Handmade sans serif with rugged and imperfect edges shapes. Coffee Morning with Milk has rounded edges bring a vintage look and alternate character make it more stylish. And Coffee Morning Sans has rough stroke, imperfect shapes, make this typeface has its own taste, like coffee in the morning, raw and strong. * COFFEE MORNING WITH MILK features: All Caps, small caps, numeral, punctuation, alternate characters & ligatures. * COFFEE MORNING SANS features: All Caps, numeral, and punctuation. Have a wonderful day with a cup of coffee in the morning :)

Local Brewery is a vintage inspired font collection that includes six script styles and two sans serif styles. Script styles include a ripple edged, smooth or rough version. The sans serif styles include a ripple edged or rough version. Local Brewery Script comes with lower case y, g and tail alternates. These alternates will give your designs an extra flair and uniqueness. The script and sans serif fonts work exceptionally well together. Use Local Brewery for packaging, magazines, marketing, weddings, beer labels, film and clothing.

Food Doodles Too is a 31-picture clipart font of food. Use them as dingbats or enlarge the small pictures and use them as clipart. Lots to choose from… from soup to nuts OK no nuts. But there is pizza, pasta, soup, eggs, sushi, sandwich, hot dog, hamburger, fish, kabobs, toast, breads, cheese, pickles, shrimp, soufflé, and desserts galore… cake, pie, cookie, cupcake, trifle, sundae, banana split, milk, tea and more. Food Doodles Too works nicely with Coffee & Tea Doodles. If you need some fancy cakes check out Party Doodles. All in the same line drawing style to mix and match.

Anthology is a contemporary design with a faintly mystical flavor. A curious collection of miscellaneous parts including blade-like curved crossbars, angle-cut serifs, and egg-shaped glyphs make for an intriguing futuristic blend. Great for games, science-fiction, or high-technology projects. Anthology is now available in the OpenType Std format. Some additional characters have been added to this OpenType version as stylistic alternates. This advanced feature works in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Victorixel is a pixel font that incorporates the Victorian wood-type style. In order to organically combine these two styles, I abandon the exaggerated and ornate shape, yet the essence of the wood type was retained, such as the forked serif at the beginning and end of the letter stem. Victorixel family has over 800 glyphs (including emojis) and it supports lots of Latin-alphabet-based languages. It is suitable for the title, poster, etc. *EASTER EGG* Turn on the ligature OpenType features and input MBTI+emoji will output the MBTI emojis. For instance: ENTPemoji Enjoy!

Introducing "Hildera," a script font that beautifully embraces the harmony of elegance and raw texture. This unique typeface effortlessly blends delicate, graceful strokes with a touch of rough authenticity, creating a perfect balance between beauty and character. Ideal for projects that seek a distinctive and handcrafted aesthetic, "Hildera" adds a touch of sophistication with a hint of rugged charm, making it perfect for a wide range of creative endeavors. Features: - Lowercase Swash Alternates - Numeral & Punctuation - PUA Encoded - Multilingual support - Simple Installation - Work both on Mac and Windows Thank you very much :)

Tertre is a display/short text typeface with a wide range of applications from signage or posters to menus and pricelists; branding, packaging or publishing. It is named after Place du Tertre, a square located at the top of Montmartre—a hill overlooking Paris, made famous by the artists of the 19th and 20th Century. Like in Galette, the letters have no overhangs and the stroke thickness of capitals and lower case letters is identical, making hinting or anti-aliasing more uniform at any point size and zoom combination.

The Dear Sans Collection is comprised of four widths ranging from Condensed, Regular, Expanded, and Wide; each of which are comprised of a three font family of weights: Book, Regular & Bold. Cleanly readable, with just a slight hint of silliness, the Dear Sans Collection brings adds the perfect level of lightheartedness to your designs. The Dear Sans Collection comes with: - Approx. 367 Character Glyph Set per font - including standard & punctuation, international language support, and basic “fi fl” ligatures per font. - 3 Weights per family including: Book, Regular, and Bold. - Loads of Personality for your designs.

Linotype BioPlasm is a display face created by Italian design Mauro Carichini in 2002. It distorts and deletes parts of letters, creating the appearance of a living, typographic organism in pages of text. Lines set in Linotype BioPlasm seems bubble to the surface, and always hints at some sort of unrevealed secret. Although only parts of most letterforms are visible, the high x-heights of Linotype BioPlasm's letters make its text surprisingly legible for such a concept-font. For usage in products ranging from Sonic to Science, Linotype BioPlasm may be the font for you!

Sys is a condensed font designed to work well at small sizes (i.e. phone books, maps, or the like) but it has enough personality to be used at big sizes, too. The TrueType version, thanks to its incredibly accurate hinting, may be used to replace amazingly well TrueType system fonts in every platforms, in web or other screen applications. After the succcess by the first version designed ten years ago, the version 2.0 has numerous improvements in the design of the glyphs, new Unicode ranges, useful OpenType features and enhanced readability.

Nerone is a quasi-unicase display type family in four weights, from light to black. In its lighter versions, it's reminiscent of dignified flared serifs like Albertus. In its black version, it's comparable to display faces like Serif Gothic, with a hint of Mostra-like despotism... Inspired by ancient Roman capitals, Nerone takes a whimsical look at how they might turn into a black fatface, and how a matching lowercase might give the whole affair a whimsical feel — specifically when applied to fun branding and marketing uses. Part of The Ampersand Forest's Sondheim Series.

Joe Canelli is a crooked cop working in a corrupt police force. Joe is haunted by nightmares of powerlessness. When his partner is brutally murdered and he's betrayed by his colleagues, it appears that Joe's nightmares are coming true. With his back against the wall there's only one thing he can do -- turn against the criminal network that he once embraced... KICKBACK is a fast-paced, action-filled, noir-style, crime thriller from the co-creator of V FOR VENDETTA, David Lloyd. KICKBACK is also a font. This one.

This charming font, with its hints of the exotic, originally carried the rather prosaic name of Show Card Roman. It appeared in the book "Art Alphabets and Lettering: an encyclopedia of lettering including the most important standard alphabets and such classics as are in most demand for the use of engravers, designers, and all lovers of art" by the evidently rather verbose J. M. Bergling (1866-1933). As a nod to its exotic overtones, the font is named after the 1872 utopian novel of the same name by Samuel Butler.

Foundry Context is a sans serif family designed to be universal in many contexts – hence the name. A ‘no-nonsense’ typeface, reminiscent of 19th century sans serif faces, Foundry Context has very round, pure letterforms, crafted without being over refined, and having minimal stroke contrast in the neo-grotesque style. A hint of personality has emerged from the very drawing of the proportions, strokes, and terminals, yet Foundry Context is still neutral enough to compete in the grotesk arena, and at the same time has something new to say.

Maver is a 7 - style font family designed by Ani Dimitrova. Maver containing Regular, Italic, Round, Round Italic, Modify and Modify Italic weights. All weights contain standard ligatures, proportional figures, tabular figures, old-style figure, numerals, and arrows, matching currency symbols and fraction. The fonts are carefully hinted and its wide proportions make them a perfect choice for screen usage. This style palette offers a flexible range for display typography. The Maver type family is ideally suited for magazines, branding, posters, as well as web and screen design and more.

Round, firm, and bursting at the seams with good humor, ITC Mister Chuckles is based on the premise that barrel shapes have pleasant associations. Think: beer-barrel polkas, a barrel of fun, or a barrel of laughs, and you'll get the idea. Designer Nick Curtis has combined sans serif sturdiness, a hint of 1930s deco and a handful of giggles in this remarkably versatile all-cap face. If the typographic occasion calls for mirth and merriment, invite Mister Chuckles to the party. You'll have more fun than a barrel of monkeys!

Songs of Moravia is a beautiful script typeface. Its decorative capitals, adorned with delicate swashes and swirls, evoke the rich heritage and melodious charm of European design. Songs of Moravia captures the genuine spirit of folk tunes, offering a hint of tradition woven with modern craft, perfectly suited for projects that seek to marry the old with the new. Gentle yet vibrant, this type is a delightful choice for invitations and formal design. Use underscore _ to make a swash after any word, or multiple underscores for different lengths. Example: Baseball_

Konsecta - Unique and versatile serif display Konsecta serif display is a single weight typeface that aims to explore new design solutions. With a bold form a strong contrast, this design hints both at past typeface styles while being unique and original in it’s appearance. This font is suitable for use in many design forms, for example magazines, postcards, logos, DIY Projects, invitation card, quotes, vintage look design, wedding projects and much more. If you like unconventional solutions and edgy design, Konsecta serif display is the font to go for.

The inspiration for this font made its first appearance in the 1897 American Type Founders specimen book, under the name "Lithotint". As the name suggests, the original was tinted gray (diagonal lines formed the body); this version is solid and spooky, too. The font contains a few ghostly graphics, including ghosts at the bracket positions, a haunted house at the backslash position, and a scary backdrop at the ASCII tilde and ASCII circumflex positions. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Zaphire is a humble sans serif font, delicately infused with a hint of monographic handwriting, seamlessly blending classic elegance with a touch of contemporary experimentation. Comprising a singular variable font, it gracefully encompasses the essence of 49 distinct fonts, gracefully navigating through 7 weights and 7 widths. Its uniqueness is understated yet undeniable, making it a valuable addition for those seeking to infuse creativity into various artistic endeavors. Zaphire's versatility extends gracefully to contemporary art, posters, and provides an enriching touch to the written word in books and magazines

Grims Acid is a spine-chilling, liquid-inspired Halloween display font that oozes with eerie vibes. With its twisted, dripping letters and macabre aesthetics, this font is the perfect choice for adding a touch of horror and dark whimsy to your Halloween-themed designs. Whether you’re creating spooky party invitations, haunted house posters, or eerie social media graphics, Grims Acid will give your text a hauntingly memorable twist that sends shivers down the spine. Embrace the supernatural and let Grims Acid infuse your designs with a ghoulishly delightful atmosphere.

JY Rebeca was our first attempt using Fontographer to develop a typeface from scratch. It possesses some experimental characteristics in its design, e.g. the mixture between a transitional and modern typeface.

Gumela is a unique-sans family, based on rounded sans serif whose edges end with unique shapes. Gumela consist of 6 styles: Light, Light Italic, Regular, Italic, Bold and Bold Italic.

Sutten Batavia is a unique brush font, perfect for use in modern design projects. This font has a slightly aggressive edge, and works well in displays for use in digital media.

Down With the King is a very bold all caps font best used for large titles, headers and logo work. The lower case letters have rounded edges for a softer feel.

Schwarz is a Black Letter typeface inspired by all that is black. Jagged edges and sharp diagonals make Schwarz a head banging font. Some stylistic alternates and ligatures are also available.

Rudolph is a bold serif headline typeface with strong contrast in the stroke and the sharp edges. It is very expressive and suitable for food packaging, product branding, magazines, and invitations.

Kind of squarish handtraced comic font, yet with soft edges. Use it for massive text, speech balloons or just headlines. You will need to use OpenType supporting applications to use the autoligatures.

Liaison is a beautiful non-connecting handwritten script for headlines and display typesetting, e.g. for perfumes, reports of the glamour world, magazines about gardening and recipes, covers for romance novels and alike.

Kickshaw is definately a hardcore tagfont. Its rough edges and hard lines makes it perfect for imitating writing on the walls! Switch between caps and lowercase to keep the original bad look!

Monster Truck is a dominant looking bold italic font inspired by extreme sports. The 'in your face' presence of this font is ideal for use in designs looking to snatch people's attention especially in serious competitive sports, fitness, bodybuilding, toys and car wrap designs. The non-apologetic sharp edged spoiler like serifs, straight edges and bevel corners have made this one of the foundry's most popular fonts. The font is all caps and fufills MyFonts character requirements that include a large number of characters including numbers, punctuation and Latin international characters.

SILLY is Cocomilk Studio's first homegrown typeface. This typeface, made by Cocomilk designer, Yas Liamco, features curvy, drooping forms and rounded edges that add a sense of fun and silliness to any project!

This unique font has been designed and is based on lip rouge on windscreen. But it inspires a different feeling for different people; e.g. Organic, mathematical or ancient. Rising Star on April 2008.

Marmo is a font family with sharp-edged and thick-bodied character. It supports 113 languages, features a total of 486 glyphs and includes an italicized version for each of the 5 weights.

Chen Xing, literally “morning star”, a font both futuristic yet mystifyingly ancient is cast in contemporary forms on the cutting edge of the present moment, but harkens back centuries to endless cultural heritage.

Metaluna is an extended sans serif family of five weights derived from Rian Hughes’ classic Forbidden Planet logo. Sleek and modern, it suggests cutting-edge tech, supercar marques or high-precision engineering multinationals.

Gritstomper is a gritty, charcoaly, pencilly font. Quickly written, handcrafted and with sharpened edges. Comes with a full load of diacritics, double letter ligatures for the lower case and a boss-like attitude.

Laureen is a clean, smooth-edge, casual script with many potentials made possible by its 429 glyphs and great legibility. This TrueType font was manually kerned & edited for its semi-connected and informal look.

Hannah Joie was influenced by the early lettering that appeared on posters in Israel (e.g. the 1950s). The style of the lettering was bold, heavy, and prominent. Hannah Joie is an OpenType/TTF Unicode font.

Northlane is minimalist font with smooth and elegant rounded edges. This font is projecting modern and futuristic vibes, perfectly suited for graphic design application ranging from editorial and corporate design to web and interaction design.