Siruca is a font created specifically for the Al Hamra Complex, in Kuwait City, which includes the extraordinary Al Hamra Tower, one of the tallest skyscrapers in the world. Siruca is a stencil font designed to be used both by the classical forms, both for possible use with neon tubes. Indeed, the rounded ends and the total absence of sharp corners to prevent abrasion during the use of masks and, simultaneously, provide a realistic neon circuit designer. The typeface is accompanied by a series of pictograms (designed following the same guidelines described above) to be used on signs inside the building. The originality and versatility of the font Siruca™ makes it particularly suitable for the characterization of tainted brands from the strong recognizable.

An innovative combination between Persian Nastaliq calligraphy and Bannai script. Beshkasteh is designed so that the letters are attached to each other while going up the baseline. In result it creates an experience of typing a Kufic Bannai script like it is a Nastaliq or Tahriri calligraphic font. This inventive approach to Persian And Arabic calligraphy scripts is what a creative designer wants for his artistic projects. Shahab Siavash, the designer has done more than 30 fonts and got featured on Behance, Microsoft, McGill University research website, Hackernoon, Fontself, FontsInUse,... Astaneh text and headline font which is one of his latest designs, already got professional typographers, lay-out and book designers' attention as well as some of the most recognizable publications in Arabic/Persian communities.

Hard Rain is named after the torrential thunderstorms that occur in the subtropical regions on the east coast of southern Africa -- the land of the Zulu. During the two-month long rainy season the steamy downpour usually lasts for a few days, and is then followed by the welcoming sun. The diagonal stripes represent the heavy drops of water that drench everything they touch. The resulting font has something of a grunge look to it. As with other grunge fonts, Hard Rain is best used for posters and display work. However, the crisp edges mean that it can be very readable even if used at a small size. Unlike most grunge fonts, Hard Rain has a full character set and this greatly extends its usability.

Futuristic, modular, blocked, squarish and modernist KayKhosrow font has got 12 versatile styles! The very first non-cursive Arabic/Persian font which also supports Latin characters as well! You're gonna love how all those different styles are gonna work with each other! For your cover designs, posters, logotypes and any typographic projects, you can count on KayKhosrow fonts! There are 12 of them! Shahab Siavash, the designer has done more than 30 fonts and got featured on Behance, Microsoft, McGill University research website, Hackernoon, Fontself, FontsInUse,... Astaneh text and headline font which is one of his latest designs, already got professional typographers, lay-out and book designers' attention as well as some of the most recognizable publications in Arabic/Persian communities.

Sina is a strong, sturdy and self-confident serif accented face. Distinct ascenders and descenders in classical proportions ensure pleasant reading. Robust but assertively warm, it recalls and references the virtues of early classical printing types but presents a distinctly contemporary look. With its even text flow it works very well for long texts. It is also great for headlines and in larger styles. An extended, fine-tuned range of weights renders it suitable for almost every application. Sina comes in 12 styles and in OpenType format. All styles contain standard and discretionary ligatures, small caps, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fractions, and scientific numerals. Sina supports West European, Central and East European languages.

Delish Pro is a bouncy brush font family. Hand lettered with lots of character. This delicious family contains 7 fonts in various styles, especially designed to make sure there's always one that fits your design needs. There's an Upright and an Italic version, and both come in a condensed edition, perfect if you're looking for a more efficient use of space. Alternate characters and double letter ligatures give you the ability to fine-tune your design as you please. To compliment the range Delish Pro Sketch and Delish Narrow Pro Sketch were added. A sturdy Caps font with a dry marker effect. To make this family even more flexible an extra treat of 64 swashes and ink splatters are included. Enjoy!

The Swedish designer/typographer Anders Bodebeck designed the Bodebeck type family in 2002. The family, which includes five different styles, is primarily intended for use as a titling, or display face, and belongs to the neo-transitional style of typefaces. Transitional style type first appeared in England during the late 1750s, when John Baskerville released his first sets of type. Bodeck bears similarities to another, later transitional style typeface as well - Eric Gill's Perpetua (originally released by the British Monotype Corporation in 1928). Like these two previous English stonecutters turned masters of typography, Anders Bodebeck has given us a modern re-interpretation of classic letterforms. Bodebeck, which is fitted with old style figures, is available in the following styles: Regular, Italic, Bold, Bold Italic, and Extra Bold."

Gardner Sans is a humanist sans serif with a range of weights, italics, small caps stylistics alternates and a set of decorative ornaments. The light and regular faces work at smaller sizes and the heavier weights are good for display lettering. It is inspired by a few historical sources including Stephenson Blakes' Granby, Gill Sans, as well as some old hand-done lettering for sales tickets. The name (and the basis for the small caps) derives in-particular from the Roy Gardner collection of sales tickets from early 20th century that can be found on spitalfieldslife.com The heavier weights were particularly influenced by a later cut of Gill Sans, Extra Bold 321. The italic is more of a contemporary mix of humanist styles.

Based on the hit album by Glen Campbell, Southern Nights is the font with a style that’s “free as a breeze,” as the song says. It’s fun and casual, yet it has a flair for fashion and elegance. It also has an art nouveau look which lends itself to greeting cards as well as the branding of perfume, clothing, retailing, dining, and other luxury/high-end uses. This font includes alternate characters for the upper R, S, and T, the lower g and z, plus ligatures that include a double lower t and double lower l (L). As the song might say, I apologize to anyone who can truly say that they have found a better font! Digitized by John Bomparte.

Get some beach holiday vibe so needed during a crazy year in the city! BEACHCLUB fonts are inspired by tropical islands hand-painted signs. Bring the summer beach parties feeling with sunshine, music and strong cocktails. We crafted digital versions of woodcrafted letters as if it was made for a beach bar in Hawaii. Then the time, sea and sand did the rest. Use our fonts to bring this fun and relaxed energy to your graphics! Key Features: BEACHCLUB fonts will be a great help and perfect fit for various posters, banners, typography and illustrations. Fonts can be used for both personal and commercial projects. Credits: BEACHCLUB clean and BEACHCLUB grunge are designed by Royalclub. For purchasing the full kit (brushes/frames) proceed to www.royalclub.sh/royalclub-supplies

Ellington was designed by jazz lover, Michael Harvey for Monotype in 1990, and named after the great band leader, Duke Ellington. From experience gained carving letters in stone and drawing them for book jacket designs, Michael Harvey has created a condensed typeface combining the clear-cut sparkle of a modern face with some of the lively features of the broad-edged pen. Ellington has a fresh elegance that is particularly effective in display, while its compressed forms will prove economical in text settings. The Ellington font family has narrow characters with strong vertical strokes and angular calligraphic traits. Ellington is a lively face and an appropriate font choice for advertising and book work. Ellington has a sans serif companion family, Strayhorn.

The hand cut wood type which was the inspiration for Wood Nouveau JNL conjures up images of the artistic period between the Victorian Era and 1920s Moderne, as well as the hippie counterculture active in the later part of the 20th Century. During the late 1960s and early 1970s, rock posters, fliers, store signs and other printed ephemera of "the love generation" borrowed heavily from the Art Noveau style in both art and typography. An Alphonse Mucha-inspired flower girl could adorn a concert poster that also combined both vintage wood type and hand-lettered elements. Although this particular type design might well have preceded the actual start of the Nouveau period, the softer, rounder lines of each character lent themselves well to this emerging style.

The first version of Kremlin was designed at ParaType (ParaGraph) in 1995 by Tagir Safayev. Based on an informal handwriting. Kremlin is a Russian word for a fortress or a citadel. The reason why the author selected this word for the font name is not quite clear even for him. Probably the appearance of the text line set in this font resembled a tight fence. Later the font was expanded in character set and got two style variations with extended proportions. The suffix "Pro" in the name was added to distinguish the new version from the previous one. The derivative work was done by Dmitry Kirsanov and Gennady Fridman in 2010. The font is recommended for advertising and display typography.

Speedy Space Goat Oddity is the font with really interesting mood. My purpose was to transfer freedom, immediacy, and a bit of insanity with it. I've painted it with self-made paint and brush in a trippy environment. You can use Speedy Space Goat Oddity almost everywhere (not for body text). It's great for posters, clothes design, package design, music album covers. Also, with the right approach, you can use it as horror font. Speedy Space Goat Oddity Features: Pant texture 2 ligatures for tt and ff 14 contextual alternates for most common double letters Carefully tuned kerning (preview above doesn't show it for some reason) If you have some issues or questions, please let me know: lhfonts@gmail.com Hope you'll enjoy using Speedy Space Goat Oddity!

I'm happy to present my Stormy Youth font. It has been drawn with a marker pen and a swift hand. Stormy Youth has intentionally overlapping letters to remind street style and give an underground look. Initially, I planned to make it as only uppercase, so feel free to use it this way. Stormy Youth is great for aggressive/rebel design style for teenagers. Stormy Youth Features: Can be used as uppercase font Set of alternates and ligatures for most common double letters Carefully tuned kerning (preview above doesn't always show it correctly for some reason) Swashes Wide Latin language support If you have some issues or questions, please let me know: lhfonts@gmail.com Hope you'll enjoy using Stormy Youth! You may also like my new font fracaso

During the period of the Great American Depression, “hobos” created a system of symbols to communicate and assist fellow travelers. These symbols would mark a home, farm, fence or other structure to indicate what to expect in the area. They would tip off travelers on how to find food, stay safe and what to avoid and more. In some areas of the USA, these symbols are still visible and have also become part of the American popular culture. These 96 symbols are accompanied by a pdf describing what the symbol was used to indicate. The meanings and symbols are by no means the complete list and there may be additional or alternative meanings. These are for casual use and not historical or anthropologically completely accurate.

A comprehensive and faithful rendition of Rudolf Koch’s first release, usually referred to as “Fette Deutsche Schrift” or "Koch-Schrift". In addition to the regular character set, the font includes a large number of alternates and ligatures, plus two sets of ornamental initials (Initialen mit Zierstrichen und Punkten zur Koch-Schrift, and Initialen zur halbfetten deutschen Schrift von Rudolf Koch). The main sources used during the font design process were a sample page from Hendlmeier, W. (1994), Kunstwerke der Schrift, Hannover: Bund für Deutsche Schrift und Sprache (p. 164), and several specimen sheets from the Gebrüder Klingspor Type Foundry for Koch’s “Deutsche Schrift” type family. Specimen, detailed character map, OpenType features, and font samples available at Alter Littera’s The Oldtype “Deutsche Schrift” Font Page.

Designed at ParaType in 1989 by Alexander Tarbeev. A modern replica of the typeface by Giambattista Bodoni, the Italian punchcutter and typographer of the late 18th century. Bodoni was a director of printing house of Duke of Parma in Italy. His early types were based on those of Fournier and Didot, but he developed the designs to become what are now considered to be the first modern typefaces. His letters have strong vertical stress, sharply contrasting thick and thin strokes and unbracketed hairline serifs. The contrast of thick and thin in Bodoni typefaces can produce a sparkling effect on a page: should be carefully used in texts; good for headlines and display. Condensed and decorative styles were added in 1993–97.

Isle Headline is a high-quality serif typeface family, drawn by Måns Grebäck during 2018 and 2019. It is a sharp font with a clear and attentive look, adapted for headlines, titles and large type settings. It comes in four weights, each one as italic, totaling in eight styles: Light and Light Italic, Medium and Medium Italic, Bold and Bold Italic, Black and Black Italic. The font family can be used in a combination with a font of a different style, or together with its sister font Isle Body, also a serif font, which has the same basic structure but with a softer look and adapted for body text and smaller type. Each style contains ligatures and support for a wide range of languages.

Nono is the nickname of my oldest son, Konstantin. His little brother could not really speak yet, but he was always looking for him and said something to the tune of, "wea is a nono". From that time on I call Konstantin Nono. I designed a handwritten script with his real name, that i named Konstantin. Now I made this slick version of that script – hence – Nono! I made three basic sets of characters plus a smallcaps version. To top things off, I designed a set of endletters that I throw in for free. Everything can be mixed! I sell single cuts but the best deal would be the entire packet, it goes for a very fair price. Your generous typedesigner, Gert Wiescher

Apothicaire is a new font designed by Ale Paul and the Sudtipos team that is inspired in, but not limited to, an antique style casted by a German type foundry during the late XIX century. With the addition of a contemporary design approach, Apothicaire comes in three widths —from condensed to expanded— and five weights —from light to extra bold—, offering a wide range of combinations to explore. As a bonus the font family is also available in a single variable format. An elegant small caps set, a variety of ball terminals and delicate swashes, as well as the possibility to choose from many alternates are also included in the OpenType features. Apothicaire supports a wide range of Latin alphabet-based languages.

Introducing our new modern signature font "Agatha Bergman". We would say that "Agatha Bergman" is a result of our latest experiment since a few new things have been done: "Agatha Bergman" is a voguish sophisticated signature-style script with three different uppercase alternatives for each letter and a unique short swash for each lowercase letter. We usually used to make long and wavy swashes, however, that's not the case this time. Also, the stylistic alternates were coded as both ligatures and swashes so that turning on the “Standard ligatures” was enough to access them. The font includes 152 fancy standard ligatures and 6 discretionary ligatures, and while working on them we tried to consider those letter combinations that are often met in surnames, e.g. -ovsky.

This all caps display font is defined by its close spacing and thick serifs for a distinct appearance. Inspiration came from old movies set in the Wild West. The characters are tall in stature so works well in spots with limited space. Use Durango Western for a wanted poster, social media, or team logo. Basic/Extended Latin, European accents, punctuation, diacritics, kerning, and Cyrillic characters are included. The eroded version features varying levels of distress between the uppercase/lowercase and contains a few alternates. NOTE: Due to the level of detail in the eroded version temporary computer slowdown may occur.

Alegros is a stylish and elegant serif font. It is suitable for a wide variety of designs due to its neat and clean style. Incredibly versatile, this font fits a vast pool of designs, elevating them to the highest levels. Comes with some alternates and ligatures, so you can combine them to make a perfect typography design. It is ideal for your upcoming projects. Such as luxury logo and branding, classy editorial design, magazines, Packaging, poster, movie, cosmetic brand, fashion promotions, art gallery branding, and more. This font is PUA encoded which means you can access all of the glyphs.

Rufus Script is a connected script font inspired by Palmer method of business writing (classic commercial lettering of the 1900-1915). The Rufus Script family comes in five weights, with automatically loaded contextual alternates. Character set contain over 500 characters per font for wide range of Latin-based language support. Include proportional and tabular figures, ornaments and popular recycling symbols used for packaging. Rufus Script is great for product packaging, book covers, poster design, editorials and greeting cards. May be also freely used for long inscriptions due to its formal structure and added small irregularities simulate not fully-trained hand.

A nixie tube is a technology from the 50’s used to display numerals that are composed by metal filaments that light up much like a lamp bulb. Due to their beauty these little numerals (0-9) are a love case for any designer, and formally it’s where the inspiration for the Nixin typeface came from. All the other typeface characters and weights are an interpretation from the original 10 numerals, always keeping the same minimalistic spirit and formal elegance. Nixin is a geometric and regular typeface, with a vintage touch and a bit of modernism.

Rogliano is an affable Slab Serif. On one hand it responds to the classic tenet of strong and direct alphabets of the Industrial Revolution period. While nourishing the text of a warm environment, it takes the freedom to flirt with lettering and lithographic posters of the Victorian era: due to its multiple stylistic alternatives, borders and decorative ornaments. This wide range of voices makes Rogliano a versatile typeface that can move from the mechanical to humanistic with absolute ease, and perform efficiently from branding to editorial design. Rogliano offers 14 weights with support for more than 200 latin languages.

Gringo is a type family that contains 27 different varieties. It is divided into three groups: Sans, Slab, and Tuscan = Europe - Texas. Due to its consistant structure, the single groups can be mixed as you wish. Furthermore every variety comes in Light, Medium, and Bold. There are three widths, from Narrow to Wide. Additionally, there is also a Dingbats font. The concept of Gringo is a fusion and a merging of type cultures to cross borders and create something new. Gringo won 3rd place in the "tdc2 2006 award" by the Type Directors Club New York.

Hollirood is a stylish and elegant serif font. It is suitable for a wide variety of designs due to its neat and clean style. Incredibly versatile, this font fits a vast pool of designs, elevating them to the highest levels. Comes with some alternates and ligatures, so you can combine them to make a perfect typography design. It is ideal for your upcoming projects. Such as luxury logo and branding, classy editorial design, magazines, Packaging, poster, movie, cosmetic brand, fashion promotions, art gallery branding, and more. This font is PUA encoded which means you can access all of the glyphs.

Throw away the carbon paper, ribbons and Tippex ... now you can get that typewritten look with RM True to Type. Legible at all sizes, it is available in regular and bold. That faithful old typewriter has given many years of valiant service, but now the keys are worn and blocked with ink. The Old styles replicate the wear and tear of years of use. Includes: Western European, Central European, Baltic & Turkish sets Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).

“In some way I was Mr Mamoulian, and someone else was writing and drawing this stuff. He kept sending me these pages. I had to sign my name and pass them off as my own. I had no choice. He was holding my aged mother hostage, you see. I told him when the pages were due and he somehow got them to me. Sometimes he left them in secret locations. I don't remember them at all.” -- Brian Bolland Mr. Mamoulian has four weights with automatic alternating uppercase letters, Crossbar I Technology, and European, Vietnamese & Cyrillic language support.

FF Berlage started as a research project about the typography of the prominent Dutch architect Hendrik Pieter Berlage (1856 1935). Donald Beekman based the design on a great number of sources, but mainly lettering found in two of Berlage s most quintessential buildings, the Amsterdam Commodities Exchange building (called Beurs van Berlage), and the ANDB building for the Amsterdam diamond cutters union (called De Burcht). Berlage is considered the father of modern architecture in The Netherlands due to his revolutionary theories on architecture and design, that would greatly influence many Dutch architect groups, like the Amsterdam School and De Stijl.

Quenda is a small sans-serif family comprising six weights: thin to heavy. Due to its rounded terminals and a slight handwritten look, Quenda has a friendly and warm appearance. Its main purposes are for advertising and branding projects. You will find lots of ligatures and a total of 593 glyphs in each style. With extensive language support, lining-, old-style- and tabular-figures, a slashed zero, self-building fractions, superscript and subscript digits, a set of arrows as well as thousands of kerning pairs, Quenda is ready to contribute to your next design project. Designed by Marc Lohner in 2015.

Caleb Mono Font Family It is originally inherited from Caleb Grotesk. And, It is a reinterpretation of the proportional and grotesque sensibility of Glphs with a more modern and rarity feeling. Monospace fonts are a great choice for any designer who wants to create a retro, and minimalist feel. The disadvantages of ambiguous readability due to its wide width and mechanical placement are clearly present, but still attractive and elegant. To overcome these shortcomings, this font family gave variable side bearing values to each glyph and adjusted the width of the glyphs themselves. It is designed with a more human sensibility.

Gringo is a type family that contains 27 different varieties. It is divided into three groups: Sans, Slab, and Tuscan = Europe - Texas. Due to its consistant structure, the single groups can be mixed as you wish. Furthermore every variety comes in Light, Medium, and Bold. There are three widths, from Narrow to Wide. Additionally, there is also a Dingbats font. The concept of Gringo is a fusion and a merging of type cultures to cross borders and create something new. Gringo won 3rd place in the "tdc2 2006 award" by the Type Directors Club New York.

ART NOUVECO is a cross between art nouveau and art deco fonts, this font will become a new and interesting trend to explore in a design, elegant art nouveau is made a little more masculine due to the influence of art deco, resulting in a slightly elegant but elegant font. Fonts that still match the art deco style but have a slight touch of grace, will be suitable for classic but elegant designs. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Cheers!

Blacket is a stylish and elegant serif font. It is suitable for a wide variety of designs due to its neat and clean style. Incredibly versatile, this font fits a vast pool of designs, elevating them to the highest levels. Comes with some alternates and ligatures, so you can combine them to make a perfect typography design. It is ideal for your upcoming projects. Such as luxury logo and branding, classy editorial design, magazines, Packaging, poster, movie, cosmetic brand, fashion promotions, art gallery branding, and more. This font is PUA encoded which means you can access all of the glyphs.

TT Tangerine made in 2017 has been a global hit. It's been used by the biggest performing artist in the world, luxury brands, designer packaging and more. Due to its popularity an italic style was added in Feb 2023. From the designer: I wanted to make a retro font with that 70's good vibes feel but i didn't want to just copy letters from that era. I decided to make new unique letters that had that groovy 70s feel. The bold curves pay homage to the big hair and bell-bottoms of the golden era.

Gringo is a type family that contains 27 different varieties. It is divided into three groups: Sans, Slab, and Tuscan = Europe - Texas. Due to its consistant structure, the single groups can be mixed as you wish. Furthermore every variety comes in Light, Medium, and Bold. There are three widths, from Narrow to Wide. Additionally, there is also a Dingbats font. The concept of Gringo is a fusion and a merging of type cultures to cross borders and create something new. Gringo won 3rd place in the "tdc2 2006 award" by the Type Directors Club New York.

VLNL Gaufre is a pixel-based font with holes designed by Donald Roos. Each character is built on a grid of doughnut-like elements, which makes it look like a kind of dried dog food, or Belgian waffles. Despite the grid Gaufre still has enough warmth due to the doughy, slightly rounded corners. And because it’s prepared with a hot waffle iron of course. The end result is a merry, chunky typeface that smells of doughnut. Use it for logos or headlines, just add butter and sugar or, better still, top it with whipped cream and cherries. Yummie!