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  1. Culita - Personal use only
  2. Caribe by Andinistas, $37.00
    Caribe is an expressive typefamily like the blue sky and bright Caribbean sun, designed by CFCG @andinistas. We love to design experimental fonts with a large amount of ligatures and swashes, drawn with special respect and study for what is handmade by ancient artisans. In this context, Caribe is an impressive typefamily of 5 fonts to create logos, posters, book covers, menus, labels, packaging, etc. The 5 Caribbean fonts add up to more than 1500 glyphs that serve to be mixed or independent, functioning as a springboard to encourage your creativity in the design of words, phrases or remarkable headlines of the elements that appear around them. Caribe Script has lowercase letters such as "b d f g h i j k l p q y z" with extremely short ascending and descending strokes achieving generous height x in: "a c e m n o r s u v w x". Caribe Script Produces visual attraction in words and phrases that need lowercase letters with sparing horizontal space width and bold stroke thickness, producing exceptional legibility in headlines or advertising texts. Caribe Script & Caps are based on ancient and multiple letterings from the 40s and 50s that were useful inspiration tools to produce visual pleasure. Caribe Words has more than 60 script words drawn diagonally generating greater intensity within a sentence. Caribe Shields & Digits has more than 50 designs each and they have containers and numbers designed to accompany words, phrases or drawings that serve to harmonize different writings. ENJOY more than 1500 glyphs: + Caribe Script: 743 glyphs + Caribe Caps: 507 glyphs + Caribe Words: 71 glyphs + Caribe Shields: 230 glyphs + Caribe Digits: 40 glyphs
  3. Quirkley JNL by Jeff Levine, $29.00
    When a type design job needs a bit of snap, yet needs to remain unconventional, think of Quirkley JNL. Its name speaks volumes - a bold, quirky sans serif - great for headlines and display work.
  4. Pando Script by Resistenza, $39.00
    Pando Script is the a new brush script with inverted contrast and a lot of personality. Pando comes with many ligatures and alternates. We recommend to us it for headlines, labels, packaging and branding.
  5. Neue Echo by RMU, $30.00
    Inspired by the former Schriftguss, Dresden, font Echo, this fresh-drawn und designed Neue Echo can be filled in many different ways, and makes it a great display font for labels, posters, headlines etc.
  6. Barbiela Script by Bosstypestudio, $14.00
    Barbiela Script is a modern calligraphy cute font, Can be used for various purposes. such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signatures, book covers, posters, modern, script, quotes and others.
  7. Peronel by Tanincreate, $16.00
    Peronel is a serif font with swash line under the lowercase letters. It has a regular and an italic style and works perfectly for logos, headlines, posters, packaging, postcards, social media and much more.
  8. Hypertype by Fargun Studio, $14.00
    Hypertype is my new elegant serif display font that will bring a touch of style and luxury to your projects. It is perfect for branding, logotypes, blog headlines and many more your design needs.
  9. Curly Q by Outside the Line, $19.00
    CurlyQ new from Rae Kaiser and Outside the Line. A curly, swirly, girly kind of font. A delightful headline font for your next garden party or note to the kids from the tooth fairy.
  10. Telstar by Device, $39.00
    A space-age headline font, Telstar explores a computer-readable sci-fi aesthetic based on an obround lozenge pierced with off-centre holes; the left-right weight switch derives from early optical recognition typefaces.
  11. Wooden Okadio by Maulana Creative, $16.00
    Wooden Okadio Serif is a single weight black serif, modern casual typeface perfect use for headline, logo, magazine, and any editorial design needs also readable body text. I hope you like it, keep awesome!
  12. PT Sewed by Volcano Type, $19.00
    PT Sewed is based on a set of monoline vectors/ letters. Designed for a cultural project. The sewed look was generated for an encyclopedia about jeans. Recommended only for T-shirt Designs and Headlines.
  13. Display Dots Five by Gerald Gallo, $20.00
    Display Dots Five is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Dots Five has an uppercase alphabet, numbers, and punctuation.
  14. Transatlantic Cruise by Roland Hüse Design, $13.00
    Transatlantic Cruise is an elegant outline script, would look best on Menu headlines, Invitations, Logos and Postcards (especially sent from cruise ships! :) It contains basic latin western and central european language extensions and accents.
  15. Sofya by Gaslight, $30.00
    This funny script font based on the logo which we did. It will look great on the package, restaurant menus, logos and magazine headlines. A large number of ligatures help you vary your design.
  16. Industriality JNL by Jeff Levine, $29.00
    Industriality JNL is a slab serif based on a classic typeface. Its condensed design allows for placing more copy inside a smaller area, and is best suited for ad headlines, titling or short blurbs.
  17. Turquoise Tuscan by Resistenza, $59.00
    A new Version of Turquoise Roman Capitals. With specials Tuscan Serifs to add more engraving feel. Turquoise Tuscan is full of ligatures and awesome alternates. Perfect for big headlines, logos, branding and wine labels.
  18. Foda Freestyle by Fo Da, $99.99
    Foda FreeStyle is a display Arabic font with High contrast that will surly get your attention, comes in single weight. It can be used for headlines, sub heads, posters, advertising and other many purposes.
  19. Rhapsodie by Type Associates, $24.95
    Rhapsodie was originally developed from some freehand calligraphy that I used for a series of posters. It has proved effective in headlines and is remarkably legible and strong with some interesting, somewhat cursive capitals.
  20. Salut by Monotype, $29.99
    Designed by Heinrich Johannes Machler and released in 1931, the Salut font is a bold, upright connecting script for headline use. Salut is a good face for logotypes where a modern style is desired.
  21. Display Dots Six by Gerald Gallo, $20.00
    Display Dots Six is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Dots Six has an uppercase alphabet, numbers, and punctuation.
  22. Wood Factory by Kustomtype, $25.00
    Wood Factory is a western styled typeface created by Kustomtype. Wood Factory is an old Wood Type favorite. It was designed specifically for display, headlines and titles where a wanted poster look is desired.
  23. Igor by A New Machine, $19.00
    Igor is a hand drawn font designed for display use - it is mainly all cap with different glyphs for capitals and lowercase. Its purposefully messy design will look great on invitations, posters and headlines.
  24. Altra Mano by Kate Brankin, $32.00
    Altra Mano is based on the designer’s second style of handwriting, one that is more refined and controlled. Altra Mano is a decorative display typeface ideal for headlines, logotypes, magazines, posters and short text.
  25. Foda Slab by Fo Da, $20.00
    Foda Slab is a powerful Arabic slab typeface that has two styles : Regular and Hollow. With 886 glyphs Foda Slab has many ligatures which makes it suitable for headlines and other different graphic contexts.
  26. Section by Monotype, $29.99
    The Section Bold Condensed font is patterned with lines dividing each letter into small sections. Section Bold Condensed is a headline face with uses ranging from book titles on technological subjects to embroidery books.
  27. Anthom by Aqeela Studio, $20.00
    Anthom is an enchanting handwritten font. This versatile script font has a wide spectrum of applications ranging from greeting cards to headlines and is guaranteed to add a romantic feel to your next project
  28. Display Crisp by Gerald Gallo, $20.00
    Display Crisp is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Crisp has tall and short cap alphabets, numbers, and punctuation.
  29. Rodenberg by Zealab Fonts Division, $18.00
    Rodenberg is multipurpose display typeface with cool characters, inspired by urban culture that combine the classic and modern style. It is perfect for headlines, logotypes, signs, posters, greeting card, letterhead, t-shirts and more.
  30. Atol by Type & Roll, $30.00
    Atol is a contemporary take on classic didone types. High contrast and modern proportions, combined with subtle details, makes it ideal for characteristic, bold, tightly-set headlines in magazines, branding, animated typography and more.
  31. Black Wednesday by Lemon Studio Type, $20.00
    Black Wednesday is a bold serif typeface in modern and classy style. OpenType features include more Alternative character sets. Black Wednesday is ideal for headlines, headers, logos, labels, packaging, postcards, presentations, magazines, invitations, etc.
  32. Ballestro by Rex Face, $19.99
    Ballestro is a playful, versatile display font. Its name is a nod to the characters being constructed using a grid-like pattern of balls. Ballestro is great for headlines, signage, logos, packaging and more.
  33. Fringio by Rex Face, $19.99
    Fringio is a fun-loving sans-serif display font. Key characters are formed with curved, flowing lines, resulting in some pleasing word forms. Fringio is great for branding, headlines, signage, social media and more.
  34. Black Jacky by IbeyDesign, $19.00
    Black Jacky Bold Script Font is versatile script font that has a wide spectrum of applications ranging from greeting cards to headlines and is guaranteed to add a romantic feel to your next project.
  35. Orange Melon by Motokiwo, $15.00
    Orange Melon, a bold script font that is suitable for headline, logotype, apparel, invitation, branding, packaging, advertising etc. This typeface is comes in uppercase, lowercase, large range of punctuation, symbols & numerals, also support multilingual.
  36. Triple Condensed Gothic by BA Graphics, $45.00
    A triple condensed gothic based on the letter form of Franklin Gothic. Great for fitting a lot into a small space. With its condensed and extra bold appearance it makes a great headline face.
  37. Tralee by Tanincreate, $12.00
    Tralee Font family consist of 2 styles, regular with outline and bold filled with background colour. Originally designed for packaging typography, also would be suitable for titles, headlines, greeting cards, adverts, books and more.
  38. Speech Bubbles by Harald Geisler, $68.00
    The font Speech Bubbles offers a convenient way to integrate text and image. While the font can be used to design comics, it also gives the typographer a tool to make text speak – to give words conversational dynamics and to emphasize visually the sound of the message. The font includes a total of seventy outlines and seventy bubble backgrounds selected from a survey of historic forms. What follows is a discussion of my process researching and developing the font, as well as a few user suggestions. My work on the Speech Bubbles font began with historic research. My first resource was a close friend who is a successful German comic artist. I had previously worked with him to transform his lettering art into an OpenType font. This allowed his publishing house to easily translate cartoons from German to other languages without the need to use another font, like Helvetica rounded. My friend showed me the most exciting, outstanding and graphically appealing speech bubbles from his library. I looked at early strips from Schulz (Peanuts), Bill Waterson (Calvin & Hobes), Hergé (TinTin), Franquin, as well as Walt Disney. The most inspiring was the early Krazy Kat and Ignatz (around 1915) from George Herriman. I also studied 1980’s classics Dave Gibbon’s Watchmen, Frank Miller’s Ronin and Alan Moore and David Lloyd’s V for Vandetta. Contemporary work was also a part of my research—like Liniers from Macanudo and work of Ralf König. With this overview in mind I began to work from scratch. I tried to distill the typical essence of each author’s or era’s speech bubbles style into my font. In the end I limited my work down to the seventy strongest images. An important aspect of the design process was examining each artist’s speech bubble outlines. In some cases they are carefully inked, as in most of the 80’s work. In others, such as with Herriman, they are fast drawn with a rough impetus. The form can be dynamic and round (Schultz) with a variable stroke width, or straight inked with no form contrast (Hergé). Since most outlines also carry the character of the tool that they are made with, I chose to separate the outline from the speech bubble fill-in or background. 
This technical decision offers interesting creative possibilities. For example, the font user can apply a slight offset from fill-in to outline, as it is typical to early comic strips, in which there are often print misalignments. Also, rather than work in the classic white background with black outline, one can work with colors. Many tonal outcomes are possible by contrasting the fill-in and outline color. The Speech Bubbles font offers a dynamic and quick way to flavor information while conveying a message. How is something said? Loudly? With a tint of shyness? Does a rather small message take up a lot of space? The font’s extensive survey of historic comic designs in an assembly that is useful for both pure comic purposes or more complex typographic projects. Use Speech Bubbles to give your message the right impact in your poster, ad or composition.
  39. Woodtype Borders 2 NF by Nick's Fonts, $10.00
    Here’s a workman-like collection of border elements gleaned from the specimen books of various American manufacturers of woodtype from around 1840 to 1885. Refer to the PDF guides for detailed, yet simple, instructions for constructing various border patterns, all with Victorian grace and charm.
  40. Schools Out by Comicraft, $39.00
    Originally created for Sound Effects in Marvel's GHOST RIDER 2099, our spraycan stylish HOOKY font has just the right Scrawl of the Wild for graph-iti enthusiasts everywhere -- and they wash right off with just a little splash of 'delete'. Spray it, don't Say it!
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