ITC Typados is the joint effort of Roselyne and Michel Besnard and is composed of characters in two different senses of the word. First, it is of course made of letters and symbols, clean and legible with generous widths and x-heights. There is a hint of Art Nouveau style in the tapering, brush-like strokes. But the figures of ITC Typados are also made of characters in the theatrical sense: little tear-drop heads on tapering bodies that bend themselves into the shapes of an alphabet while maintaining a life of their own. The typeface is based on a recurring character in Michel's sculpture and painting, Ado. Ado is the first character who sings and repeats itself in all my creations," says Michel. "This adventure brings new forms for my painting and my sculpture: coiffed heads, bodies in the form of a cone, arms in the form of spread wings, etc." "Type" plus a number of "Ados" equals ITC Typados."

CT Ausetan is a typeface designed for perfect reading in continuous text. With humanist proportions and calligraphic details but actual, both in appearance and in function. Its asymmetric serifs and slightly curved stems recall the warmth, dynamism and character of the first humanist typefaces built according to the logic of the flat pen. It has a high x-height and its moderate contrast make reading in small bodies comfortable. The many OpenType features make it a versatile typeface that fits into any publishing project. To cover present-day needs, CT Ausetan consists of six weights and their corresponding italics. Each font includes small caps, ligatures, old-style, lining, proportional and tabular figures, superscript, subscript, numerators, denominators, and fractions as well as various geometric figures and stylistic sets. With an extensive Latin character set, CT Ausetan covers a large number of Latin-based languages. Initially designed for small texts, below 14 pt, its calligraphic details accentuate its personality when used in larger bodies such as headlines.

Cy Grotesk is the result of combining the clear forms of mid 20th-century European neo-grotesks and the expressiveness of the 19th-century grotesques. It is display typeface with an eccentric character and a special rhythm. Symbols have sharp long angled spurs and large wedge incision between the bowl and the stem, diluting it with smooth curves and the tight aperture. Built like a multifunctional workhorse that has a wide range of font uses. This type family consists of 27 styles that are adjustable in weight and width. Or one variable font with 2 axes. From pure thin to radically black. From roomy key to catchy grand. All styles include an extended set of Latin characters and a basic Cyrillic. Features: – Total glyph set: 676 glyphs; – 27 styles (3 widths x 9 weights) + variable; – Support 210+ languages; – Latin Extended; – Cyrillic Basic. OpenType features: – Uppercase, lowercase; – Proportional, circled, tabular numerals, superiors, inferiors, fractions; – Punctuations and symbols; – Arrows; – Stylistic sets (ss01-ss10); – Ligatures; – Case-sensitive forms.

The Mount Saint - Bold Luxury Serif Font. The Mount Saint is a bold vintage style serif font with strong character and soft features. The Mount Saint is equipped with Swash, Stylistic and Titling alternates as well as with Standard and Discretionary Ligatures And this font is a stylish font that is both retro and bold font. It's thick curves give a 70s groovy vibe with the serifs bringing it slightly back to traditional. Comes with alternatives and ligatures, helps to create stunning logos, quotes, posts, blog posts. branding projects, magazine imagery, wedding invitations, and much more. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.

Ador Hairline is the high contrast version of Ador . A humanist sans serif that falls in the “evil serif” genre, especially designed for contemporary typography and comes up with 7 weights from extralight to black plus true italics and 293 ligatures and initial letters. A large x-height not only creates space in the letters for extra-bold styles, but also lends Ador Hairline an open and generous character in the more narrow and semi-bold versions. The nice balance between sharp ink trapped and soft, dynamic shapes helps to work in small sizes. Diagonal stress, angled finials and the 4 degree true italic styles give Ador Hairline a dynamic look. The font contains 1,026 glyphs and a wide range of flexibility for Latin language support for every typographical need. Ador Hairline is a contemporary sans serif typeface, special for logotypes, brands, magazines, editorial, and advertising uses. Ador Hairline was on the shortlist of Communication Arts 2020.

Ithalia Script - a new fresh & modern script with a handmade calligraphy style, decorative characters and a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more design concept! The alternative characters were divided into several OpenType features such as Swash, Stylistic Sets, Stylistic Alternates, and Ligature. The OpenType features can be accessed by using OpenType savvy programs such as Adobe Illustrator, Adobe Photoshop , Corel Draw X version, And Microsoft Word. And this Font has given PUA code (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw

A truly faithful ally for every designer looking for fresh yet familiar and reliable font choice. Geller was created as a part of graduation project in Typowa Pracownia at Academy of Fine Arts in Warsaw. It is a typeface family especially intended for newspapers, magazines, and advertising. Geller family comes in two optical sizes - headline and text, so it is a complete solution for editorial purposes. During the design process, the technical needs of certain typographic fractions were examined. The capital letters were specially and purposely designed: its modern proportions (derived from Didone fonts) with optimized inner lights as well as short ascenders and descenders work very well within titles and leads. In addition to a wide range of OpenType features, Geller contains bullets & dingbats providing many possibilities of entry points in editorial design. Compact diacritics, proportionally tall x-height, narrow letter construction, all these features allow easy typesetting of narrow text columns and spreads.

Luar Galaxy a Handwritten Display Font With 3 Style (Regular,Outline and Shadow) You Can Mix And Match for Your Awesome Project This fonts is ideal for crafting, branding and decorate your any project. This fonts are perfect for wedding invitation or your blog. Also with their help, you can create a logo or beautiful frame for your home. Or just use for your business, book covers, stationery, marketing, magazines and more. FEATURES : Uppercase & Lowercase Number & Punctuation More than 219 of glyphs Multilingual Language PUA Encode Ligatures Alternate The alternative characters were divided into several Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. Check Out my other fonts here : gilarstudio.com

Front Desk is designed to be easily readable, its increased legibility coming from the slightly enlarged lower case letters (a greater x-height) which make it easy on the eye. Also it is slightly slanted (but a lot less than a normal italic angle) to give it a more informal and modern look than a perfectly upright font would be, which is also intended to contribute extra dynamism while reading. Five available weights give adequate variation, and there are some Condensed and Expanded varieties in the complete set. A primary feature of this font is that the serif bases and tops are not indented or concave, which gives clear straight edges to the serifs, and the removal of this complexity adds to the clean lines and crispness of the font. The package contains both OTF and TTF versions - install either OTF or TTF, not both versions of a font on the same machine.

Handsome was the first digital typeface to resemble nice, ordinary, fully cursive handwriting. Or neon. In 2005, Handsome Pro was one of the first script typefaces to utilize the OpenType format to simulate the natural quality of writing, by automatically substituting alternate contextual glyphs. The effect follows the conventional “joining rules” of calligraphy, which are a formalization of the way in which letter forms are modified in cursive handwriting for the sake of speed and efficiency—and also perhaps to make life more interesting. For the look of real handwriting, Handsome is most convincing at around 15 pts. At much smaller or larger sizes it works differently. At display size, the feel of the non-nib styles is very slick, more like a speedball Kauffman, owing to the smoothness of the finish. As script fonts go, Handsome has a relatively large x-height, which can be useful if you don't want the “writing” to look too small.

Galano Classic is the display companion of the Galano Grotesque family. Like the Grotesque family, it also pays tribute to the geometric shapes of Futura, Avant Garde, Avenir and the like. However, instead of that family’s modern interpretation of the geometric genre, Galano Classic prefers to stay in the past, a tendency characterized by a moderate x-height and details like the long stretched leg of uppercase “R”, as well as the traditional shaped lowercase “g”, to mention only a few details. Galano Classic, compared to Galano Grotesque, includes lots of redesigned glyphs and consequently adjusted kerning pairs, an extended number of alternative characters, ligatures and opentype features to match a great many design applications. It comes in 10 different weights with matching italics containing 555 glpyhs per font. Although Galano Classic was planned to be the display version of Galano Grotesque, it feels great in small sizes and long text passages, too.

Brandon Text is the companion of the famous Brandon Grotesque type family. It has a higher x-height than the Grotesque version and is optimized for long texts, small sizes and screens. This sans serif type family of six weights plus matching italics was designed by Hannes von Döhren in 2012. Influenced by the geometric-style sans serif faces that were popular during the 1920s and 30s, the fonts are based on geometric forms that have been optically corrected for better legibility. Brandon Text has a functional look with a warm touch and works perfectly together with Brandon Grotesque . It is manually hinted and optimized for screens, so it will be a good choice for Websites, eBooks or Apps. The whole Brandon series is equipped for complex, professional typography with different sets of numbers, alternate letters, fractions and an extended character set to support Central and Eastern European as well as Western European Languages.

A connected typeface design with a calligraphic flavor. The Lahab (Arabic for flame) font family employs visual features from the Arabic Diwani Calligraphy. It has six members, normal, bold, and light, all of which come in two styles, regular and left-slanted italic styles. This font family design follows the guidelines of Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined in the latest Unicode Standards, and one additional final form glyph, for the freely-connecting letters in traditional Arabic cursive text. Lahab employs variable x-height values. It includes only the Lam-Alif ligatures. Soft-vowel diacritic marks, harakat, are selectively positioned. Most of them appear by default on the same level, following a letter, to ensure that they would not interfere visually with letters. Tatweel is a zero-width glyph. Keying the tatweel key before Alif-Lam-Lam-Ha will display the Allah ligature. Lahab includes both Arabic and Arabic-Indic numerals, in addition to standard punctuations.

Arabetics Detroit is a monoshape font family with a fixed single shape per each Arabic Unicode character. This font family supports all Arabetic scripts covered by Unicode Standards 6.1, and the latest Arabic Supplement and Extended-A Unicode blocks, including support for Quranic texts. It includes three weights: regular, bold, and light, each of which has normal and left-slanted (Italic) versions. The design of this font family follows the Arabetics Mutamathil style design principles utilizing varying x-heights and no glyph substitutions. The Mutamathil type style was introduced by the designer more than 15 years ago. The Arabetics Detroit font family includes all required Lam-Alif ligatures in addition to all soft vowel diacritics (harakat), which are selectively positioned with most of them appearing on similar high and low levels—top left corner—to clearly distinguish them from the letters. The Tatweel or Kashida lengthening character is a zero-width glyph.

A typeface design with extra isolated scattered letters and random careless look. It has six members, normal, bold, and medium, all of which come in two styles, regular and left-slanted italic styles. This font family design follows the guidelines of Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined by the Unicode Standards, and one additional final form glyph, for the freely-connecting letters in traditional Arabic cursive text. Fallujah employs variable x-height values. It includes only the Lam-Alif ligatures. Soft-vowel diacritic marks, harakat, are selectively positioned. Most of them appear by default on the same level, following a letter, to ensure that they would not interfere visually with letters. Tatweel is a zero-width glyph. Keying the tatweel key before Alif-Lam-Lam-Ha will display the Allah ligature. Fallujah includes both Arabic and Arabic-Indic numerals, in addition to standard punctuations.

The font family KK30/45 is available in 3 weights: Light, Regular, and Bold. Type Designer: Kuncho Kunev The name of family - KK30/45 is from the first letters of the designer's name (K)uncho (K)unev and from the main angles of the slanted stems - 30° and 45°. Release date: December, 2001 HermesSOFT Ltd. The design of КК30/45 incorporates a geometric variety of shapes, and have been originally designed in such a way that all slanted stems are 30° and 45°, The very high x-height and low bottom parts allow typesetting with almost 100% leading. КК30/45 is a display face suited best to sizes 16-18 point and above. There are included also all Cyrillic vowels with accents that are really necessary for the professional typesetting in Cyrillic languages. Supported Languages: Western Europe (Greek not included), Central/Eastern Europe, Baltic, Turkish, Romanian, Cyrillic. Supported Code Pages: Macintosh and Windows, any for above languages. Opentype features includes kern, fractions, ordinals, superscripts.

OmegaPixel Font Description I created this font for the game Hyper Ninja Blast (but made it useful to all kinds of games!). While creating the game, I searched for pixel fonts, but could not find a suitable one. The fonts were generally ugly and lacking the basic variations (italic and bold). So I decided to create my own pixel font. Just as pixel art can be better than a high-resolution painting, so pixel fonts don’t need to be always worse than traditional fonts. In OmegaPixel I tried to achieve elegance, readability and flexibility within the limitations of a 6 pixel x-height. With 4 versions (regular, italic, bold and bold italic), and a neutral feel, OmegaPixel can be used in any genre of games. Considering the general lack of money among indie game devs, I’m giving the regular version for free! For inspiration, I often remebered Minion’s lowercase ‘a’, Galliard italic lowercase ‘g’, and the calligraphy of Chinese emperor Huizong.

SansduskiMono is a sans-serif decorative/display family that is monospaced. Its very high x-height and tight spacing make it more suitable for use at large point sizes than small point sizes. (There are better options if one wants a readable text font.) The letter O is a rectangle with rounded corners and this shape motif is carried over to other characters that are usually rounded. The origin of this face is in a previous typeface, BigStripesMono. That family was designed to use the OpenType feature Contextual Alternatives (calt) to put stripes on letters. It had only upper-case letters in one weight. SansduskiMono adds lower-case letters and eight more weights plus italics and outline styles for the black weights. For a proportional rather than monospaced version of this design idea, see Sansduski. SansduskiMono is appropriate for titles, posters, advertising, and other uses that benefit from simple letter forms that are geometric and clean.

Mogetson is a cursive script font. With bold contrasting strokes, a playful character with a bit of binder and alternatives. To give you some extra creative work.. This font is great for logo designs, Social Media, Movie Titles, Book Titles, short text even long text fonts and is great for your secondary text fonts with sans or serif. Create stunning masterpieces. mogetson fonts contains a full set of lowercase and uppercase letters, a wide variety of punctuation marks, numbers, and multilingual support. Alternative characters are divided into several Open Type features such as ,Alternative Style. The Open Type feature can be accessed using intelligent Open Type programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop version of Corel Draw X, and Microsoft Word. And this Font has provided PUA unicode (custom coded font). so that all alternative characters can be easily accessed in full by a craftsman or designer. Thank you for your purchase.

The Washington Lumut calligraphy is calligraphy font with a classic style and a touch of elegance, inspired by the handwriting of Italian women and ancient manuscripts. Carefully designed to work together in harmony that makes it very suitable for wedding media, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires a classic, formal or luxurious. Try Washington Lumut Calligraphy, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily. multilingual support and special ligatures If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternative flying machines using Font Book (Mac) or Character Map (Windows): Do not forget to see, buy, like and share my other great products And feel free if you have a question, please contact me : zakicreative6@gmail.com Thank you for purchases.!

Amika™ is a rational geometric sans serif with an engaging personality and a contemporary profile. The large x-height, minimal contrast and the double storey 'a' makes Amika™ a highly legible typeface suited for any kind of text applications, from display poster type to massive text layouts. Amika™ has 22 styles and it's a workhorse type system. Versatile and reliable, it covers 230+ languages, including extended Latin, Cyrillic and Greek writing systems. With over 1280 glyphs per style, its Opentype features include alternative shapes, small caps, standard and discretionary ligatures, localized forms in Latin and Cyrillic, case sensitive forms, numerators and denominators, proportional and tabular figures, slashed zero, fractions and more. With a tectonic touch, Amika™ is a prototypical sans serif of the New Media age that, due to its extensive set of features, conveys a great choice for a wide range of applications, from branding to broadcast.

Tellumo, a new humanist geometric sans serif typeface, has all the attributes you need for a workhorse sans with a few surprising details. It has moderate proportions, a low stroke contrast, open apertures, and an x-height that makes it drive with ease in running text. A modest range of six weights, from Thin to ExtraBold, make it versatile without being overwhelming. The lightest and heaviest weights are best saved for headlines and subheads. It features a set of swash caps that can add magnitude and sparkle to short headlines, making it excel in packaging designs. Tellumo feels at home with Mid-century Modern and Art Deco aesthetics. It looks precise, tidy, and welcoming for architecture and home goods. It looks clean, fresh and modern for beauty and wellness, or elegant and approachable for fashion. It has a balance of clarity and personality, suitable for branding and advertising of all kinds, print & digital design alike. Tellumo radiates warmth, charm, and joyfulness from its geometric foundation.

Pamithais Script is a unique blend of classic and modern font. It includes an imperfect style of ups and downs, like a dancing letters, smooth, clean and simple. Pamithais Script font perfect for wedding, event, invitation, escort card, table number, header menus, display, logos, slider blog, custom address, stamps, packaging, greeting card, etc. Pamithais Script comes with a complete set of standard characters, eastern diacritic symbols, consist 902 glyphs in total, and 501 alternative characters as OpenType features to play with. The alternative characters were divided into several OpenType features such as Ligature and Stylistic Sets. You can create an attractive message by using the alternate characters in your design. If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows). If you have any question, don't hesitate to contact me by email: Creative.lafont@gmail.com Thank You !

Modern typefaces refer to designs that bear similarities to Bodoni and other Didone faces, which were first created during the late 1700s. Ed Benguiat developed ITC Modern No. 216 in 1982 for the International Typeface Corporation (ITC). Showing a high degree of contrast between thick and thin strokes, as well as a large x-height, this revival is more suited to advertising display purposes than the setting of long running text, or books. Many traits in Benguiat's design are worth further notice. The thick stems of the roman weights have a very stately, solid presence. Their thin serifs have been finely grafted on, a masterful solution to the challenge of bracketing presented by Modernist designs. The italic weights have a very flowing, script-like feel to them, and the letters take the form of true italics, not obliques. The ITC Modern No. 216 family contains the following font styles: Light, Light Italic, Medium, Medium Italic, Bold, Bold Italic, Heavy, and Heavy Italic.

TipTop Pro’s origin goes back to around 1900 when the font was released by the German foundry Julius Klinkhardt in Leipzig. Ralph M. Unger redesigned this beautiful art nouveau typeface, extended its character set and digitally remastered it. TipTop Pro fits perfectly into the series of recently released URW++ art nouveau designs (Edda, Gradl, Impression, Joga, Ornella).

This elegant unicase uncial face is based on a work by German type designer Ernst Engel from 1927.This typeface masterfully combines Art Deco sensibilities with medieval letterforms, and is suitable for both text and headline use. Both versions of the font include 1252 Latin and 1250 CE (with localization for Romanian and Moldovan) character sets.

WIP Macho Man depicts the handwriting of man with a strong need for independence combined with spontaneity and high potential. The (lower case) characters are joined as it is usual in German speaking countries. Originally designed in 1995 the font has been extended by a lot of new characters such as accented characters, punctuation, symbols and currency symbols.

Spandau is one of the 12 boroughs of Berlin and, if you add Ballet, a New Romantic British band. It is also a very nice all caps art deco font. Not too soft, not too angular, just about right! Some upper case letters differ from their lower case kin. Comes with all the diacritics you'll need.

Hello, friend! 'Quessera' font is coming; an elegant typeface with huge playful stylistic & ligatures. Quessera has a complete stylistic of uppercase and has many unique ligatures, so you have many choices to determine the most perfect one for your work and make it look stunning. Quessera is perfect for branding, logo, invitation, wedding vibes, fashion, headlines, and more.

German type designer Fabian Rottke created this display FontFont in 1995. The family contains 2 weights: Regular and Heavy and is ideally suited for film and tv, music and nightlife, poster and billboards as well as software and gaming. FF Dirtyfax provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

German type designer Florian Zietz created this symbol FontFont in 2005. It is a playful, interactive font, designed to invite experimentation. Using different combinations of letters from the four rows of the keyboard such as '0esx 0esc', you can create 'Headz' with different top, eyes, mouth and chin. In 2006, FF Headz received the TDC2 award.

Koning transports high-contrast sans serifs into the present. Koning is the Dutch for king. Given the design’s elegance, this name should come as no surprise. It has been recognized with numerous awards: TDC Certificate of Typographic Excellence and Award of Excellence from Communication Arts both in 2018, and Gold from German Design Awards in 2020.

German type designer Joachim Müller-Lancé created this sans FontFont in 1997. The family contains 3 weights and is ideally suited for advertising and packaging and sports. FF Lancé provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures. In 1993, FF Lancé received the Morisawa award.

German type designers Maik Ignaszak, Stefan Kisters, and Astrid Koenig created this display FontFont in 2000. The family has 36 weights, (including italics) and is ideally suited for poster and billboards, small text as well as software and gaming. FF Call provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

The original name for Ambigue was “Confidence”. This font family received the first prize at the German Kurt Christians-Foerderpreis in 1997/98. Its interpolated weights offer a subtle differentiation in the grey levels. A special “Small” weight is available that offers better readability in very small sizes. The work was supported by Professor Jovica Veljovic.

Shirt & Tie is a cool, trendy looking handwritten font. This font looks fun and authentic, and it will enhance the quality of each of your posters, flyers, or print. This font is also supporting Multi-Languages, which includes: Afrikaans Albanian Catalan Danish Dutch English Estonian Finnish French German Italian Norwegian Portuguese Spanish Swedish Zulu. Thank You.

The interesting hand lettered sans design of Music Nouveau JNL was found as the title of a vintage piece of early 20th Century sheet music for a song written by famed composer Irving Berlin and called "They Were All Out of Step but Jim". Judging by the cover art, it was a novelty song about a soldier.

Hello Paris Sans, a Modern Sans with Elegant Style. Hello Paris Sans is a high contrast typeface so delicate, legible and lend themselves to high end branding, logo designs, product packaging, invitation & masterhead designs. Language Support: All fonts support English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Turkish, Slovenian.

Otto Weisert was a German type founder who ran his own foundry in Stuttgart during the early years of the 20th Century. In 1902, he created Kalligraphia, a cursive Art Nouveau display script face. Kalligraphia has a unique stroke contrast model; the tops and bottoms of its letterforms are thicker than the verticals on its sides.