Introducing a new script font called Orlande. Orlande was created with a brush pen. It comes with opentype features and multilingual support. Orlande is good for logotype, poster, badge, book cover, t-shirt design, packaging and any more. FEATURES : - Uppercase - Lowercase - Number - Punctuation - Multilingual - PUA Encode - Opentype

Belgian type designer Dung van Meerbeeck created this script FontFont in 1992. The font is ideally suited for festive occasions, film and tv as well as poster and billboards. FF DuChirico provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

Delicatta is a beautiful and expressive script font by dooType. You can use it in many areas such as packaging, invitations, magazines and posters. This version contains Opentype Features including alternates and ligatures that you can use as needed. Check in gallery for some images. Enjoy!

Gotten combines authenticity and elegance into one truly stunning script. Use it to turn any design project into a true piece of art! The Gotten font is a great choice to increase the prominence in your project. Although the typography is traditional, the basic elements are great.

Tannhaeuser is the work of British designer Alan Meeks, a sans serif typeface with conventional capitals letter complemented by an unusual lowercase alphabet. It looks best when close letter spaced, especially the lowercase, whose lower right extensions are designed to overlap or join in a script fashion.

A desire that is honored, a result that describes a gesture that combines script fonts with Signature to meet customer desires. The embodiment of the results that are more likely to be in a signature that is perfect for logos and branding, you determine it yourself .

Poppy JT is a brush script typeface that contains three exciting weights which simulate the shapes created by a brush pen. Boasting over 800 glyphs, with its multiple ligature sets and alternatives, this is a wonderful typeface to use in packaging, magazines and on promotional messages!

Kionsa is a font duo consisting of a script and an ultra condensed sans. It comes in an elegant retro style which is perfect to make any design stand out! This font is perfect for branding, wedding invites, magazines, mugs, business cards, quotes, posters, and more. Thanks!

The Phamelo is a Modern bold script and this perfect for all your designs project, event and more. Feature - UPPERCASE - lowercase - Number & Symbol - International Glyphs - Alternative UPPERCASE - Alternative lowercase - Swashes If you need anything else just shoot me on email at: dedukvic@gmail.com Hope you enjoy it.

La Carte Pen is a paper textured version of the popular La Carte font. Inspired by a series of handwritten menus produced in 1980, La Carte is a stylish but easy-to-read script that sets as well in body copy as it does in headlines.

Pettonia is a classy script font. Made for any professional project branding. It is the best for logos, branding and quotes. Every letter has a unique and beautiful touch. Features: Ligature Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Dita Type

Thrainly Sellier is a stylish and incredibly elegant script font, Includes uppercase and lowercase letters, numerals, punctuation, alternates, ligatures, swash and multilingual support. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch.

Belgian type designer Dung van Meerbeeck created this script FontFont in 1992. The font is ideally suited for festive occasions, film and tv as well as poster and billboards. FF DuDuchamp provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

Many local variants of the Greek alphabet were employed in ancient Greece during the archaic and early classical periods, until around 400 BC, when they were replaced by the classical 24-letter alphabet that is the standard today. All forms of the Greek alphabet were originally based on the shared inventory of the 22 symbols of the Phoenician alphabet, with the exception of the letter Samekh, whose Greek counterpart Xi (Ξ) was used only in a sub-group of Greek alphabets, and with the common addition of Upsilon (Υ) for the vowel /u, ū/.[1][2] The local, so-called epichoric, alphabets differed in many ways: in the use of the consonant symbols Χ, Φ and Ψ; in the use of the innovative long vowel letters (Ω and Η), in the absence or presence of Η in its original consonant function (/h/); in the use or non-use of certain archaic letters (Ϝ = /w/, Ϙ = /k/, Ϻ = /s/); and in many details of the individual shapes of each letter. The system now familiar as the standard 24-letter Greek alphabet was originally the regional variant of the Ionian cities in Anatolia. It was officially adopted in Athens in 403 BC and in most of the rest of the Greek world by the middle of the 4th century BC.

Signtype Modern Script font is a natural & modern handwritten font. It's perfect for logo, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events or anything. This font includes ligatures and also Multilingual support. - PUA Encoded open - Support for Adobe Illustrator, Corel Draw, Indesign or Adobe Photoshop - Support for MAC or WINDOWS

Cangela Light, beautiful handwritten script fonts get a distinct impression with a touch of style that is unique to every job you do. Cangela is perfect for branding projects, homeware design, product packaging, use in business cards, invitation cards, etc. Simply as a stylish text overlay onto a background image or anything that requires a touch of elegance.

Layla pro Arabic typeface is a modern Arabic typeface designed by Ahmed Zaza. the design is inspired by the Kufi calligraphic style and influenced by the Naskh style. The result is a hybrid that combines modern proportions with Classic Arabic scripts it’s suitable for branding, editorial, packaging, and advertising. Layla pro Arabic Features five weights from Light to Bold,

Thistails is font duo with modern vintage look design style, available as a script and Display Sans serif typeface. These two lovely fonts would be perfect to combine in your design. Suitable for digital lettering, logo, t-shirt, print, business cards, branding materials, quotes, nature photography, etc, made with hand painted and carefully crafted. OpenType Features: Ligatures, Stylistic Set

Rose Colored is a Handwriting Script which is beautifully crafted with feminine touch. This font is perfect as a logo, quotes, apparel design, wedding invitation, and any design needs especially for a girly / feminine theme. You can play with the ligatures, stylistic alternate, swash, etc to create your own customized lettering. This font is also support multi language

Gistany Font is an exquisite handwritten signature script font that exudes elegance and sophistication. Whether it's a logo, invitation, or branding materials, Gistany Font brings a sense of refinement and style, making every word appear like a work of art. Elevate your designs with the captivating charm of Gistany Font and let your words speak with elegance.

Lesley is a High quality monoline script font with swashes inspired by adventorous vibe and vintage design. Plus OpenType features with Stylistic Alternates, Swashes, Ligatures, Stylistic set, Terminal Form and Ornament that allows you to mix and match pairs of letters to fit your design. This font good for vintage design, t-shirt, logo, labels,badges, posters and etc.

Fantera is a script typeface vintage style. Every letter has been carefully crafted to make your text look beautiful. This font is perfect for logos, badges, shirts, labels, clothing designs, etc. With Fantera, enjoy the wealth of OpenType features and let elegant fun and pleasure make you happy and increase your creativity! You can use this font very easily.

Introducing original label font named Power Gym. This font family has an additional characters and multilungual support (check out all available characters on previews). Regular and Script fonts has seven styles: Regular, Effect, Shadow, Texture, Shadow FX, Texture FX, Grunge. This font will look good on any sport styled designs like a poster, T-shirt, label, logo, etc.

Darling Carlina is a beautiful calligraphy font suitable for any projects such as logos, branding projects, homeware designs, product packaging, mugs, quotes, posters, shopping bags, t-shirts, book covers, name cards, invitation cards, and greeting cards. It’s also a perfect fit for labels, photography, watermark, special events, and all your other lovely projects that need a beautiful script taste.

Frieda is a handwritten calligraphy script equipped with contextual alternates features and ligature variations for a customised look. Just add "+" before the letter or manually choose the character from Glyph Palette. Authentic, chic, but also relaxed with a set of beginning and ending extensions. Frieda can be used for weddings, greeting cards, invitations, books, menus, advertising, etc.

Sail the seas with Nautical Doodles. This seaworthy font has 32 illustrations of water craft, anchors, star, compass, flags, whale, shark, birds, starfish, seahorse, rope etc. Even a mermaid... and the scripted word Ahoy! If you would like the character chart go to the Gallery Tab and print. (PDFs are no longer downloaded with the font.)

Carolinea is a hand lettered script fonts, using brush & ink combines a style brush calligraphy, irregular baseline, a rough edges, bold and organic. Including initial and terminal letters, ornament, ligatures and multiple language support. Can be used for various purposes such as posters, logos, t-shirt, signage, businnes card, magazines, book cover, wedding invitation, greeting cards etc.

Mirsal Arabic typeface is a modern Arabic typeface designed by Ahmed Zaza. the design is inspired by the Kufi calligraphic style and influenced by the Naskh style. The result is a hybrid that combines modern proportions with Classic Arabic scripts it's suitable for branding, editorial, packaging, and advertising. Mirsal Arabic Features five weights from Light to Black.

Layla Arabic typeface is a modern Arabic typeface designed by Ahmed Zaza. the design is inspired by the Kufi calligraphic style and influenced by the Naskh style. The result is a hybrid that combines modern proportions with a Classic Arabic scripts it’s suitable for branding, editorial, packaging, and advertising. Layla Arabic Features five weights from Light to Bold,

Hipsterious is casual and fun script that stands out from the crowd. Consist of two types, a regular and rough. Perfect to be used especially for logo type, signature, photography, quotes, apparel design, and any design needs. As usual, the font comes with many opentype features such as ligatures, stylistic set alternate, etc and also support multilingual.

Bulgary Reagans is a pair of font that brings the playful looks with casual feel. The handwritten sans serif combined with the natural hand writing script are the perfect match for you who needs a typeface for headline, logotype, apparel, invitation, branding, packaging, advertising etc. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

Loveena is a script typeface with modern bouncing style. It’s contemporary font for postmodern graphic designs. Loveena is perfect for poster, book’s cover design, branding, tagline of product, advertising, short text and postmodern designs. Loveena has characteristic of feminism, love, cuteness and friendship, and so this font also suitable for designs that have love and feminism theme.

Ignorance is a script typeface that mimics traditional handwriting found in America in the 19th century. Full of vitality and personality, this typeface includes a wide range of Opentype ligatures, alternates and swash characters that allow multiple choices for each setting. This design is principally aimed for use in display and titling setting that will reveal it's finer details.

Odisseia: Monospaced Typeface Made on Earth by Plau. Plau presents Odisseia, a monospace type family in 8 styles designed with simplicity of shapes and a humanist touch. We’ve ventured into monospace territory, where all letters must occupy the same amount of space. This style is usually associated with typewriters and computer terminal fonts. Like all monospaced fonts, every letter align vertically in a multi-line setting. The rhythm created is peculiar, since large letters such as m and w occupy the same space as narrow ones like i. Because we have 4 different weights: light, regular, bold and black the design of some characters have to be adapted to fit the same width and achieve a constant light/dark value throughout. These features make Odisseia suitable for a specific yet considerable range of uses, from computer coding to systemized communication such as brand identities. This style has been used from high-end brand identity to cutting edge digital applications. Odisseia sets a little shorter in comparison with other monospaced fonts, and bears a large x-height.

User is a monospaced type family with 30 styles, from Hairline to Bold, divided in Regular, Upright and Stencil, with five weights (Hairline, ExtraLight, Light, Medium and Bold) all with Cameo versions. Complexity and versatility are the keywords for this type family. Despite being a monospaced font, which means there's no kerning, all the glyphs were designed in order to sit comfortably in the 600 points width, a hard task because some glyphs are too narrow ('i' and 'l'), while others are too wide ('m' and 'w'), but they must fit the same width. The desire for keeping a comfortable readability in User was one of the key elements, therefore we designed several ligatures that fit both single and double space width, allowing to maintain a certain idea of proportional design. In this digital booklet you will find a detailed vision of the anatomy of the typefaces, the amount of characters available, the styles and weights, along with a series of features, specially designed to make User a very versatile and usable type system.

User is a monospaced type family with 30 styles, from Hairline to Bold, divided in Regular, Upright and Stencil, with five weights (Hairline, ExtraLight, Light, Medium and Bold) all with Cameo versions. Complexity and versatility are the keywords for this type family. Despite being a monospaced font, which means there's no kerning, all the glyphs were designed in order to sit comfortably in the 600 points width, a hard task because some glyphs are too narrow ('i' and 'l'), while others are too wide ('m' and 'w'), but they must fit the same width. The desire for keeping a comfortable readability in User was one of the key elements, therefore we designed several ligatures that fit both single and double space width, allowing to maintain a certain idea of proportional design. In this digital booklet you will find a detailed vision of the anatomy of the typefaces, the amount of characters available, the styles and weights, along with a series of features, specially designed to make User a very versatile and usable type system.

The Englishman William Caslon punchcut many roman, italic, and non-Latin typefaces from 1720 until his death in 1766. At that time most types were being imported to England from Dutch sources, so Caslon was influenced by the characteristics of Dutch types. He did, however, achieve a level of craft that enabled his recognition as the first great English punchcutter. The original Caslon specimen sheets and punches have long provided a fertile source for the range of types bearing his name. Identifying characteristics of most Caslons include a cap A with a scooped-out apex; a cap C with two full serifs; and in the italic, a swashed lowercase v and w. A few of the many interpretations from the early twentieth century were true to the source, as well as strong enough to last into the digital era. These include two from the American Type Founders company, Caslon 540 and the slightly heavier Caslon #3. Both fonts are relatively wide, and come complete with small caps, old style figures, and italics.

User is a monospaced type family with 30 styles, from Hairline to Bold, divided in Regular, Upright and Stencil, with five weights (Hairline, ExtraLight, Light, Medium and Bold) all with Cameo versions. Complexity and versatility are the keywords for this type family. Despite being a monospaced font, which means there's no kerning, all the glyphs were designed in order to sit comfortably in the 600 points width, a hard task because some glyphs are too narrow ('i' and 'l'), while others are too wide ('m' and 'w'), but they must fit the same width. The desire for keeping a comfortable readability in User was one of the key elements, therefore we designed several ligatures that fit both single and double space width, allowing to maintain a certain idea of proportional design. In this digital booklet you will find a detailed vision of the anatomy of the typefaces, the amount of characters available, the styles and weights, along with a series of features, specially designed to make User a very versatile and usable type system.

The Comic-Script by ingoFonts In the past cartoons used to be lettered by hand. Hardly anyone does this today. The reason is, because hardly anyone has nice handwriting these days, so there are practical advantages in having a special font. However the font should still look like it’s been written by hand. Well, most script fonts don’t meet this requirement. The LeDrôle Lettering is a computer font, but closely resembles genuine handwriting. The model for the LeDrôle Lettering is my personal handwriting, as can be seen on the example of the Biró Script, which is also an ingoFont. The habit of capitalization comes from the Romanic and Anglo-Saxon countries. Depending on the purpose they are designed in three significantly bolder weights. In order for the typeface to actually look handwritten, it needs to have clearly visible irregularities. These are not found only in the shapes of the individual letters. Even though LeDrôle Lettering is all in capital letters, the characters of uppercase and lowercase letters are clearly different. Additionally, many alternative shapes are used, which are automatically applied when the OpenType “Ligatures” feature is activated. Thus, there are no identical double letters or numerals, and many character combinations are defined as ligatures with alternative forms.

View Night is this amazing typeface handmade script font we created in freestyle for those of you who do work and crafts. It's perfect for any type of work you're working various purposes such as logos, wedding invitations, headings, t-shirts, letterheads, signage, labels, news, posters, badges etc. OpenType features with alternative styles, ligatures, and multiple language support. To enable the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later. How to access all alternative characters, using the Windows Character Map with Photoshop: