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  1. Noisebaby - Unknown license
  2. ICONOS SKATE - Personal use only
  3. ICONO BMX - Personal use only
  4. Quad Ultra - 100% free
  5. Pussycat - Personal use only
  6. MeninBlue - Unknown license
  7. funk - Unknown license
  8. Broken Toys - Unknown license
  9. Bifurk - Unknown license
  10. Bandwidth Bandless BRK - Unknown license
  11. Hullunkruunu - Unknown license
  12. moebius - 100% free
  13. Iron Maiden - Unknown license
  14. Aerosol - Unknown license
  15. Weekend Warrior - 100% free
  16. Captain Kidd Demo - Unknown license
  17. Tenby Five - Unknown license
  18. Nu School Munitions - Unknown license
  19. Metalic Avacodo - Unknown license
  20. Ishirkian - Personal use only
  21. HVD Poster - Unknown license
  22. GauFontLoveRocket - Unknown license
  23. Independence - Unknown license
  24. URAL 3d - Unknown license
  25. OhMyGodStars - Unknown license
  26. Sylar Stencil - Unknown license
  27. Occoluchi Minicaps - Personal use only
  28. Zig Zag ML - Personal use only
  29. Ganz Egal - Personal use only
  30. BN Manson Nights - Unknown license
  31. Monster Paparazzi - Unknown license
  32. Pilsen Plakat - Unknown license
  33. MicroMieps - Unknown license
  34. Chizz Wide High - Unknown license
  35. Effloresce - Unknown license
  36. Mechanical Fun - Unknown license
  37. Skippy is Canon by Edd's Aurebesh Fontworks, $5.00
    Working on a Star Wars project? This font is in the main Star Wars written language of Aurebesh, and contains all the additional letters found in the language as glyphs. Designed to be a blocky workmanlike font that has the roughness commonly found in Star Wars related visuals. All numbers are also included as well as central punctuation symbols. The name is a very obscure reference to the old Star Wars expanded universe, when a force-sensitive droid self destructed in order for Uncle Owen to purchase R2-D2.
  38. Referenz Grotesk by Sudtipos, $49.00
    Made in Germany, Referenz Grotesk is a typeface full of references referring to the type design history of Stuttgart State Academy of Art and Design. Its typographic history holds a broad spectrum of shapes and characters, including F.H. Ernst Schneidler (1882–1956), Imre Reiner (1900–1987), Walter Brudi (1907–1987), Kurt Weidemann (1922–2011) and Frank Heine (1964–2003). During extensive research phases for Referenz Grotesk included collection and analysis. This led to further research in the Academy’s collection and archive where the majority of Weidemann’s estate is housed next to works of other designers and professors like F.H. Ernst Schneidler and Walter Brudi. Another place of research was the typesetting workshop where Schneidler had previously taught and worked. Some of his freshly cast fonts were tested and used there for the first time and are still stored in several of the type cases. Regarding the more recent history, for instance about the Emigre designer Frank Heine, former colleagues and professors have been consulted. These studies resulted in the new font Referenz Grotesk that includes traces of Kurt Weidemann’s Corporate as well as calligraphic hints that link to Schneidler’s Stuttgarter Schule (Stuttgart School) where writing played an important role during the form finding process. For the regular text fonts these features are integrated in a subtle manner whereas several alternative glyphs pick up more expressive forms. The final sans serif type family has a clarity and contemporary straightness that becomes more characteristic in its heavier weights. Additionally more than 60 alternative glyphs per weight allow for individual combinations that can be tailored specifically for each application and context. They open up a broad range of visual expressions, from subtle to playful and eccentric characteristics. Referenz Grotesk is available in six weights: Light, Regular, Medium, Bold, Extra Bold and Black, plus italics. In addition, the family includes multiple OpenType functions such as Stylistic Sets, Tabular Figures and Case Sensitive forms. Variable version of the font is included when you license the full pack.
  39. Restora by Nasir Udin, $22.00
    Restora is a mix of old-style roman serif styles. The combination of beautiful letterforms and old style serif makes Restora a versatile type family that can be used in many different themes of design projects. It comes in eight weights from thin to black with matching italics. Its mixture of weights provide a wide range of styles that will help you find the best vibe for your projects, from body text to big headlines, from classic style to modern, bold, and a bit funky style. It is well suited for book covers, editorial, branding, advertising and more. Its OpenType features provide a number of swash, beautiful ligatures and stylistic alternates that give your typography a unique look. RESTORA NEUE is available now! Check it out!
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