The idea for the typeface Dekalb was born in 2013 after a day of photographing signage, murals and graffiti around Dekalb and Wyckoff avenues in Bushwick, Brooklyn. The initial drafts of the letterforms were first made into a single ultra-weight font that I used while working as the Creative Director for Sneaker News Magazine. After having made its first appearance in Sneaker News, I decided to expanded Dekalb to an eight style family.

Mithella is a sans serif family with a pleasant touch. Some letters, especially linear ones, look normative like other rounded sans serifs, but the difference can be seen clearly in curved letters so that it gives a pleasant impression for each series of words. Mithella comes with eight weights ranging from thin to black to complement your design needs be it branding, blogging, logos, advertising, games, cooking, packaging, editorial and publishing, web and screen design.

Valdo is an elegant and contrast serif font family, and a great fashionable solution for your project. It includes upright and Italic style, each of them has eight weights from thin to extrabold. This is a multi-purpose and classic font that is perfect for fashion project, it is contrasted, modern and easy to read. With it, you can create logos, banners, use in advertising, packaging, book covers and magazines, headings, descriptions and much more.

Spacerace is here to infuse a touch of the future into your projects. It is a modern, clean, multi-weight typeface heavily inspired by Science Fiction. It brings a sleek aesthetic to various design projects and conveys a sense of competition and progress. The geometric elements give the impression of space and exploration. Most glyphs have 'sliced through' alternatives for you to mix and match with the standard style. Available in Light, Regular, Medium, Semibold and Bold weights, all with matching oblique versions.

Yet another san serif typeface, Yassitf is a generic sans, a font meant to blend in rather than stand out. It has little contrast and is almost monoline. It includes three widths: condensed, narrow, and regular. The widths have four to six weights: ultra thin, thin, light, plain, bold, and extra bold. Further, each width and weight combination has both upright and italics styles. The thirty fonts in the family contain several open-type features, including both proportional and tabular (monospaced) numbers.

A paper-clip-inspired typeface with character. Agrafa is a technical but versatile display face that works well in both large and small sizes. Most of the glyphs are made from one continuous line and shows the constraints of bending a paperclip/wire. The family consist of four weights, Hairline, Thin, Light and Book, last three also comes with an oblique companion. While Hairline works best for setting large headlines/words, the Book weight can be used even for small size texts.

Seravee was inspired by the significant style of Modern (Didone) Typography. The bolder they become, the more exquisite and stylish along with excellent legible at the same time. Designed by Stawix Ruecha, Bangkok based type designer. Rather than programing process, geometric forms as they were, each weight was well-crafted manually by hand as a result of humanistic sense. Through various weight ranges (Black, Bold, Regular and Light), to ensure that Seravee will perfectly cover all aspects of usability in every layout.

Marseille is an Art Deco-inspired typeface which is based on Louise Fili’s iconic cover design for the hauntingly beautiful Marguerite Duras novel, The Lover. The font is available in six irresistible weights: thin, light, regular, medium, semibold, and bold. Each weight features both caps and lower case, and supports over 200 languages. Marseille will satisfy all your typographic needs, from book jackets to monograms to packaging, logos, and even wedding invitations—timelessly elegant, with a distinctive flair that exudes La Belle France.

Incognia is a sharp and high-contrast long-serif type family of 10 fonts inspired by classic roman typography. Ranging from light to bold with matching italics, Incognia offers many possibilities to be applied in many graphic or editorial projects. The lighter weights are suitable for short paragraph, and the heavier weights are perfect for display purpose such as titling or headlines, branding, editorial, book covers, and packaging. Incognia has extended latin character set that supports 200+ latin-based languages.

Elgraine is a serif typeface inspired by the beauty of classic serif and calligraphic style, fused with modern touch. Ranging from thin to black with its matching italics, Elgraine offers many possibilities to be applied in many graphic or editorial projects. The light and regular weights are suitable for long paragraph, and the heavier weights are perfect for striking headlines, perfectly suitable for display purpose such as branding, editorial, and packaging. Elgraine has extended latin character set that supports 200+ latin-based languages.

vastra is a slim, futuristic, bauhaus inspired typeface. It has plenty of those pesky foreign glyphs and various alternates of the standard alphabet. It’s available in 5 different weights from light to Heavy and is complimented by 5 italicized versions of the 5 different weights too. I wanted this font to look like background set typography in a 70’s sci-fi movie. D A N G E R You can buy it in singles, pairs or the whole damn brood.

Astonice is a beautiful calligraphy font family with 3 weight variants: Regular, Semibold and Bold. Astonice has more than 1100 glyphs each, has opentype feature such as stylistic sets, stylistic alternatives, and old number form. Astonice supports a wide range language: Latin plus Greek and Cyrillic. Astonice is suitable for most typing and design such as cards, logos, banner, posters and others as you intended. Beautiful glyphs, OpenType features and 3 weight, Astonice provide you the right choice for your best design.

วิทยาคม เป็นอักษรแบบคอนทราสเฉพาะส่วนเซอริฟเมื่อเปรียบเทียบกับเส้นแนวตั้งและแนวนอนที่มีขนาดใกล้เคียงกัน ดูกึ่งทางการ มั่นคง เรียบหรู มีเสน่ห์ เหมาะสำหรับการใช้ผาดหัว หรือรองผาดหัว มีทั้งหมด 9 น้ำหนักและตัวเอียงของแต่ละน้ำหนักรวมทั้งหมดมี 18 สไตล์ และมีฟีเจอร์อื่น ๆ อาทิเช่น Small Caps และฟีเจอร์อื่น ๆ พร้อมให้คุณได้เลือกใช้งาน รองรับหลากหลายภาษา Witthayakhom is a hight contrast only on serif compared to vertical and horizontal line which similar thickness. Semi-formal, stable, elegant, charming look. Suitable for headline and sub-headline. Comes with 9 weights and italics of each weight total 18 styles, and there are features such as Small Caps and many features available for you. Support multi-languages.

Hawking is a slab typeface with slightly squarish shapes and a rational, modern look. The font has a minimal modulation, generous counterforms and relatively large x-height with lowercase ascenders extending above the cap-height for more legibility. Serifs are composed of curved and straight lines, which give the font a robust appearance and strong personality. Hawking was specially designed for use in scientific publications (hence its name), but it can also be used with other type of continuous text, such as journalistic, technical or literary texts. Its heavier weights make it also well-suited for any display use (e.g. headlines) Hawking comes in 8 styles: 4 weights plus matching true italics. The font also includes ligatures, proportional oldstyle figures, and tabular and lining figures. The family comes with the Latinotype’s standard character set that supports 213 different languages.

Reline Rosery is an elegant serif font that radiates sophistication and grace. With its delicate letterforms and light weight, this typeface exudes a refined and gentle charm. The defining feature of this serif lies in its slender and graceful serifs, which add a touch of elegance to each letter. The light weight of the font enhances its delicate nature, giving it a subtle and airy appearance. This font is perfect for projects that require a refined and sophisticated typography choice. Reline Rosery captures the essence of timeless beauty. The serifs are meticulously crafted to create a sense of harmony and balance, while the light weight adds a contemporary twist. This font strikes the perfect balance between tradition and modernity. The letterforms are carefully designed to maintain legibility and clarity, even in the light weight. Each letter retains its distinctive characteristics, allowing your message to be easily understood. You can also enjoy the various features available in this font. Features: Alternates Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Reline Rosery fits in branding materials, book covers, wedding invitations, or any project that demands a touch of elegance, this font will bring a sense of refinement and beauty. It is particularly well-suited for applications related to luxury, fashion, beauty, and lifestyle. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

VTF Justina is a different typeface with a sans serif style that is inspired by geometric typographies to seek functionality and simple quality in any type of project. This very personal character of its forms together with the variety of eighteen weights with their respective italics (Thin, Extra Light, Ultra Light, Light, Regular, Semi Bold, Bold, Ultra Bold, and Black) it has makes it perfect to combine with the VTF Rozanova in digital projects (for example, web or applications) or printed (for example, corporate identity or packaging). Becoming a very interesting option for both large and small bodies without losing legibility in any weight. Justina has Opentype functions (Case sensitive forms, ordinals, scientific inferiors, denominators, superscripts, subscripts, numerators, fractions) designed exclusively for its design. Supports the following languages: Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Spanish, Swedish, Turkish and Zulu.

VTF Ruth is a different typeface with a sans serif style inspired by classic geometric typefaces, adding a contemporary and modern touch in its output to seek style and quality in any project. This very personal character of its shapes, together with the variety of eighteen weights with their respective italics (Thin, Extra Light, Ultra Light, Light, Regular, SemiBold, Bold, Ultra Bold, and Black) and two styles, makes it perfect to combine with VTF Justina in digital editorial projects (e.g., web or apps) or printed (e.g., books, magazines or packaging). Making it an exciting option for large and small bodies without losing legibility at any weight. VTF Ruth has Opentype functions (case-sensitive forms, ordinals, scientific lower case, denominators, superscripts, subscripts, numerators, fractions) designed exclusively for your design. Supported languages: Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Spanish, Swedish, Turkish and Zulu.

Introducing NEWGATE, a trendy font that is both retro and contemporary, is now available. Its thick curves give it a 70s groovy vibe, while the serifs return it to tradition. NEWGATE fits right in with those vintage moodboards and logos. It has separate lower and uppercase letters, as well as numbers, punctuation, and multilingual letters. The Ligature fonts will come in handy for anything your imagination can dream up! 5 Weights (Light, Regular, Semibold, Bold, Black) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it. Check out Leonardo Sans which is a great pair for Newgate.

Moonless is a charming handmade font duo, designed for texts, with a matching display font for titles in four different styles. The text font has true-drawn small caps available as an OpenType feature. In case you have no access to OpenType features, there is "Moonless SC" - the small caps version of the font. Moonless is perfect for children's books, poetry, invitations and design magazines. Moonless for texts comes in four different weights: light regular semi bold bold Moonless SC the small caps version of Moonless Moonless SC Regular is free! :) The display font comes in four styles: regular ("night") engraved ("shine") with dots ("stars") outline ("space") The font name was inspired by one simple word from Farid Attar's poem "The Conference Of The Birds".

A no-nonsense modern sans serif design, the ITC Conduit type family embodies an earnest vernacular spirit. Its designer, Mark Van Bronkhorst, explains: “It’s the kind of lettering you might find on boilers, assembly diagrams, and desiccant packets,” he explains. “It’s plain, grid-based, visually incompetent, yet legible and direct.” Brilliantly assembled from a typographic kit of parts, ITC Conduit's letterforms project a coolness, without feeling austere or unapproachable. It's an excellent choice for publication, packaging, or even wayfinding design systems. The ITC Conduit collection is available in 14 styles, with weights from extra light to black—all with matching italic designs. An easy, efficient way to bolster your go-to typographic arsenal, add it to your type library today!

I present to you Dubbo, a new retro serif! Dubbo is a fashionable font that is both retro and bold. Its thick curves give it a 70s groovy vibe, while the serifs bring it back to traditional. Dubbo fits right in with those retro mood boards and vintage logos. It includes a distinct lower and uppercase, as well as numbers, punctuation, and multilingual letters. The Ligature and Alternate fonts are sure to come in handy for whatever your imagination can conjure up! 5 Weights (Light, Regular, Semibold, Bold, Black) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Alternates & Ligatures Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Bebedot originated from doodles and scrabbles in notebooks; irregular forms very well might contain a style for an alphabet. Once used for an intro spread in Wired magazine (#6.04, April 1998): "To keep up you need the right answers. To get ahead you need the right questions". The name was inspired by a women clothing poster at the San Francisco bus stands. The dot is for the com that never came.

Founded on a rigid structure of modernist type, Calypso E has a determined tone without an authoritative tang. It is an updated interpretation of a Neo-grotesque model Egyptian with a hint of Humanist lightness in its forms. Seriously big x-height, square basic form and sturdy serifs create firm text regardless of the weight. This makes Calypso E well suited for various media, from sharp plotter images to low-res television screens. Calypso E includes four suitable body copy styles. Book, Regular, Normal and Medium can be applied according to, for example, the size of text and quality of paper. All styles in the family are equipped with an expanded character set, small caps, case sensitive forms, discretionary ligatures and much more to make even the most elaborate typographic detailing possible.

Varisse spans over two centuries of type design and draws its inspiration from well-loved classics that are as fresh today as they were when they were created. The range stretches from a quintessential 18th century transitional serif to an uncompromising 20th century sans. Think Baskerville, think Gill. The idea was to create a family that shared similar forms and the same vertical metrics, allowing them to be mixed to provide impact and readability as required. With a generous x-height and a host of options, Varisse Variable is ideally suited to branding, packaging, magazines and editorial. It also provides a wealth of opportunity in website presentation. The variable axes of weight and serif allow selection of styles from sans light to serif heavy with all the options in between.

Introducing, Laverty Castaroza. A one of a kind display typeface with unique ligatures, provided in 4 weights - bold, medium, regular, light. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual ligatures alternates swashes PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. For accessing opentype feature, kindly check this link letterhend.com/tutorials/using-opentype-feature-in-any-software/ Email us to letterhend@gmail.com if you need something! Happy Designing!

Zin Serif is a contemporary typeface designed for various situations of typographic usage. Characteristic feature is a large x-height and balance between neutral construction of letters (strictly vertical axis) and dynamic open forms (opened terminals). Another typical feature is a visually narrower connection between stems and strokes. The complete font family consist of three width proportions (Normal, Condensed and Extended). Every sub-family has 5 weights, ranging from Light to Black with matching Italics. Zin Serif can be effectively used for both text and display typesetting. It can be used especialy in magazine layouts and editorial design, as well in advertising typography, orientation systems, corporate identities and many other situations. Zin Serif is a member of the Zin super family, which also includes Zin Sans, Zin Slab and Zin Display fonts.

Black Ridge is a strong and rugged typeface, supplemented by its tall x-height, angled cuts, and quirky curves—all giving it a unique touch of character. It was inspired by the bold, modern, and condensed sans-serif typefaces created by typographic pioneers such as El Lissitszky, Herbert Bayer, and Jan Tschichold of the early twentieth century. This typeface is intended for display headlines and comes with a customary set of Latin characters, including diacritics, accents, symbols, mathematical glyphs, and more. Black Ridge comes in five styles—thin, light, regular, bold, and black—and supports over 80 different languages. Each weight contains a set of alternate glyphs and discretionary ligatures specially designed for better spacing and aesthetic enhancements for the more awkward character pairs such as fi, fl, rv, TY, FT, and more.

The Scriptuale family, which contains eight styles, is a contemporary upright calligraphic face. Designed by German designer Renate Weise in 2003, this family of typefaces speaks to the present, while at the same time reflecting on a lyrical past. The letterforms of the Scriptuale family are romanticized, they reference German calligraphic styles from the 19th and early 20th Centuries. For instance the design of Scriptuale's uppercase strays from the canon of classical proportion into romantic idealism. While the C and O are drawn according to the ancient quadratic proportions - almost twice as wide, optically, as the E or the L - the letter A is wider than would be expected, and the D narrower. These subtle differences introduce a different rhythm into text set in Scriptuale than Italic styles of calligraphy may offer. Scriptuale's Gs merit special notice: both the upper and lower case G lunge slightly forward, further enhancing the dynamic quality of the text. Also unique in Scriptuale's design is the lowercase width: the letterforms appear slightly condensed; they have large x-heights to compensate for this. In a delightful twist, the number 2's beak has been closed by drawing it full-circle, back into the stem: this references a style of letter design that was practiced, among other places, by artists from the old Klingspor foundry in Offenbach Germany. Typefaces constructed there easily captured the zeitgeist of the romantic period, but are less calligraphic than Scriptuale (e.g., Rudolf Koch's Koch Antiqua). A semi-serif face (like Prof. Hermann Zapf's Optima or Otl Aicher's Rotis Semi), some of Scriptuale's letters have serifs (D), and some do not (A). And although both the B and the E normally have the same "structure" on their left side, Weise has drawn them differently in Scriptuale. These strengthen the calligraphic-like quality of the family. Traces of the pen are easy to see in Scriptuale's design; it is a thoroughly calligraphic face. The eight typefaces in the Scriptuale family include Light, Regular, Semi Bold, and Bold weights. Each weight has a companion italic. Scriptuale is similar to one other contemporary calligraphic family in the Linotype portfolio, Anasdair , from British designer

Frederic W. Goudy designed three weights of this friendly-looking sans serif font from 1922-1929 for Lanston Monotype in the United States. Goudy was attempting to impart freedom and personality to the sans serif form at a time when geometric sans serifs, such as Futura, were gaining rapid world-wide popularity. To achieve this challenging goal, he looked to lapidary inscriptions and manuscript writing for inspiration. He included elements such as slight swellings of terminal strokes, slab serifs on a few of the caps, alternate uncial forms, and a few swash strokes. The result is uniquely Goudy: charming, instinctive, and just right for adding warmth to magazine or advertising layouts. The design staff at ITC updated and filled out the family for a total of eight styles in ITC Goudy Sans. ITC Goudy Sans® font field guide including best practices, font pairings and alternatives.

Handcrafted signs line the stoned walkways of old Italy. Some a century old, these often forgotten works of unknown artists remain etched across cities and villages. But now, they make their inviting impressions once again as the inspiration for insigne design’s Gineso Soft typeface. Gineso Soft absorbs the personality of northern Italian posters, headlines and logotypes, providing a type especially nice for signs and titling with its condensed qualities. The font contains matching italics for the the eight weights and three widths. We’ve also included small features along with fractions and superior / inferior characters to broaden your options. Even more, Gineso Soft is ready for all applications and features a large character set for the languages ​​and literature of Europe. So add a soft touch the next time you’re in a tight spot. Add Gineso Soft and make your project a work to be remembered.

Polias is an all-caps uniwidth typeface inspired by an ancient inscription carved on a monoblock stone in hybrid characters — between no-contrast linear sans to low-contrast flared serif. The inspiring inscription is the dedication by Alexander the Great, discovered in the Temple of Athena Polias in the ancient Ionian city of Priene. Stanley Morison mentioned this inscription in one of his lectures: “The distinctive feature of this inscription consists of a consistent thickening towards the ends of perpendiculars and horizontals.” … “We have not the right to say that the serif was invented for Alexander the Great's inscription, only that this is its first datable appearance.” The letter proportions are almost identical to the original, but the stroke features have been reinterpreted and characterized. Serif-like nodes at the end of the strokes are subtle extensions that serve to accentuate rather than break its monoline elegance. With an analogy, they are not flowers, but like blooming buds. Polias is a flared sans typeface which is closer to sans-serif forms on the spectrum between sans and serif. It’s especially light looking by design to convey rather thin and white typographic color of its original monumental look. It comes in eight weights and a variable font, scaled from Thin to Bold. It is multiplexed, so the weights do not affect text lengths. Light weights are closely based on the actual carving of the inscription. Thicker weights can be used on smaller typesettings to compensate for the weight difference of larger letters’ strokes, and to keeping the monoline appearance of the entire text block intact. This method can be used for any purpose, such as setting a hierarchy between the lines or to justify their lengths. Some of the original letterforms have been preserved and stylistic alternatives such as Ionic four-bar Sigma, dotted Theta, palm Y are provided as open type feature. Some of the other ancient forms, such as the three-bar Sigma (S), the pointed U, were also added for both the Greek and Latin scripts. Polias is preferable for big type settings such as logos and headlines as a modern representation of perennial classical forms. Its a fine fit for product branding, movie posters, book covers, packaging materials, and more, which require an epic look to attracting attention with a distinctive elegance. Polias can be considered for distinctiveness wherever Roman Capitals work. As a noun, Polias is one of the epithets of Athena / Minerva, and in this case referring to her role as the protector of the city of Priene. Polias is one of the seven typeface designs in Esintype's ancient scripts of Anatolia project, Tituli Anatolian series.

Scrans (Script + Sans) is a modern script family that gets both, conceptual and formal elements, from classic rational and geometric styles. It's main purpose is to make the difference in an innovative manner. In other words, you can use Scrans in texts where traditionally the classic scripts won’t fit. Scrans is a powerful tool that helps you to obtain clean, minimalists, geometric, contemporary, and mostly, highly legible designs. Each detail in the design of Scrans (like it's compact proportions, it's soft connections, it's cutted endings and it's subtle slant angle), was carefully crafted so you can get a high quality font to use in any project. You can also take advantage of its Open Type features that improve the potential of the typeface, with stylistic alternates and the options to underline smartly the words. Each one of the eight weights supports many languages, including Central and Eastern European as well as Western European languages.

Odisseia: Monospaced Typeface Made on Earth by Plau. Plau presents Odisseia, a monospace type family in 8 styles designed with simplicity of shapes and a humanist touch. We’ve ventured into monospace territory, where all letters must occupy the same amount of space. This style is usually associated with typewriters and computer terminal fonts. Like all monospaced fonts, every letter align vertically in a multi-line setting. The rhythm created is peculiar, since large letters such as m and w occupy the same space as narrow ones like i. Because we have 4 different weights: light, regular, bold and black the design of some characters have to be adapted to fit the same width and achieve a constant light/dark value throughout. These features make Odisseia suitable for a specific yet considerable range of uses, from computer coding to systemized communication such as brand identities. This style has been used from high-end brand identity to cutting edge digital applications. Odisseia sets a little shorter in comparison with other monospaced fonts, and bears a large x-height.

Absalon has square letter shapes. It has some characteristics semi-sharp and semi-rounded corners and it has a relatively tall x-height for legible text. To create the perfect typesetting the spaces between individual letter forms has been precisely adjusted. The Absalon font family is perfect for the web as well as for print, for display as well as longer text, for motion graphics, on the side of a van, t-shirts, logotypes and so on. The font family consist of 5 weights or 10 styles and it has 410 glyphs. A total of more than 4000 glyphs. The styles are: Light, Light Italic, Regular, Italic, Medium, Medium Italic, Bold, Bold Italic, Extra Bold & Extra Bold Italic. It has OpenType features such as automatic fractions, subscript, superscript, numerators, denomerators, ordinals and the “f” ligature set. Absalon has extended language support (most Latin-based scripts are supported). The name of the font family is Absalon and it is a reference to a Danish bishop in the middle ages. He was a key figure in the founding of Copenhagen, the Capital of Denmark.

D^44 Caps represents a sort of inverted creative process: start from the printed element to create the font to print. The esthetic analysis of pression's missprint is the origin of D^44 design. The redesign of this misprint has created 3 versions differentiated by optical weight: Bold, Only and Light.

An Art Deco condensed display sans font with 8 styles, +800 glyphs, +100 ligatures, +30 languages and many opentype features. It is perfect for poster designs, magazines, book covers, logotypes, headlines, newspapers and press. It's bold, daring, modern, geometric and covers a good range of weights from light to block.

Présence is a modern sans serif with a light stroke contrast. The capitals are a bit narrow for a titling use which makes them space-economical without lack of legibility. The lower cases have a normal width for a fluid reading. Its wide range of weights allows it many uses.

Lieur is a minimalist, geometric, sans serif font suitable for logos, label designs, or even just plain body text. It comes with 2 styles, Normal and Italic, and includes Light, Regular, Medium, Bold, and Black weights to give you great possibility to harmonize the look and feel of your text.

Introducing MBF Avturo, a square, condensed, modern, minimalist typeface that redefines versatility. Clean lines and a sleek design make it an eye-catcher, while its three weights – light, regular, and bold – offer a spectrum of possibilities for your creative endeavors. Elevate your projects with MBF Avturo’s contemporary charm and minimalist sophistication.