This font was inspired by the so-called Litterarum latinarum, quas italicas, cursoriasque vocant, scribendum Ratio (Louvain 1540), a manual intended for calligraphers by the well known scientist Gerhard Mercator. It was a magnificent “Cancellaresca corsiva” design, enriched with many alternates, final loops and ligatures. We have added a lot of accented and other characters required for modern use that did not exist in the original.

Fiesta De Los Muertos is a fun and festive display font! Not only can be used for Halloween theme needs, you can use it too for other things for daily needs. Use it on t-shirts and clothing, book designs, greeting cards, stickers, posters, banners, or anything that needs a fun touch. Try it to create fabulous designs and feel the fun and cool vibes with it!

The Bitstream version of Englische Schreibschrift by H. Berthold, 1970–72. An unconnected copperplate script of the English nineteenth-century fashion, so-called Spencerian. Based on pressure pointed quill calligraphy. Unlike other copperplate scripts, the letters in this face do not link up. For use in advertising and display typography in relatively small sizes. Cyrillic version was developed at ParaType in 2000 by Vladimir Yefimov.

I believe it was Picasso who had a Blue Period between 1901 and 1904. It seems that I have one myself - really not comparing myself to Picasso btw… Recently I created Blue Sheep font and now this one: Little Boy Blue. Little Boy Blue is a very legible, easy-on-the-eye font for texts, books, covers and packaging. Comes with 50 shades of diacritics.

Darby came about while playing with a loaded round-tipped brush. The letters remind me a bit of signage I remember seeing at county fairs in my youth. It's a casual comfortable font that lends itself well to outlining and drop shadows for emphasis. Not intended for long copy, it would work well in headlines or in signage where one is wishing to attract attention.

The Weidemann typeface's original name was Biblica, which was designed for the collaborative publication of a Bible by the German Catholic and Protestant Churches. The mass of text which the face was intended to set required that the design allow many characters to fit onto one line without rendering the words illegible. Thus, narrow spacing does not compromise the legibility or the elegance of Weidemann.

If it's dog friendly, it must be something good! Actually, I was never really into dogs, not until me and my wife decided to get a dog. We got a French Bulldog and life hasn't been the same since! I found out that I love dogs, and especially French Bulldogs! This font is a kind of tribute to everything good that has to do with dogs! :)

Speak quietly but carry a big stick' as President Theodore Roosevelt once said... so, with so much heated rhetoric in the air this -- let's face it, EVERY -- Election season, we felt that it was important to put together a more dignified and sedate lower case edition of our popular Victory Speech font. Bad Hair and Big Sticks not included. See related font: Victory Speech

this is a simple and elegant Slab serif font full of modern style. This font is very suitable for you to use for many purposes such as branding, logos, wedding designs, social media posts, advertising, product packaging, product design, labels, photography, watermarks, invitations, stationery, and any project. This font is complete in many other languages. you will not be disappointed with the results. thank you

Adis Ababa is a font based on an ancient Ge'ez script. The Ge'ez alphabet is the written language of the ancient ancestors of the Ethiopian and Eritrean nation. It is not a Latin or Greek based alphabet and I have striven in this font to present a readable Latin alphabet that visually reminds me of some of the examples of the writing that I have seen.

Rustika is a rather rough Oldstyle typeface. The roughness is seen in larger points only. In smaller points it is not easy to see that I tried to imitate characters cut with a chisel. The characters themselves follow otherwise totally the classic models. The name, in this spelling taken from Esperanto, refers to the rustic nature of the characters. Rustika was released in 1995.

Agharti is a bold condensed display font perfect for headlines with a punch. The lowercase glyphs reach as high as the capitals so even if you are not typing in all caps you will have a solid impactful block of text. These extra tall lowercase letters will be sure to catch attention from any viewer and add some playful delight to any design project.

Inspired by bold and rounded typefaces on signs from the 1970s, Salsiccia can promote both your hot dog stand and your international toy store enterprise. Its boldness and roundness is combined with classical proportions, with wide letters — like the O — next to little nubby ones — like the T. This not only looks nice, but helps us even out the white spaces across words and sentences.

Hello Headline is a bold and friendly typeface designed specifically (believe it or not) for headlines. All of the letters are chunky and rounded, which is probably the reason why they are visible from afar. And I mean, really, really afar. The overall feel of the typeface is meant to be very casual and affable, so it is great for businesses that are fun, outgoing and sincere.

Samsara is a cursive typeface inspired by calligraphy tools. Its shapes and gestures convey an organic-modern style which generates the texture of a brush tip. Samsara not only has a great versatility, but also is suitably to create short texts such as branding and short messages. It comes with OpenType features, stylistic sets, special ligatures, and swashes, which were designed specially to let your imagination fly.

Modern Caps—and lowercase, too—was how Ross George described the pattern for this typeface in his Speedball Text Book. Not surprisingly, the design was used on the Beatles' original Magical Mystery Tour album, which suggested the current name. Art Deco meets Psychedelia! Both versions include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets, with localization for Moldovan and Romanian.

Funny Nature is not a typeface but a collection of small, comic-like symbols. Lüdicke used to work often for a supplier of gardening equipment etc. He had to come up with new, original and vivid ideas for the design of catalogues and ads. He designed Funny Nature, a wonderful collection of illustrations. Can you hear the humming and buzzuing, can you smell the flowers?

"Lekker" is an Afrikaans word, that does not quite have an English equal. I can sum it up with the following mixture of words: yummy, nice, fun, joy. That is what this typeface encapsulates. A fun, playful, informal and easy-to-read font with a few script ligatures. Lekker includes multilingual support for All Western Europe languages, as well as Afrikaan (of course). xx Susan

I don't have an Uncle Oscar, so the font is not named after someone I know. The name just kind of stuck. Uncle Oscar is a pencil font, made with a black ‘Lamy’ pencil I took from my son Sam’s pencil box. It is a little rough, but very legible and comes in Regular and Italic. Of course, Uncle Oscar speaks a lot of languages.

A Victorian face named Oakwood provided the pattern for this decorative little number, with its swirls and curls guaranteed to delight boys and girls, saints and churls, and dogs and squirrels…well, maybe not the last pair, but you get the idea. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

Tenby Stencil is a geometric display typeface with broken contours. Unlike real stencil fonts, the gaps are not functional but decorative. They have a consistent size and angular similarity, giving headlines or logos a unique dramatic effect. Designed for use at larger sizes for logotypes, short titles or headings, it contains common ligatures and old-style numerals, and supports Western plus Nordic, Eastern European and Turkish languages.

Montello started out as an Illustrator exercise (a skill I am still learning). I made a couple of glyphs for fun, then realised it would make a nice font. The result is Montello. Montello is a classic connected script font, very neat and (in my humble opinion) not an eye-sore either. Montello comes with a whole bunch of ligatures for letters that just won’t connect nicely.

GL Benicassim is a very condensed and practical font. It is only caps font, but it contains latin and cyrillic characters, as well as all kind of accents to be compatible with many languages. It will give to your designs a fancy and fashionable touch and it is specially practical when the space you have is not too big, since it is really condensed.

Amelia Jayne is Ted Staunton's updated revision and expansion of his own Amelia decorative cap font. Amelia Jayne started as a Roman font to accompany the Amelia initials but has taken on a new life as a Pro Roman font with small caps and several variations of new matching initial companion fonts. (The initials are not included in the pro font but come bundled with the set.)

This elegant family of fonts, suitable for both text and display, is narrow in fit and characterized by a unique feature: in the capital B, P, and R, the stroke of the bowl does not quite meet with the stem. The design is noticeably calligraphic with a dynamic and delicate character, especially in the italics. Its subtleties can best be appreciated when set in large point sizes.

Reva is an extremely aesthetic font that will warm you up. As well as being suitable for use in every field, Reva will be a good friend in your logo designs. In addition, magazines, brochures, posters will not leave you alone in your work. Reva will represent you well thanks to the round and hot images in the paragraphs. Also multilingual support, ligatures and more await

Whenever I create a font using a Chinese brush and ink, it almost always comes out scary-looking. Sensory Overload is not like that: it is quite a neat and tidy font, even if it is a little rough around the edges. Sensory Overload is an all caps typeface and would be ideally suited for book covers, headlines, packaging and posters. Comes with an overload of diacritics.

Stagnan is a font with a subtle blend of passion and calculation. each glyph is made with great care in order to get results that do not disappoint. This gives the designer various options for typesetting A variable version is included with the full family, allowing maximum flexibility and control for the designer over the wide range of expression capabilities of the Stagnan superfamily.

This decorative, headline or logotype geometric font consists entirely of uppercase letters. The glyphs of uppercase are rounder than their lowercase counterparts, allowing playful interaction within words, contrasting round and square shapes. The font is an extension of the Paragraph fonts family, however the capitals of ParaCap and lower case glyphs of Paragraph are not designed to be used together. That said, you are welcome to try :)

Southima modern script font has something cool to deliver your words with a cute and sweet feeling. It's not complex typeface with many OpenType features, Southima only has a little ligature. Southima is simple and casual signature font, but Southima has a soul and I believe it will give a soul to your project for various purpose such as weddings, posters, magazines, novels, and more.

Terzo uses three lines in the main stem of the capitals resulting in an interesting display of script capitals. Flourishes are uniquely positioned and are deliberately minimalist in order to feature the three part stem capitals. Lowercase characters are also strong enough not to be dominated by the capitals. The overall result is a well balanced and refreshing script that will serve many purposes!

I have actually never had a sherbet. When I made this font family, I wish I had one, as it was a whopping 38 degrees (Celsius, not Fahrenheit…) outside. Raspberry Sherbet is a cute little font family, consisting of a rounded fat kids font and an inline version. Comes with all the bells & whistles, plus a super duper cooling effect when you use it!

Hello, friends. Here's my new experiment. This font breaks the boundaries even more. Rosalina combines all these qualities: simple and clear, looks at ease. It is perfect for signatures or design, wedding invites and cards, where you do not need a strict style :) Test it out below to see how it could look for your next project! Check out my blog: https://www.instagram.com/zloillev pinterest.com/dmitriychirkov7 Enjoy

Pittsburgh is the latest (as at August 2011) in a range of inter-war American inspired commercial faces, and takes its place alongside the popular Bettendorff and the Spargo family. These shaded stab-serif capitals speak of the heyday of heavy manufacture and engineering and bring a gritty feel of the 20s and 30s to any project. Why not indulge in a little heavy engineering today?

With all of the stencil fonts created by Jeff Levine from various vintage sources, you would think everything had already been covered. Not so. Along comes Amateur Stencil JNL. Modeled from a child's stencil set from the late 1950's or early 1960's, it vaguely resembles Futura, but its irregular widths and semi-stencil appearance sets it off greatly from that classic typeface.

this is a simple and elegant Slab serif font full of modern style. This font is very suitable for you to use for many purposes such as branding, logos, wedding designs, social media posts, advertising, product packaging, product design, labels, photography, watermarks, invitations, stationery, and any project. This font is complete in many other languages. you will not be disappointed with the results. thank you

Algoria is a functional sans serif that includes open character openings, a uniform distribution of white and black, and excellent readability. The general neutrality of the font patterns is not without elegance, and all the details of the typeface are crafted with mathematical precision and love. Typographic designs are developed for the widest possible range of tasks that any quality corporate font must accomplish.

A group of unique metal plates with stencil initials cut into them was spotted while browsing through online auctions for source material. What made these items even more interesting was how some of the stencil letters had been sectionally divided - not vertically or horizontally as in most stencils, but lines cut at angles. This is the basis for Steel Stencil JNL and Steel Stencil Oblique JNL.

ITC Kristen is the work of American designer George Ryan. He describes it as not your average text or display font." The inspiration for the design came from the handwritten menu at a neighborhood restaurant. With time, the forms moved away from the originals and towards something more like a child's scrawl. The result is singularly unique. ITC Kristen remains legible without losing any charm.

Folio was designed by Konrad F. Bauer and Walter Baum and appeared with the Bauer font foundry (Bauersche Gießerei) in 1957. The designers based their ideas on Helvetica but Folio did not turn out to pose the competition they had hoped. The font has the same applications as Helvetica and is an extremely legible font. Folio is particularly good for text and has an objective, neutral character.