well as extra alternates and swashes, and even a few curly ornaments. Goudy Two Shoes comes in all popular font formats. The Postscript and True Type versions ship as 2 fonts, while the OpenType version is a single font programmed with features for OT-savvy applications.

The name FeggoliteHatched comes from the fact that it was created with the help of an old font manipulation program called Incubator Pro. It was an attempt to create a more conventional typeface from the odd monospaced font, FeggoliteMono. As a monospaced font, FeggoliteHatched could be considered a typewriter face, but no typewriter ever produced letters like these. The original version from 1994 is now the italic style and it has a leftward or back slant. The upright or plain version was added much later, in 2018. There is also a choppy upright version included in this family.

For decades, the handletterer’s craft has been indispensable to the advertising and design trades. As prevailing tastes changed and new technologies emerged, commercial art saw the fateful demise of this lost skill. Now, House Industries is proud to offer the Sign Painter font kit, a collection of six timeless display typefaces along with an assortment of eye-catching advertising type treatments in font format. Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

This square serif typeface is a real workhorse. It is a modern tool for text design: extremely legible and well shaped. Bandera has six weights with original italics. It catches attention in headlines of posters and magazines or makes reading comfortable in plain texts. Bandera shares main proportions with sans serif Osnova Pro typefamily so ideally can pair it. It has Bandera Text and Bandera Display sister families as well. Please check also Pro version for pan-european support (full Latin-Greek-Cyrillic). Bandera is Spanish for ‘flag’. And Bandera is a symbol of Ukrainian fighting for freedom for many years.

In Fehlian I blended features of my earlier Arthur and Lindau releases. Fehlian is a sturdy yet sophisticated Art Deco style Roman semi-serif. It is an excellent choice for titlings, headlines, labels, shopfronts and any other display usage which needs to be typographically furnished with something special. Moreover, besides the plain Fehlian font you have the option of yet another two wonderfully decorated versions which lend even more beauty to your designs. Note that Fehlian is a capitals-only product. It has no lowercase but the uppercase is completed for multilingual usage and supports every Euro-Latin language.

Nightmare font is a simple attempt to convey the essence of a handwritten font with strong lines. In a real handwritten font, you would find more variation in line thickness, curves, and other design elements that contribute to the overall style. Creating a visual representation of a handwritten font using lines can be a bit challenging in plain text, but I'll provide a simple ASCII representation that may give you an idea of a strong handwritten style. Keep in mind that this is a very basic representation, and actual fonts would have much more detail and nuances.